Review: ‘Last Night In Soho’Edgar Wright Creates A Mesmerizing Musical, Psychological Horror Experience
After taking the horror genre for a comedic spin in cult classic fashion with Shaun of the Dead, Edgar Wright goes full-blown psycho terror with...
Review: ‘Snakehead’Shuya Chang And Sung Kang Shine As Smugglers In The Venomous World Of...
While we here in the States tend to think of illegal immigration specific to those coming from our Southern border (especially over the Trump...
Review: ‘7 Prisoners’Netflix's Sao Paolo Thriller Is Terrifying In Its Realism
Mateus (Christian Malheiros) is an 18-year-old from Catanduva, a town in the countryside of Brazil. He has a loving family and seems like he...
Review: ‘Marvel’s Hit-Monkey’Hulu Breathes Life Into Marvel’s Bizarre Simian Assassin
Once upon a time, Marvel Television (which yes, is different from Marvel Studios which makes the movies) attempted to replicate the shared universe success...
Review: ‘Black Friday’Devon Sawa, Michael Jai White, And Bruce Campbell Try To Survive The...
We have horror for every occasion out there in the universe but one often overlooked day that's begging to be included in that list...
Review: ‘Julia’An Empowering Story Of A Woman Who Found Purpose And Culinary Fame At...
Cooking is one of those tricky skill sets that, for those who are really good at it, make the process look super easy. I...
Review: ‘A Boy Called Christmas’Netflix's Newest Christmas Film Is A Funny And Touching Christmas...
Netflix's latest release shows what side of the "When is it too early to decorate for Christmas" argument they’re on. Releasing the day before...
Review: ‘The Power Of The Dog’Benedict Cumberbatch Lives The Cowboy Way In Jane Campion's...
*NOTE: This review was originally part of our Middleburg Film Festival coverage.*
The Western genre has survived the modern era of filmmaking through constant deconstruction,...
Review: ‘Flee’Animated Documentary Brilliantly Bends Genre In Telling A Refugee's Story
In his latest documentary, Danish filmmaker Jonas Poher Rasmussen keeps his subject’s identity anonymous. Despite this, Flee is easily one of the most personal...
Review: ‘Home’Franka Potente's Directorial Debut Is A Powerful Drama About Forgiveness
After seventeen years in prison, Marvin (Jake McLaughlin), is finally out in Home – and that’s exactly where he’s heading. With only a small...