TIFF 2026 Review: ‘The Debut’
I can already see and hear it now: Julianne Moore, decked out in blue overalls with a little nametag on them, a toolbelt strapped...
TIFF 2026 Review: ‘Wild Horse Nine’
It's impossible not to see similarities between Martin McDonagh's breakthrough dark comedy, In Bruges, and his latest bruising look at a complicated male friendship,...
TIFF 2026 Review: ‘Elsinore’
Today, if anyone knows the name Ian Charleson, it's for his leading role in 1981 Best Picture winner, Chariots of Fire...MAYBE for co-starring with Ben...
DC Readers: Attend A Free Screening Of ‘Resident Evil’
I'm happy to offer DC area readers the chance to attend tomorrow night's free screening of Resident Evil, from Zack Cregger, director of Barbarian...
TIFF 2026 Review: ‘Faith’
Oh dear.
I went into Faith blind, and I suggest you do too. It's just my luck that this common practice of mine greatly enhanced...
TIFF 2026 Review: ‘The Last Photograph’
Zack Snyder's long-awaited indie drama, The Last Photograph, is a complicated movie to come to terms with, especially if you're a fan of his work...
TIFF 2026 Review: ‘Ink’
Danny Boyle, fresh from reviving the zombie 28 Years Later franchise, injects heist thriller energy into the ugly origin of modern media with Ink. It's the pulse-pounding...
TIFF 2026 Review: ‘The Surgeon’
American audiences who have only known Michelle Yeoh for her roles in Everything Everywhere All At Once, Wicked, and maybe even Crouching Tiger, Hidden Dragon, will never...
TIFF 2026 Review: ‘I Play Rocky’
Eight years ago, Peter Farrelly, having recently split from the directing duo with his brother Bobby, brought civil rights comedy Green Book to TIFF, where...
TIFF 2026 Review: ‘Being Heumann’
Five years ago, Sian Heder's CODA emerged as the most popular film to premiere at Sundance, but nobody expected it to connect with people...