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Giveaway: Win Passes To See ‘Godzilla Vs. Kong’ In Theaters!

It’s the epic battle of the cinematic titans and we want you to be there! Enter to win two tickets to see #GodzillavsKong in theaters! Winners will receive Fandango vouchers to choose the theater, date, and showtime of your choice – including IMAX! – to catch this monster-sized blockbuster in theaters. GODZILLA VS. KONG opens in theaters and streaming exclusively on HBO Max March 31.

SYNOPSIS: Legends collide in “Godzilla vs. Kong” as these mythic adversaries meet in a spectacular battle for the ages, with the fate of the world hanging in the balance. Kong and his protectors undertake a perilous journey to find his true home, and with them is Jia, a young orphaned girl with whom he has formed a unique and powerful bond. But they unexpectedly find themselves in the path of an enraged Godzilla, cutting a swath of destruction across the globe. The epic clash between the two titans— instigated by unseen forces—is only the beginning of the mystery that lies deep within the core of the Earth.

To enter, simply complete the Rafflepress contest form below. 10 winners will be selected to receive two Fandango passes good for the theater, date, and showtime of their choice. The contest ends tomorrow, March 28th, at noon. Good luck!

‘Static Shock’ Movie Surges Forward With ‘Safety’ Writer Randy McKinnon

We’ve talked a lot about the new generation of heroes that will make up Marvel’s Phase 4, but there’s a bit of a youth movement going on at DC Films as well. With Batgirl, Blue Beetle, and Zatanna films already in the works as part of the DCEU, one project we’ve known about since DC Fandome is Static Shock, based on the popular Milestone Comics character and star of his own hit animated series. Michael B. Jordan and Reginald Hudlin are on board as producers, and now the live-action film, which could go direct to HBO Max, has added another key piece.

THR reports Randy McKinnon has been hired to write the Static Shock movie, centering on young hero Virgil Hawkins, who gains electromagnetic powers after a chemical exposure. Static then uses his abilities to fight crime in his neighborhood, very similar to Spider-Man in a lot of ways.

McKinnon recently wrote the Disney+ football drama Safety, which Hudlin directed.

It’s good to see DC Films really diversifying its slate to reflect a wider audience. You can add this to the upcoming Superman film that Jordan is attached to, as well.

So far, Static Shock has no director attached but Hudlin has plenty of experience in that area and Jordan will, too, after he finishes with Creed III. Both have to be considered contenders.

New ‘Transformers’ Film In The Works From ‘Charm City Kings’ Director Angel Manuel Soto

Get ready to head back to Cybertron! The Transformers franchise is growing once again, as THR reports Charm City Kings director Angel Manuel Soto will take the helm of a new film, with The Defenders writer Marco Ramirez on the script.

Here’s where things get really interesting, because the report adds that this new film by Soto will be totally disconnected from the five previous Michael Bay movies and the Bumblebee spinoff. That said, it’s only been a few months since Steven Caple Jr. (Creed II) was brought on to direct a new Transformers movie that is a part of that universe.

That begs the question what exactly is Soto’s movie going to be?? Perhaps it’s tied one of the other spinoffs we’ve heard about? Or maybe it’s a Beast Wars film?

Whatever it turns out to be, having Soto on it is tremendously exciting. I’ve talked frequently about Charm City Kings as one of last year’s best movies, having wowed me since seeing it at Sundance. Since then, Soto has been highly in demand, having also landed the Blue Beetle gig for DC Films. So yeah, he’s rocketing off right now and that’s awesome.

Review: ‘Enhanced’

A Run-Of-The-Mill Sci-Fi Action Flick From Former Stuntman/Fight Choreographer James Mark

George Shepherd (George Tchortov) is a sergeant of a team working for a secret military project in Enhanced. There are mutants living amongst ordinary people and Shepherd and his team have been tasked with containing and incarcerating them. The goal is to protect the public as well as the mutants and avoid death on either side. Of course, that’s just a goal, the team is prepared to do whatever it needs to get the enhanced off of the streets. George has to manage the dangers of the missions with some trigger-happy soldiers under his command like Scott (Eric Hicks) – who would rather shoot first and ask questions later.

George has always blindly followed the intel they’ve received – the enhanced are dangerous and a threat to the public. His boss Captain Williams (Adrian Holmes) lets the team know that numerous enhanced have been found dead. The working theory is that one of their own is killing the rest off one by one. George and his team are to continue rounding up the enhanced but making sure to try and track down this potential serial killer.

After a few curious encounters with the enhanced showing signs that conflict with the intel, George begins to question everything. Especially after meeting Anna (Alanna Bale) – an enhanced who doesn’t seem to be a threat to people at all. Anna is simply lonely and tired of always having to look over her shoulder. She just wants a normal life, a better life. David (Chris Mark), the enhanced with sinister motives, sets his sights on Anna leaving George with a decision to make. Does he continue to blindly follow his orders, or risk everything to help her.

Director James Mark, who also cowrote the film with Matthew Nayman and Peter Van Horne, has a background as a stuntman and fight choreographer. His years working in these areas translate on screen in Enhanced. The fight scenes are by far the highlights of the film. They flow seamlessly and are choregraphed extremely well. It is interesting to see what “powers” the enhanced possess and what new tricks they pull out of their sleeves. Issues arise with the consistency however, where character’s strengths and abilities seem to waiver.

Enhanced would have been better served as a television series. There was potential to build an unique world with David’s quest at the center and introducing new enhanced characters as the show progressed. In the film’s current form it felt the opposite, diminished. We only got glimpses of the enhanced and mentions of others. We didn’t get to see all their attributes and their full potential. There was enough to pique your curiosity, but not truly satisfy it. When it’s all said and done, Enhanced is just another average Sci-Fi action film. There are a couple of neat moments, but it does not do nearly enough to set it apart from previous films of the genre. There are far better sci-fi movies out there and watching it won’t really enhance your life – you can pass on this one.

‘The Suicide Squad’ Character Posters Warn Not To Get Attached To Anybody

Plus, Sylvester Stallone Confirmed As Voice Of King Shark

Following on the heels of the red band trailer for The Suicide Squad, Warner Bros. has dropped a bunch of character posters with one simple warning: Don’t get too attached to anybody. I mean, we saw how long some of them lasted in the first movie, didn’t we? Sorta comes with the territory. It’s in the name.

Each character poster features a member of Task Force X who may or may not live to see another movie. We’ve got Idris Elba as Bloodsport, Margot Robbie as Harley Quinn, John Cena as Peacemaker, Jai Courtney as Boomerang, Viola Davis as Amanda “The Wall” Waller, David Dastmalchian as Polka-Dot Man, Michael Rooker as Savant, Daniela Melchior as Ratcatcher, Sean Gunn as Weasel, Peter Capaldi as Thinker, and, as confirmed by the actor himself, Sylvester Stallone voicing King Shark.

If I had to make a guess based on the amount of shine they’ve been getting in promos, I’d say Boomerang is not long for this movie. That sucks since he’s such a great character, but it would make the point that this film is definitely different than the last.

The Suicide Squad opens August 6th in theaters and HBO Max.

 

Review: ‘Bad Trip’

Eric Andre's Road-Trip/Prank Movie Is Funny, Disgusting, And Believe It Or Not, Inspiring

I’m late to the Eric Andre party and up until I screened his new film with Del “Lil Rel” Howery, Bad Trip, I was only aware of him as a popular meme template. Not to worry, I’ve added The Eric Andre Show to my queue after seeing this film. Bad Trip is a hybrid, mixing a buddy road trip comedy with a hidden camera prank show, ala Borat or Bad Grandpa (the latter being the inspiration for this film). The flick sees Chris Carey (Andre) and his best friend Bud (Howery) go on a road trip to NYC so Chris can re-capture the love of his high school sweetheart Maria (Michaela Conlin). Lacking in transportation the pair decide to “borrow” Bud’s sister, Trina’s (Tiffany Haddish) beloved car since she’s in prison and won’t find out. The two are faced with a ridiculous number of over-the top trials and tribulations on their way, the worst of which being Trina’s escape from prison, since that means she is now hunting them down for taking her car.

So let’s get this out of the way first, if you’re not a fan of low-brow comedy, if Jackass was never your thing…then Bad Trip isn’t for you. Everyone else, well you are in for a hilarious and surprisingly uplifting film. The storyline setting everything in motion is nothing special and obviously only exists as the vehicle to get to the next prank, though you can see the effort they put in to making everything cohesive. While we never really get invested in Chris’s quest they were able to merge the two that made the transition to a prank scene less jarring then what you usually end up with in films like these. Tiffany Haddish, of course, is great as the terrifying Trina and she REALLY gets into it when it comes time to interact with the unsuspecting public. I was surprised that she was able to be in a film like this as effectively as she was, you’d think more people would notice that the breakout star of Girls Trip had just broken out of prison right in front of them.

What really impressed me was the line that Andre walked with the pranks that were included. I’m always extremely wary of these types of films, more often than not they are seriously anxiety inducing and move more toward gross then funny by the end of the film. I get it, you need to one up the last prank or what’s the point, but the end result can be unwatchable for a lot of people. This isn’t to say they’re tame, any movie that includes a scene of a gorilla making sweet love to a man that snuck into his cage at the zoo is immediately removed from the “tame” category. Nope, not tame but varied, their seemed to have been a lot of thought put into the different ways to trick people. With films like Jackass you end up wondering just how many ways can you construct a prank centering around fireworks and an anus before you’re just repeating yourself. Bad Trip kept the pranks fresh and on different spectrums of the “offensive” chart throughout.

As I said before, this one’s pretty simple to review. If you like gross-out comedies and/or prank shows you will be more then satisfied with Bad Trip. I can’t finish this review without talking about the most surprising aspect of the film. It seems everywhere we look these days we’re being told how bad the world and people in general are. This is not what I expected to say, but truthfully speaking Bad Trip gave me back some hope for the future. Almost every single time a prank is executed you see good people emerge with concern and care (not the Chinese Penis Trap guy, he was an exception). Whether it’s a woman chastising Haddish for hanging Andre off the side of a building, or a caring Army recruiter Bad Trip ended up being a spotlight for the fact that, despite appearances, people are inherently good.

Bad Trip is streaming now on Netflix!

 

‘The Suicide Squad’ Red Band Trailer: James Gunn’s New Team Of A-Holes Is Dying To Save The World

James Gunn has referred to The Suicide Squad as his take on The Dirty Dozen, and not only can you see that in the new posters released yesterday, but in today’s trailer! Of course, this being a James Gunn joint, his idea of such a thing is totally off-the-wall, resembling at times a more amped-up version of his Guardians of the Galaxy films.

While totally disconnected from David Ayer’s 2016 film, there are connections to it nonetheless. Margot Robbie returns as Harley Quinn, along with Jai Courtney as Boomerang, Viola Davis as Amanda Waller, and Joel Kinnaman as Rick Flag. They’re joined in this “search and destroy” mission by new recruits Idris Elba as Bloodsport, John Cena as Peacemaker (due for his own spinoff HBO Max series), Peter Capaldi as Thinker, David Dastmalchian as Polka-Dot Man, Daniela Melchior as Ratcatcher, Michael Rooker as Savant, plus Pete Davidson, Alice Braga, Sylvester Stallone, and Nathan Fillion.

With this cast of Gunn regulars, you can tell everyone had a blast shooting this, and the action looks insane! Plus, we finally know that Starro, one of the weirdest DC Comics villains ever, is who the team will be facing.

And to think, we’re only getting this movie because Marvel Studios jumped the gun (no pun intended) and fired Gunn over comments made years ago. Now we get to see him do his thing in both of the major superhero movie studios and I’m here for all of it.

The Suicide Squad opens in theaters and HBO Max on August 6th.

‘The Good Nurse’: Nnamdi Asomugha Joins Eddie Redmayne And Jessica Chastain In “Angel Of Death” Thriller

In the works for a couple of years, Netflix’s serial killer film The Good Nurse, starring Eddie Redmayne and Jessica Chastain, is finally moving forward next month. And as part of that, there’s a new addition to the cast in Sylvie’s Love star and Ex-NFL All-Pro Nnamdi Asomugha.

Deadline reports Asomugha has joined Redmayne and Chastain in The Good Nurse, which also boasts some impressive talent behind the camera. The adaptation of Charles Graeber’s novel marks the English-language debut of Oscar-nominated Another Round director Tobias Lindholm, and was written by 1917 scribe Krysty Wilson-Cairns. Not only that, but Darren Aronofsky is on board to produce.

Asomugha will play Danny Baldwin, one of the lead investigators helping Chastain’s character investigate the murders committed by Charlie Cullen, a nurse and married family man who secretly was one of the most prolific serial killers in history.  Redmayne will play Cullen, who became known as the “Angel of Death” for having killed as many as 300 patients across 16 years as a New Jersey caretaker.

You can check out my recent interview with Asomugha here. He’s definitely a star on the rise.

‘The Virtuoso’ Trailer: Watch Anthony Hopkins Boss Around Hitman Anson Mount In New Thriller

I think Anthony Hopkins has been around so long we forget that he can do pretty much anything and be great at it. Sure, his current Oscar-nominated performance in The Father shows that he still can make us weep on command, but it’s a film like The Virtuoso that has Hopkins being a bit scary again. Not like Hannibal Lecter scary, but like “Odin might hurl a lightning bolt” scary, and he gets to do it opposite Star Trek: Discovery‘s Anson Mount.

The Virtuoso is one of those movies where an assassin takes on a mission that has him questioning his line of work. Mount plays the professional hitman with Hopkins as his sinister boss who sends him to a small country town with few clues as to who the actual target is. Also in the cast is Abbie Cornish (Sucker Punch) who Mount’s character takes a shine to.

Also in the cast are Eddie Marsan, Richard Brake, Diora Baird, and David Morse. Damn, a lot of actors who specialize in being really downbeat. The film is co-written and directed by Nick Stagliano.

Since we’re trained to look for these things now, there is a Marvel connection here, I guess. Hopkins and Mount are MCU alums, with the former as Odin and the latter cast as Black Bolt in the ill-fated Inhumans series. Remember that one? Yeah, me neither. Basically, this is the Odin vs. Black Bolt movie you never asked for.

The Virtuoso opens digitally on April 30th with a Bluray/DVD release on May 4th.

Danger, deception, and murder descend upon a sleepy country town when a professional assassin (Anson Mount) accepts a new assignment from his enigmatic mentor and boss (Oscar® winner Anthony Hopkins). Given only where and when along with a cryptic clue, the methodical hit man must identify his mysterious mark from among several possible targets, including a local sheriff (David Morse). Meanwhile, a chance encounter with an alluring woman (Abbie Cornish) at the town’s rustic diner threatens to derail his mission in this noir-style cloak-and-dagger thriller.

 

‘The Falcon And The Winter Soldier’ Ep. 2 Recap- Intro The New Captain America, And The Unknown One

If the memes birthed from last week’s reveal of the new Captain America, John Walker (Wyatt Russell) are anything to go by, fans do not like this new guy carrying the shield. So you can only imagine how he’ll clash with the guys we think SHOULD be carrying it. Episode two of Falcon and the Winter Soldier gives us the oil and water dynamic between the three patriotic heroes we were hoping for, alon with the buddy comedy component that was missing in the somber premiere.

But at first, you might find yourself liking the new guy a little bit. Or at least respecting his come-up to the big leagues. He actually seems like a decent dude! We’re introduced to him this episode in quiet fashion, thinking over the decisions that have led him to be the new Captain America. An ex-football star and elite soldier who rates off-the-charts in physical and athletic ability (he wields the shield like Cap himself), Walker comes across like an ordinary guy who just wants to do right by Steve Rogers and his country. He’s not at all like the a-hole USAgent we know from the comics, although something tells me a few episodes of disrespect will bring that out of him.

Because sure enough, disrespect is about all he gets. Not from the American people, mind you; they seem to love having anybody back in the costume. But when it comes to Sam “Falcon” Wilson (Anthony Mackie) and Bucky Barnes (Sebastian Stan), they ain’t having it. Sure, Walker can parade around and shake hands with folks, sign autographs, take selfies, do commercials (it’s eerily remisicient of The First Avenger’s depiction of Captain America as a marketing tool), but he’ll never be the hero Steve Rogers was.

This episode is largely about drawing contrasts and similarities between John Walker and Steve Rogers. Both appear to be humble, salt-of-the-earth types who just want to “get the job done”. But as Walker’s pal and sidekick Lemar Hoskins aka Battlestar (Cle Bennett) tells him, all of this glad-handing IS part of the job now. “You can’t just punch your way out of problems”, he says, which is pretty much a lesson Rogers had to learn himself.

The major difference between Walker and Rogers, at least that I see, is arrogance. Walker has always been treated like he is gifted, whether it was on the football field or in the military, so now that he’s got actual power there’s a good chance he will abuse it. Whereas Rogers was a puny pipsqueak who was bullied all of his life, and never had the power to make the kind of difference in the world that he wanted. When he gained strength, courtesy of the Super Soldier serum, he never took it for granted because he had known weakness. Isn’t this, essentially, what Dr. Erskine (Stanley Tucci in The First Avenger) said when he chose Rogers in the first place?

We finally get to see Sam and Bucky team-up, but no, they aren’t happy to see one another. Bucky has been watching this new Captain America and he’s not happy. He won’t get off Sam’s back for giving up the shield. The two can barely stand to be around one another, but Bucky invites himself to be part of an operation to investigate the terrorist Flag-Smashers. This observatory mission goes bellyup, though, when they end up overwhelmed by the group, who appear to be pumped up on Super Soldier serum.  It’s a pretty one-sided beatdown until who should come swooping in to the rescue but the new Captain America and Battlestar. How Goddamn embarrassing can it get? The Flag-Smashers get away, Cap invites Sam to be his “wingman” just like he was for Rogers, and it’s that last arrogant crack that both hints at Walker’s arrogance but also drives a wedge with Sam.

This idea of giving power to those who never had it is a theme that carries through into what I think is the most consequential addition to the MCU yet. Picking up on another lead, Bucky takes Sam to Baltimore, MD and the home of…Isaiah Bradley, known to Marvel Comics fans as the “black Captain America.” Introduced in the seminal Truth: Red, White & Blue series, Bradley was part of the government’s attempt to recreate the Super Soldier serum by experimenting on Blacks.  Bradley was one of the few who survived, donned a costume, and operated as a hero for years. However, the price he paid for that was mistreatment by the U.S., being captured and tortured by Nazis, and then mental illness caused by the serum itself.

Here in the MCU, Bradley is played by the great characte actor Carl Lumbly, and much of that story remains. However, Bradley isn’t childlike here; he’s old and angry at the mistreatment he suffered by a government that imprisoned, poked, and prodded him for years despite his service to the country. Suffice it to say, he’s not offering Bucky and Sam any of his help. The knowledge of Bradley’s existence, though, shakes Sam up and seems to back-up his feelings as to why he never took Cap’s shield. If this is the way our government will treat someone like Isaiah, what would they do to him?

As if to drive that point home further, Sam is then racially profiled by a couple of Baltimore’s finest. Oops. It’s Bucky who gets arrested, though, only to be set free by…guess who, John Walker. The quartet of star-spangled men (The episode is actually titled “Star-Spangled Man”) still can’t get along, though, and after an impromptu therapy session they go their separate ways.

“Word of advice, then… stay the hell out of my way,” Walker says with…is that an evil smirk on his face? Kinda looks like it.

For Sam and Bucky, next is a visit to Baron Zemo (Daniel Bruhl), who might know something about where these Super Soldiers are coming from.

This is one of my favorite hours of Marvel television, I think. Not only does it combine some great fisticuffs action between the heroes and the Flag-Smashers, but I love the way they’re weaving Sam’s, and now Isaiah’s, experiences as Black superheroes. Their stories should not be like that of other MCU characters, and I’m happy to see that point being made here so well.

We also get some great squabbling between Sam and Bucky. Their conversation about the “Big Three”, which are the Androids, Aliens, and Wizards they always face is damn hilarious. Even better is their mutual dislike for this new Captain America, no matter how earnest he may be.

A couple of things that seem small now but are sure to be big later:  the Flag-Smashers are on the run from the Power Brokers, who in Marvel Comics are an organization that gives superhuman abilities to anyone who can pay for it. So we have an idea who has given them their powers.

Also, fans will want to note the brief appearance of Elijah Richardson as Eli Bradley, Isaiah’s grandson and the future Young Avenger known as Patriot. This definitely won’t be the last we see of him.

I’m hoping future episodes will reintroduce some plot threads from the first episode. I need to see how Sam’s financial woes tie-in to this, for one thing. I hope that wasn’t dropped for good. And what about Bucky’s attempts to have a normal life? Does he still care about that? The promise of Baron Zemo is pretty exciting, though, as well as the return of Emily VanCamp as Sharon Carter, another who was very close to Steve Rogers. I feel like all of this leading to a cameo by Chris Evans, and perhaps that’s what Marvel wants us to think. I’m down for the ride, either way.