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Review: ‘This Is The Year’

A Fun, Charming, And Well-Acted (Yet Predictable) Coming of Age Drama From Exec-Producer Selena Gomez

This Is The Year

Movies about your final year of high school are timeless. They often capture that last moment in between youth and adulthood. Where you are no longer a kid, and are just on the cusp of adulthood. Often these types of films focus on sex and lust: that one last time to get the girl/guy before everyone goes away to the next chapter of their lives. Surprisingly David Henrie’s directorial debut This Is The Year opts for a safer route and instead focuses on love as friends go on a road trip.

Josh (Lorenzo James Henrie) is getting ready to start his senior year of high school when he meets his best friend Mikey’s (Jake Short) cousin Zoey (Alyssa Jirrels). He hasn’t seen her since they were kids, and back then she bit him. Little does he know, Zoey’s all grown up and is stunningly beautiful. They even like the pop band lovelytheband the same. While they spend their senior year being cordial with each other, he’s developed a massive crush on her. With high school almost ending, he realizes he’s wasted his time. He can’t even ask her to the prom. For one, she has a boyfriend named Kale (Gregg Sulkin), but also, she and Kale are getting ready to move away to Los Angeles to start their careers as artists. Confiding with his best friend/next-door neighbor Molly (Vanessa Marano), they hatch a plan for him to woo Zoey and ensure that his high school is complete, almost like a fairytale, or like an 80s teen romantic movie.

With a music festival (that already has sold-out tickets) coming soon, Josh and Molly devise a plan: just lie and say that you won tickets via a contest and invite Zoe to go on a road trip to the music festival. This will give him the chance to finally talk with her and express his feelings, worry about the actual tickets later. Tagging along on the road trip is Mikey, and Mikey’s older brother Donnie (Bug Hall) who owns their ride: a food truck called the “Millennial Falcon.” As the group goes on their trip to the music festival, everyone is having a great time. Them going to carnivals, staying at hotels that turn into full-on keggers, and just genuinely have a great time with each other. As This Is The Year continues, we realize that keeping up with the lie is going to be impossible, and it’s clear that Molly and Josh have a great connection, even if they don’t know that, yet. Ass a result, you’re just waiting for the other shoe to drop on both plots.

Keeping with the theme of plenty of 80s teen romantic films, This Is The Year follows the formula and is devastatingly predictable. You know it’s going to be Josh and Molly, but what makes the ride worth it is that the film is very engaging, well-acted, and the cast all have great chemistry with each other. This is in part that many of the stars have worked with director David Henrie (who in addition to This Is The Year being his directorial debut, also pulls double duty as Molly’s potential love interest Sebastian they meet along the way) on Wizards of Waverly Place (Selena Gomez is also an executive producer), so everyone’s comfort level with each other allows some great chemistry amongst the cast.

The film is devoid of sex, or even foul language, which gives This Is The Year an interesting level of innocence, even though it’s a film about high schoolers wanting to hook up, and the innocence of the film has a certain level of charm and genuinely makes the audience feel good while watching it as well. The film primarily focuses on the kids as no parents are even seen throughout the film. In fact, the only adult is actor Jeff Garlin who plays Josh’s teacher who requires him to send an essay about what high school means to him, as well as throwing out some good advice for the lovesick teen. Overall, This Is The Year had a great deal of charm that carries what easily could have been a dull high school drama and elevates the material.

This Is The Year is currently available on VOD.

New ‘Super Mario Bros.’ Movie To Star Chris Pratt, Anya Taylor-Joy, Jack Black, Seth Rogen, & More

The Super Mario Brothers are long overdue for redemption on the big screen, and Illumination is going to give it to them. Nintendo’s iconic video game plumbers are coming back for an animated Super Mario Bros. movie with an all-star cast led by, get this, Chris Pratt as Mario and Charlie Day as Luigi.

Joining Pratt and Day are Anya Taylor-Joy as Princess Peach, who is always the damsel in distress caught in the grip of villainous Koopa king, Bowser, who will be voiced by Jack Black! Not only that, but Keegan-Michael Key is Toad, Seth Rogen as Donkey Kong, Fred Armisen as Cranky Kong, Kevin Michael Richardson as Kamek, and Sebastian Maniscalco as Spike.

Aaron Horvath and Michael Jelenic will direct, having previously worked together on Teen Titans Go! To The Movies. They’ll work from a script by The Lego Movie 2 writer Matthew Fogel.

Illumination is the studio behind the gigantic Despicable Me and Minions franchises, along with The Secret Life of Pets and Sing! Their animation style should be perfect for the bright, colorful, magical world that Mario Bros. exists in. But look, I’ve got questions! Will the greatest video game character ever, Yoshi, make an appearance? When does he get his own spinoff? What about Wario, who is far and away a better villain than Bowser? Will this be the moment when Luigi, as the elder brother, finally claims his rightful place as the most significant Mario Brother? He’s long overdue to stop being labeled as Mario’s sidekick.

The Super Mario Bros. movie is expected to open on December 21st 2022.

Review: ‘Dear Evan Hansen’

Try-Hard Adaption Of The Broadway Musical Isn't The Inspiration It Thinks It Is

Cancel culture works fast these days. Properties that were once considered beacons of art a few years ago are now being questioned for their representations and motives. One such project is the film adaptation of the hit Broadway musical Dear Evan Hansen. Critics and audiences have questioned whether or not this material has aged well. 

The film was directed by Perks of Being a Wallflower director Stephen Chbosky and written by Steven Levinson, based on Levinson’s musical with Benj Pasek and Justin Paul (The Greatest Showman, La La Land). Starring Ben Platt as the titular role he played on stage, Dear Evan Hansen tells the morally complicated story of a depressed teenager, Connor, with an anxiety disorder that interacts with another mentally ill student before he dies by suicide. Pulled in by Connor’s parents’ (Amy Adams and Danny Pino) search for answers, Evan’s need to people please eventually snowballs into a lie he can’t let go of. 

The musical’s message of mental health awareness is overshadowed by the pure sociopathic nature of Evan’s actions. Sure, not all lead characters have to be kind, wonderful people but the director shouldn’t paint them as a hero. Very rarely does Chbosky show us more of Evan’s motivations than what Platt is giving us. 

You can see Ben Platt cares very deeply about this character. He originated the role on Broadway and won a Tony for it. Whether or not he is the right age to play the character anymore has been highly discussed. His makeup and Chbosky’s lighting make Platt appear more puppet-like than a high school student.

The supporting characters are not in the film long enough individually to counter the convoluted emotionality of Evan’s character. Adams and Pino have easy and relatable chemistry to them. Julianne Moore, who plays Evan’s hard-working mother, plays a character we’ve seen from her. However, Amandla Stenberg and Kaitlyn Dever’s touching performances give the film some redeemability that you forget how problematic it is to see a kid socially profiting off of another kid’s suicide because he felt the same way.

Pasek and Paul’s music is more meaningful as individual songs rather than accompanied with scenes in between. However, after a string of ballads with a similar melodic structure, all the songs start to sound the same by the end.

The opening monologue is reminiscent of one of Kayla’s YouTube speeches in Bo Burnham’s Eighth Grade. In fact, the entire film feels reductive. Chbosky already really told a similar story in his novel and subsequent film Perks of Being a Wallflower. His direction feels phoned in at some points, with blatant continuity errors still in the final cut. 

Chbosky and Platt try so hard to make their audience feel something. However, its hard to walk away from Dear Evan Hansen and not feel depressed over its troubling message.

Dear Evan Hansenhits theaters Friday. Watch the trailer below.

‘Night Teeth’ Trailer: Hard Partying Vampires Take L.A., And Megan Fox Is One Of Them

Vampires are killing it this year, literally. It seems like every network/streamer/film industry is dabbling into the vampiric world and giving their take via horror, comedy, and action that’s geared toward all ages. Netflix and director Adam Randall join the vampire bandwagon and present an action packed flick with hot women who nonchalantly prey on their victims throughout the night with reckless carnage. Ramping up the spooky season, Night Teeth is a fun take on a vampire adventure that stars Disney alum, Debby Ryan and Vampire Academy‘s Lucy Fry.

Benny (Jorge Lendeborg Jr.) is a young and handsome driver who offers to drive two young and beautiful women around as they party hop for the evening. It’s not long before his world is rocked by unimaginable horrors as the ladies drag him into a places filled with ghoulish creatures. Realizing he’s chauffeuring bloodthirsty patrons,  Benny embarks on a mission to save his city, all while trying not to be next on the menu. Ryan and Fry take lead as sexy murderous vamps and are joined by a glam squad of Megan Fox (Jennifer’s Body), Sydney Sweeney (The White Lotus), Alfie Allen (Games Of Thrones, Jojo Rabbit), Alexander Ludwig (Vikings), and Raúl Castillo (Ghost Tape). Benny is entangled with the powerful clan and is soon dragged into a territorial war against another rival gang of vampires. The night is young and the vampire clans are ready to rumble.

Just in time for Halloween, Night Teeth premiers on Netflix October 20th.

Review: ‘The Guilty’

Jake Gyllenhaal Leads Antoine Fuqua's Intense, Contained Cop Thriller

*NOTE: This review was recently part of our TIFF 2021 coverage. The Guilty opens in limited release on September 24th, followed by Netflix beginning October 1st.*

A contained thriller such as Antoine Fuqua’s The Guilty, itself a remake of a 2018 Danish film, needs a powerhouse central performance to carry it through. Fortunately, Fuqua gets one from Jake Gyllenhaal, essentially the only actor we see do anything on screen while the rest of the starry cast are only heard over the phone. A tightly-wound 90-minute exercise in high tension, the film grabs you immediately and doesn’t let go, heating up as hot as the California wildfires raging in the background.

The plot is simple and rolls out in real-time like an episode of 24. Gyllenhaal plays Joe Bayler, a disgraced cop working 911 dispatch a pending court case looms. He hates this shitty gig, and can’t help lashing out at his colleagues (poor Adrian Martinez eats a lot of it) and callers alike, the latter mainly consisting of pissed off drivers, angry johns, and people trying to steer clear of the raging wildfires. Joe, who is admittedly an asshole, just wants to feel like a real cop again, that much is also clear.

He gets that chance when a kidnapped woman (voiced by Riley Keough) calls in, desperate for help. She says she’s being held captive by her estranged husband (voiced by Peter Sarsgaard), a man with a criminal history and, judging by the fear in her voice, a penchant for violence. Something has also happened to their kids, and Joe can’t help going above and beyond the rules to save this woman and her family from certain death.

What’s interesting about The Guilty is how stealthily it tip-toes along the margins so that we’re never completely sure what’s going on. We know Joe has done something terrible to be in the position he’s in, but his guilt or innocence remains a mystery. Is his anger a sign of his character as an officer of the law? And why such a level of concern for this woman he doesn’t know and will probably never meet? Through all of his tantrums, concerning overreaches in authority, and blatant abuse of the dispatch system, he’s still someone who displays genuine concern and empathy at times. He’s a complex character to figure out, and Gyllenhaal runs through the gamut of emotions like a champ.

Penned by True Detective writer Nic Pizzolatto, The Guilty moves at a brisk pace and always keeps you on the hook. Just as you think it has nowhere else to go, a new wrinkle pops up such as an aggressive LA Times reporter who keeps calling, or Joe’s loyal-but-troubled partner who gets roped into the investigation. All of this takes place within the confines of a single office space, although Gyllenhaal is a livewire of movement in those tight quarters.

Famously at this point, Fuqua and Gyllenhaal never met during filming of The Guilty, citing COVID-19 concerns. The filmmaker was nearby working remotely from a van, and y’know, that might have been a blessing in disguise. So much of the film takes place away from Joe’s field of vision, as he’s stuck looking at monitor screens, that a similar production style seems appropriate and might’ve helped Gyllenhaal get into character. For much of the film, Pizzolatto’s screenplay is pretty grounded, but the high-minded True Detective style melodrama does emerge in the final act and it’s the only time The Guilty goes off the rails.  This is an easy, gripping watch and the second really good pairing of Gyllenhaal and Fuqua following Southpaw. Here’s hoping they keep working together because clearly they’ve got something.

Middleburg Film Festival Announces ‘King Richard’, ‘Power Of The Dog’, ‘Belfast, ‘Red Rocket’ As Part Of Impressive Lineup

The Middleburg Film Festival has been an annual highlight for me all nine years of its existence. And their tradition of bringing major awards season films to the area continues with the announcement of just some of this year’s impressive slate, beginning with the Opening Night film, King Richard!

Kicking off the Middleburg Film Festival on October 14th is King Richard, starring Will Smith as Richard Williams, father to tennis champions Serena and Venus Williams. Directed by Reinaldo Marcus Green (Monsters and Men), the film also stars Aunjanue Ellis as the girls’ mom, Saniyya Sidney as Venus, Demi Singleton as Serena, and Tony Goldwyn and Jon Bernthal as influential coaches Paul Cohen and Rick Macci.

The Saturday Centerpiece is Kenneth Branagh’s acclaimed coming-of-age film Belfast, winner of the TIFF People’s Choice Award. Following one boy’s childhood in the tumultuous 1960s of Northern Ireland, the film stars Caitríona Balfe, Judie Dench, Jamie Dornan, Ciarán Hinds and Jude Hill.

Closing out the festival on Sunday is Jane Campion’s The Power of the Dog, which has already been earning Oscar buzz for star Benedict Cumberbatch. Also starring Jesse Plemons, Kirsten Dunst and Kodi Smit-McPhee, it follows Phil Burbank (Cumberbatch), a charismatic rancher who inspires fear and awe in those around him. When his brother brings home a new wife and her son, Phil responds with mocking cruelty until he finds himself exposed to the possibility of love.

The Friday Spotlight definitely has my attention, as it will be Red Rocket, the new film from The Florida Project‘s Sean Baker. Starring Simon Rex in a performance already being called “charismatic”, the story follows Mikey Saber, a hustler who returns to his small Texas hometown after a failed adult film career in L.A.

Set for the International Spotlight is The Hand of God, the autobiographical film from writer/director Paolo Sorrentino (The Great Beauty) centering on a young man coming of age in 1980s Naples where family, soccer, cinema, love and loss dominate his thoughts.

The Documentary Spotlight is Flee, Jonas Poher Rasmussen film about “Amin as he confronts a painful secret he has kept for 20 years. Recounting the story for the first time to Rasmussen (his close friend and high school classmate), Amin chronicles his extraordinary childhood journey of fleeing Afghanistan with the help of smugglers and settling in Denmark as an unaccompanied minor.”

The Middleburg Film Festival runs from October 14th-October 17th. Enhanced COVID-19 safety protocols will be in place for those who attend.  I can’t recommend the festival highly enough for movie lovers. Passes available now with individual ticket sales coming early October to the Middleburg website here! More announcements to come!

First ‘Tiger King 2’ Footage Teased By Netflix Before It Arrives Later This Year

Tiger King 2 is finally here and at the time of Halloween right around the corner. Last year was full of Harley Quinn costumes galore so, this year could be a peppered array of Joe Exotic’s and Carole Baskin’s in their tiger ‘glory’.

Netflix introduced us to the first season of the series, Tiger King: Murder, Mayhem and Madness, with seven “I can’t believe what I’m seeing but can’t get enough if it” episodes. The second season was filmed in 2020 and into part of 2021 but a lot has changed since the first season.
Directors Eric Goode and Rebecca Chaiklin presented the docuseries that explored the insane world of tigers, lions, and other big cats (“oh my”) owners and rivals, Joe Exotic and Carole Baskin. It spawns into a murder-for-hire plot against Carole Baskin, who runs Big Cat Rescue. She has vigorously lobbied to shut down facilities who mistreat exotic cats and animals, more specifically targeted at Joe and his team of rifraffs at their mismanaged site in Oklahoma.
Baskin was able to finance her battle through the fortune she inherited from her late husband, who disappeared under mysterious circumstances. Which is still an unsolved mystery to this day. Through more recent news that may be featured in the second series, Baskin was able to acquire Joe’s property. In January 2020, Joe Exotic was sentenced to 22 years in federal prison. In July, a federal appeals court ruled he should get a shorter prison sentence. He thought he was going to get out with the help of Trump but that fell through and hit the ground with a relieving thud. Joe remains in prison to this day.
OK, all you cool cats and kittens…Keep an eye out for Tiger King 2 premiering later this year on Netflix.

‘The Electrical Life Of Louis Wain’ Trailer: Benedict Cumberbatch Stars As The Eccentric Artist Of Cats

I’m a firm believer that an artist’s work is a reflection of who they are. That was certainly the case for Louis Wain, who became known for his playful, weird pictures of big-eyed cats. In life, he was a man of many eccentricities, and Benedict Cumberbatch brings them to the big screen in The Electrical Life of Louis Wain.

The film stars Cumberbatch as Wain, an eccentric burdened with the responsibility of providing for his large family. While many of his stranger pursuits failed, he found success as an artist of animals, particularly cats. It was a gift he discovered with the help of his wife, played by Claire Foy, as she was struggling with an illness.

This was the second of two major lead roles for Cumberbatch at TIFF. The other, Jane Campion’s Power of the Dog, earned Cumberbatch loads of Oscar buzz for his performance, while Louis Wain sorta flew under the radar. Audiences love Cumberbatch as the quirky genius, though, so who knows how both films will play out when released.

Written and directed by Will Sharpe, The Electrical Life of Louis Wain opens in select theaters on October 22nd, followed by Amazon Prime Video on November 5th. You can check out my review here!

The extraordinary true story of eccentric British artist Louis Wain (Benedict Cumberbatch), whose playful, sometimes even psychedelic pictures helped to transform the public’s perception of cats forever. Moving from the late 1800s through to the 1930s, we follow the incredible adventures of this inspiring, unsung hero as he seeks to unlock the “electrical” mysteries of the world and, in so doing, to better understand his own life and the profound love he shared with his wife Emily Richardson (Claire Foy).

 

Review: ‘Apache Junction’

A Disappointing Western Film That's More Fitting For The Hallmark Channel

Apache Junction is an outpost of lawlessness, a haven for thieves and cold-blooded killers. The film is written and directed by Justin Lee (Badland, Swell, Big Legend). Despite the brutality and loose women, Apache Junction is the safest place to be. Outside those town lines is a guaranteed death. Big-city reporter Annabelle Angel (Scout Taylor-Compton, Halloween I & II, The Runaways) arrives to write an article on the town. She is a woman of fresh beauty and vulnerability that will easily be a target to the roughneck men in town looking for trouble. When trouble finds her, the notorious gunslinger, Jericho Ford (Stuart Townsend, Salem, Betrayal, Queen of the Damned) comes to her aid. Now Annabelle must entrust her future to a man with a deadly past. It’s not long before Jericho heads toward a tense showdown in this simple Western that unloads a short blast of action.

Country music star Trace Adkins (Moms’ Night Out, The Lincoln Lawyer) is back at acting with his newest role as Captain Hensley. The Captain is in charge of the army men who’s sent in to maintain control of the lawlessness happening in town. Oslo Pike (Ed Morrone, Final Kill) is a creepy, gambling gunslinger who happens to have one hell of a quick draw. Both men want to take out Jericho Ford (Townsend). Ford is a good man with an unfortunate reputation who makes money fighting and is often seen in the company of “lady of the night” worker, Christine Williams (Victoria Pratt, Heartland). Jericho has two friends/allies that help him when he needs it. Al Longfellow (Thomas Jane, The Expanse, Deep Blue Sea, and Boogie Nights) is the bar owner and rule setter of this wild town and Wasco (Ricky Lee, The Ridiculous 6, The Magnificent Seven). Together, they try to outsmart and shoot the Captain (Adkins) and Pike (Morrone) before chaos takes complete control.

If you’re someone like me who loves a good western, Apache Junction is not it. Every scene is staged and just about every character is emotionless and does not adequately belong. There is too much make-up on the women and the overall wardrobe is too clean and polished. The story is simple, unexciting, and the dialogue is basic and extremely white-washed. Christine’s (Pratt) speech on how “she’s a whore and doesn’t deserve love” as she’s wearing a cute outfit, make-up, and her hair gorgeously done is a serious eye roll. The whole film comes across as a made-for-TV Hallmark style/quality and is a major let down. A forgettable stage play-esque reenactment that presents a ‘too good to be true scenario’ for what’s supposed to be a raw, gritty, and lawless type of western. Could have had the potential to be fairly decent but it instantly flat-lined. It’s a definite no from me.

Apache Junction will be in theaters, On Demand and Digital on September 24th.

Review: ‘Nine Perfect Strangers’

Hulu’s Well-Acted Limited Series About Wellness, Mental Health, And Drugs Limps Towards the End

Nine Perfect Strangers

The wellness industry is one that’s very lucrative and intriguing at the same time. The idea that someone pays ridiculous amounts of money to go to a retreat to have some much-needed therapy/R&R might seem alien to most, but that doesn’t mean that it’s not something that people don’t do to help better themselves. Hulu’s latest miniseries Nine Perfect Strangers (based on the book of the same name by author Liane Moriarty, who also wrote Big Little Lies) explores a wellness retreat that is not exactly what it appears to be.

Tranquillum House is a wellness resort headed up by Masha Dmitrichenko (Nicole Kidman). She promises that if you give her ten days, she will transform you in ways you could not imagine for the better. Working alongside Delilah (Tiffany Boone) and Yao (Manny Jacinto), they run a tight ship and promise to improve the lives of the people who join their complex in search of bettering themselves.

Joining Tranquillum House for the upcoming session is a wide range of different people. The only thing they have in common is that they all have significant issues affecting them that they would like to resolve. Frances (Melissa McCarthy) is a writer who unfortunately has self-esteem issues both personally and professionally. It doesn’t help that she was the victim of a catfish scam by a guy she met online that milked her for some money. Carmel (Regina Hall) is a woman who doesn’t believe in her own self-worth after her husband cheated on her and left her for another woman that her children are now calling “mom.” Tony (Bobby Cannavale) is a former football player who after an injury became addicted to painkillers and his life fell apart. Lars (Luke Evans) arrives at the resort because of his apprehension about adopting a child with his husband, but he also has a hidden agenda. Lottery winner Ben (Melvin Gregg) and his social media influencer wife Jessica (Samara Weaving) are having marital discord. The Marconi family consists of father Napoleon (Michael Shannon), mother Heather (Asher Keddie), and daughter Zoe (Grace Van Patten) whose family has fallen apart after the sudden and tragic suicide of their son Zach (Hal Cumpston).

Talk about a stacked cast! Right off the top, this cast absolutely brings their A-Game and delivers throughout Nine Perfect Strangers’ first season. While Melissa McCarthy has dipped into dramatic performances in the past (and even gotten Oscar nominations for it), she’s still known as a comedian. She continues to stand out with her performance as Frances, especially as she and Tony grow close during their stay at the wellness resort. Bobby Cannavale also delivers in his performance, especially his interactions with McCarthy. Each member of the Marconi family delivers exceptionally strong performances as they continue to process the grief of their son’s death while at Tranquillum House. Mega props go to Regina Hall as well. Her character Carmel appears to be the most damaged, which allows her to completely own every scene she is in. It’s hard to imagine that she’s the same person from those Scary Movie films way back when. In fact, come awards time, it’s going to be very hard for the Academy to pinpoint any one actor to be deemed worthy of taking home the gold as everyone completely shines.

The only complaint performance-wise (surprisingly) would have to be from Nicole Kidman as the leader Masha. While overall, she seems to be doing a great job, it’s her Russian accent that is severely distracting throughout Nine Perfect Strangers’ eight-episode run. There is some development from her character towards the end that allows her to deliver a great performance, but that accent doesn’t necessarily work for her.

As the newly arrives guests come to Tranquillum House, it becomes quickly clear that Masha has a VERY unorthodox approach to helping people at her resort. Instead of the usual meditation, yoga, and general relaxation that most wellness resorts are accustomed to, Masha drugs the hell out of her attendees. And we’re not talking about prescription drugs either. Secretly dosing people with mushrooms and other psychedelics would be a massive red flag and land one in jail immediately. But that’s the gist of Nine Perfect Strangers. Masha has built up an operation of massively dosing her attendees in the hopes of expanding their minds to help them process their trauma. Surprisingly it seems to work for many of the attendees, even those who have never taken drugs ever are receptive to it once they see the results. But Masha is also doing it for her own nefarious purposes that Nine Perfect Strangers reveal by the end of the season.

In addition to trying to help everyone deal with their problems, Masha has her own problems to deal with. She’s being stalked by someone from her past that wants her dead. While this is a drug-fueled self-help story, it’s also a mystery about a potential killer who wants to kill Masha. Unfortunately, when the payoff is revealed as who the would-be assassin is, it comes across as silly and another added layer of manufactured drama for the sake of drama, and it’s dismissed rather quickly as well.

Towards the end of Nine Perfect Strangers, it feels as though the ending is rushed. It could have possibly gone another episode or two to flesh things out and come to a more satisfying conclusion. Characters go from calm and rational to agitated and insane by the next scene. Maybe it’s the drugs, maybe it’s the show’s writing. That said, you cannot deny the cast and their performances throughout the series. It’s currently billed as a Limited Series from Hulu, but there is a montage at the end which shows what happens to each character, and it might be worth it to continue to explore what happened at Tranquillum House as its inhabitants.

Nine Perfect Strangers is currently streaming on Hulu.