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Review: ‘The Cleaner’

King Orba, Luke Wilson, And Lynda Carter Star In A Crime Drama About Stepping Out Of Your Comfort Zone

The Cleaner

When you think of a movie titled “The Cleaner,” one would automatically think Erin Elders’ directorial debut would be about an actual “cleaner,” or someone who fixes up things after something in the criminal world has gone awry (along the lines of Harvey Keitel’s Winston Wolf from Pulp Fiction) and makes sure that whatever damage has been done has basically been “cleaned up.” However, in short-film director Elders’ directorial debut The Cleaner, it’s actually about an honest domestic worker who gets sucked into a different world after wanting to do a favor and help find a missing person for one of his customers (along with the $1,000 reward).

Buck Enderly (King Orba) spends most of his time taking over his sick mother’s fledgling cleaning business. He goes door to door either cleaning up for his clients, or trying to solicit new business by leaving flyers on homes in the neighborhood. His mother Sharon (Shelley Long) is bed-ridden and pretty much dependent on him to help run errands as well as pay rent in their mobile home. He does his duty as her son to sacrifice on her behalf, unlike his brother (Faust Checho) who is somewhat ashamed of their economic situation living in a trailer park. Buck’s only friends are his weed dealer/”marketing rep” (James Paxton), who actually messes up Buck’s business cards, and neighbor Becky (Eden Brolin), who he and his mother help out after she’s being abused by her boyfriend. Things change for him when he picks up a new client.

Jim (Luke Wilson) is one of his regulars who unfortunately tells him that his cleaning services will need to be put on hold temporarily, but as a parting gift, he tells Buck that one of his neighbors named Carlene (Lynda Carter) is in need of cleaning services. Because he always needs clients to continue to pay for his mother’s medication, he meets with Carlene. Turns out, Charlene doesn’t need any cleaning services as he home is rather spotless, but instead, she needs help trying to find her estranged son Andrew (Shiloh Fernandez) who she hasn’t seen in quite some time and is worried about him.

Leaning on his police officer brother as a resource, Buck turns into an almost private investigator as he begins to peel the onion off layer by layer as he learns about Andrew and his world. Turns out, Andrew is into some serious stuff. He’s leaving behind debts everywhere he goes as well as the wrong kind of people looking for him. This sucks Buck into a world that he’s not familiar with. While Buck is almost effortlessly navigating being a PI with ease, it’s far removed from his day to day of just cleaning houses. One might wonder if he should instead take his talents to investigations.

Unfortunately, the main driver of The Cleaner is also the least interesting. Buck’s family dynamic with his mother, brother, and newfound friend Becky makes for a much more interesting tale of different people all connected either through circumstance or via family works for this film a lot better than the mystery about what’s going on with this kid who doesn’t want to be found. There are some events that happen towards the end of The Cleaner that help provide clarity as well as resolve that part of the story, but it, unfortunately, pales in comparison to other moments of the film.

Now that doesn’t mean that The Cleaner is by any means not an intriguing movie. In addition to director Elders writing the script, Buck himself King Orba is also a screenwriter for the film, and both are able to deliver an interesting story surrounding the family dynamic Buck is dealing with. In addition to the script, the acting across the board is great. There is an Easter Egg smorgasbord of various character actors you know and love including MC Gainey, Mike Starr, Matty Cardarople, and Noel Gugliemi (who is once again playing a Latino named “Hector”) in The Cleaner, and they all deliver for their roles. Overall, The Cleaner is a well-acted character study on family and stepping out of your comfort zone and worth the watch!

The Cleaner is currently available on VOD.

‘Home Sweet Home Alone’ Trailer: Disney Revives The Classic Comedy Franchise This Holiday Season

Has anyone been clamoring for a new Home Alone movie? Probably not. But Disney has the rights, and no classic franchise shall go unturned, or unrebooted, or unsequeled, whatever, especially in the time of Disney+. And so we get Home Sweet Home Alone, which has a brand new kid being left to his own mischievous devices during the holidays. Sorry, no Macaulay Culkin appearances that we know of, although John Hughes does get a story credit.

The film stars Ellie Kemper, Rob Delaney, Aisling Bea, Kenan Thompson, Tim Simons, Pete Holmes, Devin Ratray, Ally Maki, Chris Parnell, and Archie Yates as 10-year-old Max Mercer, left to defend his home from a thieving couple while his family is away in Japan.

Behind the camera is Dan Mazer, whose work with Sacha Baron Cohen on his controversial Borat and Bruno films would seem opposed to Disney standards. But he’s also the guy behind fairly vanilla comedies such as I Give It A Year and The Exchange, so maybe that’s what they’re looking for.

Home Sweet Home Alone hits Disney+ on November 12th.

 

Chloe Zhao Teases ‘Eternals’ Post-Credits Scenes, New Featurette And Clip Promise To ‘Redefine” The MCU

You already know by now not to leave your seat for a Marvel movie. I think parents raise their children with that critical knowledge. But in the case of the next MCU film, Eternals, you might want to stick around a bit longer according to director Chloe Zhao.

Zhao, in an interview with Fandango, revealed there will be more than one post-credits scene. Okay, cool. Sometimes when Marvel does this, one scene is important while the other is sorta jokey. Well, not this time. Both are important, she says…

“Yes! Don’t just stay for the first one — also stay for the second one, too. They are equally as important in weight, and both have big surprises for you.”

So big surprises? Check. How about a total “redefining” of the Marvel Cinematic Universe? That’s what Kevin Feige teases in a new Eternals featurette that will dig deep into the MCU’s origins at the cosmically-powered hands of the Celestials.

In short: Eternals is going to be majorly important when it arrives on November 5th. Could it also be the next Marvel film to make a mark at the Oscars, the way Black Panther did? Zhao has the credentials, and if anyone could do it, it’s her.

 

‘Scream’ Trailer: Ghostface Returns To Stalk New And Old Prey In Franchise Horror Sequel

The killer is inside the house! And he knows how to use smartphone apps! Horror was very different when Scream first debuted in 1996 at the height of the teen comedy craze. It offered hot young stars deconstructing the slasher genre for laughs and killer effect, and the meta-commentary ran until the well ran completely dry with 2011’s forgettable Scream 4. And now eleven years later the franchise is going back to its roots both in substance and title, at a time when the landscape has been dominated by atmospheric A24 horrors like Midsommar, The Witch, and more.

The fifth Scream movie is one of those soft reboots studios love because it allows previous stars Neve Campbell, Courteney Cox, David Arquette, and Marley Shelton to return, while a brand new crop of young actors can get their first (and likely last) taste of the Ghostface killer who stalks Woodsboro. Of the newbies, Jenna Ortega, Melissa Barrera, Kyle Gallner, Mason Gooding, Mikey Madison, Dylan Minnette, Jack Quaid, Sonia Ammar, and Jasmin Savoy Brown stand out.

Behind the camera are co-directors Matt Bettinelli-Olpin and Tyler Gillett, best known for 2019’s hit Ready or Not. The duo aren’t fixing what worked the last time, either, bringing back that film’s composer Brian Tyler and co-writer Guy Busick. He’s joined by co-writer James Vanderbilt, known for Marc Webb’s The Amazing Spider-Man movies.

Scream opens in theaters on January 14th 2022.

 

Review: ‘Needle In A Timestack’

John Ridley's Sci-Fi Romance Mires Leslie Odom Jr., Cynthia Erivo, And Orlando Bloom In A Sluggish Love Triangle

Who doesn’t wish they could go back in time and fix a relationship that ended badly? In Oscar-winning writer John Ridley’s Needle in a Timestack, it’s not just wishful thinking but something people can actually do. The world he sets up is one where time travel exists and is a purchasable commodity for a select few, not unlike those who buy a seat on a space shuttle. This sounds like absolute chaos on a global scale, but this film isn’t concerned with that. Instead, its impact on a couple, soulmates really, whose relationship is tested by a time-traveling ex-boyfriend hell-bent on breaking them up.

The couple at the center of this time travel chaos is Janine (Cynthia Erivo) and Nick (Leslie Odom Jr.). In the beginning, we see Janine on video expressing her undying love for Nick through a veil of tears. When we see their actual relationship, they do indeed look happy, comfortable, and stable. She’s a photographer, him a successful urban planner. But one thing keeps hanging over their union and that’s Nick’s old friend and Janine’s ex-husband, Tommy (Orlando Bloom), who may or not be tweaking the timeline, changing little things. Have a dog one day, maybe a cat the next?

But is this necessarily true? Or is jealousy at the heart of Nick’s frustration? That’s the question Ridley teases in the beginning, and it’s an interesting one to play around with. Nick’s sister (an impressive Jadyn Wong) warns that it could be the thing that drives Janine away, giving Tommy what he wants without having to lift a finger. Even Janine is freaked out at the suggestion by Nick that he “jaunt” back in time to finish Tommy once and for all.

The premise as Ridley lays it out sets up a potentially riveting cross-time thriller. The time travel effect creates a literal wave across space/time, and people have just come to accept that nothing is ever set in stone anymore. If someone dies in your life, a ripple might reverse it. That Needle in a Timestack ignores the larger consequences is tough to get over because it leaves the movie feeling incomplete.

But the real problem is Ridley’s sluggish direction. Somehow, Ridley has mastered the art of making boring movies on fascinating topics, as he did years ago with his inexplicably leaden Jimi Hendrix biopic Jimi: All Is By My Side. The same problem drags down Needle in a Timestack, which hooks you with a great idea and is supported by a pair of nuanced performances by Odom and Bloom, the latter’s Tommy hiding his loneliness behind a mask of empty confidence. Odom is more convincing on his own as a man desperate to hold on to the unique love he’s found, but when paired up with Erivo their chemistry is nonexistent. Ridley is more interested in the idea of their perfect love than actually showing it.

Better, and more compelling by far, is the crumbling friendship between Tommy and Nick, destroyed by their mutual desire to mend broken hearts and wounded pride. Their love/hate bond takes some unpredictable twists and turns; they both need and desest one another at the same time, giving Needle in a Timestack its most believable relationship and the only one worth going through time to rescue.

Needle in a Timestack opens in theaters and digital on October 15th.

 

 

‘Scream’ First Look Reveals Neve Campbell, Courteney Cox, David Arquette, And Ghostface’s New Victims

It might be spooky season but we’ll have to wait until January for the return of the iconic Scream franchise and the murderous Ghostface! Paramount has confirmed the first trailer for the fifth movie, and the first in eleven years, will arrive tomorrow. But to whet our appetite EW has revealed images of the new and returning cast, most of which will probably have their characters killed off.

The photos reveal Neve Campbell as franchise hero Sidney Prescott, along with Courteney Cox as Gale Weathers, David Arquette as Dewey Riley, and Marley Shelton as Judy Hicks. Out of those four, how many do we expect to survive? I’m going to say ZERO! I think they all bite it at some point.

We also see new cast members Jenna Ortega, Melissa Barrera, Kyle Gallner, Mason Gooding, Mikey Madison, Dylan Minnette, Jack Quaid, Sonia Ammar, and Jasmin Savoy Brown.

Scream is directed by the Ready or Not duo of Matt Bettinelli-Olpin and Tyler Gillett from a script by James Vanderbilt. The film opens January 14th 2022.

‘Hanna’ Season 3 Teaser: Ray Liotta Joins When The Series Returns On November 24th

When Joe Wright’s terrific 2011 thriller Hanna was turned into a series by Amazon, there was good reason to be skeptical. The film earned critical acclaim, but mostly for star Saoirse Ronan. Would there be any draw to it with a totally different actress, Esmé Creed-Miles, as the title assassin? Turns out that yeah, there’s quite a bit of it, and as the show enters its third season a new teaser begins to shed light on what’s coming up.

First and foremost, Ray Liotta has joined the cast for season three as Gordon Evans, “a respected former military man and intelligence operative who wields incredible insider power. Evans sees himself as a visionary with a rigid moral code, a true patriot who will do what needs to be done to protect his country.”

So it looks as if Liotta will be steering clear of the mobster personas he’s portrayed so often, including in The Many Saints of Newark. Mireille Enos, Dermot Mulroney, Gianna Kiehl, and Áine Rose Daly all return, as well.

Here’s the season synopsis: “Season Three of Hanna continues the journey of an extraordinary young woman, played by Esmé Creed-Miles, who was created by the sinister organization Utrax and trained to be an assassin. Hanna (Creed-Miles) is now secretly trying to destroy Utrax from the inside and free herself from its grasp with the help of her previous nemesis, former CIA agent Marissa Wiegler (Mireille Enos). Together they have coerced high-ranking Utrax agent John Carmichael (Dermot Mulroney) into aiding their mission, but her fellow young assassins, Sandy (Áine Rose Daly) and Jules (Gianna Kiehl), and new foes are starting to suspect Hanna’s plot. As Hanna moves closer to her goal, she begins to uncover not only a world-changing agenda but the true power behind Utrax that stands between her and freedom.“

Hanna season three hits Amazon Prime Video on November 24th.

‘The Blazing World’ Interview: Carlson Young On The Dark Influences Behind Her Visually Stunning Debut

A visually stunning, twisted trip down the rabbit hole, Carlson Young’s directorial debut The Blazing World made one Hell of an impression at Sundance earlier this year. An adaptation of her 2018 Sundance short, itself inspired by the dark prose of 17th-century writer Margaret Cavendish, the film finds Carlson taking on multiple roles as writer, director, and star.

Taking on so much for her first-time feature is impressive enough from the Scream tv series actress, but that she does so with confident, bold visuals makes her a filmmaker to watch. The story, about a young woman who escapes from the grief, depression, and trauma of a past tragedy into a macabre Del Toro-eseque world, drew largely from Carlson’s own experiences and personal demons. She’s joined in the cast by Vinessa Shaw, Dermot Mulroney, and the great Udo Kier.

I had the pleasure of speaking with Carlson Young about The Blazing World, the challenges of filmmaking especially during a pandemic, and the dark influences behind her film, which opens on October 15th.

‘Transformers: Rise Of The Beasts’ Director Reveals First Look At Autobots & Terrorcons In Vehicle Mode

Transformers: Rise of the Beasts director Steven Caple Jr. has done a major blockbuster film before, notably Creed II, but he’s especially stoked about being part of the Transformers universe. Take a look at the big smile on his face as he reveals our first look at the Autobots and Terrorcons in their alt vehicle modes, including Optimus Prime, Wheeljack, Bumblebee, and the villainous Scourge.

The first image features a smile Caple surrounded by Autobot leader Optimus Prime in his classic Kenworth k100 semi truck, plus Bumblebee as an off-road variant of his yellow Chevrolet Camaro. Also in the pic are the female Autobot known as Arcee in her red Ducati 916 motorcycle form, Wheeljack as a brown 1964 Volkswagen Classic Devon Camper, and Mirage as a slick silver & blue Porsche 964.

In the second image, we get the villainous Terrorcon leader Scourge as a black Kenworth JF logging truck. Nightbird, who in the cartoon was a female ninja who only made one appearance, is in the movie now as a black-and-purple Nissan Skyline GT-R R33. And the orange tow truck I’m unsure of, but it could be Tow-Line, or perhaps a remodeled version of Onslaught who was last seen getting killed in Transformers: The Last Knight? I’m guessing on this one.

So far we have yet to see how the beast-like Maximals will look but I’m hoping Caple can reveal that next.

Transformers: Rise of the Beasts opens June 24th 2022.

*UPDATE* Will Poulter Lands Adam Warlock Role In ‘Guardians Of The Galaxy 3’

*UPDATE*

Well, there you go. Deadline, as well as James Gunn himself, have confirmed Will Poulter as Adam Warlock in Guardians of the Galaxy Vol. 3. He’s landed one of the most coveted roles in Hollywood, with actors such as George MacKay and Rege-Jean Page having tried out for it. Poulter is still an unusual choice, to my mind, but I’m curious to see what he can do as the Infinity Watch leader, teased at the end of Guardians of the Galaxy Vol. 2.