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‘The Dry’ Trailer: Eric Bana Investigates An Old Murder In This Hit Australian Crime Thriller

Shocker of shocker, Eric Bana is a much bigger star in his native Australia than he is here in the United States, even though dude has been the Hulk.  Further evidence of Bana’s popularity at home has been seen during the pandemic when his film The Dry absolutely killed at the box office, becoming one of the highest-grossing Australian films ever. And now it’s headed to our shores courtesy of IFC, so we can check it out for ourselves.

Bana plays a federal agent who returns to his drought-striken hometown to investigate a murder-suicide committed by an old friend, only to find the crime may be linked to another from his past.

Genevieve O’Reilly, Keir O’Donnell, John Polson, Sam Corlett, and Joe Klocek co-star, with Robert Connolly (Balibo) as both writer and director. Some of the reviews have pegged this as a slow-burning thriller and that is definitely the vibe of this trailer. I find Bana is really great at playing characters who are racked with guilt and past trauma, and clearly Australian audiences agreed.

The Dry opens on May 21st.

Federal Agent Aaron Falk returns to his home town after an absence of over twenty years to attend the funeral of his childhood friend, Luke, who allegedly killed his wife and child before taking his own life – a victim of the madness that has ravaged this community after more than a decade of drought.

When Falk reluctantly agrees to stay and investigate the crime, he opens up an old wound – the death of 17-year-old Ellie Deacon. Falk begins to suspect these two crimes, separated by decades, are connected. As he struggles to prove not only Luke’s innocence but also his own, Falk finds himself pitted against the prejudice towards him and the pent-up rage of a terrified community.

 

‘Flashback’ Trailer: Dylan O’Brien Is Haunted By Visions Of A Missing Maika Monroe

Those interested in following the career path of some of Hollywood’s rising stars may be interested in Flashback, a thriller starring Dylan O’Brien, Maika Monroe, Hannah Gross, Keir Gilchrist, and Emory Cohen. The film from director Christopher MacBride (The Conspiracy) finds O’Brien in one of the darkest roles he’s ever undertaken.

O’Brien stars as Fred, a seemingly stable man who begins having visions of a missing girl from his past. The mystery deepens with the use of a drug called Mercury, which helps take him on a twisting journey through his own memories.

O’Brien is mostly known for his roles in Teen Wolf and The Maze Runner, but he’s really great in the recent comedy Love & Monsters. Monroe’s career broke out with her performances in It Follows and At Any Price. And I’m excited to see Gilchrist, who was so good in It’s Kind Of A Funny Story. Lots to like about this one.

Flashback opens in select theaters and VOD on June 4th.

With a corporate job, a steady relationship, and a sick mother, Fred’s chance encounter with a man from his youth leads to frightening memories. Little by little, he unravels a mystery that has been hidden for years about a missing girl, a drug called Mercury, and a terrifying creature who has accompanied him every step of the way. Past, present, and future intertwine, and Fred begins to explore all the possible lives he could lead. Which one will he choose?

 

Review: ‘Vanquish’

Morgan Freeman And Ruby Rose Are Mired In A Bland Action Thriller That Wastes Both Of Their Talents

There’s something about Morgan Freeman that makes us want to believe in him. He’s got that Tom Hanks quality about him that makes us smile when he’s playing God or feel protected when he’s the President. It’s hard to fuck up Morgan Freeman, is what I’m getting at. And yet Vanquish, a dreadful, visually murky action flick co-starring the ubiquitous Ruby Rose does exactly that. It not only makes us feel sorry for Freeman, it kinda makes us dislike him a little bit for agreeing to be part of it.

Directed by George Gallo, Vanquish has Freeman turn heel as Damon, a superstar hero cop bound to a wheelchair after a shooting on the job.  But Damon’s posh residence and expensive decour aren’t what anybody could afford on a police salary, or the payout he received from the attack. Corrupt boys in blue are all over this thing, and Damon is right at the center of it. While he seems like a nice guy, taking in wayward single-mother Victoria (Rose) and her daughter, it was all part of a larger scheme. Damon blackmails her into making five big money pick-ups from a slew of unsavory underworld figures, tapping into her dark past as a Russian drug courier and trained killer.

There’s meant to be some John Wick-esque internal conflict here, both within Damon and Victoria as good people forced into doing bad things. But there isn’t nearly enough depth for either figure to explore any of that believably. Victoria settles back into the groove quite easily, actually, perhaps too much for when Rose tries unsuccessfully to dial it back with an emotional moment of regret. Meanwhile, the wheelchair-bound Freeman’s eyes seem to be glazing over with disinterest in his bland bad guy routine. A potentially nifty point has Damon install cameras on Victoria to track her ass-kicking across Los Angeles, but rather than do anything cool it’s basically just an excuse to cut away to Freeman’s hilariously tame reaction shots.

It’s maddening that someone of Freeman’s caliber is reduced to a role this bad. Forget that the movie isn’t any good, that stuff happens. But Freeman CHOSE this role, and that’s all on him.

Rose is a believable badass, though, and while the shootouts and fights she has dirty cops, drug dealers and more are generic she pulls them off quite well. She just has that intangible quality that the best action stars have, even in material that isn’t up to snuff. There’s a lot more that Rose can do within the genre, as seen in her recent flick SAS: Red Notice, while Vanquish is a pretty big step backwards.

Gallo is a veteran filmmaker with some impressive credits to his name, like writing Midnight Run and developing the first Bad Boys movie. His co-written script for Vanquish lacks any sizzle other than a richly-undeserved twist at the end, and the camerawork is strangely amateurish. Saturated greens and blues don’t add to the nocturnal atmosphere, while the overuse of zooms and quick cuts is dated by today’s standards.

The worst offense Vanquish commits is that it wastes the talents of both Freeman and Rose. Don’t let it waste your time, too.

Vanquish is available in select theaters tomorrow April 16th, and on Apple TV and everywhere you can rent movies on Tuesday, April 20th.

‘The Son’: Hugh Jackman And Laura Dern To Star In Florian Zeller’s Followup To ‘The Father’

For first-time director Florian Zeller, adapting his stageplay into the Oscar-nominated drama The Father obviously paid off, both for him and the two lead actors. So for Zeller’s next film, it must’ve been a pretty easy decision to pull from his own work again, and with two more incredible stars on board.

Deadline reports Zeller will direct an adaptation of his play The Son, and he’s already lined up Hugh Jackman and Laura Dern to star. That’s a pretty good way to start.  The story, which sounds like it could’ve been a spinoff of The Father just based on the title, centers on a man who is enjoying life with his new wife and son, only for his ex-wife to return with their troubled teenage boy, throwing life into chaos.

You don’t need me to tell you who Jackson and Dern are. Both are incredible actors, two of the best in the world. I wasn’t as high on The Father as some others were but the performances Zeller got from his cast were extraordinary. Looks like we can expect more of the same from The Son.

Snoop Dogg, David Arquette, & More Play For Keeps In Baron Davis’ ‘Domino: Battle Of The Bones’ Trailer

“What you know about them bones?”

Every sport needs at least one underdog story on the big screen. Most sports have dozens, but now it’s time for dominoes, or “bones” to get its due. Domino: Battle of the Bones features an all-star cast David Arquette, along with Snoop Dogg, Lou Beatty Jr., Tasie Lawrence, Megan Sousa, Anthony ‘Scruncho’ McKinley, and the late Tom ‘Tiny’ Lister Jr. The film also stars former NBA superstar Baron Davis, who makes his directorial debut.

Set in Compton, where playin’ bones is as common as breathing, the film centers on an aging competitive domino player who recruits his nerdy, white step-grandson for a run at the World Domino Championship.

Davis said on the importance of dominoes to him as a kid, “Growing up, dominos was a way of life and a way of culture. Not only is it just a game – it’s a recipe for human connection and human communication. If you’ve sat down with a stranger to play dominos, you’ve met a friend.” 

This looks like a lot of fun, with so many big personalities (Snoop and Arquette must’ve been nuts) playing colorful, outlandish domino rivals. It’s also good to see Lister one more time, as the popular Friday and No Holds Barred actor died way too soon.

Domino: Battle of the Bones opens in select theaters on June 11th.

Inspiration and Hope Abounds In The Trailer For ‘Under The Stadium Lights’

Under the stadium lights

There’s no debate, Football (American Football for our international friends) is the most cinematic sport there ever was. Something about those gridiron gladiators stepping onto that field prepared to give every ounce of their being for the betterment of their team just oozes cinema. Not surprisingly, it’s also the best setting for the time-honored underdog story. Under The Stadium Lights, which is based on a true story of the 2009 Abilene High School football team, is directed by Todd Randall and stars Milo Gibson (son of Mel), Laurence Fishburne and a slate of fresh faces.

There’s something about the footage below that makes me feel this is going to be a winner. It’s really easy to go overboard with the schmultz in these stories. You’ve got a bunch of kids staring down the barrel of their one shot to leave their lives for something better, the one thing in reach that will elevate them above the sadness they see all around and allow them to help their family and friends. At any moment it can all be taken away from them in any one of 100 ways. A filmmaker has to tip toe through the daisies to make sure it doesn’t either get too sappy, or not pay tribute to the drama that actually unfolded.

Enough of my jabbering, check out the trailer below and let us know what you think in the comments.

Look for Under The Stadium Lights June 4th, 2021

For all of the latest trailers click here!

‘Benny Loves You’ Trailer: A Killer Childhood Toy Refuses To Be Thrown Out

While Pixar might have us believing discarded toys are content to sit idle in a closet, or boxed up and given to some neighbor kid, that’s just not realistic, is it? I mean, we all know that if toys were actually alive they’d be vicious murderers. Horror movies have taught us that, too! And in the case of Benny Loves You, one toy goes to deadly lengths when his owner dares to throw him out.

Written, directed and starring Karl Holt, the film centers on Jack, who receives the Benny toy as a kid and they are inseparable. Jump forward to adulthood and Jack is still dealing with a past tragedy, and decides he needs to make some changes. One of those is to finally toss out his childish possessions, including Benny. However, the doll simply ain’t havin’ that shit and will kill anything in his path to be with Jack forever.

I love this trailer. Benny doesn’t look obviously evil like Chucky, he’s actually pretty cute…even when he’s holding a knife or a pair of scissors. That makes him extra menacing in my book, and I love that scene of him in the office surrounded by idiots who don’t realize they’re laughing at a murder doll.

Benny Loves You hits select theaters on May 7th, followed by VOD on May 11th.

After the accidental death of his parents, Jack’s comfortable lifestyle comes to an end and he must sell his family home. Desperate to improve his life, Jack throws out his childhood belongings including his beloved plush, Benny. It’s a move that has disastrous consequences when Benny springs to life with deadly intentions!

 

‘Toxic Avenger’: Jacob Tremblay Joins Peter Dinklage In Legendary’s Reboot Of The Mutated Hero

If you thought Jacob Tremblay was toxic in Good Boys, just wait until you see what he does next. Deadline reports Tremblay will join Peter Dinklage in Legendary’s reboot of Toxic Avenger. The studio behind the MonsterVerse franchise of movies acquired the rights from Troma, who launched the mutated environmental hero in 1984.

Details on Tremblay’s role are being kept a mystery for now, but he could be playing Toxie’s son? The story centers on a bullied everyman who gets pushed into a vat of toxic waste and emerges as the mutant hero with freakish superhuman strength and looks to match.  The character has gone on to achieve cult status, appearing in multiple sequels, spinoffs, comics, toys, and more.

Directing this new take on Toxic Avenger is Macon Blair, best known for his acting roles in Blue Ruin and Green Room, and for directing Netflix’s I Don’t Feel At Home In This World Anymore.

Next up for Tremblay is voicing Flounder in Disney’s live-action The Little Mermaid. He’ll always be remembered for his

‘Seance’ Trailer: ‘You’re Next’ Writer’s Directorial Debut Is A Bloody All-Girl Horror Starring Suki Waterhouse

While it’s director Adam Wingard who has seen his career skyrocket off films You’re Next and The Guest, we can’t forget to give credit to writer Simon Barrett. While Wingard has gone off to do blockbusters like Godzilla vs. Kong and ThunderCats, Barrett is charting a new path for himself as well, making his directorial debut on the upcoming horror film Seance, set at an all-girls’ academy where the students make a terrible decision.

Starring Assassination Nation‘s Suki Waterhouse, Madisen Beaty, Ella-Rae Smith, Inanna Sarkis, Seamus Patterson, and Marina Stephenson-Kerr, Seance follows a group of girls who make the unfortunate choice to perform a ritual calling on a spirit that has been haunting the school. How do you think that turns out?

Barrett has shown an ability to take seemingly familiar ideas and turn them into gripping thrillers. Seance, which opens in theaters and VOD on May 21st, looks like another such example.

Camille Meadows is the new girl at the prestigious Edelvine Academy for Girls. Soon after her arrival, six girls invite her to join them in a late-night ritual, calling forth the spirit of a dead former student who reportedly haunts their halls. But before morning, one of the girls is dead, leaving the others wondering what they may have awakened.

 

‘Shrill’ Season 3 Trailer: Aidy Bryant Sews Her Wild Oats One Last Time

All good things must come to an end. After two critically acclaimed seasons, the Hulu comedy Shrill is ending its run with a third final season. The show followed self pro-claimed “fat girl”  and Portland resident Annie (Aidy Bryant) as she embraced her body and gained confidence in all areas of her life.

In the third season trailer, which dropped yesterday, Annie is single, ready to mingle, and about to reach her full potential.

Last season Annie cut ties with her deadbeat boyfriend Ryan (Luka Jones), after finally getting the confidence to leave him. This season Annie will deal with fat bias from a medical professional, budget cuts, and getting cancelled. It also looks like Fran (Lolly Adefope), Annie’s roommate and best friend, will finally introduce her partner Emily (E.R. Fightmaster) to her mother while also expanding her career horizons.

The Shrill trailer also revealed that SNL alum and Portland super fan Fred Armisen will appear in one or some of the episodes. Mind Hunter and Umbrella Academy star Cameron Britton joins the show as one of Annie’s potential beaus. Patti Harrison, John Cameron Mitchell, Ian Owens, and Jo Firestone will all reprise their roles as Annie’s coworkers.

The final season of Shrill will air on May 7 on Hulu.