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New ‘Rumble’ Trailer Confirms Animated Monster Wrestling Film’s Early Release On Paramount+

Rumble, the pro wrestling animated film that features WWE superstars Roman Reigns and Becky Lynch as part of the voice cast, has been bumped around the release calendar since before Reigns became the “Head of the Table.” First announced back in 2015, the film was originally given a July 2020 date, but has moved around multiple times, most recently to February 18th 2022. That was to be in theaters, but a new trailer confirms not only a new date, but also an exclusive streaming debut on Paramount+.

Rather than opening in 2022, Rumble will now hit Paramount+ this year on December 15th. The film takes place in a future where professional wrestling features giant monsters as its superstars. Geraldine Viswanathan voices Winnie, a human girl with a dream of following in her father’s footsteps by managing a lovable underdog monster named Steve, voiced by Will Arnett.

Others in the voice cast include Ben Schwartz, Terry Crews, Charles Barkley, Tony Danza, Fred Melamed, Bridget Everett, Stephen A. Smith, and Michael Buffer.

Rumble is directed and co-written by Hamish Grieve, best known for his work on the terrific Rise of the Guardians.

DC Readers: Attend A Free Advance Screening Of ‘Wolf’

We’re happy to offer our DC readers the chance to attend a free early screening of Wolf, starring George MacKay (1917) and Lily-Rose Depp (Voyagers). The film is directed by Nathalie Biancheri and opens on Friday, December 3rd.

Synopsis: WOLF is a surreal and mysterious tale of self-discovery. Jacob (George MacKay) is convinced that he is a wolf trapped inside a human body and lives his days as he believes a wolf would. When he’s sent to a “curative” clinic for treatment, Jacob is determined to escape his confines -until he meets the beguiling Wildcat (LilyRose Depp). As their relationship deepens, Jacob quickly realizes that he must choose between being himself and staying with the only person who’s ever understood him.

The screening takes place on Wednesday, December 1st at 7:00pm at AMC Tysons Corner. If you’d like to attend, simply register at the Focus Features site here. please remember all screenings are first come first served and you will need to arrive early to ensure seating. Enjoy the show!

 

It’s Morphin Time As New ‘Power Rangers’ Cinematic Universe Heads To Netflix

The Mighty Morphin Power Rangers have found a new home, and perhaps with the 2017 reboot failing to catch on, this was always inevitable. Deadline reports EOne and Hasbro have struck a deal with Netflix to bring the Power Rangers to streaming, and this will be more than a simple movie or TV show.

As we learned more than a year ago, Jonathan Entwistle was hired to develop an entirely new Power Rangers cinematic universe comprised of multiple films and TV shows. That plan remains in place, although now it’s been given the full support of Netflix. And that could go a long way in making sure this time the Power Rangers are done right…

“Since we set up ‘Power Rangers’ with Jonathan, we pitched really a whole-world approach,” teased eOne’s President of Global Television, Michael Lombardo. “It’s not just one show; it is shows followed by films, some kids’ programming. We have found a great writing partner for him; they are off. Knock on wood, Netflix is excited, we’re excited, we hope to have some news soon.”

I thought the previous Power Rangers film was quite good, but noted even then that it would prove divisive with the longtime fans. That proved to be true. Critics liked it more than others, and the film only made $140M on a budget of over $100M. With Netflix, box office will be less of a concern and the focus can be on rebuilding the brand and merchandising the shit out of it.

A ‘Mass Effect’ TV Series Is Close To Happening At Amazon

No streamer is going in on epic high-concept shows the way Amazon is right now. With Lord of the Rings breaking the bank, and the apparent huge success of The Wheel of Time, Amazon is now looking to take on one of the biggest video game franchises around: Mass Effect.

Deadline reports that Amazon is “nearing a deal’ to bring EA’s sci-fi role-playing game franchise to streaming as a series. Yes, please. For those who don’t know, Mass Effect is set in a future where Earth is the newest addition to an intergalactic alliance of alien races. Technology has advanced astronomically since the discovery of mass effect relays that bend time and space, allowing for faster than light travel.  Each game centers on Commander Shepard, a human agent tasked with stopping a rogue agent named Sarin, who has aligned with an ancient race bent on wiping out all life.

A Mass Effect movie had been in the works from Legendary Pictures, but ran into trouble figuring out how to do justice to such a gigantic story. A series is definitely a better idea, in my opinion.

I love the Mass Effect games…well, except for the fourth one, Andromeda, which sucks. It’s an extremely deep game with multiple branching paths and you are forced to make some decisions that will kick you in the ass later on. Each game is basically a movie, but they could easily be broken up into episodic chapters.

A Mass Effect anime movie, titled Paragon Lost, was released in 2012 and was pretty good if you’re a fan of the games.

‘The Tragedy Of Macbeth’ Trailer: Denzel Washington And Frances McDormand Are Corrupted By Power

Joel Coen has never directed a feature without his brother Ethan by his side, and yet his film The Tragedy of Macbeth was instantly an Oscars contender because of the casting. You don’t get Denzel Washington and Frances McDormand without awards on the mind, and Coen’s version of the Shakespeare tragedy is looking strong following its world premiere at NYFF.

You know the Bard’s immortal play already, and that it takes on greed, ambition, madness, and murder. It is the ultimate cautionary tale about the corrupting nature of power, and having seen the film myself I can tell you Denzel delivers some epic fury here. We’re talking real “King Kong ain’t got shit on me” type stuff.

The rest of the cast includes Corey Hawkins, Brendan Gleeson, Moses Ingram, Stephen Root, Alex Hasell, Sean Patrick Thomas, and Harry Melling.

The Tragedy of Macbeth opens Christmas Day.

A work of stark chiaroscuro and incantatory rage, Joel Coen’s boldly inventive visualization of The Scottish Play is an anguished film that stares, mouth agape, at a sorrowful world undone by blind greed and thoughtless ambition. In meticulously world-weary performances, a strikingly inward Denzel Washington is the man who would be king and an effortlessly Machiavellian Frances McDormand is his Lady, a couple driven to political assassination—and deranged by guilt—after the cunning prognostications of a trio of “weird sisters” (a virtuoso physical inhabitation by Kathryn Hunter). Though it echoes the forbidding visual designs—and aspect ratios—of Laurence Olivier’s classic 1940s Shakespeare adaptations, as well as the bloody medieval madness of Kurosawa’s Throne of Blood, Coen’s tale of sound and fury is entirely his own—and undoubtedly one for our moment, a frightening depiction of amoral political power-grabbing that, like its hero, ruthlessly barrels ahead into the inferno. An Apple/A24 release.

 

Review: ‘Bruised’

Halle Berry's Directorial Debut Punishes You With Heavy-Handed Melodrama And Sports Movie Cliches

There are certain movies that you root for to succeed before ever seeing a single frame. For me, Halle Berry’s directorial debut, Bruised, is one of those. While she’s a huge star and even an Oscar winner, I’ve always felt that Hollywood has underserved her, and to have Berry take the reins on a project built just for her, an MMA drama no less, you want it to be good. But hope springs eternal, and while Berry gives a committed physical performance in this grueling film, the heavy-handed nature and sports movie cliches rain down upon you like losing a 12-rounder to the heavyweight champion.

Berry plays former MMA star Jackie Justice, who left the sports in disgrace when she ran from the octagon during a title fight she was losing badly. Left to struggle with a crappy custodial job, an abusive manager (Adan Canto), and a dismissive mother (Adriane Lenox), Jackie faces an uphill climb. Things only get worse when her estranged 6-year-old son Manny (Danny Boyd Jr.) is left on her doorstep.

But it’s when Jackie beats the snot out of the underground champ that she draws the attention of shady promoter Immaculate (Netflix fave Shamier Anderson), who promises to get her back in the big leagues if she’ll come fight for him. But it won’t be easy; breaking her habits and getting into fighting shape would be hard enough if she didn’t also have to deal with being a mother, something she ran away from in the first place. When Immaculate gets Jackie a big-money fight against the current champion Lady Killer (real-life fighter Valentina “Bullet” Shevchenko), the smart bet is that she’ll crumble under the pressure.

What unfolds is a sports drama that hits all of the expected notes, and the one romantic swerve is telegraphed like a looping left hook. Jackie, who shows flashes of her old self when she’s pissed off, is pushed to her limit by soulful trainer Buddhakan (Sheila Atim), who becomes the closest thing she’s had to a friend in years. But emotional beats are delivered through loud, shouting matches and acts of physical abuse. There is very little real depth to be found and less connection that spurs Jackie’s personal growth. Especially shallow is Jackie’s relationship to her son, who refuses to speak after witnessing a violent event. We get it; she’s not mother material and learning to be a parent is as much of a slugfest as anything she’ll face in the octagon. Bruised repeatedly pounds this idea into our heads with so much melodrama it becomes numbing real quick.

But let me be clear that Berry is not without talent. The training scenes are appropriately gritty, with cinematographer Frank G. DeMarco offering a style that’s closer to a UFC reality show. Berry is particularly great in these scenes, as well, and is able to bring her Oscar-winning prowess to an underdog like she’s never been able to do before. The domestic scenes are less impressive and break of Berry trying to capture the shadowy gloom of Monster’s Ball or, even worse, Precious. The overwhelming self-seriousness matches those depressing films, as well, grinding Bruised to a standstill. Characters flit in and out of Jackie’s life when plot demands, rather than feeling organic. The worst example is what happens to Buddhakan, who up to a certain point had been the one positive driver of Jackie’s growth. Ultimately, she’s reduced to a romantic subplot that serves to add some last-second mystery to Jackie’s final bout but makes no sense under even the slightest scrutiny.

Interestingly, Bruised was originally a film to be directed by Nick Cassavetes with Blake Lively in the starring role. When that fell apart, Berry stepped in and tweaked the story to make it about a single black mother. I’m not sure it would’ve made much of a difference except in my own personal expectations, which have been forced to tap out from disappointment.

Bruised is available now on Netflix and select theaters.

Review: ‘True Story’

Netflix’s Newest Thriller Has Kevin Hart “Breaking Bad” In a Very Meta Way

True Story

It’s clear that Kevin Hart is going through a change in his career. No longer wanting to be the funny sidekick he’s most famous for, he’s definitely been branching out and stepping into new territories with the roles that he chooses. Earlier this year he stepped into dramatic territory portraying a single dad taking care of his newborn in Netflix’s Fatherhood, and previously did The Upside opposite Brian Cranston. However, he usually has still had one foot in, one foot out in his more dramatic roles. However, in his newest series from Netflix: True Story, he barely resembles the quirky funnyman we are used to seeing.

Right off the top, titling the film True Story might be a mistake. While True Story is incredibly autobiographical as Kevin Hart pretty much plays a Kevin Hart type of person, the amount of insane craziness that transpires might make some of us believe that Kevin Hart could really be capable of some of the conniving and murderous things he is forced to do throughout the show’s seven episodes.

“The Kid” (Hart) is a rising comic/movie star from Philadelphia (yes, the show is really on the nose in regards to referencing Hart) who has broken into the mainstream. He has been in films with Meryl Streep and he just finished a superhero movie (alongside Chris Hemsworth for a fun cameo) that’s about to cross the $1 billion benchmark. Although he’s going through a public divorce (like Hart) and has had an alcohol problem (the show stresses that he’s six months sober), pretty much his life is in a great place. He heads with his entourage: joke writer Billie (Tawny Newsome), Bodyguard Herschel (Will Catlett), and his manager Todd (Paul Adelstein) to his hometown of Philly to kickstart a new comedy tour. The only problem is that his being back home, he has to interact with his black-sheep brother Carlton (Wesley Snipes).

One night hanging with Carlton puts all of The Kid’s success in jeopardy.

After waking up from a night of partying and drinking with his brother (breaking his sobriety promise), The Kid wakes up seeing the woman he brought back to their hotel dead from an overdose. This sets in motion a great deal of craziness that The Kid and Carlton have to deal with for the remainder of the series. Instead of you know, calling the police or at least his manager, Carlton convinces The Kid to involve the Greek Mafia to help them with their problem. This reminds us once again that Billy Zane as mob fixer Ari is a national treasure and he chomps the scenery. However, this only starts problems for The Kid and Carlton as they become intertwined with the Greek mob, extortionists coming out of the woodwork, and staying one step ahead of the cops as the body count starts to rise. Oh, and The Kid has to do all this while he’s promoting a comedy tour and negotiating a new spin-off superhero sequel. One moment he’s two seconds away from disposing of a body and getting caught by the police (only for the police to ask for an autograph), the next second he’s doing interviews for the Ellen show or at a local radio station. Is the kid just someone trying to protect everything he’s worked hard for, or is he a sociopath who can use his celebrity to literally get away with murder?

Speaking of celebrity, because True Story is so meta when delving into Kevin Hart’s life that it’s trying to speak about how we idolize celebrities. One person who gets intertwined with The Kid and Carlton’s messy antics is Gene (Theo Rossi delivering a great performance), the world’s most dedicated fanboy of The Kid. His obsession (and dedication to helping) with The Kid showcases just how high we put people who are just regular human beings on a pedestal. Hart also delivers monologues throughout the series that feels incredibly autobiographical in nature. It’s like he loves that he’s where he is, but at the same time does not like or appreciate the magnifying glass it places on his life and that’s clear during a side story where The Kid’s ex-wife Monyca (Lauren London) has started dating and his all over TMZ with her new boyfriend while he’s trying to cover up his repeated crimes, and once again, has to put on a straight face and smile for the cameras throughout.

As much as True Story is about celebrity, it’s very much about crime and what you will do to insulate yourself from your mistakes. Created by Eric Newman (Narcos and Narcos: Mexico), True Story is absolutely a thriller. Each episode is racked up with high tension, and by episode’s end, a new problem has arisen that makes things even more difficult for The Kid and Carlton in a very 24-type of fashion. While the first episode is an hour-long, each subsequent episode is a half-hour max, making it incredibly bingeable and perfect for Netflix’s format with directors Stephen Williams (Lost, Watchmen) and Hanelle Culpepper (Star Trek: Picard, How to Get Away with Murder, Star Trek: Discovery) splitting directing duties. The introduction of Greek mob enforcers Nikos (John Ales) and Savvas (Chris Diamantopoulos) keeps the tension level at 11 the whole series.

Kevin Hart playing a Kevin Hart type doesn’t seem like it would be much of an acting stretch for Kevin Hart. However, he spends 99% of True Story playing in straight instead of his usual comedic bits and self-deprecating humor as he continuously goes into darker and darker territory as each episode continues throughout the show. As stated before, he seems to really want to branch out career-wise, and being in a series like this, where his comedic charm is turned all the way down is a good look for him.

However, we CANNOT discuss True Story without giving Wesley Snipes his flowers!!! Between Dolemite Is My Name, Coming 2 America, and now True Story, we are seeing a “Wesley Snipes-issance” in real-time as he’s back to rare form. Playing The Kid’s problematic, money-grubbing, shady, and amoral black-sheep older brother who is pulling him down to his level is a great thing to watch. He served his time for his tax issues, we need to start putting Wesley in everything once again as he doesn’t need to stay in Hollywood jail anymore. He’s incredibly good in True Story as he’s conniving, vulnerable, predatory, and sympathetic all at the same time. True Story is just yet another reminder that he needs to have way more roles.

Now, is True Story perfect? Unfortunately, no. As stated before, each episode ends by upping the ante and having various twists and turns. The final two episodes have a twist that outlines the full plot and various motivations that feel a little hallow. The grand finale is also a little over the top for an otherwise great seven-episode stretch. By the end of the show, you see the finality of that one fateful night and everything is created, but by the end, you might feel cheated as things wrap up a little too neatly.

That said, True Story is a fun thriller showcasing both Kevin Hart and Wesley Snipes at the top of their game in a very fun meta-commentary of celebrity, murder, and what lengths one would do to have their “happy ending.”

True Story is currently streaming on Netflix.

Review: ‘A Boy Called Christmas’

Netflix's Newest Christmas Film Is A Funny And Touching Christmas Origin Story

Netflix’s latest release shows what side of the “When is it too early to decorate for Christmas” argument they’re on. Releasing the day before Thanksgiving is A Boy Called Christmas, a unique take on the origin of the holiday. Nikolas (Henry Lawfull) is a boy living in a cabin in the Finnish woods with his father Joel (Michiel Huisman). Nikolas’ mother has passed, and Joel is trying to make ends meet. He had promised his wife that he would give Nikolas a good life and he intends to keep that promise. The entire kingdom they live in is suffering and feels the same hardships as Nikolas’s family. In an attempt to raise morale, the King (Jim Broadbent) offers a reward to anyone that scours the kingdom and brings back hope. Seeing a rare opportunity to turn their lives around, Joel sets out on the quest with a group of villagers.

Nikolas’s mother always told stories of an elf village, Elfhelm, that existed far north. In the stories she laid out the path to get there. While Joel embarks on the multi month expedition, he leaves Nikolas under the watchful eye of Aunt Carlotta (Kristen Wiig). Carlotta is horrible to Nikolas prompting him to try and find Elfhelm on his own. With the companionship of his talking pet mouse Miika (voiced by Stephen Merchant) and reindeer Blitzen, he sets out. Nikolas is shocked to find that Elfhelm is not the happy place from his mother’s stories. Mother Vodal (Sally Hawkins) is now in charge and she’s cast a dark spirit over the once joyful land. Nikolas quickly realizes that he not only needs to bring hope back to the kingdom, but Elfhelm as well.

A Boy Called Christmas is directed by Gil Kenan who also wrote the screenplay with Ol Parker. The film is based on Matt Haig’s book of the same name. In the same vein of timeless classics, A Boy Called Christmas is set up as a story being told to children. Aunt Ruth (Maggie Smith) is babysitting her niece and nephews on Christmas Eve when their father is called into work. Their family has gone through a tragedy, losing their mother, and have lost their Christmas spirit. She tells them this story to try and restore their hope, just as Nikolas does in the tale.

A Boy Called Christmas has all the ingredients to make a successful Christmas movie. The music that is full of whimsy and bells with a touch of magic – check. The morals and lessons to keep with you and the themes of love, hope, family, and redemption – check. The bright colors and decorations and of course toys – check. Throw in a different kind of Santa and some elf and reindeer representation to boot. Kenan and Parker cleverly tie in little aspects of the Santa we all know throughout A Boy Called Christmas. From the origin of his hat, to good ole Blitzen, there are little touching additions. They add some comfort and enjoyment to the film that is already chock-full of both. Kenan and Parker also managed to do so in a secular way, focusing on the aspects of Christmas that can be enjoyed by all.

Creating a memorable Christmas movie is no easy feat, but one that Kenan & co. have managed to accomplish. The unique take on Christmas offered by A Boy Called Christmas is refreshing and the film has staying power. The script not only features numerous memorable lines and lessons, but touching moments and plenty of humor. Some of the humor is in your face, but there are a good deal of subtle lines and jokes that do not go overlooked. Merchant’s Miika chimes in with wisecrack after wisecrack and is the welcomed constant comedic relief. The cinematography and animation are fantastic and the shifting between the story and “real life” is seamless and handled perfectly. A Boy Called Christmas builds a world full of magic and wonder that is fun for the whole family. It isn’t a stretch to imagine the film becoming part of the holiday rotation, and deservedly so.

Review: ‘The Humans’

Richard Jenkins Leads A Frighteningly Good Cast In This Family Horror Drama

*NOTE: This review was originally part of our Middleburg Film Festival coverage.*

Family is a nightmare in Stephen Karam’s directorial debut The Humans. Adapting his own one-act Broadway play that brought home four Tony Awards in 2016, Karam’s haunting direction amplifies a talented cast.

The always brilliant Richard Jenkins plays the patriarch of the Blake family, Erik. We first meet him as he silently picks apart his daughter’s new and empty New York apartment. He is there with his wife, Deirdre (Jayne Houdyshell), his mother who is suffering from Alzheimer’s (June Squibb), and his bewildered eldest daughter Aimee (Amy Schumer) to celebrate Thanksgiving with youngest daughter and hosts Brigid (Beanie Feldstein) and boyfriend Richard (Steven Yeun). Of course, each member comes with their own baggage and resentment towards the other.

As the night goes on, the old apartment starts to fall apart just like the family’s conversations. Religion, weight, failed careers, 9/11, and insults fly back and forth between them as the meal is cooked and eaten. Jenkins gives a masterclass in driving tension forward, knowing exactly when to lay on and off the gas. Like most of his performances, his role in The Humans proves that he is one of the greatest living character actors working today.

Though known for her standup comedy, Schumer proves she can run with this troop of dramatic actors. Of course, she does have most of the comedic lines that she delivers with expert precision. However, her lingering sadness is the most captivating. Steven Yeun also delivers a solid performance as the supportive boyfriend.

Houdyshell (most recently seen in The Only Murders in the Building) reprises her Tony-Award winning role as mother and caretaker to her mother-in-law played by June Squibb. Though she doesn’t stand out as much as Schumer and Jenkins do, she gives the others the most to play off of.

Karam’s real star is the old and dilapidated Chinatown apartment where the film is set. Unlike the immaculate New York dwellings that are too good to be true for their poor characters to live in in real life, Brigid and Richard’s newest home truly is worse for wear. Lights burn out throughout the night. The paint is chipping, with one particular spot on the wall bubbling up from a leaking pipe. There is hardly any natural light as it faces “an interior courtyard” as Brigid calls it.

Slowly, Karam introduces us to this ghastly apartment, mainly when another character is monologing or insulting another. Often shooting from a distance, the room is always dark and the camera is angled around the corner as if we are voyeurs. It’s one of many techniques the director takes from the horror genre that adds to the calculated claustrophobia and anxiety of the piece.

As of now, A24 and Showtime have yet to announce if The Humans will be an official Oscar contender or if the studios will wait until the Emmys. If the Academy Awards route is chosen, the film could shake up the sound design category. Every creak and drip is amplified adding to Karam’s horror film approach. Silence is used as an auditorial weapon, with very little soundtrack being used. It’s smart and well-done which could give bigger projects like Dune a run for their money.

The Humans main issue is that it is 10 minutes too long. After a while, the horror elements and jump scares, though genius, feel expected. There is a secret held between the parents that is revealed towards the film’s end that doesn’t have the payoff Karam thinks it does.

Overall, The Humans is a brilliantly acted and technically sound film that is just as chilling as it is entertaining.

The Humans will be released on Showtime and in theaters on November 24. Watch the trailer below.

Final ‘Sing 2’ Trailer Has Big Dreams, Big Songs, And Bono As King Of The Rock Jungle

“The bigger the dreams, the bigger the journey.”

The dream for Illumination must be that you remember Sing 2 is a movie opening next month, because they’ve released yet another trailer even though we just had one. Although this one is supposedly the “final” look at the animated musical before it opens. I’ll believe it when I DON’T see it.

Matthew McConaughey returns as Buster Moon, with Reese Witherspoon as Rosita the housewife with a second shot at fame, Scarlett Johansson as Ash the prickly punk rock porcupine, Nick Kroll as Gunter the pig, Taron Egerton as Johnny the gorilla, and Tori Kelly as Meena. Bobby Cannavale voices gangster Jimmy Crystal, who helps them put on the show but at a risky price. Grammy winner Halsey plays his spoiled daughter, and there are other new characters voiced by Pharrell Williams, Letitia Wright, Eric André, and Chelsea Peretti.

Also lending his voice and a brand new song is U2’s Bono, who plays rock legend Clay Calloway, a reclusive lion who Buster needs to get his show off the ground. Call me crazy, but I think this king of the rock jungle is coming out of retirement.

Sing 2 opens in theaters on December 22nd.