The Spider-Man movies have always been pretty popular, but it’s safe to say that Spider-Man: Into the Spider-Verse is beloved like no other. The animated film, which won Best Animated Feature at the Oscars, just has an energy and infectious spirit that live-action movies can’t match. We knew a sequel was coming, but late last night we got our first teaser and an official title: Spider-Man: Across the Spider-Verse (Part One).
That’s right, this is going to be a two-part saga for Miles Morales, Gwen Stacy, and all of the Spider-People they’ll encounter across this version of the Multiverse. Shameik Moore is back as Miles, with current Hawkeye star Hailee Steinfeld returning as Spider-Gwen. And refusing to stay away from superheroes is X-Men: Apocalypse and Moon Knight star Oscar Isaac who will voice Miguel O’Hara aka Spider-Man 2099, also teased in this footage.
Interestingly, all three of these characters fought together in the 2014 storyline titled “Spider-Verse“, which is where Gwen was first introduced. I’m curious to know if the film will take aspects from that story.
The sequel is once again produced and co-written by Phil Lord and Chris Miller, joined by Shang-Chi writer David Callaham. Taking over as directors are Joaquim Dos Santos, Soul co-writer Kemp Powers, and Justin K. Thompson.
Spider-Man: Across the Spider-Verse (Part One) opens October 7th 2022!
It's true, Spider-Man: Across The #SpiderVerse is Part One of two films. Me, @philiplord @shinypinkbottle @Powerkeni @JDS_247 and an incredible crew are working on both films simultaneously! pic.twitter.com/8JGwx8YZDV
— Christopher Miller (@chrizmillr) December 5, 2021



Marvin is from a small town where word travels fast. It seems that right away everyone knows he’s back, and most are not quick to welcome him with open arms. Marvin is able to find comfort in Wade (Derek Richardson), his old childhood friend who has stumbled on hard times. Bernadette’s caretaker Jayden (Lil Rel Howery) is also able to overlook Marvin’s past and becomes a source of warmth. However, those hurt by Marvin’s actions still have open wounds. Mainly Russell (James Jordan) who feels the need to settle the score. Complicating things is the fact that Russell’s little sister Delta (Aisling Franciosi) sees the good in Marvin and forgives him. As Bernadette’s health declines, Marvin does all he can to repair their relationship.
Franka Potente brings her talents from in front of the camera to behind it with Home. The film is the veteran actor’s feature length writing and directorial debut. It is quite the debut as well. Home is a powerful film that is driven by dialogue and the relationships between the characters. Luckily for Potente, and the audience, the actors across the board are top notch and turn in fantastic performances. Potente’s script resonates as well. It is awkward at times, but so is life. There is something to be said about a good story told well, and succinctly, in this day and age. No need for superpowers or a CGI dragon to save the day during a two-and-a-half-hour affair. Potente manages to tell an interesting story without the need for any over-the-top flair in just over ninety minutes.
That being said, it is hard to say that Home is a feel-good movie. The film will definitely bring about emotions, some good – but they are mixed. There is a lot of sadness and a lot of pain. The score and imagery reflect that. Somber tones, muted colors, and shots of desolate trailers, junk, and junkies become familiar. Yet through it all there’s hope, family, and love. The music becomes more touching, sunlight creeps in, and so do moments of joy. When the dust settles, Potente has put together a solid drama. Home strikes the perfect combination of a script that flows well and actor’s that deliver it flawlessly. Bates is fantastic as usual, but McLaughlin and Franciosi more than hold their own. Howery also brings his combination of humor and heart. Home doesn’t reinvent the wheel but is absolutely worth a watch.





