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‘Debt Collectors’ Trailer: Scott Adkins Has Come To Collect In This Hard-Hitting Sequel

Hey look, nobody is going to compare director Jesse V. Johnson and martial artist Scott Adkins to Scorsese/DiCaprio, but to a certain segment their movies are also looked forward to. The hard-hitting action duo team up once again for Debt Collectors, which has Adkins breaking the teeth of those who owe him money.

Debt Collectors is actually a sequel to 2018’s The Debt Collector, and reunites him with co-star Louis Mandylor. This one finds them chasing down a casino owner in Las Vegas, and of course they’ll need to kick a lot of ass to get what they’re owed.

SYNOPSIS: Debt collectors French and Sue get to work doing what they do best – cracking skulls and breaking bones – as they chase down the various lowlifes who owe money to their boss, Tommy. They’re summoned to Las Vegas to collect from a dirty casino owner, who happens to be a vicious ex-lover of Sue’s. Meanwhile, a notorious drug kingpin is on the warpath to kill French and Sue to avenge his brother’s death. Facing danger from all angles, the pair will have no other choice but to fight their way out of an explosively dangerous situation.

Adkins and Johnson are guys who fill the racks with meat and potatoes action flicks. Kick your feet up, grab a snack, and watch a couple of tough guys beat people into pulp for a couple of hours. While Adkins has more than his share of notable support roles in big movies such as X-Men Origns: Wolverine, The Expendables, The Bourne Ultimatum, and Doctor Strange, it’s the lower-profile stuff where he gets to take center stage. He and Johnson recently worked together on the films Triple Threat and Avengement, but their association stretches back to 2005’s Pit Fighter.

Debt Collectors hits VOD on May 15th.

NBC’s Peacock Drops Trailers For ‘Saved By The Bell’ And ‘Punky Brewster’ Reboots

Peacock, NBC’s upcoming streaming service, won’t have a full launch for a while yet, but already it’s easy to tell they’re going to lean hard on the nostalgia tip. Today they’ve released a bunch of new trailers, but it’s the revivals of Saved by the Bell and Punky Brewster that’ll perk the ears of anyone who grew up in the ’80s and ’90s.

Saved by the Bell takes us back to, where else, Bayside High with a mostly all-new cast.  That said, almost nothing has changed. Mario Lopez is back as A.C. Slater, who is now a lame gym teacher and counselor. And who is he keeping an eye on? Mac Morris (Mitchell Hoog), the cocky son of his friend/rival Zack Morris, played by a returning Mark-Paul Gosselaar. The apple doesn’t far from the tree. Also coming back is Elizabeth Berkley as Jessie Spano, who has a son of her own in much the same relationship as Slater/Zack. Tiffani Amber Thiessen is also returning as Kelly Kapowski, the object of Slater and Zack’s many beefs.

Punky Brewster might be a little more obscure for some people. The original series starred Soleil Moon Frye as a free-spirited young orphan who comes to live with a grouchy, widowed foster dad. The show was huge, and launched a multimedia franchise. Now, Moon Frye is back as Punky, a single mother of three kids who must rediscover her “Punky Power” (an actual ability in the Punky Brewster cartoon!) when she meets an orphan who reminds her of herself. Freddie Prinze Jr. co-stars as Punky’s ex-husband.

Both shows had that canned sitcom style in their original runs, but only Punky Brewster, which is a limited 10-episode series, has retained it.

I can’t with these nostalgia revivals, man. None of them really appeal to me, even for the shows I use to really like, and the same goes for these. It’s just hard to recapture what worked before, and even harder to make them relevant for today.

‘Brave New World’ Trailer: Alden Ehrenreich And Demi Moore Lead Peacock’s Dystopian Sci-Fi Series

Are you ready for…Peacock? Just a day after NBC’s streaming service made its limited rollout, the network has dropped an impressive trailer for Brave New World, a series based on the classic novel by Aldous Huxley that imagines…well, a brave new world fueled by sex, drugs, and bioengineering. Wait, how is this different from ours? Huxley might’ve been on to something.

The dystopian society in Brave New World has a cast led by Solo‘s Alden Ehrenreich, who has journeyed away from a galaxy far far away to the dystopian land of New London. He’s joined by screen legend Demi Moore, Jessica Brown Findlay (Winter’s Tale), Harry Lloyd (Counterpart), Nina Sosanya (His Dark Materials), Hannah John-Kamen (Ant-Man and the Wasp). In this seemingly utopian society, people have been divided into an intelligence-based hierarchy where monogamy, privacy, and choice are outlawed, but a happy-inducing drug keeps everyone in line.

Of course, there are cracks in the system, and that’s where Ehrenreich’s John the Savage comes in. As he begins to disrupt the fragile peace in his ventures through the zoo-like slums of The Savage Lands, he’ll have to deal with the eventual fallout.

On board as exec-producer and showrunner is David Wiener, joined by all-star comic book writer Grant Morrison and Brian Taylor (Crank). Owen Harris (Kill Your Friends) directed the pilot.

Brave New World may end up a launch title when Peacock goes wide, but for now there’s no release date.

‘Valley Girl’ Trailer: Jessica Rothe Has The Beat In Musical Remake Of Nic Cage’s 1980s Teen Rom-Com

The ’80s. It was a time of unbridled happiness, rock music, big hair, hot pink, dancing, shopping malls, and Nic Cage. Yes, that’s right, all of those things were true. If you ever want to get a snapshot of an idylized version of the era, and a glimpse at a young Cage, the 1983 film Valley Girl is your ticket. Or you can scope out the upcoming remake, which features a stellar cast and an upbeat musical twist.

Valley Girl stars Happy Death Day breakout Jessica Rothe as Julie, the ultimate valley girl as she sings, dances, and falls in love to the beat of a rockin’ ’80s soundtrack. Alicia Silverstone plays the older version of Julie (which is making me feel old as well) as she attempts to explain the era to her young daughter. The rest of the cast is as much fun as this trailer, featuring Josh Whitehouse, Jessie Ennis, Ashleigh Murray, Chloe Bennet, Logan Paul, Mae Whitman, Mario Revolori, Rob Huebel, Judy Greer, and Camila Morrone. What’s not to like?

Behind the camera is TV vet Rachel Lee Goldenberg, whose last film was the Will Ferrell/Kristen Wigg Lifetime satire A Deadly Adoption.

Valley Girl hits VOD on May 8th.

SYNOPSIS: Julie (Jessica Rothe) is the ultimate ’80s Valley Girl. A creative free spirit; Julie’s time is spent with her best friends shopping at the Galleria mall and making plans for senior prom. That is, until she falls hard for Randy (Joshua Whitehouse), a Sunset Strip punk rocker, who challenges everything the Valley and Julie stand for. Despite push-back from friends and family, Julie must break out of the safety of her world to follow her heart and discover what it really means to be a Valley Girl.

Set to a rock ‘n roll ’80s soundtrack produced by legendary Harvey Mason, Jr. with dance numbers by choreographer Mandy Moore, VALLEY GIRL is a musical adaptation of the classic 1983 hit film that changed American teenage life forever.

‘Unbreakable Kimmy Schmidt’ Interactive Special ‘Kimmy vs. The Reverend’ Coming To Netflix

Netflix is really getting behind these interactive specials, and for good reason. Black Mirror: Bandersnatch proved to be quite the hit for them, and now they’re giving it another go. Only this time it’s with Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend, which lets viewers decide how the characters on screen will act.

Unbreakable Kimmy Schmidt ended its run last year after four hilarious seasons, led by star Ellie Kemper as the perky and clueless ex-cult member who had been kept in an underground shelter for 15 years. The man who held her was Reverend Wayne, played by Jon Hamm, and they’ll apparently have their final showdown with this interactive special. Returning from the cast are Titus Burgess, Jane Krakowski, and Carol Kane, joined by special guests Daniel Radcliffe, Jon Hamm, Sara Chase, Lauren Adams, Donna Maria, Amy Sedaris, Michael Carlsen, Fred Armisen, Chris Parnell, Jack McBrayer, and Johnny Knoxville.

SYNOPSIS: “Kimmy Schmidt (Ellie Kemper) sets off on her biggest adventure yet. Three states! Explosions! A dancing hamburger! And you, the viewer, get to decide how the story goes. Will you foil the Reverend’s (Jon Hamm) evil plan and get Kimmy to her wedding on time? Or will you accidentally start a war against the robots? So grab your remote and a tray of delicious scrod, ‘cause Kimmy’s got her own Netflix interactive special!”

I remain unsold on these interactive specials. They seem like a cheap gimmick with little long-term entertainment value. But if they draw tons of viewers to Netflix, who am I to complain?

Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend hits Netflix on May 12.

Review: ‘Selah And The Spades’

Power Overshadows Grades In Tayarisha Poe's Stylish, Fearless High School Drama

Lovie Simone appears in Selah and the Spades by Tayaresha Poe, an official selection of the NEXT program at the 2019 Sundance Film Festival. Courtesy of Sundance Institute | photo by Jomo Fray All photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute programs. Photos must be accompanied by a credit to the photographer and/or 'Courtesy of Sundance Institute.' Unauthorized use, alteration, reproduction or sale of logos and/or photos is strictly prohibited.

“When you’re 17, you have to grab control whenever you can.”

If those words weren’t said by a teenager, you’d be okay with mistaking them for the edict of a mafia don. Take control. Be in charge, no matter what. For brash, overachieving prep school student Selah Summers, power is everything, and her high school experience is unlike yours, mine, and likely anybody that you ever knew. The mafia don comparison fits, because Selah is leader of the Spades, one of five dominant factions, more like cabals, at prestigious Haldwell boarding school. Social cliques are a thing and virtually every school drama embraces how important they are to a teenager’s self-image, but in Tayarisha Poe’s stylish, confident debut Selah and the Spades, they are literally the only thing that matters.

Classes? We don’t need no stinkin’ classes. You’ll scarcely see any of the students when they’re not working some angle to further their power base within the social hierarchy. At the top sits Selah (played ferociously by lapLovie Simone), who as the powerful, paranoid leader of the Spades secures drugs to keep the student body high as a kite at all times. The other factions, made up of theater geeks, legacy kids, misfits, and others, all have their role in pulling the wool over the faculty’s eyes. Even the principal (played by a bearded Jesse Williams, the beard distracting from his young face and blue eyes), who wants so badly to be cool to the students, is always in the dark.

Viewers of a certain age (read: me) may think this whole thing absurd. Admittedly, Poe’s vision is a little hard to settle into. We get it; high school is about cliques as much as anything else, but this is so self-serious and all-consuming as to be ridiculous. Your reticence fades as Poe takes you deeper into the school’s mafioso-like underbelly, where snitches get jumped in the hallways and tripped-out partiers frolicked in the neon-lit woods nearby. It’s hard not to get swept up in the energy of it all, and energy is what Selah and the Spades has in…well spades.

After a brisk introduction to the factions, one thing becomes clear. Poe, who is basing the story on her own incredible prep school experiences, frames everything from the perspective of black and brown teens. It’s a rarely-seen viewpoint, especially one where the black protagonist isn’t an outsider but the dominant figure. Selah is a complex young woman, a terrorizing royal force not unlike Dany in Game of Thrones. She seeks companionship and complete loyalty, while instilling as much fear in the others as she can. At the same time, she’s held to an impossibly high standard by her parents. In the few scenes we see her away from school, the pressures heaped on Selah by her mother (Gina Torres) are reminiscent of the first half of Waves. It’s those same pressures to be absolutely perfect which drive Selah’s anxiety and rebelliousness. But in many black households kids are taught they must be twice as good as the next white person. Those feelings are real, and Poe doesn’t need to spend much time to capture how they impact Selah.

At the same time, Selah feels she has a legacy that must be passed down. Graduation is near, and she has yet to find an heir. That’s where new girl Paloma (Celeste O’Connor, a real breakout) enters the picture. We’re introduced to her through her wild, blown-out afro. It identifies her as someone natural in a world of artificiality. But she, too, gets wrapped up in Selah’s games and becomes her right hand. When Selah’s best friend/consigliere Maxxie (Jharrel Jarome) falls in love and starts slacking off, it’s Paloma who must manage her leader’s worst tendencies, which are to push everyone away.

Poe’s focus is on the friendship between Selah and Paloma, which often fails to look like more than mentor/student. But Poe is quick to show that Selah, perhaps more than anyone, is in need of someone she can confide in, and not just about who screwed-up and who is coming after her. There isn’t the slightest hint that Selah has any romantic interests; she outright blasts the idea and it doesn’t just sound like bravado. It’s refreshing, although Poe could’ve done a better job making Paloma’s interests in Selah clearer.

A mystery involving a missing confidante of Selah’s is teased and wrapped up in a way that complicates our opinion of her. This would be interesting if this wasn’t also the moment when Selah and the Spades lapsed into conventionality. Familiar story beats play out; a big party, a denouement, an epiphany that it’s time to grow up and move beyond high school problems. There’s more to the world, absolutely, but did the boring adult stuff have to intrude so soon?

 

 

 

 

 

 

Hulu Releases The Official Trailer For ‘Solar Opposites’

Solar

A few weeks ago, Hulu released a teaser trailer for Solar Opposites: a balls-to-the-wall crazy animated comedy focusing on an alien family who after escaping their home planet’s destruction, lands on earth.  Now they will have to live and fit in with a completely “alien” environment.  As they adapt to life in Middle America, they have to decide if it’s “awful or awesome.”  Of course, things will go crazy.  Fans of Rick and Morty already know how fun and bonkers a show like this can be, so Hulu just released a second trailer for the new show hitting the streamer next month:

Shrinking kids, adults, building new best friends, and taking lots of cocaine for “new ideas?”  Sounds fun!  Solar Opposites is created by Justin Roiland and Mike McMahan and will feature a voice cast including Justin Roiland, Thomas Middleditch, Sean Giambrone, Mary Mack, Carlos Alazraqui with guest stars including lan Tudyk, Alfred Molina, Christina Hendricks, Echo Kellum, Jason Mantzoukas, Phil LaMarr, Rainn Wilson, Tiffany Haddish, and countless others.  Solar Opposites launches on Hulu May 8th.

 

Tom Hardy Looks Oscar Worthy In The Trailer For ‘Capone’

Obviously all the major studios read this site, that’s the only reason I can think of that a trailer for the upcoming Capone would be dropped right after Travis posted this article earlier today.

Based on the synopsis alone I don’t think I’d ever take the time to see this. Take a look for yourself, here’s the official synopsis via Variety:

The 47-year old Al Capone, after 10 years in prison, starts suffering from dementia, and comes to be haunted by his violent past.

This sounds like THE worst period of the legendary gangsters life to cover, honestly it sounds boring and depressing. Thankfully the studio have two things that are going to turn your opinion around and have you pre-ordering the film on streaming. Tom Hardy, and this trailer. Hardy, who is so consistently amazing that I’m struggling to find an example of a film he was just “Ok” in, yes, that includes Venom I loved that movie and he was perfect. Lucky for us this looks like it’ll be another top tier performance from the A-lister, the way he seems to completely embody his characters is on full display as the late in life bad guy who defined what we think of when we here ‘Gangster’. It certainly doesn’t hurt that Hardy’s already cut his teeth on the gangster persona twice over playing both of the infamous Kray brothers in Legend. So that’s half the equation, the trailer below which just dropped late today seems custom made to remove any doubt that this is a boring film about a has-been tough guy. Action packed and compelling.

The best news? It’ll be waiting for you in your living room next month when Capone hits streaming in May

Thanks to those awesome fellas over at JoBlo for the trailer upload!

Review: ‘The Innocence Files’

The Netflix Docuseries Will Break Your Heart and Lift Your Spirit At The Same Time

Innocence

OK, now that we’re all Tiger King’d out, Netflix decided to give us another round of “true crime proper.” Now I love tiger cults-turned-murder-for hire insane and sensationalized true crime documentaries as much as the next person, but the streaming giant decided to tone it down and release a sobering look at our criminal justice system with The Innocence Files, a gripping series that profiles not only The Innocence Project and their tireless work they do, but examine issues within the criminal justice system as a whole.

Founded in 1992, The Innocence Project was founded by attorneys Peter Neufeld and Barry Scheck with the dedication of exonerating wrongfully convicted people. Through investigation, DNA testing and other science-based data, The Innocence Project has helped overturn hundreds of cases for many innocent people. As the organization’s great work has been gaining in popularity, we’ve seen them referenced in countless movies, TV shows, and even podcasts. But this time around, they get the Netflix treatment in The Innocence Files.

The Innocence Files is a nine-part documentary that explored eight cases of the wrongfully convicted and the harrowing details of their cases, indictments, wrongful convictions, and their eventual exonerations. Directed by some of the best documentary filmmakers: Liz Garbus, Alex Gibney, Roger Ross Williams, Jed Rothstein, Andy Grieve, and Sarah Dowland (MANY Oscars and Emmys between them all), The Innocence Files explored systematic problems within the criminal justice system in three distinct segments.

InnocenceThe first three episodes cover “The Evidence” as two distinct cases are explored. The first case managed to convict two separate individuals for the same crime. A child’s rape and murder convicted Levon Brooks to life imprisonment on the basis that he supposedly bit a three-year-old after assaulting and killing her based on the testimony of a (proud rebel flag having) forensic dentist of the Mississippi town he lived in that convicted Brooks based on supposed bite marks on the child that matched his teeth. After his life sentence conviction, another child murder happened in a nearby town and the powers that be arrested, tried, and convicted Kennedy Brewer, who the police said was a copycat killer, rather than admit they got the wrong guy the first time. Enter The Innocence Project, who painstakingly investigated both crimes, utilized their own dental forensic specialist as well as DNA testing to exonerate both subjects, and ultimately help them gain their freedom. The real culprit in these cases was for one, the actual person who killed those poor girls, but also, faulty forensic science as the “bite marks” were proven to be wildlife that fed on the children after they were dumped in lakes. With those two cases overturned, what other cases existed that DNA evidence could prove otherwise? The Innocence Project explored the case of Keith Harward, who was a young sailor convicted of rape based on faulty bite mark evidence who served 33 years in prison for a crime he did not commit.

InnocenceThe next three episodes explored “The Witness” and examined the cases of Franky Carrillo and Thomas Haynesworth who were convicted solely based on eyewitness testimony. Franky Carrillo was supposedly a member of a local Latino gang in California that killed members of a black group presumed to also be in a rival gang. His conviction relied on the eyewitness word of six people who later recanted explaining they were swayed by the police for their testimony. Franky Carrillo was ultimately exonerated thanks to The Innocence Project. Another person caught up in poor eyewitness testimony was Thomas Haynesworth who was just walking out to the store one day and “fit the description” of a serial rapist known as “The Black Ninja” who had raped up to six white women in Virginia. One of the rape survivors swore it was him, picked him out of a lineup, and soon enough, was convicted and sentenced to 70+ years in prison. Haynesworth spent 27 years in prison before The Innocence Project looked at his case and overturned his conviction. For some reason, eyewitness testimony is a very effective tool in court, but memory can be a faulty thing. In the heat of the moment, interpretations, racial bias, and many other factors can taint witness reliability as explored.

InnocenceThe last three episodes explore the most damning aspect of the criminal justice system: “The Prosecution.” Prosecutors are supposed to be the arbiters of justice as they right the wrongs of society. Unfortunately for Chester Hollman, Alfred Dewayne Brown, and Ken Wyniemko, that was not the case as prosecutorial misconduct caused these three innocent men to spend many years in prison for crimes they did not commit. Chester Hollman was supposedly the getaway driver for a car used in a homicide and convicted for the murder, only for The Innocence Project to find that the police and prosecutors office withheld evidence that would have proven his innocence. Alfred Dewayne Brown spent ten years on death row for the murder of a police officer, when the actual killers pinned the murder on him with the promise of no jail time. Hollman is only alive because The Innocence Project discovered crucial evidence was hidden in a police officer’s house with the prosecutor’s full knowledge, which ultimately exonerated him. Ken Wyniemko, called the “million dollar man” (because the police told him he was going to be harassed by them so much that he would need a million dollars in legal fees) was convicted of rape and sent to 60 years in prison, even though withheld DNA evidence could have exonerated him at any time, causing him to serve ten years in prison.

The Innocence Files is expertly directed and keeps you on the edge of your seat as each case is explored in detail. The only small gripe is that with different directors for each episode, the vision for the series is inconsistent. Some episodes rely on interviews, news reports, and other archival footage while others utilize reenactments which can be a little jarring as it seems there are competing visions for the series on a whole. But ultimately, it is gripping, engaging, intense, and beautiful. Each episode consistently reminds you that these crimes had two sets of victims: the people who were falsely accused and convicted, but also the people who suffered through these tragedies and The Innocence Files makes sure you don’t forget the latter.

InnocenceThe Innocence Files is a very tough watch. Although each of these cases has a happy ending that makes your hopeful, it’s not without a cost. Each of the exonerated people lost years of their lives (sometimes half their lives) effectively stolen from them. The docuseries also explores that this doesn’t just impact the individuals, but also their families as they have to basically serve time as well. Some people didn’t get to see their children for decades, some didn’t get to bury their parents, and all sorts of other hardships that they should not have had to explore. While two of the vindicated subjects are Caucasian, you can’t help but notice the racial disparities of the cases as well on a whole. Many poor black (and white) people simply don’t have the means to defend themselves effectively against a system with vastly more resources than they do, and those resources are determined to convict them by any means necessary. It also isn’t that hopeful as many of the real “bad guys” in this story did not receive any punishment. In fact, many of them received promotions. Police and prosecutorial immunity is something that also should have some form of accountability. That said, when these men finally have their vindications, you can’t help but not almost shed a tear as they went through hell and back only to be proven right. Each of them has a strong resolve and a saint-like level of forgiveness. Thomas Haynesworth is even friends with the woman who “swore” he raped her as they now do lectures across the country about the dangers of eyewitness testimony. Each member now has either decided to make up on lost time, have dedicated their lives to ensuring that what has happened to them doesn’t happen to anyone else. Last but not least, the actual members of The Innocence Project are true warriors who work their hardest to ensure that true justice is met.

The Innocence Files is currently streaming on Netflix.

‘Tammy’s Always Dying’ Trailer: Felicity Huffman Stars In Amy Jo Johnson’s Terminal Illness Drama

The upcoming illness drama Tammy’s Always Dying has a director who will be very familiar to some, not so much to others: Amy Jo Johnson. Yeah, if you know that name then you know she was the Pink Ranger on the Power Rangers TV series. She made her directorial debut in 2017 with drama The Space Between, so if you were hoping she’d stick to Mighty Morphin stuff, you’re out of luck.

Tammy’s Always Dying stars Felicity Huffman, Anastasia Phillips, Clark Johnson, Aaron Ashmore, Kristian Bruun, and Lauren Holly. It centers on the complicated relationship between a mother and daughter, which only gets more complex when the parent gets a terminal diagnosis.

Unlike her previous film, Johnson didn’t write the script or take an acting role. The screenplay is instead by Joanne Sarazen.

Tammy’s Always Dying hits VOD on May 1st.

SYNOPSIS: Every month, when the welfare money runs out, 35 year-old Catherine has to talk her self-destructive mother off the same bridge..literally. This routine has gone on for so long that it’s the only thing Cathy feels she is good at. And it’s Tammy’s selfish way of keeping hold of her daughter. When Tammy is diagnosed with terminal cancer and the possibility of life without her becomes very real, so does Cathy’s repressed desire to leave her small town. Does she stay and trust the woman who has always let her down or does she find the courage to live her own life?