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Review: ‘Wonder Woman 1984’A Feel-Good Sequel That Comes Close To Being So Much More

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It's the 1980s. The era of Gordon Gekko, Reaganomics, Alex P. Keaton, and the "greed is good" mentality. Ther perfect time to introduce a...

Review: ‘Soul’Pixar Delivers A Breezy Existential Crowdpleaser That Plays It Safe

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When we learned Pete Docter was doing Soul, a film that would explore concepts of the afterlife, I think flashes of his modern classic...

Review: ‘Sylvie’s Love’Tessa Thompson Shines In A Black Love Story With A Touch Of...

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The arrival of Eugene Ashe's film Sylvie's Love heralds the return of something we rarely get to see now, if ever: the African-American period...
We Can Be Heroes

Review: ‘We Can Be Heroes’Robert Rodriguez And A Fresh-Faced Cast Lead Netflix's Tween Superhero...

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There’s two different versions of director Robert Rodriquez: one for older folks, and one for children. For those a little older and prone to...

Review: ‘American Skin’Nate Parker Puts The Police On Trial In His Provocative, Unfocused, And...

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Let's get one thing out of the way right now. American Skin, the first movie from writer/director/star Nate Parker since his Birth of a...

Review: ‘Outside The Wire’Anthony Mackie Is An Advanced Android Soldier In An Efficient Sci-Fi...

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Netflix's latest "quick grab" action flick Outside the Wire is a hodge-podge of various military scare-tactic films. You've got Terminator and the fear of...

‘WandaVision’ Review: Marvel Takes A Big Gamble Mixing Superheroes With Classic TV Sitcoms

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While we shouldn't expect the Marvel Cinematic Universe to walk in lock-step with Marvel Comics, there's one universal truth when it comes to Wanda...

Review: ‘The Marksman’Liam Neeson Defends An Immigrant Boy In An Eastwood-esque Action Flick

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The Marksman, Liam Neeson's latest geriatric action thriller, could just as easily be imagined as a star vehicle for Clint Eastwood. The film is...

Review: ‘Penguin Bloom’Naomi Watts Gets Upstaged By A Magpie In This Inspirational, Heavy-Handed Recovery...

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The story of a paralyzed woman who bounces back with the help of a curious, equally-broken bird named Penguin sounds like either SNL parody...

Sundance Review: ‘Cryptozoo’Dash Shaw's Bizarre Animated Adventure Is 'Fantastic Beasts' For The Adult Swim...

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It's the 1960s, and sketchily-drawn hippies Amber (voiced by Louisa Krause) and Matthew (Michael Cera) abscond into the woods for a night of blissed-out...