The cool thing about Marvel is they don’t play games with their fans. They know that we are already aware of many of the projects coming up in Phase Four in 2022 and beyond. So why screw around? Just announce ’em already and make ’em official.
Marvel has confirmed and given actual logos to Hawkeye spinoff Echo, and WandaVision spinoff Agatha: House of Harkness, two shows we knew were coming. Meanwhile, they’ve also teased production on other shows including Armor Wars, Ironheart, and Secret Invasion.
Echo stars Alaqua Cox as Maya Lopez, adoptive daughter of the villainous Kingpin and a deaf woman with the ability to perfectly mimick other people’s movements. She was first to serve as the vigilante Ronin, although it’s unclear how her backstory will be weaved into the MCU.
Agatha: House of Harkness is a series we only learned about recently. It’ll return Kathryn Hahn to her fan-favorite role as witch Agatha Harkness, who when we last saw her was trapped in the sitcom town of Westview. WandaVision showrunner Jac Schaefer returns as executive producer and head writer.
Ironheart stars Dominique Thorne as Riri Williams, a genius-level inventor who uses her smart to reverse engineer Tony Stark’s Iron Man armor to create her own.
Secret Invasion stars Samuel L. Jackson as Nick Fury and Ben Mendelsohn as Talos, who team up to investigate Skrulls who have been hiding in plain sight for years, infiltrating the government and other positions of power.
Armor Wars stars Don Cheadle, who returns as Jim “Rhodey’ Rhodes, who must confront one of his pal Tony Stark’s greatest fears when his dangerous tech falls into the wrong hands. Yassir Lester, who worked with Cheadle on Black Monday, is the head writer.
“I can’t tell the difference between my waking life, and dreams.”
If there’s a most intriguing project on the way for Disney+ from Marvel Studios, my money is on Moon Knight. You don’t cast Oscar Isaac in anything for it to be unimportant, which tells me his role as schizophrenic antihero Marc Spector is going to be big shit in the MCU. You can certainly see just how odd this series is going to be in the new footage teased today for Disney+ Day.
Isaac stars as Spector, an ex-Marine who suffers from split personalities, one more dangerous than the next. He’s also the conduit for the Egyptian moon god Knonshu, granting him various super abilities. Spector is also wealthy enough to afford his own array of cool gadgets, not unlike Marvel’s version of Batman.
Details on casting have been murky. Other than Isaac, we only have firm confirmations on Ethan Hawke as some kind of cult leader, and Ramy actor May Calamawy in an undisclosed part.
Moon Knight will hit Disney+ in 2022 and run for six episodes.
A critical part of Marvel’s Phase 4 is the Ms. Marvel series. I don’t know if anyone would have thought that a few months ago, but as the show is also a lead-in for The Marvels, itself a sequel to Captain Marvel, there’s an awful lot of ground that’s being covered. It puts a lot of weight on the shoulders of newcomer Iman Vellani, who plays Marvel’s first major Muslim teen superhero, Kamala Khan.
The footage released today offers a first look at Vellani as Kamala Khan, a 16-year-old Pakistani-American girl gifted with shapeshifting powers and a deep respect for Carol Danvers aka Captain Marvel. You can see in one “let’s try out my powers” moment, she’s dressed in a version of one of Captain Marvel’s many costumes.
Also in the cast are Aramis Knight, Saagar Shaikh, Rish Shah, Matt Lintz, Zenobia Shroff, and Mohan Kapur, Yasmeen Fletcher, Laith Nakli, Alysia Reiner, and Laurel Masden. Brit comedian Bisha K. Ali created the series and leads the writing team, while Bad Boys for Life duo and future Batgirl helmers Adil El Arbi and Bilall Fallah on board two episodes.
Ms. Marvel is confirmed to drop on Disney+ sometime next summer.
“Don’t make me angry. You wouldn’t like me when I’m angry.”
Of course, we all know those words, famously attributed to Bruce Banner aka the Hulk. But they also now apply to Banner’s cousin, Jen Walters in the new Disney+ series She-Hulk. The first teaser arrived for the upcoming series as part of Disney+ Day, with Orphan Black‘s Tatiana Maslany playing the lean, mean, sexy, green machine who can file an objection like nobody’s business.
That’s because Jen is also a lawyer, with the show described as much as a courtroom comedy as a superhero show. In the footage, we see Mark Ruffalo return as Banner, granting She-Hulk her gamma powers, which allow her to transform into a green powerhouse, complete with purple and white costume that’s clearly a throwback to her original suit in the comics.
Also in the cast are Tim Roth, who returns as the Abomination, plus Jameela Jamil as Titania, along with Ginger Gonzaga, Renée Elise Goldsberry, Anais Almonte, and Josh Segarra.
She-Hulk arrives some time in the second half of 2022 with Jessica Gao as showrunner and directors in Kat Coiro and Anu Valia.
Believe it or not, there was a time before superheroes dominated the big screen landscape. The best place to get your fix, outside of comic books, of course, was through cartoons airing every day after school. And whether you were a huge Marvel fan or not, chances are you really dug X-Men: The Animated Series, with the catchy theme song that was such a part of growing up in the ’90s. Well, it’s been rumored for a long time but it has now been confirmed: X-Men: The Animated Series is coming back on Disney+.
First rumored by GWW and now confirmed by TheWrap, the ’90s X-Men animated series is coming to Disney+ in 2023, titled X-Men ’97. No, it’s not the same old thing, and it’s also not a brand new version of the original. It’s a revival with new episodes picking up where the classic show left off, done in the same style with much of the same voice cast.
The returning cast includes Cal Dodd, Lenore Zann, George Buza, Adrian Hough, Christopher Britton, Catherine Disher, Chris Potter, Alison Sealy-Smith, and Alyson Court. Jennifer Hale, Anniwaa Buachie, Ray Chase, Matthew Waterson, JP Karliak, Holly Chou, Jeff Bennett, and AJ LoCascio are the new recruits.
One of the best things about the original series was its faithful adaptations of classic storylines. It’s unclear what stories we’ll get this time around or how deep into the vast X-Men lore it’ll go. My two favorite all-time storylines being X-Cutioner’s Song and Fatal Attractions, I’d love to see those tackled.
The future of Star Wars on the big screen is still a big question mark, but it has found new life on streaming. On this Disney+ Day fans were probably hoping to see a trailer for Obi-Wan Kenobi, and perhaps there will be. But for now, anything new comes in the form of a behind-the-scenes featurette.
McGregor is full of glowing praise for Obi-Wan Kenobi and the entire Star Wars universe in what amounts to a brief interview with the actor. We also get some words from director Deborah Chow and a lot of concept art.
Also teased is the return of Hayden Christensen as Anakin Skywalker, and McGregor can’t stop grinning at the prospect of clashing lightsabers against his former co-star. The cast includes Moses Ingram, Kumail Nanjiani, Indira Varma, O’Shea Jackson Jr., and Rupert Friend, Sung Kang, Simone Kessell, Benny Safdie, and Maya Erksine, with Joel Edgerton and Bonnie Piesse back as Luke Skywalker’s Uncle Ben and Aunt Beru.
Mateus (Christian Malheiros) is an 18-year-old from Catanduva, a town in the countryside of Brazil. He has a loving family and seems like he was raised right. Mateus is compassionate, intelligent, and respectful. He aspires to go to college and become an engineer. His mother is getting older, but still works in the fields to provide for Mateus and his siblings. Mateus wants nothing more than to give his family a better life. When an opportunity arises to earn good money at a new job in São Paolo, Mateus jumps at it. Thinking that this may finally be the break his family needs, Mateus doesn’t hesitate to blindly head to São Paolo. Mateus quickly gets dragged into a seedy world that he didn’t know existed in 7 Prisoners.
Mateus is accompanied by his friend Samuel (Bruno Rocha) and a couple other teenagers from his area – Ezequiel (Vitor Julian) and Isaque (Lucas Oranmian). A recruiter named Gilson (Maurício de Barros) brings them to a scrapyard in São Paolo where they meet Luca (Rodrigo Santoro). Gilson promised that their housing and food would be provided, and that they would have honest work with a proper contract. After a week of working long hours in the scrapyard with no pay, Mateus begins to question the legitimacy of the operation. Luca quickly turns from appreciative, welcoming, and kind to abusive and violent. As the boy push back, Luca begins to take away basic privileges. First phones, food, and showers…and eventually their freedom.
7 Prisoners is the second feature length film from director Alexandre Moratto who also co-wrote the film with Thayná Mantesso. Moratto is an up-and-coming director with his debut, Socrates, receiving critical acclaim. He has a connection with Mantesso and Malheiros as he collaborated with them both on Socrates as well. Moratto and Mantesso cowrote the script for both films and Malheiros stars in both. This connection allows Moratto to fully utilize Malheiros’ range and abilities as an actor. They are in no short supply in 7 Prisoners.
Malheiros brilliantly showcases the transformation within Mateus. His facial expressions clearly displaying the emotions and turmoil inside of him. As the situation becomes more desperate, Moratto increases the intensity from behind the camera in lockstep with Malheiros in front of it. Equally impressive is Santoro’s performance. Luca is a phenomenal antagonist. Moratto shows how quickly relationships can form, both positively and negatively. Santoro perfectly captures this range and plays with the audience’s emotions while doing it. He manages to repeatedly invoke anger, pity, and compassion from the audience throughout the film.
The scariest part of 7 Prisoners is how real the film is. One could so easily see how something that looks legitimate enough can turn sinister in the blink of an eye. With the right money, connections, and corruption – less fortunate people can be taken advantage of and cornered. 7 Prisoners plays eerily like a documentary, and that is no coincidence. Moratto employs close ups of faces and unique camera angles throughout to build the connection with the audience and the characters. He succeeds in shedding light on these poor people around the globe. Moratto’s excellent direction combined with a strong script and excellent performances by the cast – led by Malheiros and Santoro – make 7 Prisoners a must watch.
I had the pleasure of interviewing Director Jesse Moss in discussing his upcoming documentary film, Mayor Pete that is set to be released worldwide on Amazon Prime, November 12th. Read along and hope you all enjoy our Q & A’s.
Hi Jesse and thank you for meeting with me: could you tell us a little about yourself and what other work/projects you’ve done before?
Hi Jen, pleasure to meet you. I have co-directed with Amanda McBaine on another documentary film that premiered in 2020 called Boys State. The film documents 1000 teenage boys in Austin, Texas that come together to build a representative government from the ground up, from all different political backgrounds, navigating challenges of organizing political parties, consensus, and campaigning for the highest office that depicts political divisions. The Overnighters is another documentary that was made in 2014 about broken men who desperately chase their dreams while dealing with hell in the North Dakota oil fields. There’s a local pastor who puts himself at risk to help these men. I have also done some work with Netflix that includes contributing to episodes for two of their series, The Family and Dirty Money.
Boys State premiered at the 2020 Sundance Film Festival and is listed as one of Former President Barack Obama’s favorite movies of 2020. The film was awarded the Grand Jury Prize and released by Apple Original Films and A24. The Overnighters was awarded the Special Jury Prize at the Sundance Film Festival and later released by Drafthouse Films and Netflix. Moss twice has been nominated by the Directors Guild of America for Outstanding Directorial Achievement.
How did you come across/meet Mayor Pete and what inspired you to create a documentary about him and his mission?
I was genuinely intrigued by Buttigieg. He had a remarkable composure, evident intelligence, and a gift for conveying complex ideas in ways that felt graspable. I reached out to friends and colleagues like co producers Dan Cogan and Jon Bardin who come to find out, had also shared my interest in Buttigieg. We reached out to his campaign to test the waters about filming a documentary. Pete had the appeal to be a rising star in the Democrat Party as this young man in South Bend, who was elected mayor and had an unusual but highly intelligent background. He was able to address important questions about our country in ways that I connected with. The opportunity to have access to a presidential candidate was very enticing.
What was it like working with Pete, Chasten, and his campaign team?
Everyone was great. Pete is more quiet and reserved. He is focused and very much a deep thinker. Chasten is relaxed and has more of a comedic tone that perfectly compliments and balances the two. Pete’s advisory team is a solid team that were not afraid to be real with him. Having made political documentaries before, it can feel like you’re seeing a façade, especially being a huge presidential campaign where the stakes are set really high. What was exciting about the project was the idea that Pete was going all in. His campaign was small AND he’s considered an outsider; with him betting it all in an unorthodox way and his team was willing to let us film it, we seized the opportunity.
What is your goal or what do you hope to accomplish with filming Mayor Pete?
I want young LGBTQ+ people to see this film and understand that there should be no limit to their ambitions as Americans, and there should be no limit to their participation in the American mainstream. Pete is a guy who hid the fact that he was gay, or didn’t want to believe that he was gay, and you see that it’s only when he comes to terms with being gay that he really flourishes as the statesman that he’s become. It’s an important message to LGTBQ+ youth about their place in America. I also think it’s a great story about public service and the people who devote themselves to public service and the price, difficulty, and exhaustion of that, and yet also the incredible public value and importance of that. If those two things can be takeaways for the film, I will be very happy. Pete himself is this remarkable beacon of pure service to community and country. It’s an inspirational thing to watch.
Were there any surprises or anything that stood out or resonated with you while filming?
With all that he was confronting and dealing with in this campaign, and all the people that he had to answer to and satisfy in different ways, that he would have the bandwidth for this project, and I think that I really expected that to be much more difficult. He was pretty patient with our process, and open, and Chasten too. We expect our politicians to be extremely guarded. Pete is guarded and I think there are parts of himself that he needs to protect. But Pete wasn’t playing to the camera, I never felt that. I felt this was a radical transparency. Chasten is amazing. He’s an integral part of Pete’s partnership on so many levels and is at more often times, surprisingly funny. They have great chemistry and it really shows.
Chasten is noticeably monumental to Pete and his campaign-how do you think he’s impacted them both and do you think or do you have thoughts on him potentially being America’s First Gentleman?
I’m intensely proud of the story we could tell about Pete and Chasten and this improbable campaign, and the conversation it opens up about presidential campaign politics. Chasten’s love for Pete, his sense of humor, and genuine compassion for people is a great asset for First Gentleman. We see personal characteristics of Pete in some ways through Chasten’s view and understanding of him. And I believe it captures with positive rapport and immediacy an important chapter in LGBTQ+ political history books.
Why should people watch your film, and do you have anything else you’d like to add about it?
The fact that a young, gay mayor from South Bend, Indiana, could launch and improbable but incredibly successful campaign for president, not as a lark but because he has something to say and because he has an incredible gift of bringing people together. People are looking for political leaders who can heal wounds and find practical, pragmatic, thoughtful ways forward to confront these existential problems. This is a story about somebody who is trying to do that. You see issues of race come up in very painful ways in the film, and that’s part of what he was confronting himself and the legacy of policing in his city. I think the film deals with most of those questions he faced. We really dug in and learned that he was still in his 30s, was happily married, and had been reelected by a higher margin after he came out. It was this bigger story to tell about America changing and how he represented that in a town like South Bend, Indiana. Separate from the campaign, Pete felt like an interesting as well as optimistic story to tell.
Kristin Davis, Cynthia Nixon, Sarah Jessica Parker on location for AND JUST LIKE THAT... Television Series Filming in NYC, , New York, NY July 20, 2021. Photo By: Kristin Callahan/Everett Collection
I admit it: I was at one time a casual Sex and the City fan. Like, VERY casual. I’d catch it maybe once or twice a month, watch the ladies mess around with whoever the guy of the week was, and forget about it. But it never stuck with me the way it did millions of others. The show is right up there at the top of HBO’s all-time list, along with The Sopranos and The Wire, and inspired two hit movies and a short-lived prequel series. Well, now Carrie Bradshaw and the gals are back with And Just Like That which comes to HBO Max next month.
And Just Like That, which sounds like it should be a Richard Linklater title, reunites Sarah Jessica Parker, Cynthia Nixon, and Kristin Davis as their Manhattanite characters venture with uncertainty into their 50s. What happened to Kim Cattrall who played the ferocious and quite promiscuous Samantha? She’s sitting this one out, folks, sorry.
Also coming back are old favorites Mario Cantone, the late Willie Garson, David Eigenberg, Evan Handler, and Julie Halston. And of course, you can’t have Sex and the City without Chris Noth as the ever-elusive Mr. Big.
Have you tried watching Sex and the City lately, though? It doesn’t hold up very well. The portrayals of anybody who isn’t white veer pretty far into stereotype, especially when it comes to the LGBTQ community. I’m assuming some of that will be corrected for this 10-episode revival.
And Just Like That hits HBO Max on December 9th. My crushes on Nixon and Davis remain firmly intact, so there’s at least a glimmer of chance I’ll watch an episode or two.
This being Disney+ Day, we can expect a ton of information and updates on a slew of upcoming titles. And it begins right out of the gate with the new Predator film from 10 Cloverfield Lane director Dan Trachtenberg.
Trachtenberg’s Predator movie is officially titled Prey and will hit Hulu in Summer 2022. This is different from the working title of Skull that it had been going under. One thing that we can confirm is the casting of Amber Midthunder in the lead role, playing Naru, a Comanche warrior who decides to prove herself by battling the Predator…300 years ago. So yeah, this is a prequel to the classic 1987 Predator movie starring Arnold Schwarzenegger.
Cool stuff. Also in the cast are Dakota Beavers, Dane DiLiegro, and Stefany Mathias. It’s unclear if film will tease future chapters in the franchise, but probably not. Shane Black helmed the most recent entry, 2018’s The Predator, which a lot of people thought sucked but I felt was the violent throwback that was sorely needed.