Review: ‘The Hunt’Blumhouse's Controversial Political Satire Destroys Deplorables And Snowflakes Alike
“Liberal Hollywood is Racist at the highest level, and with great Anger and Hate! They like to call themselves ‘Elite,’ but they are not...
Review: ‘First Cow’Kelly Reichardt Paints A Beautiful, Dangerous Portrait Of Male Friendship, Capitalism, And...
Chances are if you're not already a fan of the deliberately-paced dramas of Kelly Reichardt, First Cow isn't on your radar. But it should...
Review: ‘The Way Back’Ben Affleck Scores A Slam Dunk In Sobering Redemption Story
As if answering critics of his sleepy-eyed performance in The Last Thing He Wanted, Ben Affleck makes one Hell of a rebound with The...
Review: ‘Onward’Pixar's Elven Adventure Has Heart But Lacks The Usual Magic
Such is the price of Pixar's incredible success that we basically grade their movies one of two ways: either they're instant classics, or they're...
Review: ‘Escape From Pretoria’Daniel Radcliffe Can't Break Free From A Promising But Underwhelming Prison...
Prison escape movies are only as interesting as the escapees themselves, and the cleverness of their escape route. So it's not surprising that Escape...
Review: ‘Swallow’Haley Bennett Shines As A Desperate Housewife With A Stomach-Turning Secret
If you've never heard of Pica, the disorder which causes someone to ingest things that aren't meant to be eaten, prepare to get a...
Sundance 2020 Review: Benh Zeitlin’s ‘Wendy’ Is A Bold, Wondrous New Take On The...
Few filmmakers have made a splash quite like Benh Zeitlin did with his fantastical 2012 debut, Beasts of the Southern Wild. As someone who...
Review: ‘Guns Akimbo’ Misfires Despite Daniel Radcliffe And Samara Weaving Earning Top Scores
If you found the energetic video game energy of Hardcore Henry palatable, there's a chance Jason Lei Howden's similarly riffed Guns Akimbo will be...
Sundance 2020 Review: ‘Possessor’ Is A Savage Sophomore Effort From Brandon Cronenberg
Tasya Vos. The name sounds like someone from a Bond movie. That's not too far off. Vos (Andrea Riseborough) is a corporate mercenary, but...
Sundance 2020 Review: ‘Downhill’, An Enjoyable Bunny Slopes Version Of ‘Force Majeure’
A snapshot is just a single moment in time. Anybody can stop to grin like a fool for a photograph; it's what happens outside...