Review: ‘God’s Country’Thandiwe Newton Battles Racism And Red State Politics In A Tense, Bleak...
NOTE: This review was originally part of our Sundance Film Festival coverage.*
Race and class collide with tension as bitter as the Montana chill in...
Middleburg Review: ‘One Night In Miami’Four Black Icons Debate Celebrity And Activism In Regina...
Not everyone could make a movie like One Night in Miami, at least not in the way it needs to be done. Regina King,...
Review: ‘I.S.S.’Ariana DeBose Faces Cold War Tensions In Zero Gravity
Astronauts who have been to space and had a chance to see Earth, this tiny spec in the vastness of space, have often come...
Sundance Review: ‘Summer Of Soul’Questlove's Directorial Debut Is A Mixtape Tribute To Black Pride...
It's almost unfathomable that something as truly, viscerally alive as the Harlem Cultural Festival could be locked, buried in a basement, for more than...
Review: ‘Shirley’Regina King Captures Shirley Chisholm's Trailblazing Spirit In Restrained Biopic She Never Would've...
I'm going to start this review off by doing something I almost never do, and that's criticizing a filmmaker. John Ridley, Oscar-winning screenwriter of...
Review: ‘He Went That Way’A Magnetic Jacob Elordi Can't Save Clumsy Crime Film About...
With his James Dean good looks, Jacob Elordi would seem to be the perfect actor to embody a chain-smoking, jean jacket-wearing, hitchhiking enigma in...
Review: ‘Boss Level’Joe Carnahan's Cinematic Quarter-Muncher Is Worth Playing Again And Again
The other day I was playing (really, getting my ass kicked) by a new version of the video game Ghosts 'n Goblins. I mean,...
Review: ‘Arcadian’Nicolas Cage Tries To Survive Monster Attacks And Teen Hormones In A Terrific...
Fans of John Krasinski's A Quiet Place films will want to check out Arcadian. Directed by Ben Brewer, it's a monster movie that isn't...
Sundance Review: ‘The World To Come’Katherine Waterston And Vanessa Kirby Share An Impassioned Romance...
The second recent lesbian love story set in the 19th-century, Mona Fastvold's rapturous The World to Come has only that in common with the...
Review: ‘Coffee & Kareem’No Amount Of Sugar Can Sweeten This Bitter, Stale Buddy Comedy
The buddy cop-comedy used to be a staple of American cinema, but man, has it fallen on hard times. The genre reaches a new...