‘Nomadland’ Interview: Jessica Bruder And Bob Wells Talk The Movie’s Real-Life Impact
When Jessica Bruder and Bob Wells first met, they had no idea their personal experiences would lead to a major motion picture, slated as...
‘Wonder Woman 1984’ Interview: Cinematographer Matt Jensen On Smithsonian Camps And Filming At Landmark...
There's that D.C. saying that everybody moves here and that no one is really from here. Well one notable exception to that rule is...
Review: ‘The Affair’Carice van Houten And Architecture Combine To Create A Passionless Period Drama
American releases of European films can be difficult. Names get changed, nuances aren’t always obvious and many things get lost in translation (even if...
Review: ‘Boogie’Eddie Huang's Asian American Coming-Of-Age Story Has Some Growing Pains
Alfred “Boogie” Chin is not Holden Caulfield. Boogie writer and director Eddie Huang goes out of his way to make it clear that his...
Review: ‘Billie Eilish: The World’s A Little Blurry”Documentary Looks At The Pop Star As...
Billie Eilish has to be one of the most successful teenagers of all time. With six Grammys, over 75 million Instagram followers, and sold...
Review: ‘My Zoe’With Julie Delpy's Scientific Melodrama, Some Ideas Are Better Left Off The...
Scientific advancement and ethics have always been debated on screen. In the new film My Zoe, written, directed and starring Julie Delphy, the pain...
Review: ‘Jumbo’Visually Entrancing Love Story Between Woman And Machine Is A Wild Ride.
Humans have had a long fascination with machines and that obsession frequently makes it to the silver screen. The Iron Giant, Herbie Fully Loaded,...
Review: ‘Blithe Spirit’New Adaptation Of The Classic Play Feels Like An Antique
*Note: This is a reprint of our review from the Middleburg Film Festival.*Blithe Spirit is a classic standard in the theater. The play, written by...
Review:’Young Hearts’First Love Is Imperfectly Awkward In The Duplass Produced Dramedy
The new coming-of-age romance Young Hearts imperfectly captures what first love feels like. Touching, funny, and painfully realistic, the film brings the 21st century...
Review: ‘French Exit’Wealth, Privilege, And Weird Cats Suit Michelle Pfeiffer In Azazel Jacobs' Surreal...
There are a lot of movies about rich, white privileged people. There are few films that make those characters relatable and empathetic. In French...