With Black Widow taken off the release schedule, the question was raised how this would impact Marvel Studios’ Phase 4 plans. Would they move the Avenger’s solo movie to later in the summer? Perhaps give it the upcoming Eternals date? Well, now we know, and basically everything through 2022 is moving, while Captain Marvel 2 has officially been announced.
THR reports Black Widow will indeed take Eternals‘ November 6th 2020 date. Following that, everything else shifts. Eternals moves to February 12th 2021, Shang-Chi and the Legend of the Ten Rings goes to May 7th 2021, Doctor Strange in the Multiverse of Madness heads to November 5th 2021.
Meanwhile, the 2022 films are staying put, or at least Black Panther 2 is. Ryan Coogler and star Chadwick Boseman’s sequel opens May 8th 2022.
Marvel also took this time to officially date Captain Marvel 2 for July 8th 2022, just two months after Black Panther 2. Brie Larson will return as the Avengers’ heavy-hitter, however details beyond that have been thin. Ryan Fleck and Anna Boden won’t return as directors, but the search is on for a female filmmaker to replace them.
So there it is. By looking so far ahead, it does offer some glimmer of hope that things will return to normal someday soon. Hopefully, by the time Black Widow arrives in November that’s how it will be.
Lovie Simone appears in Selah and the Spades by Tayaresha Poe, an official selection of the NEXT program at the 2019 Sundance Film Festival. Courtesy of Sundance Institute | photo by Jomo Fray
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For non-athletes, is there such a thing as leaving behind a high school legacy? The movies always tell us that there is, that any popular student can be remembered for generations to come. In Sundance favorite Selah and the Spades, the leader of one school’s most powerful clique sets out to make sure she isn’t forgotten, long after she’s gone.
Writer/director Tayarisha Poe’s stylish Selah and the Spades was one of the most talked-about films at Sundance 2019. Much of the attention was focused on its star, Lovie Simone, who plays Selah, queen bee of a Pennsylvania boarding school’s most powerful faction. When love starts to interfere with her reign, Selah decides to make he new girl in class he protégée.
Also in the cast are Emmy-winner Jharrel Jerrome (When They See Us), newcomer Celeste O’Connor, Gina Torres (Firefly), Ana Mulvoy-Ten (House of Anubis), and Jesse Williams (Grey’s Anatomy).
Amazon Prime will debut Selah and the Spades on April 17th.
SYNOPSIS: In the closed world of an elite Pennsylvania boarding school, Haldwell, the student body is run by five factions. Seventeen-year-old Selah Summers (Lovie Simone) runs the most dominant group, the Spades, with unshakable poise, as they cater to the most classic of vices and supply students with coveted, illegal alcohol and pills. Tensions between the factions escalate, and when Selah’s best friend/right hand Maxxie (MOONLIGHT’s Jharrel Jerome) becomes distracted by a new love, Selah takes on a protégée, enamored sophomore Paloma (Celeste O’Connor), to whom she imparts her wisdom on ruling the school. But with graduation looming and Paloma proving an impressively quick study, Selah’s fears turn sinister as she grapples with losing the control by which she defines herself.
For a streaming platform that has yet to even launch, Quibi has amassed an impressive amount of content with a wealth of superstar talent. In the realm of horror, no name is bigger than Sam Raimi, and he’s just one reason upcoming anthology 50 States of Fright is so intriguing.
Produced by Raimi, whose Evil Dead has made him synonymous with horror, 50 States of Fright takes on a different urban legend from each of the 50 states. A series like this is possible because of Quibi’s unique “quick bites” format, presenting short episodes (around 10 episodes) optimized for mobile streaming. The first season has horrors set in Colorado, Florida, Iowa, Kansas, Michigan, Minnesota, Missouri, Oregon, and Washington.
The cast assembled for this is extremely good. Rachel Brosnahan, Travis Fimmel, Christina Ricci, Jacob Batalon, Ming-Na Wen, Taissa Farmiga, Asa Butterfield, John Marshall Jones, Ron Livingston, Victoria Justice, Karen Allen, Colin Ford, Alex Fitzalan, James Ransone, Emily Hampshire, Elizabeth Reaser, Rory Culkin, Warren Christie, Danay Garcia, and William B. Davis star.
Look, I’m not even going to front here; if you don’t take this opportunity to watch the greatest TV series ever, The Wire, then we can’t be friends. HBO has afforded everyone the chance to watch all of the acclaimed cop drama, along with many other network offerings, free to stream right now on HBO Go and HBO Now.
Starting today, HBO has made over 500 hours of streaming content available on HBO Go and HBO Now as part of their #StayHomeBoxOffice campaign. This content will be available for free, even to those without an active HBO subscription. Simply login to either service and select from an impressive array of options.
So after you’re done taking in all five excellent seasons of The Wire, and then rewatching it, you have other classic HBO shows including The Sopranos, Veep, True Blood, and Six Feet Under aka the second-best HBO series ever.
Original documentaries, including the recent McMillions will be free to stream, as well as 20 Warner Bros. movies including Detective Pikachu, Blinded by the Light, and Sucker Punch for the Zack Snyder enthusiast in your home.
Hey, HBO has an ulterior motive here. The options they’re giving are just a teaser, designed to whet your appetite and get you hooked. But that doesn’t mean you should miss out on this opportunity. Again: The Wire.
My bosses want me to tell you these series will be available to stream on HBO NOW and HBO GO for free starting tomorrow:@BallersHBO Barry@SiliconHBO Six Feet Under The Sopranos Succession True Blood@VeepHBO The Wire#StayHomeBoxOffice
The Apollo The Case Against Adnan Syed Elvis Presley: The Searcher The Inventor Jane Fonda in Five Acts I Love You, Now Die McMillion$ True Justice United Skates We Are the Dream#StayHomeBoxOffice
Coming into The Virtues, it’s unclear what to exactly expect. The British series which originally aired on the UK’s Channel 4 (and starts today on the recently launched Topic Streaming Service) seems to be about one issue starting off, but then zigs into… something else, something much, much, MUCH darker. And thanks to some top-notch performances by Stephen Graham (Public Enemies, Boardwalk Empire, The Irishmen, Rocketman) and Niamh Algar (Vikings), the show elevates into a story about loss, brokenness, and emotional pain.
Joseph (Stephen Graham) recently finds out that his ex-wife (Juliet Ellis), their son, and her new husband (Vauxhall Jermaine) are moving from the UK to Australia in search off a better life. While Joseph tries to play it cool, the idea of having a relationship with his son via Skype proves to be something that he’s dreading. He even tells his son that going forward, he can call his mother’s new husband “dad.” While he tells his ex-wife that he’s okay, it’s clear that he’s not, and it’s further displayed that he’s not clear with it when he goes into relapse and proceeds to drink and do drugs for extended periods of time. After waking up with a body bloodied from a fight and in a pool of his own vomit, Joseph realizes he has to make a change and decides to use the last bit of his money to go his birthplace of Ireland for a fresh start.
After arriving in Ireland, he reunites with his sister Anna (Helen Behan), who he has not seen since they were separated via an orphanage 30 years ago. In fact, she thought he was dead as she’s never seen him since their separation. She’s now married with children, but after an awkward reuniting between the two of them, she invites him in to live with his newly discovered family. While everything seems to be fine at first, his alcoholism kicks in, especially as his repressed and dark old memories start resurfacing about how life was while he lived in Ireland.
Just as damaged as Joseph, is his sister in law Dinah (Niamh Algar), who he meets as she gets into a fist-fight with her soon-to-be ex-fiancé. At first, the two are cordial, but after Joseph drunkenly comments on her “nice tits,” the two broken people have an attraction to each other. Despite his sister Anna basically forbidding them from hooking up when she catches them about to do the deed, the two simply can’t help themselves as they are kindred spirits. She has her own issues with alcoholism, and she also has a dirty secret from her past that she is trying to rectify in regards to her giving up the child she had as a teenager. The two try to keep their distance, but when left along give into their passions, but instead of ending with passionate lovemaking, it ends with a panic attack as it unearths a dark secret that has driven Joseph to come back to his home country to finally resolve. Not wanting to spoil anything, all I say is that if you like how dark the subject matter from 1996’s Sleepers was, then this will be your cup of tea.
The only minor complaint is the inclusion of grainy childhood footage in the form of a home video into the movie. While it was relevant to the conclusion of the film’s plot, it wasn’t necessary for the series. The Virtues deals with an incredibly dark subject matter and the inclusion of grainy footage don’t really add as much to the overall plot as much as the actual words when the evil deeds are revealed. That said, the acting in The Virtues is top-notch. Both Graham and Algar deliver almost pitch-perfect performances as they deal with their past traumas and yet find each other at the same time. While the first three episodes of the four-part series are between 45-55 minutes, the final episode and its explosive conclusion are worth the hour-and-a-half conclusion. It’s dark as hell and yet satisfying at the same time. The last 10 minutes a very intense and while there isn’t a clear cookie-cutter ending, it’s great storytelling when it’s all said and done.
The “Nature Boy” Ric Flair is the greatest professional wrestler of all-time. I won’t hear any discussion about another. He’s long been deserving of a movie based on his wild life of stylin’, profilin’, limousine riding, jet flying, kiss-stealing, wheelin’ and dealin’, with many rumors going around over the years. Well, according to Flair himself it’s about to happen with Dwayne Johnson and WWE teaming up to do it.
Flair appeared on Sirius XM’s Busted Open Radio (via The Score) where he was interviewed by the best big man in wrestling history, Mark Henry (I’m biased, admittedly), and said The Rock’s Seven Bucks Production banner is working with WWE on a movie about his championship career…
“I talked to Dwayne and Dany Garcia … and Hiram Garcia and they’re gonna collaborate, the last time I heard, for all this stuff and make a movie with the WWE (about) me with Sue Levison, who now is with WWE and is doing a fabulous job. Sue’s got a great background. As soon as everything gets rolling again after that, they’ll make that movie. I am looking forward to that because I’ll have a lot of input.”
The 16-time world heavyweight champion also says a TV series about his career in the 1980s is in the works, but doesn’t give any details. Flair was neck-and-neck with Hulk Hogan as the most popular/hated wrestler in the world during that time. A series that even touches on that, or the rivalry between the NWA and WWF, would be amazing.
Flair has been known to exaggerate a little bit, I mean that’s a big part of his charm, so take this with a grain of salt for now. It would make sense, though, for Johnson and WWE to collaborate on this. The last time they teamed up it was on the hit film Fighting with My Family about WWE superstar Paige. A movie about Ric Flair should do even better.
The buddy cop-comedy used to be a staple of American cinema, but man, has it fallen on hard times. The genre reaches a new low, sadly to the fault of Netflix, with the woefully unfunny, homophobic, and painful Coffee & Kareem. The movie’s bad pun of a title is only the least of its many offenses, which make the 88-minute runtime feel like an extended prison sentence.
The sounds of love-making at the top of Coffee & Kareem produce the startling sight of Ed Helms and Taraji P. Henson rolling under the covers. He plays dorky, recently-demoted traffic cop James Coffee, while she is Vanessa, single mother to foul-mouthed wannabe rapper Kareem (Terrence Little Gardenhigh). Coffee thinks the rebellious 12-year-old is in the house, which ruins the mood of their coital bliss. Little do they know, he’s right, and Kareem is none too happy at learning his mom is knockin’ boots with a cop, much less a lame ass white dude like Coffee.
Kareem’s method of handling this situation is indicative of everything about Coffee & Kareem: it goes unforgivably too far. Rather than just being an a-hole to his mom’s beau, he decides to enlist a local gangster/rapper to kill Coffee. Instead, he ends up on the run with Coffee when they witness a murder, and must stop from being victims themselves.
The buddy-comedy lives and dies on mismatched pairings, but there must still be some comedic chemistry. There’s none between Helms and Gardenhigh, with most of their interactions reduced to Coffee being labeled a “pussy”, or just made fun of for being weak. Helms is perfectly suited for playing this sort of uncool cat; it’s been his thing ever since The Hangover, and when left on his own he’s still good at it. When matched against others on his level, such as David Alan Grier as his mentor/police captain and Betty Gilpin as the force’s top cop, Helms seems more at ease. Gardenhigh’s role mostly amounts to insane levels of braggodocio, delivered at increasing levels of vulgarity and little else.
Shane Mack’s awful script stomps on the racial dynamics at work here. A young black kid, raised by a fierce (and quite fearsome) strong black woman, has a reason to be wary of a white cop entering his life. Not that we should expect a subtle, nuanced exploration of police brutality and racism, but having Kareem threaten phony charges of abuse against Coffee isn’t really the answer. Where’s the punchline? Furthermore, we get added weirdness when Coffee begins trying to explain his painful childhood at the hands of an abusive stepfather. You can imagine Kareem’s reaction, which is to, again, threaten to expose Coffee as a pedophile.
The humor is so misguided that it leaves talented comedic director Michael Dowse (Take Me Home Tonight, Stuber) with little room to maneuver. So the answer he comes up with is to raise the level of violence to absurd levels, almost like a means of distracting you from a story that has nothing going for it. On paper, Coffee & Kareem has so much potential both in front of and behind the camera. And yet, the end result is a bitter and stale cup of joe that no amount of cream can fix.
There’s no mystery to it: the thought of Jason Bateman directing Ryan Reynolds in an updated version of Clue is pretty great. The 1985 movie is still something of a cult classic, but if you were going to remake it, the combo of Bateman and Reynolds is a good place to start. Sadly, the news was too good to be true. Fortunately, the reason why doesn’t involve a murder in the ballroom with a rope by Colonel Mustard.
Speaking with Collider, Bateman reveals that he had to drop out of directing Clue. While he regrets the decision, his reason boils down to scheduling and not creative difference as we’ve come to expect.
Bateman said, “[‘Clue’ is] something that we were getting very close to starting, but as it turned out something of that size takes much, much longer to do than what the seasonal hiatus was able to accommodate. It would have pushed back the start of this season too far. So, unfortunately, I had to step off of that.”
“But if it’s still around when ‘Ozark’ is all wrapped up, I’d love to do it. But who knows, they might put a different director on it before then. We’ll see. Unfortunately my ability to direct features really kind of—there’s a certain size of a film that I just can’t qualify for [right now] because of the amount of time that I’m able to give in prep, in shooting, and in post.”
Bateman is referring to his acclaimed Netflix series, Ozark, which just released season 3 and fans are already crazy for the next one. So the chances of this Clue thing coming together are slim, but that Bateman leaves a glimmer of hope is worth latching on to.
Finally, there is Snowpiercer release date news that isn’t about a delay. TNT’s series adaptation of Bong Joon-ho’s sci-fi film is actually debuting earlier than expected, a change of pace after months of setbacks including the departure of its original showrunners, the loss of pilot director Scott Derrickson, and multiple changes in network.
TNT has dropped a new trailer for Snowpiercer to announce it has moved up the premiere a couple of weeks to Sunday, May 17th at 9 p.m. ET/PT. The series is based on the Oscar-winning Parasite director’s 2013 post-apocalyptic thriller set aboard a moving train in the wake of a climate catastrophe.
Jennifer Connelly and Daveed Diggs lead the cast, joined by Alison Wright, Mickey Sumner, Susan Park, Iddo Goldberg, Katie McGuinness, Lena Hall, Annalise Basso, Sam Otto, Roberto Urbina, Sheila Vand, and Jaylin Fletcher. Graeme Manson acts as showrunner and writer of the first episode. James Hawes was brought in to replace Derrickson on the pilot, overseeing reshoots that essentially did away with everything, causing a year-long delay.
“Snowpiercer is one of the most anticipated original series of 2020 and in this climate, viewers are craving thrilling, engaging, edge-of-your-seat content that speaks to them on a deeper level,” said Brett Weitz, TNT general manager. “It is extremely important that we continue with our promise to meet audiences where they are, and to that effect, we are moving up Snowpiercer’s premiere so that fans can enjoy this futuristic series even earlier.”
SYNOPSIS: Set more than seven years after the world has become a frozen wasteland, Snowpiercer centers on the remnants of humanity who inhabit a perpetually moving train, with 1001 cars, that circles the globe. Class warfare, social injustice and the politics of survival play out in this riveting television adaptation.
Birds of Prey or Harley Quinn: Birds of Prey, or that other long ass title they decided wasn’t bringing people into the theaters, is getting a spiffy Blu-Ray release! First, if you’ve missed our coverage up to this point, make sure to check it out here. I’m one of those people that loves physical media, I’m as lazy as the next guy and love the convenience of digital libraries but there’s just something about having that case taking up 1/4 inch of shelf space that’s dear to my heart. We’re already seeing the drawbacks of digital media, the distributor can revoke your purchase at any time, without telling you, there’s no bringing a movie to your buddy’s house, and extras? Come on! Even when they include special features the presentation is junk.
Birds of Prey was one of a handful of films to release early on digital, effectively using COVID-19 to pilot their advanced streaming program and see if anyone would bite. Word on the street is that the bites were plentiful, but if you want more then just what you’d get at the theater, the Blu-Ray release is dropping on May 12th and boy is it packed full. If you’re a resolution junkie then you know 1080p or 4K streaming does not equal 1080p or 4K from a physical disc, it’s not as crisp. Who doesn’t want to see Margot Robbie as she was intended, in Dolby Vision HDR…which is about as clear as you can get. Of course there are plenty of special features to keep you busy after the credits roll:
Birds Eye View Mode
Birds of Prey: Birds of a Feather
Grime and Crime
Wild Nerds
Romanesque
Sanity is Sooo Last Season
A Love/Skate Relationship
Gag Reel
Who doesn’t love a good gag real, am I right? Check out the trailer below if you need a refresher on the fun time you’re in for!