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SYNOPSIS: Star Wars: The Rise of Skywalker, Lucasfilm and director J.J. Abrams’ riveting, inspiring conclusion of the seminal Skywalker saga, electrified audiences around the globe, earning more than a billion dollars worldwide. Soon fans can complete their collections when Star Wars: The Rise of Skywalker arrives digitally in HD and 4K Ultra HD™ and via Movies Anywhere on March 17, two weeks before it lands physically in 4K Ultra HD™, Blu-ray™ and DVD on March 31.
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In 2014, back before the failures of Batman v Superman and Justice League, Warner Bros. laid out an ambitious future for the DCEU. There was so much promise, and nobody was looking to see it fulfilled more than actor Ray Fisher. If things hadn’t gone the way they did, his solo Cyborg movie would have opened a few days ago, April 3rd 2020, but obviously, that didn’t happen.
To hear it from him, we may not have seen the last of Cyborg, though. Although the character’s scarcely been mentioned other than by Ezra Miller’s Flash in the recent Arrowverse crossover, Fisher teases fans on Twitch that Cyborg could be returning soon…
“I know there are plans in the works. How privy am I to those plans? I cannot say”, Fisher said.
If there’s anywhere we could see Cyborg again it would be in The Flash’s solo movie, alongside Miller. Otherwise, Fisher may just be pulling our leg.
Speaking of pulling our leg, the Snyder Cut that shall never be was brought up, with fans asking Fisher if he’s seen it. Fisher has been a vocal champion of the full cut of Zack Snyder’s Justice League, which apparently has a lot more of Cyborg in it. That said, Fisher admits he has yet to actually see it…
“Timing-wise, I don’t think things have really worked out,” Fisher said. “There was one point in time where I was supposed to watch it, but some stuff came up and unfortunately it was not an option for me. Who knows? I might see it soon.”
I think it’s safe to say if Snyder ever finds his way to the DCEU again (unlikely) that he’ll put Fisher back into action. The actor’s career was seriously derailed by Justice League‘s failure, with no other movies to his credit and only a role in HBO’s True Detective.
So what are you watching to survive the pandemic? On this week’s Cinema Royale, we’ll talk about everything and anything we’re watching just to make the time go by. That includes a review of Netflix’s COFFEE & KAREEM, and…something else, pretty sure. Plus, we’ll talk about Disney’s big changes to Marvel’s upcoming slate of films, including a new date for BLACK WIDOW, the announcement of CAPTAIN MARVEL 2, and much more! Honestly, we’re just shootin’ the shit here, folks!
Disney recently kicked Free Guy, the comedy in which Ryan Reynolds plays an NPC (non-playable character) in a violent open world video game, from July down to December 11th. It was part of a series of moves by Disney, a total reshuffling of release dates due to the coronavirus. While fans will be waiting longer to see Reynolds get digital, he’s got something to say about it, along with introducing a new clip.
The clip finds Reynolds’ character having a bit of breakfast while the world goes bonkers all around him. It’s a good way of setting the tone, which as Reynolds says in the caption accompanying it, feels strangely appropriate for what we’re all going through…
“Free Guy is moving to Dec. 11. Here’s a clip that’s weirdly appropriate. We cut it a while ago (while there was still a Fox and before it was just 20th Century Pictures) and couldn’t finish it so ignore the watermarks. Thanks to Aspect for cutting it.”
Free Guy is directed by Shawn Levy (Night at the Museum) and co-stars Jodie Comer (KillingEve), Joe Keery (Stranger Things), Lil Rel Howery and Utkarsh Ambudkar (both of Brittany Runs a Marathon).
When Marvel Studios made the recent decision to move Black Widow and all of their Phase 4 slate due to the pandemic, they also used that time to officially announce new projects, such as Captain Marvel 2. And it seems they weren’t done, as we have our first real info on Ant-Man 3 in quite a while.
THR reports Rick and Morty writer Jeff Loveness has been brought on to pen Ant-Man 3. The deal was closed just as the Hollywood shutdown was starting, so Loveness is already at work on the script. Last year we learned Peyton Reed would be returning to direct the diminutive Avenger’s latest adventure. With Loveness on board, expect the weird sci-fi humor to be cranked up to another level.
Paul Rudd will be suiting up once again as Scott Lang, the former thief-turned-superhero. He’ll be joined by Evangeline Lilly as Hope Van Dyne aka Wasp (despite some wanting her out due to recent insensitive comments), Michael Douglas as Hank Pym, and Michael Pena as the motor-mouthed Luis. Michelle Pfeiffer may return as Janet Van Dyne, as well, although I don’t think that has been confirmed.
Say his name five times and Candyman still won’t show up until fall. Jordan Peele and director Nia DaCosta’s Candyman film is the latest to be delayed over the coronavirus. Deadline reports Universal and MGM have moved the upcoming horror from its June 12th summer date to September 25th.
The early part of summer has been shaky terrain ever since the pandemic. We’ve seen multiple studios kick their potential blockbusters to later in the summer, or out of 2021 entirely due to the uncertainty out there. It’s unclear when theaters will be reopen and even then it may take time for moviegoers to come back.
Candyman is produced by Peele and based on a story he co-wrote. DaCosta embarks on her biggest film to date, having made waves with 2018’s acclaimed drama Little Woods. The Candyman cast, of course, features the return of Tony Todd as the vengeful spirit with the hooked hand. He’s joined by Yahya Abdul-Mateen II, Teyonah Parris, and Colman Domingo.
SYNOPSIS: For as long as residents can remember, the housing projects of Chicago’s Cabrini Green neighborhood were terrorized by a word-of-mouth ghost story about a supernatural killer with a hook for a hand, easily summoned by those daring to repeat his name five times into a mirror. In present day, a decade after the last of the Cabrini towers were torn down, visual artist Anthony McCoy and his girlfriend, gallery director Brianna Cartwright, move into a luxury loft condo in Cabrini, now gentrified beyond recognition and inhabited by upwardly mobile millennials. With Anthony’s painting career on the brink of stalling, a chance encounter with a Cabrini Green old-timer exposes Anthony to the tragically horrific nature of the true story behind Candyman. Anxious to maintain his status in the Chicago art world, Anthony begins to explore these macabre details in his studio as fresh grist for paintings, unknowingly opening a door to a complex past that unravels his own sanity and unleashes a terrifyingly viral wave of violence that puts him on a collision course with destiny
Samara Weaving is on a definite role, staking her place as a genre rising star with roles in Mayhem, Guns Akimbo, and Ready or Not. While she’ll be seen later in Bill & Ted Face the Music (unless it gets moved), Weaving’s next role is in the mysterious thriller Last Moment of Clarity.
Marking the directorial debut of James and Colin Krisel, Last Moment of Clarity has a Hitchcockian element to it, but it’s also a bit of a mobster flick. Weaving stars as Georgia, the long-lost girlfriend to Sam (Zach Avery), who thinks he has found her working as an actress in a Hollywood movie. Where the mystery comes in is that Georgia was murdered years earlier by mobsters. This sends Sam on a quest for the truth, teaming up with the enigmatic Kat (Carly Chaiken) for help.
The cast includes screen vets Brian Cox and Udo Kier, both capable of devouring scenery at the drop of a hat. This could be fun, and the premise, while I described it as Hitchcockian before, also sounds like a novel Harlan Coben might’ve written.
Last Moment of Clarity hits DVD and digital on May 19th.
SYNOPSIS: After his girlfriend Georgia (Samara Weaving, Ready or Not) is murdered by European mobsters, Sam (Zach Avery, Fury) flees to Paris to hide out. Years later, he sees a woman in a Hollywood film who he’s certain is Georgia. In L.A. to investigate, he encounters enigmatic Kat (Carly Chaikin, “Mr. Robot”), who impulsively decides to help him on his quest. But when Sam meets the mystery actress face-to-face, his life spins out of control. Also starring Golden Globe® winner Brian Cox (2020, Best Television Actor – Drama Series, Succession) and Udo Kier, this twisty Hitchcockian thriller will keep you guessing until the final frame.
Almost Love, written and directed by Mike Doyle, explores the relationships within a group of thirty something year-olds living in New York. At the center of the story are Adam (Scott Evans) and Marklin (Augustus Prew). Adam is a talented painter who makes a living ghost painting for Ravella Brewer. While Ravella sells ‘her’ work for tens of thousands, Adam is barely able to make ends meet. Marklin, Adam’s boyfriend of five years, is a successful social media influencer in the world of men’s fashion. Marklin pushes Adam to want more and take his talents further, but Adam doesn’t seem to have that passion. Adam is constantly frustrated by Marklin putting their whole lives online. Everything seems to be broadcast to the world, and they can never have any peace and quiet.
Two other friends in the group – Elizabeth (Kate Walsh) and Damon (Chaz Lamar Shepherd) have been married for almost fifteen years. Elizabeth feels like things are great until she finds that Damon has been texting another woman. Adam tries to convince her that it can be innocent enough, but she doesn’t buy it. Trust is hard to gain, but easy to lose – and Elisabeth doesn’t know if they can survive this.
Finally, there is Cammy (Michelle Buteau) and Haley (Zoe Chao) – the two single ones in the group. Cammy seems to always be struggling in the dating game – picking losers and has now resorted to “scraping the bottom of the barrel.” Cammy’s current boyfriend of three weeks, Henry (Colin Donnell), breaks the news that he is homeless. Cammy seems to continuously cycle through the seven stages of grief with the revelation, completely changing her tune from one moment to the next. Haley is in her own predicament with her student Scott James (Christopher Gray). Haley has essentially been hired by Scott James’ parents to write his college admissions essays for him. Scott James is madly in love with Haley, feelings that Haley may reciprocate, even though Scott James is only seventeen. Each of the four relationships are on the rocks, but not all may be worth saving.
Almost Love dives into the changing dynamics seen within couples. On one hand people can change, their lives and situations evolve along with their hopes, dreams, and desires. Adam and Marklin are struggling through this with Marklin being in a completely different place in his life now compared to where he was five years before when he met Adam. On the other hand, you see how the lack of change can be detrimental as well. Damond and Elizabeth’s marriage is cracking under the weight of Damon wanting to have children and Elizabeth hating them. Damon thought he could change her views about having kids, but he can’t – driving a wedge between them. Doyle tries to highlight how tricky relationships can be and that they take a lot of effort. However even pouring in the work can sometimes not be enough.
Almost Love is carried by the dialogue within the scenes. The film is filled with witty lines and conversations between the main players. The humor really helps spice things up and Doyle puts in a few truly hysterical moments – most notably Cammy trying to craft the perfect text to Henry – that are fantastic. The six of them have a close-knit group and are completely in each other’s business, reminding me of the Friends dynamic. Accompanying many of the scenes is a fantastic score. The music ranges from hip and bouncy to powerfully somber – almost eliciting emotions itself. Almost Love has its fair share of enjoyable moments, and a few head scratching ones as well. The acting is consistently strong across the board, and the dynamics between the characters are great. The film breezes by and is an enjoyable enough story that it is worth a watch.
When Universal made the decision to release Trolls World Tour straight to digital, it had many wondering if other new films of that size would be treated the same way. While we’ve seen many smaller projects go that route, studios have largely decided to postpone in hopes of securing the more-lucrative theatrical date. Disney continues their day of release date shuffling, and one of their biggest moves involves taking Artemis Fowl away from the big screen entirely.
Disney has decided to send Kenneth Branagh’s adaptation of Artemis Fowl straight to Disney+. This is huge, but at the same time it makes the most sense. Artemis Fowl is based on the popular kid-friendly fantasy series about a boy genius/supervillain on a magical quest to restore his family name. Hoped to be the next Harry Potter-esque franchise, it should make an easy transition to Disney+ where they’ve been sending all-ages stuff, anyway. No release date has been set as of now.
Fox Searchlight, now under the Disney umbrella, isn’t exempt from all of these maneuverings. Fortunately, fans of Wes Anderson will only have to wait a few more months for The French Dispatch, which has moved from July 24th to October 16th 2020.
Meanwhile, Disney has still left The New Mutants undated. Is there any doubt they’ll send it to streaming now? Also without a release date are Antlers, The Personal History of David Copperfield, and The Woman in the Window.
This is turning out to be a big day for Disney, albeit not in the way they hoped. Today, the Mouse House has made some important decisions about some of their most anticipated movies, and that includes more than what’s going on over at Marvel Studios. There’s also Indiana Jones 5 to consider, but not just that, Jungle Cruise and Mulan have found new homes.
So Indiana Jones 5, which has experienced a treasure chest full of delays and rewrites, was to begin production this summer. Well, scratch that. Harrison Ford won’t be cracking the whip again until July 29th 2022, a full year after its original release date. Ford will be 80-years-old by the time that comes around so…well, let’s just wish him continued good health. There’s a lot that Disney needs to do before shooting can begin, anyway, what with Steven Spielberg leaving as director. While James Mangold (Ford v Ferrari) is in talks to replace him, that has yet to be confirmed.
If it weren’t for the COVID-19 outbreak we’d have already seen Disney’s live-action Mulan remake. Instead, it will move to July 24th where it becomes one of the few blockbusters to risk a summer premiere. Disney is taking a chance here that things will be back to normal, and must feel that Mulan will be okay if it is forced to find another date.
On the other hand, they must not feel quite as strongly about Jungle Cruise. The Dwayne Johnson/Emily Blunt action-adventure was to open on that July 24th date, but will stay in dock until July 30th 2021! That puts it in the middle of what promises to be a very crowded summer season as studios look to make up for what isn’t opening this year.
Finally, the Ryan Reynolds video game comedy Free Guy, which was to open on July 3rd, instead moves to the holidays. It’ll open on December 11th 2020, when we’ll get to see Reynolds as an NPC (non-player character) who comes to realize he’s inside of a video game.