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Review: ‘Men’Alex Garland's Batsh*t Toxic Masculinity Horror Can't Stick The Landing

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Say what you want about Alex Garland, director of Ex Machina, Annihilation, and his new horror provocatively-titled Men, but he definitely trusts his audience to figure stuff...

Review: ‘Doctor Strange In The Multiverse Of Madness’Sam Raimi Crafts A Nutty, Head-Spinning Spectacle...

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You don't hire Sam Raimi to not make a Sam Raimi movie. While many will take that to mean "horror", it's a lot more...

Review: ‘Pompo The Cinephile’Sweet And Chaotic Anime Celebrates The Joy Of Filmmaking

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I love everything about Pompo the Cinephile. The anime adaptation of Shogu Sugitani’s  manga is an exuberant, frenzied celebration of all-things filmmaking. And while it's...

Review: ‘Memory’Liam Neeson Is A Hitman With Alzheimer's In Martin Campbell's Understated Action Remake

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Memory is in some ways the perfect film for Liam Neeson and director Martin Campbell. Neeson has been the chief purveyor of "old man...

Review: ‘Charlotte’Powerful But Simplistic Animated Biopic Gives Voice To A Holocaust Artist Whose Work...

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"Keep this safe, it is my whole life." For German-Jewish artist Charlotte Salomon, these words couldn't have been truer. Salomon was one of many talented...

Review: ‘The Unbearable Weight Of Massive Talent’The Ultimate Nic Cage Experience Is Everything His...

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I don't know anybody who dislikes Nicolas Cage. There's a reason for that; I don't wanna know anyone who dislikes Nicolas Cage. Suffice it...

Review: ‘Chariot’Thomas Mann, Rosa Salazar, & John Malkovich Are Stuck In Frustrating Sci-Fi Too...

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I get a couple of these movies every year it seems. A relatively unknown filmmaker, directing some quirky/weird story of their own design, a...

Review: ‘Fantastic Beasts: The Secrets Of Dumbledore’The Magic Is Back As The Harry Potter...

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It's been tough sledding for the Fantastic Beasts franchise. First of all, having to live up to the Harry Potter films is a near-impossible...

Review: ‘Dual’Karen Gillan Literally Battles Herself In Riley Stearns' Offbeat Double-Identity Thriller

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*NOTE: This review was originally part of our Sundance Film Festival coverage.* It would almost be funny if it weren’t so devastingtly depicted by The Art...

Review: ‘The Northman’Robert Eggers' Unrelenting Viking Revenge Tale Is Not To Be Missed

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When I think of The Witch and The Lighthouse director Robert Eggers, "accessible" isn't the first word that comes to mind. He's not the...