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Review: ‘Gunpowder Milkshake’

Karen Gillan And An All Star Cast Of Badass Ladies Go Wild In Netflix's Vibrant, High-Energy Assassin Flick

When I think of movies about female assassins, it’s the films of Luc Besson that immediately spring to mind. Most in the genre owe something to his earlier work, such as La Femme Nikita and The Professional, and I’ll admit these are among my all-time favorites. What can I say? There’s just something eternally awesome about a double-barreled woman blasting her way through an army of suited-up killers. Gunpowder Milkshake follows in that robust tradition, as well, but also offers up something new in terms of bombastic style. The film is a candy-colored kick in the ass and the best Netflix has offered up in this summer of blockbusters.

The name alone should give you a hint that Gunpowder Milkshake isn’t your typical hit-woman movie. Manga influence is everywhere, both in its high-energy, neon look and character, although it’s actually set in what appears to be a European city. Anonymous doesn’t mean blank, however. Everything about this world occupied by assassins feels fully- realized by director/co-writer Navot Papushado (of Big Bad Wolves fame), like some sort of offshoot from John Wick. It’s a world you’ll want to stick around in and definitely see more of when it’s over, and it doesn’t hurt that the people in it are pretty cool, too.

Karen Gillan plays Sam, a contract killer for The Firm, a group of anonymous old men who “control the world” from the shadows or some shit. Lena Headey is her mom, Scarlet, who had been The Firm’s top killer until she screwed up and went on the run, leaving her daughter in the care of Nathan, who helped mold the girl into the organization’s new top agent. The apple doesn’t fall far from the tree. 15 years later, Sam also runs afoul of her bosses by killing the wrong person, the son of a violent big shot, then choosing to help Emily (charming My Spy breakout Chloe Coleman), a young girl The Firm has marked for death. Suddenly on her own with an entire army of well-dressed, heavily armed goons on her tail, Sam is in need of some help if she has even a wisp of a chance of survival.

Although Sam is a straight-forward badass, her fight to survive is full of wacky characters and colorful locales, with each battle more surreal than the next. A lot of the action takes place in a ’50s diner which is sorta like John Wick‘s The Continental, a safe space that isn’t so safe. A highlight brawl has Sam fighting three “Boneheads” in a Skittle-colored bowling alley, then later in a doctor’s office with everyone hopped up on laughing gas and her without the use of her arms. It’s a wild sequence, and Gunpowder Milkshake keeps throwing them at you one after another and they never get tiresome.

In The Library, Sam encounters her three “aunts”, played by an all-star lineup consisting of three women I would want on my team any day. Angela Bassett is Anna May, Carla Gugino as Mathilde (not coincidentally the name of Natalie Portman’s character in The Professional), and Michelle Yeoh as Florence. They run a place where the reading material is loaded with more than information, the Self Help section is fully stocked with more than cookbooks. It’s the scene of a truly epic gun fight, with Papushado making judicious use of slo-mo and chaotic angles to enhance the carnage. So much personality goes into every action sequence, the brutality mixing with humor ala Quentin Tarantino’s Kill Bill. Chains, tomahawks, hammers, panda-shaped suitcases, Hello Kitty bags, anything makes a good weapon.

The story is familiar if you dig into the bones of it. Hard-edged assassin gets saddled with a precocious kid who wants to become a “cleaner”, as well? Hey, the classics are classics for a reason. An unexpected reunion between mother and daughter plays out as one would expect, too, but it’s all about the presentation and Gunpowder Milkshake is exactly what the title promises. It’s the frothy, fun, sugar high that will have you buzzing for hours and I hope it’s just the start of something big. Whether that be prequels, sequels, an anime series…all of it could work. Gunpowder Milkshake is everything I love about movies and I’m already in need of a second helping.

Gunpowder Milkshake hits Netflix on July 14th.

 

 

 

 

‘Black Adam’: Dwayne Johnson Reveals New Look At His Costume, Teases “Enormous And Appropriate Destruction.”

Dwayne Johnson’s involvement with Warner Bros. and the DCEU began more than a decade ago. Anybody remember when he was going to play Lobo? Or when he basically had his pick of playing either Shazam or Black Adam? Obviously, he chose the latter and has been the most vocal hype man for the movie ever since. With the film in production right now, his social media is the place to go for the antihero flick’s progress.

And um, if you just want to see Johnson showing off his muscles and shit.

Johnson revealed devastation in his latest production image, which he hopes will clue you into the film’s massive scale of destruction. But what he really wants is for you to look at his massively chiseled back…er, I mean Black Adam’s costume. Although this shot is in black & white, it’s still the best look we’ve had at how it will look.

Frankly, it doesn’t look that special to me. But perhaps we really need to see it in color and in action. You just can’t get a sense for these things in still photos.

Here’s what Johnson had to say…

“On set. BLACK ADAM. This image of Black Adam from behind gives you a tactile sense of the absolute massive scale and size of our movie.

“You also see a little of the intricate and beautiful textured detail of Black Adam’s body suit (this is not your typical DC or Marvel muscle suit). And finally you get a glimpse of the enormous and appropriate destruction.”

“As we all know, superheroes have a code of justice and don’t kill the bad guys. But, Black Adam does. The hierarchy of power in the DC UNIVERSE is changing. Antihero. Man in black. Protector of his people.”

Black Adam opens on July 29th 2022.

‘The Little Mermaid’: First Look At Star Halle Bailey As Ariel In Disney’s Live-Action Adaptation

Disney has so many live-action movies in the works it can be hard to keep up. The Little Mermaid has been in the works longer than most, largely because of delays caused by the pandemic. But filming is now completed on the fairy tale remake, and star Halle Bailey has dropped the first image of herself as Ariel.

The casting of Bailey in her first major lead role was controversial to say the least, and you can probably guess it had nothing to do with her being a singer.

She’s joined in the cast by Jonah-Hauer King as Prince Eric, Jacob Tremblay as the voice of Flounder, Daveed Diggs voicing Sebastian, and Awkwafina as the voice of Scuttle. Melissa McCarthy plays Ursula the evil sea witch, with Javier Bardem as King Triton, Jude Akuwudike as Grimsby, and Noma Dumezweni as Carlotta.

Rob Marshall will direct, making this his third Disney film behind Into the Woods and Mary Poppins Returns. Lin-Manuel Miranda will join Alan Menken in composing new songs, while favorites from the animated classic will also be used.

 

Margot Robbie On The Next Time We’ll See Harley Quinn, Talks Harley’s Fate In ‘Zack Snyder’s Justice League’

When The Suicide Squad hits theaters next month, Margot Robbie will have filled the role of the maniacal Harley Quinn three times. That’s a lot to ask for, and even though Robbie loves the character, which is why she took an active role in Birds of Prey‘s development, it can still be a bit much.

Speaking with EW, Robbie says she has no idea when Harley Quinn will be back on the big screen, but knows she can use a breather from the role after shooting two movies so close together…

“It was kind of back-to-back filming Birds… and filming this, so I was kind of like, oof, I need a break from Harley because she’s exhausting. I don’t know when we’re next going to see her. I’m just as intrigued as everyone else is.”

One thing you can probably count on not happening? Robbie sitting down and watching Zack Snyder’s Justice League. While I enjoyed it quite a lot more than the Whedon cut, the one aspect that made absolutely no sense was the future “Knightmare” sequence in which Batman and Joker conversate about…something. It’s then we learn that Harley Quinn died in Batman’s arms for some reason. But Robbie hasn’t seen the film at all, and only learned about Harley’s fate in the interview.

“Whaaat? I didn’t know that. Thank you for telling me!”  She continued,  “The film version of the DC universe, I actually think they’re a lot like the comics. You pick up one comic and something’s happening and then you pick up the next comic and maybe that character’s not alive, maybe that character’s not with that person, maybe that character looks completely different. Each movie is its own sort of thing, and I think that works in the comic book world, and I think that works in the DC film world as well. It’s not like Marvel where everything is more obviously linked in a more linear way. It feels like there’s so many adjacent stories, worlds, and films happening at the same time, just like there are in the comics. So, yeah, I didn’t know that, but it doesn’t necessarily change what other people are able to do with this universe, I don’t think.”

The Suicide Squad opens August 6th in theaters and HBO Max.

James Gunn Talks Possible ‘The Suicide Squad’ Sequel, Turning Down ‘Superman’ Offer, And More

When Marvel temporarily had a fit of insanity and let James Gunn go, he jumped over to Warner Bros. who hired him to direct The Suicide Squad. But they were also keen on keeping him around for the long haul and do other films within the DCEU, including Superman. Speaking with EW, Gunn talked about why he turned down the chance to direct the Man of Steel…

“Things like Superman, Justice League, people have so many ideas about who they are that it seems like less of a fun playground,” he said.

Gunn has talked about this sort of thing before. His decision to choose The Suicide Squad is similar to why he took on Guardians of the Galaxy, and it was to use lesser-known characters and build public perception about them.

As for whether he’s had thoughts of bringing The Suicide Squad back for another mission, assuming they survive this one…

“I’ve had ideas, actually,” he admits. “If I did a sequel, it’s not like, ‘Hey, let’s assemble another team and let’s do this!’ It would be very different.”

Then again, in a completely different interview with SFX Magazine (via Total Film), Gunn doesn’t sound like he has any interest in doing another superhero movie…

“They’re mostly boring to me right now!” he laughs. “I loved them at the beginning and there are still people trying to do different things [with them], so it’s not a 100% rule, but a lot of them are boring. So I think it’s about bringing in other elements from different genres.”

“I loved the idea of making a supervillain war caper film,” Gunn continues. “Films like The Dirty Dozen and Where Eagles Dare, those are of different elements from the backdrop of war and the caper heist element, to the sneaking around, the high stakes, the adventure.”

The Suicide Squad hits theaters and HBO Max on August 6th. Check out a new TV spot below.

 

 

 

 

‘Memoria’ Trailer: Tilda Swinton Stars In “Bewildering” Cannes Film From Acclaimed Director Apichatpong Weerasethakul

Let’s just say that Thai filmmaker Apichatpong Weerasethakul has a successful history with the Cannes Film Festival. Each of his three previous features have won accolades at the festival: Palme d’Or winner Uncle Boonmee Who Can Recall His Past Lives, Jury Prize winner Tropical Malady, and Un Certain Regard top pick Blissfully Yours. And now Weerasethakul returns with Memoria, which NEON has already picked up knowing the chances are good this one will also be showered with awards.

Tilda Swinton stars in the film which is described as “a bewildering drama about a Scottish woman, who, after hearing a loud ‘bang’ at daybreak, begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia.”

Fans of Weerasethakul know to expect disorienting drama from him, and the same can be said about Swinton in the projects she chooses to lead.  NEON has yet to set a release date, but Memoria will have its world premiere at Cannes this week.

‘Loki’ Director Confirms Chris Hemsworth Voice Cameo As Frog Thor Variant

In an Easter Egg-filled penultimate Loki episode last week (I mean, the Thor Copter showed up!!) there was one moment that had me falling out of my chair with laughter. Pay attention and you’ll notice Throg, or better put the frog version of Thor, stuck in a jar yelping weakly while trying to reach for Mjolnir. It’s a great moment, and now director Kate Herron has revealed it was Chris Hemsworth himself who offered that pathetic ribbit.

“Throg, obviously, getting him in [was great]. And we recorded Chris Hemsworth for that, by the way,” Herron confirmed. “We recorded him for that, that’s new recording. That’s a whole new recording, not recycled, he recorded that!”

Very cool. Makes me wonder if he came all the way into the studio just for that, or if they just did it over the phone or something. Either way, the attention to even that small amount of detail is one of the reasons we love Marvel so much, right?

Loki has its final episode this coming Wednesday. Will Throg perhaps make another appearance? Probably not, but with all the weird shit that has already happened who can really say?

Box Office: To No One’s Surprise, ‘Black Widow’ Avenges COVID Box Office Slump

blackwidow
  1. Black Widow (Review)- $80M

If You’ve been following the site this weekend you will have seen this post, and not be surprised at the news that Black Widow set the post-covid box office record with $80 million over the weekend. While it’s not surprising, that doesn’t mean it wasn’t well deserved, ScarJo’s solo film may have been a long time coming but it ended up being worth the wait! It’s probably worthwhile to mention that the film scored that much at the box office while also being available for home viewing through Disney+’s Premier Access

2. F9: The Fast Saga – $10.8M/$141.3M

3. The Boss Baby Family Business– $8.7M/$34M

Another experiment in dual release, The Boss Baby Family Business pulled in a decent $34 million so far while being available for free with Peacock. Maybe this is a feasible release plan after all?

4. The Forever Purge– $6.7M/$27.4M

5. The Quiet Place Part II– $3M/$150.7M

6. Cruella– $2.2M/$80.57M

7. The Hitman’s Wife’s Bodyguard– $1.6M/$35M

8. Peter Rabbit 2: The Runaway- $1.2M/$37M

9. In the Heights– $630K/$28.3M

10. Zola– $620K/$3.5M

‘Black Widow’ Captures $39.5M In Friday Debut, Eyes $90M Opening Weekend

Two years have passed since the last Marvel Studios movie on the big screen. Fourteen months have passed since the original Black Widow release date. If there was any concern that audiences didn’t miss going to the cinema for Marvel, those fears have been quieted because Black Widow opened to a red hot $39.5M Friday.

That’s pretty much back to business as normal, right? And that doesn’t factor in the number of people who decided to purchase the film on Disney+ Premier Access for $29.99. The number includes $13M from Thursday previews. $22M was added from overseas markets.

Estimates are Black Widow could end the weekend with $90M domestic, which may not be quite the same as pre-COVID but is pretty darn close, and a possible $130M global total. [THR]

‘The Witcher: Nightmare Of The Wolf’ Trailer: Animated Prequel Film Follows A New Witcher With An Attitude

Fans of The Witcher have a lot to look forward to. The WitcherCon event was chock full of news on the entire franchise which includes books, video games, and of course, the hit Netflix series. Not only did we learn of the second season release date followed by the first trailer, but another trailer was revealed. This one is for animated prequel film The Witcher: Nightmare of the Wolf.

Exec-produced by The Witcher showrunner Lauren Schmidt Hissrich, The Witcher: Nightmare of the Wolf follows a different monster slayer in the time before Geralt. Killing Eve‘s Kim Bodnia voices Vesemir, an arrogant young witcher with a dark past and a need for coin.

“Before Geralt, there was Vesemir — a cocky young witcher who delights in slaying monsters for coin. When a dangerous new power rises on the Continent, Vesemir learns that some witchering jobs are about more than just money…”

The Witcher: Nightmare of the Wolf hits Netflix on August 23rd.