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This Week In DC TV: The “Elseworlds” Crossover Event

It’s that time of the year again: the Arrowverse crossover.  Each year it gets bigger and bigger!  The first crossover, “Flash vs. Arrow” event pitted Barry and Oliver facing off against each other.  The next crossover event “Heroes Join Forces” introducing us to Vandal Savage (remember him?) and helped set up the Legends of Tomorrow as well.  The following crossover, “Invasion!” had the key players of The Flash, Arrow, Legends of Tomorrow, and even Supergirl joining to face off against an alien invasion of the Dominators (real deep cut for DC fans).  Last year’s crossover the “Crisis on Earth-X” in which there was an earth where the Nazis won World War II, and heroes from the Arrowverse faced off against their Nazi Earth-X counterparts.

Each year, the crossover events were getting bigger and bigger.  So how would this year’s “Elseworlds” stack up?

It was very interesting taking the title “Elseworlds” for the crossover event.  Comic fans know that Elseworlds was a publication imprint for stories that exist outside of the DC canon.  It kinda functioned as a “What If” comic like “Batman: In Darkest Knight,” where Batman became Green Lantern, or “Daredevil/Batman: Eye for an Eye,” where Batman and his Marvel counterpart Daredevil and he team up to take on their different nemesis Two-Face and Mr. Hyde.  So perhaps this crossover even was going to be just a non-canon adventure that has nothing to do the current events going on in the Arrowverse?

Nope, Elseworlds just sounds like a cool name!

The crossover begins on The Flash on Earth-90 (the reality of the original The Flash TV show from the 1990s) with the OG Flash John Wesley Shipp (who regular guest stars on The Flash every season) playing his original role Barry Allen (instead of at Earth-1’s Henry Allen or Earth-3’s Jay Garrick) in the aftermath of some devastating battle.  As Earth-90s Flash comes to, he sees a mysterious figure tells him that he failed and then pulls out a giant book that starts glowing.  Ear-90 Flash then speeds away.  Later on, psychiatrist John Deegan (weird as always: Jeremy Davies) is giving a lecture on experimenting on patients to a group of reluctant peers.  The figure then comes and gives Dr. Deegan the book, which glows as he’s opening it.

The entire crossover consists of the concept of “something’s wrong with reality.”  And it quickly shows that by having Barry Allen and Oliver Queen have seemingly swapped identities and everyone they know thinks they are the opposite.  Oliver wakes up in bed with Iris with her thinking that he’s Barry Allen.  The same goes for Barry as he’s sparing with Diggle and then realizing that he’s being called Oliver and now has the fighting skill of the Green Arrow.  Realizing something is wrong (and they don’t want the other to end up sleeping with their wives), the two head to STAR Labs to see if they can get to the bottom of what’s going on.  The problem is, everyone thinks they are crazy and quickly knock them out.  Soon enough, they realize that there might be some truth and Iris lets them leave.  Barry thinks that this might be a multiverse problem.  To put that theory to the test, he and Oliver breach to Earth-38 to visit Kara.

When they arrive at Earth-38, they land in Smallville where Kara is spending time with her cousin Clark and Lois Lane when Barry and Oliver arrive.  Lucky for them, Kara recognizes them as who they really are, but they still have each other’s abilities.  While they have some downtime, they help train each other based on experience.  Barry finally gets his revenge on Oliver and shoots him in the back, a great callback to the first Crossover.

While everything seems to be fine on Earth-38, an android with the ability to copy metahuman powers on Earth-1 has escaped.  Cisco and Caitlin try and stop it with no success as it quickly copies their powers and defeats them.  Barry and Oliver are called back to Earth-1 to deal with the android Cisco named AMAZO (for Anti-Metahuman Adaptive Zootomic Organism).  Because it has the ability to replicate powers, this is going to need to be a team effort.  Oliver uses his new Speed Force powers in conjunction with Clark and Kara’s Kryptonian powers to subdue the android in a clever way.  This sets up for Barry to pull out his arrow and utter Oliver’s famous line “You Have Failed This City,” meaning that Barry/Oliver are starting to bleed into each other, even their personalities.  Needing to figure out what’s really going on, Cisco had Barry and Oliver vibe where they saw a vision of Deegan and the mysterious person, and they happen to be in Gotham City…

On Arrow, Barry, Oliver and Kara head to Gotham City (that’s a first of the Arrowverse).  The red lightning that was happening in Central City previously has followed them to Gotham.  Turns out the red lightning was Earth-90 Barry trying to breach through and warn them of everything.  While we are used to how Gotham City is on the show Gotham, the Arrowverse’s version is just a little different (still corrupt, just brighter).  Oliver doesn’t believe in Batman and considers him an urban legend.  It’s a little tongue-in-cheek that he is the only urban vigilante there is.  They quickly find out that Gotham City is a little rough on the edges as a group of people start a fight with them, only for all of them to quickly get arrested by the police.  They are bailed out by a mysterious benefactor, who then sends for a limo to pick them up.  The person is revealed to be Kate Kane (played by Ruby Rose), who DC fans know as Batwoman.  She knows Oliver Queen’s reputation as the Green Arrow and tells them to hurry up with their business in Gotham City as the city has enough problems and doesn’t need the Green Arrow making things worse.

They find out that Deegan is a psychiatrist at Arkham Asylum.  Off they head to the notorious prison to see if they can find him and retrieve the book from Deegan.  At Arkham, we are treated to a smorgasbord of Batman Easter Eggs.  Deegan escapes and lets the prisoners loose.  We get to see Nora Fries (the wife of Batman supervillain Mr. Freeze), who uses her husband’s equipment to have a “cold off” battle against Caitlin.  While trying to fight off against the escaped inmates, Barry and Oliver are exposed to Jonathan Crane’s (Batman villain Scarecrow) fear gas, and they end up seemingly fighting Eobard Thawne and Malcolm Merlyn (great cameos by Tom Cavanagh and John Barrowman), but in reality, were fighting each other.  Although they don’t manage to kill each other, but seeing the other’s fear, it gives them a perspective on each other.  They manage to find Deegan’s book and begin to study it are ARGUS.

There, they run into Earth-90’s Flash, who tells them about the man behind the curtain.  The mysterious character is known as “The Monitor” and he is a dangerous person threating all of reality.  They then head off to face against The Monitor, who then tells them that he is doing all this.  He is doing all this in order to “test” each world for an upcoming crisis.  They each try and face off against The Monitor, but he’s way too powerful and continues to teleport them out of harm’s way.  The Monitor then leaves and takes the book with him.  He gives it back to Deegan and tells him that he’s thinking too small and to “think bigger.”  Deegan then opens the book, and reality is rewritten once again.  Barry and Oliver wake up without their abilities and see a news headline describing the two of them as the “Trigger Twins” (another great DC reference), two wanted criminals.  Just then they are chased down, by a black-suited Superman!

On Supergirl, it’s revealed that Deegan has rewritten reality to that he himself is Superman.  Wanting to be the hero of his own story, he changed himself into the most powerful hero there is.  As he is about to capture Barry and Oliver, Barry appeals to him wanting to be a hero and then forces him to become one.  They shoot a crane, making it seemingly fall on a crowd of spectators.  “Superman” then goes to save everyone so Barry and Oliver can escape.  While on the run, they come in contact with The Monitor, who now shows that he’s not really a bad guy, and warns them that they only way they will survive is if they being their true selves.

Barry and Oliver realize that this reality is upside down, make a correct guess that Cisco is not going to be the friendly member of Team Flash is normally is.  Instead, they find out that he’s a criminal kingpin.  They head to a bar in search of him.  One of his goons turns out to be James Olson and the bartender is none other than Gary from Legends of Tomorrow.  Cisco at first, has no time for them and orders James to kill them.  It’s only when Barry mentions his brother, Cisco realizes that something’s going on.  He uses his Breach powers to head to Earth-38 and tells Clark about Earth-1 and that they can’t find Kara.  Kara meanwhile, has been hidden in STAR Labs’ prison under guard of an Earth-1 new version of her sister Alex, just to taunt her even more.

They breach back from Earth-38 to confront Deegan.  Kara manages to tell Alex about the Alex that she knows from her reality, which generates some sympathy and Alex helps her escape.  Clark then confronts Deegan in a Man Of Steel style fight (minus the destruction), while Barry and Kara once again went searching for the book.  While it was supposed to be in the “Fortress of Solitude,” it was really in the STAR Labs time vault, which in a sense if The Flash’s Fortress of Solitude.  Neither Kara or Barry are able to rewrite reality and realize that Clark would be able to do it.  Just as Clark tries to do it, Deegan attacks and gets the book again.  As he is reading it, reality gets rewritten over and over again.  In order to buy Clark some time, Barry and Kara (who got their powers back) decide to “slow time down” by running/flying around the world as fast as they can.  Clark saw in the book that they would die if they did this, so he jumps in to try and stop Deegan.  Meanwhile, Oliver confronts The Monitor and argues with him that he wasn’t testing earths but instead who had the fortitude to survive the upcoming crisis.  Oliver pleads with The Monitor to spare the two of them, but The Monitor states that something must be done for “balance.”  Deegan unleashes AMAZO as well, but Brainiac, J’onn, and even Lois Lane join the fight.  Oliver shows up in time to shoot a specialized arrow at Deegan, which resets reality back to where it was.

In the aftermath, it looks like reality has been corrected and all is well.  However, Kate Kane contacts the team telling them that Deegan is now a patient at Arkham Asylum and he has made a new friend.  While we don’t see who it us under the mask, DC fans know it’s Psycho-Pirate.  But the more important thing is what he says: “worlds will live, worlds will die and the universe will never be the same.”  We are then treated to a graphic that says the 2019 crossover event will be “Crisis on Infinite Earths,” which is a major event in DC comics.  DC has always labeled events “Pre-Crisis” and “Post-Crisis” and the DC universe fundamentally changed, including the changing of the multiverse.  Don’t be surprised that next year we will see all the characters (even from Black Lightning) all fighting the Anti-Monitor, the villain that The Monitor was teasing during Elseworlds, and we may even see the multiverse streamlined into just one earth in the aftermath.  Don’t be surprised if we see either solo series for Batwoman or Superman, as they both did a great job!  Either way, this was a great crossover!

DC Readers: Win Passes To Disney’s ‘Mary Poppins Returns’

We’re happy to offer DC families a chance to “trip a little light fantastic” with Disney’s Mary Poppins Returns, starring Emily Blunt, Lin-Manuel Miranda, and more.

SYNOPSIS: In Disney’s “Mary Poppins Returns,” an all new original musical and sequel, Mary Poppins is back to help the next generation of the Banks family find the joy and wonder missing in their lives following a personal loss. Emily Blunt (“A Quiet Place,” “The Girl on the Train”) stars as the practically-perfect nanny with unique magical skills who can turn any ordinary task into an unforgettable, fantastic adventure and LinManuel Miranda (“Hamilton,” “Moana”) plays her friend Jack, an optimistic street lamplighter who helps bring light—and life—to the streets of London.

The screening takes place on Monday, December 17th at 7:00pm at AMC Mazza Gallerie.  We have family 4-packs available to our winners, so round up the whole family to experience Disney’s long-awaited sequel.  To enter, simply complete the steps in the Rafflecopter form below. Winners will be selected on Friday, December 14th and notified by email. Good luck!

Mary Poppins Returns opens December 19th.

a Rafflecopter giveaway

Lucasfilm Confirms Full Cast For ‘Star Wars’ Series ‘The Mandalorian’

After weeks of casting rumors on Disney’s The Mandalorian series, the full cast has finally been revealed. While most of it is confirmation of what we already knew, there are a few new faces including one that makes me especially happy.

Pedro Pascal has been confirmed to star as the title character, a gunfighting Mandalorian on the galaxy’s Outer Rim. Also confirmed are the previously-mentioned Carl Weathers, Nick Nolte, Gina Carano, and Werner Herzog, which is such a wild group to imagine I have to think most of them are voicing CGI aliens. Also joining the cast are Emily Swallow (Supernatural), Omid Abtahl (American Gods), and best of all, Giancarlo Esposito of Breaking Bad, School Daze, The Maze Runner, and so much more. In his case I hope he’s playing a human character and not hidden by digital effects or tons of makeup.

Production is underway now but details remain scarce. We’ve heard of at least one surprising motivation for the Mandalorian’s journey, however there’s nothing in Lucasfilm’s press release that reveals anything further.

The Mandalorian will be exclusive to Disney+ beginning late next year.

Lucasfilm is pleased to announce the cast of the first-ever Star Wars live-action series — The Mandalorian.


Pedro Pascal (Narcos) has been cast in the title role as a lone Mandalorian gunfighter in the outer reaches of the galaxy. He is joined by Gina Carano (Deadpool), Giancarlo Esposito (Breaking Bad), Emily Swallow (Supernatural), Carl Weathers (Predator), Omid Abtahi (American Gods), Werner Herzog (Grizzly Man), and Nick Nolte (Affliction).


“We’re having a great time working with this incredibly talented group and excited for everyone to see what we’re up to,” says Executive Producer Jon Favreau.


Currently in production, The Mandalorian is written and executive produced by Jon Favreau, with Dave Filoni (Star Wars: The Clone Wars, Star Wars Rebels) directing the first episode and serving as executive producer alongside Kathleen Kennedy and Colin Wilson. Additional episodic directors include Deborah Chow (Jessica Jones), Rick Famuyiwa (Dope), Bryce Dallas Howard (Solemates), and Taika Waititi (Thor: Ragnarok).


The highly-anticipated series will be exclusive to Disney+, The Walt Disney Company’s upcoming direct-to-consumer streaming service, which is set to launch in the U.S. in late 2019.


Stay tuned to StarWars.com for updates.

New ‘Aquaman’ Clip’ Shows Nicole Kidman Fighting Atlanteans On Dry Land

We’ve kinda gotten away from posting movie clips here, as I try to cut down on showing too much. But this clip from Aquaman is pretty awesome, so it makes the cut. The scene puts Nicole Kidman’s Queen Atlanna in a huge fight, and while that’s pretty cool in itself to see the refined actress get down to action, it’s made even cooler when you learn that it was all shot in one continuous shot. Not a trick, but one actual take according to James Wan in an interview he did with Slashfilm recently.

The fight scene is only about 20 seconds long, and the rest is a bunch of filler nonsense with Jason Momoa, but definitely take a little time to watch Kidman kick some ass on dry land.

Aquaman hits theaters on December 21st.

Pixar Announces New Film ‘Onward’ Featuring Chris Pratt, Octavia Spencer, Tom Holland, And More

While other challengers have definitely emerged, Pixar remains the gold standard for animated hits. Any time a new film is announced it’s a very big deal, especially when it also marks the start of a potential new franchise. Disney has announced Pixar’s 2020 film will be titled Onward, and it will have an all-star cast providing the voices.

Chris Pratt, Octavia Spencer, Tom Holland, and Julia Louis-Dreyfus will be voicing Onward, to be released on March 6th 2020.  There are no plot details at or a confirmed director, but it’s possible, even likely this is the untitled “suburban fantasy world” film by Dan Scanlon (Monsters University) that was teased at last year’s D23 conference.  Here is how it was described back then:

According to Scanlon, who lost his father at a very young age, the film is inspired by the question he’s always asked: who was my father? The story is set in a world with no humans—only elves, trolls and sprites—“anything that would be on the side of a van in the ’70s,” said the director. “In the film, we’re going to tell the story of two teenage elf brothers whose father died when they were too young to remember him. But thanks to the little magic still left in the world, the boys embark on a quest that will allow them a chance to spend one last magical day with their father.”


‘The Punisher’ Season 2 Hits Netflix In January, Probably Canceled Soon After

Normally the arrival of another Marvel/Netflix TV series is cause for celebration, but now it comes mixed, perhaps to a greater degree, with sadness. Netflix is teasing January 2019 for Jon Bernthal’s return in The Punisher season two, and that likely means the series will be canceled days later. You can see the tiniest glimpse of the new season in the below video.

Unfortunately, the last few weeks have shown us the end is near for Marvel’s deal with Netflix, as Iron Fist, Luke Cage, and Daredevil have all been axed. It stands to reason The Punisher will be next on the list, no matter how high the body count rises this season. The same will likely happen to Jessica Jones once her third season airs. The only reason these shows have stuck around this long is because they were already in production or wrapped.

So get ready to bid Frank Castle a fond farewell, at least until he re-emerges as part of Disney+ or something.

Review: ‘Mortal Engines’, Peter Jackson’s Sci-Fi Epic Is Built To Be Seen In IMAX And On Mute

A lot of imagination went into building the post-apocalyptic steampunk world of Mortal Engines. In this bleak vision of the future, about 1000 years after a mega-weapon destroyed most of civilization, the world’s greatest nations essentially turned themselves into giant demolition derbys. Countries are now mobile, and the most powerful of them exist in giant tank-like structures with cities built atop them. They mow throw the terrain on giant treads, good for pulping smaller nations to secure what limited resources exist. It’s an insane concept dreamed up by author Philip Reeves and adapted by director Christian Rivers, with the help of producer and co-writer Peter Jackson. Mortal Engines is not boring to look at in the least, but none of that matters if the characters aren’t interesting enough to keep this juggernaut’s engine going.

London is the major powerhouse, rolling along in a massive, intimidating fortress. It houses thousands of rabid citizens who eagerly cheer the demise of their foes, like Arsenal fans going wild over a game-winning goal. The opening sequence is like something out of Death Race, as London, led by the obviously villainous Thaddeus Valentine (Hugo Weaving), turns a tiny mining town into pulp, absorbing its population into its own. On board is eager historian Tom (Robert Sheehan, too old for the role), who shares Thaddeus’ love of old relics. The museum he works at holds some clever commentary on today’s culture: the Minions are worshipped as deities, there’s a joke about texting that suggests a civilization in rapid decline. Little do Tom or Thaddeus know that also on board is the scarred Hester Shaw (Hera Hilmar), who makes an attempt on the latter’s life and very nearly succeeds. If only she had, because Tom wouldn’t have had to find out, too late as it turns out, that Thaddeus is every bit the murderous heel his name would suggest. Nobody with a name like Thaddeus Valentine is a good guy.

Sure, from the outside Mortal Engines looks like something out of Mad Max Beyond Thunderdome, but visually it’s hard to dispute the differences from every other YA adaptation out there. If only Rivers could have taken us inside more cities to see the many cultural differences within these armored structures. As it is we only get a look inside the warlike London and a glimpse at the Zen-like Asian nation…well, they’re pretty Zen until London starts zapping them with a giant purple Death Star laser. Mostly what we see are the muddy barrens, where Hester and Tom squabble, make up, reveal their troubled pasts, and make an effort to stop Thaddeus from repeating nuclear mistakes of the past. They’ll be captured by scavengers in an underground that moves like a centipede, and take up with a rag tag rebel group of pilots with the firepower to take out Thaddeus’ Death Star…er, weapon.

Icelandic actress Hera Hilmar is properly enigmatic as the vengeance-seeking Hester Shaw, although she gets absolutely no help from the dull-as-toast Sheehan. Hilmar’s been making quite a name for herself lately for her performances in The Ottoman Lieutenant and An Ordinary Man, and she takes full advantage of her first blockbuster-sized role. It’s just sad that the best chemistry she finds is with Shrike (Stephen Lang), an undead Terminator-esque soldier seeking vengeance of his own. Hugo Weaving’s bad guy act is so routine that you can’t help but snicker anytime a naïve character trusts him, even a little bit. The only other standout performance belongs to Asian rock star Jihae as the kickass rebel leader, Anna Fang. From the moment she arrives, wearing Matrix shades and looking like the only one who has had a shower in years, she demands our attention. Fortunately, she stays heavily involved all the way through the climactic battle, but even she isn’t enough to cover up the faults there.

Rivers hopes that an overdose of CGI will help the audience plow through a ton of expository dialogue and bland characters, and while it’s a decent distraction it simply isn’t enough. This becomes especially apparent during the final battle, which cribs liberally from the most iconic sci-fi action movies of all-time, ignoring all of the world-building we had just sat through. It doesn’t make any sense but I guess it’s “cool” the final battle looks like something out of Rogue One? There’s even a “Luke, I am your father” moment so blatant multiple people at the screening I attended were reciting it in-between chuckles.

Whatever Mortal Engines is trying to say about the threat of repeating sins of the past is lost in a story that is too convoluted, and delivered by characters too bland for us to care. But at least it looks incredible, and for a film that was clearly built for the IMAX experience it makes a good case for experiencing it in that way only.

Rating: 2.5 out of 5

‘Hotel Mumbai’ Trailer: Dev Patel And Armie Hammer Try To Survive A Terrorist Attack

Perhaps it would be a good idea to stop checking into movies with “Hotel” as the first word in the title. Hotel Rwanda, Hotel Artemis, and now Hotel Mumbai. Dev Patel stars in the film based on a real-life terrorist event, and the harrowing first trailer has arrived.

Directed by Anthony Maras, Hotel Mumbai features Patel as Arjun, a family man employed as a waiter at the prestigious Taj Mahal Palace Hotel in Mumbai. Unfortunately, this day at work happens to be the day of the 2008 Mumbai terror attacks, in which hostages were taken and over 160 people were killed. Arjun must do his best to stay alive, but also to protect the hotel’s many guests.

The cast includes Armie Hammer, Nazanin Boniadi, Jason Isaacs, Anupam Kher, Natasha Liu Bordizzo, Angus McLaren, and Tilda Cobham-Hervey.  Hotel Mumbai opens its doors on March 29th 2019.

Comedian Ali Wong Will Bring The Funny To Margot Robbie’s ‘Birds Of Prey’

Margot Robbie’s Birds of Prey cast just got a lot funnier. Comedian and Netflix superstar Ali Wong (of comedy specials Hard Knock Wife and Baby Cobra) has joined the all-girl superhero film in a supporting role that I’m guessing will be comic relief.  Hard Knock Wife would be a killer supervillain name, tho. Missed opportunity.

Wong will take on the role of an associate to Detective Renee Montoya, who will be played by Rosie Perez.  With Robbie returning as Suicide Squad breakout Harley Quinn, the rest of the girl gang includes Mary Elizabeth Winstead as Huntress, Jurnee Smollett-Bell as Black Canary, and Ella Jay Basco as Cassandra Cain. Ewan McGregor plays the main villain, Black Mask, with Chris Messina as the sadistic Victor Zsasz, and Robert Catrini as an unspecified character.

Penned by Christina Hodson (who just wrote Bumblebee‘s excellent script) and directed by Cathy Yan, Birds of Prey opens February 7th 2020.  [TheWrap]

‘Doctor Strange’ Sequel Bringing Back Scott Derrickson As Director

Well, this is one way to confirm Doctor Strange won’t stay dead for long. Just like his dusty pal Spider-Man, Doctor Strange now has a sequel officially in the works that proves he survives Avengers: Endgame, and Scott Derrickson will be returning to direct it.

THR confirms Derrickson’s return for Doctor Strange 2, which isn’t really that much of a surprise. Although, to be honest, it had been a little quiet on the sequel front, especially for a character many see as a centerpiece of Marvel’s post-Endgame phase. The original movie, which Derrickson also co-wrote with C. Robert Cargill, grossed $677M worldwide which is about middle of the pack as far a MCU movies go.

Benedict Cumberbatch will return as the good Doctor, as well as Rachel McAdams as Christine Palmer. Benedict Wong has already been talking up his return as Wong, so he’ll return, as well. No word on a storyline or writer, but Cargill has previously mentioned using the villain Nightmare, who feeds off of torment caused during sleep. We’ll see if that holds up or not.

The current plan is to have a script ready next year, in time for production to start in spring 2020 for a May 2021 release.