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Middleburg Review: ‘The Holdovers’Alexander Payne And Paul Giamatti Bring Grumpy Charm To The Holidays

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The 1970s aesthetic deployed by Alexander Payne in his charming new dramedy, The Holdovers, isn't a mere gimmick. From the technicolor palette to the pops...

Middleburg Review: ‘Saltburn’Emerald Fennell's Stylish, Kinky Aristocratic Thriller Ensares You In Its Web

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If Cruel Intentions and Brideshead Revisited were burned to ashes then laced with acid and smoked, you'd get the sensation of Emerald Fennell's Promising Young Woman follow-up, Saltburn. A constantly-shocking...

Middleburg Review: ‘American Fiction’Jeffrey Wright Leaves Them Bamboozled In Funny, Insightful Satire About Plight...

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In 1985, Robert Townsend offered one of the most insightful, and funniest looks at the relationship between art and Black culture with Hollywood Shuffle. The...

Middleburg Review: ‘Frybread Face And Me’Taika Waititi Produced Coming Of Age Story Is A...

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In the semi-biographical coming-of-age film, Frybread Face and Me, a young man encounters the different generations of women in his family. Obsessed with pop...

Review: ‘The Holdovers’Alexander Payne And Paul Giamatti Bring Grumpy Charm To The Holidays

0
The 1970s aesthetic deployed by Alexander Payne in his charming new dramedy, The Holdovers, isn’t a mere gimmick. From the technicolor palette to the pops...

Middleburg Review: ‘May December’Julianne Moore And Natalie Portman Square Off In This Uncomfortable Psychological...

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In legendary director Todd Haynes May December, Julianne Moore and Charles Melton are very much in love. Or at least that’s what they want...

31 Days Of Horror: Day 29 ‘Bloody Birthday’ (1981)Written and Directed by: Ed Hunt

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Synopsis: Three children were born at the height of an eclipse of the sun in 1970. Ten years later, they begin to murder the...

31 Days Of Horror: Day 30 ‘The Children’ (1980)Directed by: Max Kalmanowicz

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Synopsis: A nuclear plant leak turns a bus load of children into murderous atomic zombies with black fingernails. Continuing with the “creepy children” plot device,...

Review: ‘The Marvels’Brie Larson, Teyonah Parris, And Iman Vellani Go Intergalactic In Marvel's Unexpectedly...

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The Marvels arrives with everyone pretty much already having written it off. Ostensibly the sequel to 2019's $1.1B-grossing Captain Marvel, the film arrives with Marvel knocked...

Review: ‘Aladdin’, Will Smith Dazzles In Disney’s Surprisingly Magical Remake

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Following the mediocre Dumbo and The Nutcracker, it really is a whole new world for Disney with Aladdin. Disney's riskiest live-action remake yet, the...