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Review: Blumhouse’s “Truth Or Dare” Starring Lucy Hale

Horror is a genre that definitely has ebbs and flows in both
popularity and quality, from the 50’s sci-fi/horror phase to the glorious
superstar monsters of the 80s, all the way up to the current generation of
supernatural horror that has been, without a doubt, lead by Jason Blum and his
Blumhouse Productions brand. 20 years from now when they are defining horror in
the 2010’s Blumhouse that leads the mentions in quality scares. In a way,
that’s why this flick is so important, this is the first of what I’m sure will
be many films with the title accolade of “Blumhouse Presents”. Not that one bad
movie can sully the name, but it would be a plus to come out of the gate with
an insta-classic. You can probably already guess from the title that this isn’t
a classic, but is it worth a watch?
Oh that classic teenage game that results in one of three
things, having to divulge your crush to a large group, streaking, or the ever
popular getting two girls to kiss. You know, I started writing that line as a
joke but now that I think of it….they do all three of those things during the
movie. Guess I wasn’t too office base. Lucy Hale stars as Olivia an
over-the-top nice college co-ed who plans on skipping spring break to volunteer
with Habitat for Humanity. Her best friend Marky, who is still reeling from the
suicide death of her father, is having none of it and convinces her to go with
their group to Mexico. On their final night Olivia is playing the wallflower
when she meets a guy named Carter at the bar who seems nice enough. After a few
drinks and last call their new friend invites her and her group back to an
afterparty, one that just happens to take place in an old creepy abandon
convent. They arrive to an empty room, which is usually the part where most
people would say “screw this, I’m out” but instead decide to go along with
Carter’s idea to play Truth or Dare. Some salacious things happen and some
secrets are revealed and the crew leave…but the game leaves with them. Soon
after arriving back in college they are taunted by strangers and messages out
of nowhere with the message “Truth of Dare”. It’s not long before they realize
they are still in the game, and if they don’t fulfill their turn they die.
I can’t say that I expected a lot from this flick, you can
generally tell a lot about a horror movie based on its premise and trailers,
more so then most other genres, but man this one missed the mark. I will say
that the cast was good, considering what they were given to work with but that
is about the best accolade I can give Truth
or Dare
. When you make a horror movie you need to have at least one of two
things for it to be enjoyable; a great story or good and imaginative kills. The
story here is so thin you can almost hear someone pitch it, “Yeah it’s like a
drunk game of Truth or Dare except you can die”, and that’s about all the
backstory they had to go on. The PG-13 rating is a deathblow to the creative
kills option but they didn’t even try in that respect. An inventive filmmaker can
show a lot and still get a PG-13 rating but what they did here was so
forgettable I can’t even rattle off the different deaths only two days after
seeing it. The worst offender of the film has got to be the effect they use to
show the demon running the game, he possesses random people to deliver his
Truth or Dare message and when he does that person has a giant grin, think of a
comic book version of the Joker but without the creepy makeup. It simply does
not work. Look, a person glaring at you with a huge smile and dead eyes can be
one of the creepiest things this side of a child standing in a dark room all
alone but whatever they were going for they didn’t get. It’s comical, maybe it
wasn’t unnatural enough to pass the muster, maybe they should have gone bigger,
I’m just surprised they didn’t review the effect before release and say…”Yeah,
you know what, this isn’t working”. Hell, the characters in the film even refer
to it as looking like some messed up snapchat filter, which is exactly what it
looks like. It was impossible to take even the most suspenseful of the movies
scenes seriously when you are confronted with that smile.
I will say that I didn’t check my watch or become distracted
by how numb my butt had gotten, both signs of a movie that is terribly boring,
but I can’t say I enjoyed it or that it’s something I’d ever see again.
Blumhouse has a good enough reputation at this point that they can take a flop
or two and keep on trucking, I’m just praying that this flick is not a sign of
things to come with the production company that’s become synonymous with
scaring the hell out of people. There are other options out there, given the
choice I’d recommend you skip Truth or
Dare

Rating: 1.5 Out of 5

Marvel Rumored To Be Announcing An ‘Eternals’ Movie Soon

As the Marvel Cinematic Universe speeds ahead into its next phase we’re seeing that universe expand further into deep space. The Guardians of the Galaxy got it started, Thor: Ragnarok took another step, and Captain Marvel should do the same considering her alien origin. Since it became clear this was the direction Marvel was heading there have been rumors of a movie centered on the cosmic beings known as the Eternals, and now Bleeding Cool says it will be announced “imminently”.

They note a very reliable source who gave them the information, saying Marvel has already been meeting with writers about the film. It’s not completely unexpected; Thor: Ragnarok‘s visuals relied heavily on the Eternals designs used by creator Jack “King” Kirby, the comic book legend who created the New Gods, a similar bunch of characters about to get a movie at Warner Bros. When Kirby left DC Comics he brought some of those New Gods concepts to Marvel to create the Eternals.

But there’s another reason why now is a good time for an Eternals film. One of their number includes the mad villain Thanos, who will be wrecking shop in Avengers: Infinity War later this month.  The Eternals are an immortal race of beings created by the alien Celestials to be defenders of Earth. This places them at odds with their warmongering counterparts, the Deviants. 

Take this with a grain of salt, of course, but an Eternals movie would make sense. If it’s going to happen I expect an official reveal would be made at Comic-Con in a couple of months.

Review: ‘Borg vs McEnroe, Shia LaBeouf Comes Up Aces In Thrilling Tennis Drama

If there’s a list of the greatest tennis matches ever played, probably very high on it would be the 1980 Wimbledon final between John McEnroe and Bjorn Borg. More than just another match, it was the ultimate rivalry between two superstar athletes who on the surface couldn’t be more different. The fiery badboy McEnroe vs. Borg, the gentlemanly international superstar. The championship competition would live up to all of the hype, as does Janus Metz’s ace drama Borg vs McEnroe which goes against the grain of typical sports biopics.

Simply titled Borg in some overseas markets, the film is largely a psychological breakdown of the two tennis greats, with an emphasis on the good-looking, soft-spoken Swede. It’s the right choice to make because Borg (Sverrir Gudnason) is more of a cipher to those of us here in America, while McEnroe’s (Shia LaBeouf) hot-headed past has been public for decades. What you’ll be shocked, shocked I tell you, to discover is that for all of their apparent differences, McEnroe and Borg had a lot more in common than many knew but they could see for themselves.

Borg was tennis’ wunderkind going into that epic Wimbledon final, having won four straight championships and serving as an honorable ambassador of the sport. McEnroe on the other hand was a hated man, a ruffian upset the delicate sensibilities of tennis’ elitist audience. He mainstreamed the sport in ways that a lot of people in high places didn’t like. But he yearned to defeat Borg and replace the old guard, to take his place at the top of the food chain. Told through a variety of flashbacks that turn out to be fairly rote and familiar, we see that Borg wasn’t always the quiet, mannered knight he would grow up to be. He and McEnroe share a past of rebellion and questionable decision-making, all things that needed to be harnessed to make the most of their extraordinary talent. 

Screenwriter Ronnie Sandahl emphasizes the diverging paths McEnroe and Borg would take from that point on.  Borg would find balance with the help of his longtime trainer (Stellan Skarsgard) and fiancée (Annihilation‘s Tuva Novotny), while McEnroe embraced the negative image the media eagerly pushed. Both could see they were being driven by outside forces to be enemies, but their obsessive desire to be the best would make them rivals no matter what. The confrontation was inevitable.

Shia LaBeouf is almost too perfect for the role of McEnroe, given his occasionally explosive demeanor and headline-grabbing antics that distract from his natural ability. Talent was never an issue for LaBeouf, either, the guy can act when properly motivated to do so and he has absolutely never been better. Those who doubt him because of the outside stuff will want to give this film a try. Gudnason, a dead wringer for the long-haired Borg, plays the tennis pro as a total contradiction, a rock star with the soul of a monk. While not as demonstrative as McEnroe, Borg’s competitiveness consumes every facet of his life, down to the tiniest detail.

Metz really hits his stride on the courts, giving the Wimbledon final the intense attention a match of its magnitude deserves. Beautifully shot and performed with ferocious athleticism, every serve, every volley, every split second decision is fueled by all that we’ve come to learn about these two ambitious players. It’s as the match winds down to the inevitable conclusion that the excessive backstory pays off. Borg vs McEnroe becomes something deeply personal and more than just a cinematic recreation of a classic tennis match you could just as easily watch on YouTube.

Rating: 4 out of 5

*UPDATE* Paul Thomas Anderson Didn’t Direct Adam Sandler’s Netflix Special

*UPDATE* So the earlier reports of a reunion between Paul Thomas Anderson and Adam Sandler? Not true, according to ScreenCrush, who say Anderson was at the comedy venue for Sandler’s Netflix special but wasn’t directing. So who was? Steven Brill, the guy who has directed multiple Sandler flicks including the recent Sandy Wexler. Whomp whomp. Not the same!!!! Original story is below.

I have a feeling that twenty years from now we’ll look back at Adam Sandler’s career and still say that he peaked with Paul Thomas Anderson’s Punch Drunk Love. Whenever someone wants to pretend his career hasn’t devolved into one insultingly bad comedy after another, that’s the movie they use to lean on. But lately Sandler seems to be trying to right the course. From last year’s The Meyerowitz Stories to recent news that he’ll star in the Safdie Brothers’ Uncut Gems, Sandler is suddenly stepping up his game. And now he’s ready to surprise us once more.

Last night Sandler did a comedy gig at L.A.’s El Rey Theatre to be taped for an upcoming Netflix special. Okay, no big deal. Sandler has an exclusivity deal with them so it makes sense. HOWEVER, the Twitterverse blew up when word started to get out that the special was actually directed by Paul Thomas Anderson.

Suddenly this Netflix special is worth tuning in for when it gets a release date. Although filming a comedy special seems like a waste of the Phantom Thread director’s skills, a reunion with Sandler is too intriguing to pass up.

‘Mulan’ Adds Jet Li & Gong Li, Haley Lu Richardson Joins ‘Five Feet Apart’, Kristen Bell Goes To ‘Fantasy Camp’

The terrific casting for Disney’s live-action Mulan continues, following the recent news of Donnie Yen joining the film. Now boarding the cast are action movie superstar Jet Li and Memoirs of a Geisha‘s Gong Li. Wow, Jet Li and Donnie Yen in the same movie and they aren’t coming to blows? That’s kinda sad.  Anyway, Jet Li will play “the emperor of China, who orders the mobilization of troops via the conscription of one male from each household”, while Gong Li is the film’s villain, a powerful witch. They join star Liu Yifei as the titular heroine. Directed by Niki Caro, Mulan opens March 7th 2020.  [THR]

Rising star Haley Lu Richardson, who really shined in last year’s Columbus, has found her next role. She’ll star in Five Feet Apart, a romantic drama directed by Jane the Virgin actor Justin Baldoni. Richardson joins Cole Sprouse and Moises Arias in the film about two terminally ill young people who meet and fall in love, knowing they are living on borrowed time. They refused to be defined by their illnesses or the obstacles that keep them apart. [THR]

Kristen Bell will go from The Good Place to musical comedy Fantasy Camp, about a failed junior high school drama teacher who faces her fears and pursues her dreams while attending a Broadway performing arts camp for adults.
No director is attached but the script was penned by Paper Airplane’s Sid Karger. [THR]

‘The Escape’ Trailer: Gemma Arterton Runs Away From Her Life

When we think of Gemma Arterton it’s hard not to see her as the glamorous actress who played a Bond Girl in Quantum of Solace and the title role in Tamara Drewe. The majority of the roles she’s taken have actually skewed quite differently, and in her latest film The Escape she stars as an ordinary woman who decides to flee everything she once held dear.

Having previously debuted at TIFF, The Escape is directed by Dominic Savage, mostly known for hi work on the small screen. Arterton stars as a wife and mother in suburban England who seems to have it all. However, the content she shows on the outside hides the disconnect she feels on the inside, and when it becomes too much she books a one-way ticket to Paris and walks away from it all.

Speaking with EW, Arterton revealed that the entire film was improvised from a brief treatment written by Savage. She also says her goal was to highlight the issue of mental illness, especially in women…

“I guess one of my endeavors as an actress is to shine a light on women, and not necessarily glamorous women. This woman is fascinating, but she’s not necessarily likable, and some of the things that she does are deemed by society as unacceptable. A lot of men leave their families, but if a woman does it she’s seen as a monster. It’s up to the audience to decide, but I just wanted to show why a woman might do that and have people not immediately make a judgment about her.”

She continues, “No one says to her, ‘Maybe you should go and see somebody, or maybe you should talk to somebody. She’s never given that help in that way, and it eats away at her. I think one of the biggest lessons to be learned from this film is the power of honest conversation; maybe it wouldn’t have gotten to the point it gets to just by being able to talk. There’s been big discussions afterwards from people who have seen it, and that for me is a compliment because even if people are angry, films should start conversations.”

The Escape opens in theaters and VOD on May 11th.

‘Arrow’ S6E18 Recap: “Fundamentals”

Last week on Arrow, Diggle finally was at his wit’s end with Oliver as Team Arrow finally was dissolved.  With Oliver unwilling to give up the mantle of Green Arrow, Diggle was feeling some kind of way with Oliver.  As the two briefly argued, Diggle realized that he’s not really mad at Oliver about him remaining as the Green Arrow, he’s mad at Oliver because his leadership is suffering.  The two then argued some more, but this time their argument turned into fist blows.  In the aftermath, although they worked together to try and take down one of Diaz’s drug labs, Diggle decided that he no longer could work with Oliver.  Team Arrow finally is down to just Oliver and Felicity.

Even without Diggle, Oliver has to continue his mission to take down Diaz.  Because Diaz has gotten rid of all cops that aren’t on the take, Oliver storms the police station.  However, he’s not wearing the Green Arrow outfit, he’s dressed as “The Hood” instead.  Diaz isn’t a dummy and was prepared for Oliver.  Even after he takes down scores of crooked cops, Diaz has a small army waiting for him.

We then rewind to ten hours ago.  Oliver has just received word that he is probably going to be impeached as a result of him firing the police captain and prosecutor that’s on Diaz’s payroll.  The public perception though, is that he fired the people prosecuting the accusations that he is the Green Arrow.  The city council is preparing to impeach him, so Oliver has to start preparing.  Diggle comes into the Arrow Cave under false pretenses.  Felicity lured him in an attempt to try to get him and Oliver to make peace with him as he is needed.  It did not go according to plan though.

Oliver meets up with one of the city councilmen to discuss the preliminary impeachment proceedings.  While Oliver states that he did nothing wrong as the two people he fired were in Diaz’s pocket, there’s no proof of it.  Oliver knows he needs to get some information, but he also has to get it through legal means.  The councilman promises to be fair during the hearings and shakes Oliver’s hand.  Oliver, later on, meets with Felicity in the hopes that her hacking skills will be able to uncover some sort of information, but something’s off with him.  He gets into an argument with her in which he becomes aggressive, to the point that he yells at his son and breaks a piece of furniture at his home.  Felicity tells Oliver that he needs to leave so he can clear his head.

Down in the Arrow Cave, things get weird for Oliver.  After having a heart to heart with Lance who seems to be the only person still willing to deal with him, he’s alone.  He then hears some strange noises.  After trying to discover where the banging noise comes from, someone comes through the elevator.  Oliver arms himself in case it’s someone dangerous, and it turns out it’s someone who is dangerous from his past: Adrian Chase, last season’s big baddie who is supposed to be dead.  The two engage in a brutal fight across the Arrow Cave and Oliver ends up breaking his back.  Oliver turns around and his wounds are missing, as is Chase.  Turns out, Oliver was drugged by the councilman when they shook hands with Vertigo.  Oliver now proceeds to trip for most of the episode.  Chase operates as his hallucination, but so does Laurel Lance (the one who died), Renee, Felicity, his son’s babysitter, and even Diaz.  His last hallucination is his past self, “The Hood,” the past version of Oliver when he was a murderous vigilante who killed people who “failed this city.”  The Hood reminds Oliver that he failed his mission by getting attached to people.  He wasn’t supposed to have a Team Arrow, be friends with Diggle, or marry Felicity.

While all this tripping, Oliver has an impeachment trial to attend, which isn’t just as hard to do as it sounds.  After stating that he has evidence of the police corruption, the city councilmen ask where he got the information from, which he says he got it from the Green Arrow.  That doesn’t bode well for him.  Lance in a last-ditch, stops the meeting so Oliver can get his act together from the effects of the drug.  The Adrian Chase hallucination tells Oliver that he still has to take on Diaz, who Oliver knows is at the police station.

Fast forward to the beginning of the episode, as a drugged out Oliver tries to take on the police so he can kill Diaz.  Diaz is waiting with an army of cops that will unload their bullets into him.  Lance tries to stop Oliver, so proceeds to beat him up.  It’s up to Felicity to try and talk him off the ledge.  Oliver at first can’t tell if she’s real or not, but she manages to tell him to trust his heart and he snaps out of the hallucination.  Diaz and his men then try and take Oliver out, which he and Felicity escape.

Oliver decides that some of what the Adrian Chase hallucination said was right.  He has been stretched too thin.  If he’s going to take on Diaz, he needs to get back to his “fundamentals.”  He has to try and disconnect from all attachments so that he can take on Diaz.  Felicity proceeds to give him his space so that he can complete his mission.  They turn on the Tv to find out that Oliver has in fact been impeached.  With no day job, Oliver now is ready to take Diaz on as just the Green Arrow, but Diaz is more than ready for him.

‘It: Chapter 2’ Eyes Bill Hader And James McAvoy For The Losers Club, Jessica Chastain Responds

Hollywood is at peak Stephen King adoration right now, coming off the surprising $700M success of last year’s It. That made it the highest-grossing horror movie ever, and naturally a sequel, It: Chapter 2, was moved on pretty quickly. After fans (and director Andy Muschietti) began to campaign for Jessica Chastain to play the grown-up version of Beverly Marsh she eventually joined the cast. And now she’s getting some company in the Losers Club, including one actor she’s very familiar with.

In talks to join the cast are Bill Hader and Chastain’s The Disappearance of Eleanor Rigby co-star James McAvoy. She’ll also be starring alongside him in next year’s X-Men: Dark Phoenix. So those two can’t get enough of one another, as evidenced by Chastain’s cheeky Instagram post, which I think also serves as confirmation of her casting…

A post shared by Jessica Chastain (@jessicachastain) on Apr 12, 2018 at 5:31pm PDT

McAvoy would take on the role of Bill Benbrough, who was played by Jaeden Lieberher in the first movie. Hader would play the part previously held by Finn Wolfhard, that of Richie Tozier. Bill Skarsgard will return as Pennywise the clown.

So they are aiming big with the cast for It: Chapter 2 and so far they are hitting the mark. Can’t wait to see who fills out the rest of the Losers Club before the film premieres on September 6th 2019. [THR]

Netflix Renews Marvel’s ‘Jessica Jones’ For A Third Season Of Boozing Action

Netflix will be renting out property in Hell’s Kitchen for a little while longer. Jessica Jones, which just debuted its second season a few weeks ago, has been renewed for a third season that will bring back Krysten Ritter as the boozing superhero/private investigator.

There are no further details at this point, like if Melissa Rosenberg will return as showrunner. The other Marvel Netflix series to air this year is the second season of Luke Cage. Iron Fist and The Punisher have also been renewed for second seasons, while The Defenders seems dead in the water at this point. There also hasn’t been any talk of a fourth season of Daredevil.  With Disney prepping their own streaming service to launch in 2019, Marvel may eventually move these shows there.

You can check out Khalil’s recap of Jessica Jones season two here. Who would you want to see her enemy be when the show returns?

Jason Bourne Heads To TV With Prequel Series, ‘Treadstone’

It’s funny, fans all but demanded Matt Damon and Paul Greengrass do more Bourne movies after the disappointing Damon-less The Bourne Legacy. Eventually they got what they wanted with 2016’s Jason Bourne, and the response was “meh”. There hasn’t been much talk about a sequel, and last year Damon cast doubt on the idea, but the franchise definitely isn’t dead. Instead it’s headed to TV like everything else.

USA Network is launching a Bourne prequel series titled Treadstone, named after the infamous organization that gave birth to Jason Bourne and other brainwashed super-agents.  Tim Kring (Heroes) will act as writer and exec-producer, while Ramin Bahrani, best known for 99 Homes and HBO’s Fahrenheit 451, will direct the pilot.  Not involved? Damon, Greengrass, or franchise scribe Tony Gilroy. The only one with any connection to the movies is producer Ben Smith, who was on board for the last two movies.

Here’s a synopsis courtesy of THR: “Treadstone” will explore the origin story and present-day actions of a CIA black ops program known as Treadstone — a covert operation that uses behavior modification protocol to turn its agents into nearly unstoppable superhuman assassins. The series follows sleeper agents across the globe as they’re mysteriously “awakened” to resume their deadly missions.


For the time being we can assume the film series is on ice.