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Review: ‘Run Nixon’

Director “Sky Directs’” Film Debut Explores The Lengths Parents Will Go To Save Their Child

Run Nixon

As parents, there’s almost nothing we won’t do for the betterment of our children. We’ll work 2-3 jobs, we’ll drop any and everything we’re doing at a moment’s notice to help them. And god forbid if our children get sick, we’ll move heaven and earth to make sure they can get better. In Director Sky “SkyDirects” Palmer’s latest film Run Nixon takes two young parents and puts them in the worst situation as their child has a heart defect and needs surgery in order to survive, and their desperation kicks in! If you think this feels a little bit like John Q, you’d be correct to a certain point, but Run Nixon switches up the genre to turn into a cat-and-mouse urban thriller.

Dre (Lil’ Fizz) and Stacey (Sicily Cameron) were raised in the system. Dre was once in a gang, but got out of the life to work for a tow truck company and Stacey works at a local strip club. The two raise their child Nixon (Emperor Kaioyus) in their neighborhood and while life is tough, it is a good life for that family. That all changes when Nixon passes out during a school basketball game. Once they get to the hospital, they learn that Nixon had a heart attack and is only being kept alive by machines until he can get a new heart.

Of course, insurance doesn’t cover such an expensive surgery. Meanwhile, at the strip club where Stacey works, she finds out that there’s a big bag full of cash at the strip club that the owner has to “hold” for a local gangster Slice (Jordan Lee Brown) to avoid the police catching when he gets arrested. Early in the morning, Stacey steals the cash, and then lies and tells Dre that the insurance company ended up covering the surgery. Two years later, Nixon is alive and well with a new heart, and Dre and Stacy are happy everything’s great… until Slice leaves prison.

Slice quickly deduces who stole his money and sets a plan of getting his money back. After all, he has to pay his boss ironically named “King Pin” (Wavyy Jonez) that money or his life is in jeopardy. So Slice opts to kidnap Nixon and demand that Dre and Stacey pay back the money or Nixon is going to die. The last two acts of Run Nixon turn into a cat-and-mouse game of Dre trying to find Nixon and Slice trying to get his money by any means necessary. It’s a race against the clock for Slice to get his money, and for Dre and Stacey to get Nixon back.

Unfortunately, Run Nixon is plagued by the script, the acting (oh gosh the acting at times is “Tubi” level good/bad), the choppy editing, and poor VFX. Also, the title doesn’t make any sense! Also, for an R-rated movie that takes place in “Sin City” Las Vegas, with multiple scenes at an active strip club, there is no nudity, and the two sex scenes in the film are almost muted, it’s almost like this film was made to be on BET and not in theaters. Now we don’t need this to have Game of Thrones level of sex/nudity, but let’s be consistent with the how the correct tone of Run Nixon should be. Now this is SkyDirects’s directorial debut, but apparently, he has a pretty big following for the content he creates, so we can give him the benefit of the doubt that his next film will have a tighter structure and deliver better performances from the cast, but regrettably, it did not work well in Run Nixon. The final act’s showdown wasn’t a good payoff as expected, and the final shot is eye-roll-inducing as it teases the inevitable sequel. Perhaps SkyDirects could have had a little bit of oversight to help produce a better final product and the film would have worked out a little stronger.

Run Nixon is currently available in select theaters.

‘The Boys: Mexico’ Spinoff Teams Up Diego Luna And Gael Garcia Bernal With ‘Blue Beetle’ Writer

Luna, Homelander, Bernal

It’s the most unexpected Y tu Mama Tambien reunion ever. Surely, nobody could’ve predicted that Mexican superstars Gael Garcia Bernal and Diego Luna would reunite anywhere near the same universe as Homelander, Billy the Butcher, and the gang on Prime Video’s hit series, The Boys. But that’s exactly what’s happening with a planned spinoff series, The Boys: Mexico.

Genius-level title aside, The Boys: Mexico is in the works now, according to Deadline. The series will obviously take place in Mexico, and has Gareth Dunnet-Alcocer aboard as writer and showrunner. Dunnet-Alcocer recently wrote DC Comics superhero film Blue Beetle, which had positive reviews but lackluster box office.

As for Bernal and Luna, they are currently attached as exec-producers. However, the report states that both actors could take active roles, although they would likely be on the supporting side and not the leads. They might make good authority figure types, similar to Giancarlo Esposito’s Stan Edgar.

For those who may not know, The Boys takes place in a universe where superheroes exist but are owned by a mega-corporation, Vought, who exploit them in every way possible. However, most heroes are only good when in the public eye, and are depraved, violent monsters when the cameras are off. While plot details on The Boys: Mexico are being kept under wraps, expect more of the R-rated content the franchise is known for.

‘May December’ Interview: Writer Samy Burch Talks Her Inspiration For Todd Haynes’ New Drama

May December

Don’t let her age fool you. May December screenwriter Samy Burch may seem young to have a masterful screenplay under her belt but it makes sense when you know she is a ’90s baby. At the heart of the Todd Haynes-directed film (now playing in theaters and on Netflix Dec. 1) is a scandal that resembles the Mary Kay Letourneau case. Played by Julianne Moore and Charles Melton, Burch has us meet this seemingly perfect couple twenty years post-scandal when a famous up-and-coming actress (Natalie Portman) comes to study them for a part.

Though Burch says she was aware of the Letourneau case growing up, the seed for May December was not planted through the effects of ’90s tabloid culture but through the exploration of Charles Melton’s character. What happens to a man four years away from 40 who is already an empty nester? What becomes of someone without an individual identity who hasn’t processed their life’s trauma? For Burch, the satire, humor, melodrama, and other characters came after.

Her writing has a biting naturalism, telling us everything we need to know about all her characters through everyday dialogue. I asked her about this and more the day after her appearance at the Middleburg Film Festival.

Watch my interview below and catch May December in theaters and on Netflix Dec. 1.

Review: ‘May December’

Julianne Moore And Natalie Portman Square Off In This Uncomfortable Psychological Drama

*NOTE: This review was originally part of our 2023 Middleburg Film Festival coverage.*

In legendary director Todd HaynesMay December, Julianne Moore and Charles Melton are very much in love. Or at least that’s what they want the outside world to think. When we first meet their characters, they are preparing for a barbecue. Moore’s Gracie is lamenting about the possibility of running out of hot dogs even though Joe has bought more than enough.

Gracie’s anxiety stems from the arrival of Elizabeth Berry, a famous actress who is stuck on a broadcast procedural. She thinks her first big serious project could be the film adaptation of Gracie and Joe’s story. Over twenty years before the couple was involved in a tabloid scandal after the two entered an inappropriate relationship the summer before Joe’s eighth-grade year.

Elizabeth is there to observe the couple and their family, their youngest, a set of twins, about to graduate. It becomes clear very early on that Elizabeth is just as twisted and manipulative as Gracie. She flirts with the male students in one of the twin’s drama classes. She makes passes at Joe. It’s apparent that their story is just a rung on her career ladder and it makes you root for this relationship that you know you shouldn’t.

This contradiction is at the heart of Samy Burch’s script. She peppers in realistic dialogue that when delivered with precision by Portman and Moore feels creepily realistic. Some viewers will find similarities between Gracie and Joe’s story with Mary Kay Letourneau scandal that dominated the late ‘90s tabloids. Burch doesn’t borrow directly, instead finding subtle and horrifying ways to create her own messed-up version.

There are no flashbacks in May December but it’s how people recall the past that is disturbing. At one point Gracie reiterates to Elizabeth that Joe seduced her, that he wanted her initially not the other way around. In another scene, she remarks that her husband has been in more relationships than she has been in, overlooking that two kids dating is very different than two adults. Joe talks passively about how his parents didn’t do much after the scandal, allowing their relationship to continue. Burch drops these tiny bombs that blow up later with shocking results.

Moore plays the aging mother with a streak of naivete and narcissism, flipping between the two at the drop of a hat. You don’t know if her character is really that immature and ignorant or if she is a mastermind. This is Moore’s fifth collaboration with director Todd Haynes and they don’t miss a step here.

It’s not easy to stand out among powerhouses like Moore and Portman, but Melton nearly steals the whole film. He gives Joe a childlike quietness that feels heartbreakingly real. Now finally the age Gracie was when the relationship started, you can see his own doubts about his past and future seep in on his face with each conversation he has. You will be yelling at him to leave one minute and wanting to hug him the next.

Haynes’ ability to pull these three performances of his leading actors along with the sinister parts of Burch’s script and then also find these comedic beats is astounding. He and composer Marcelo Zarvos infuse the soundtrack with a reorchestration of Michel Legrand’s music in 1971’s The Go-Between. It gives off soap opera vibes in the most effective way possible.

Overall, Haynes’ direction will have you questioning your own morals and loyalties by the time the final credits roll. May December is a film that doesn’t easily leave you and one that will surely be an Oscar contender come March.

May December comes to Netflix on December 1. Watch the trailer below.

Zack Snyder Reveals The Batman And Elektra Stories That Could Get Him To Make Superhero Movies Again

Zack Snyder, Batman and Elektra

Zack Snyder has seen his share of ups and downs. Once the hotshot upstart, he gained a huge fanbase as well as the keys to Warner Bros.’ DC cinematic universe. And while that ultimately crashed and burned, those fans never went away, demanding to see the Snyder Cut of his Justice League. Now Snyder finds himself with multiple franchises all to himself at Netflix, with Army of the Dead and the two-part Rebel Moon which kicks off next month. But would Snyder ever want to return to the world of superheroes?

Obviously, Snyder wouldn’t have time to do anything like that right now. But two projects could lure him back. In a lengthy piece with THR, Snyder reveals the Marvel and DC films he would return for, and neither is that surprising.

For DC, Snyder would want another crack at the Caped Crusader, Batman, adapting The Dark Knight Returns. But only if he’s got the power to do “a true representation of the graphic novel” by Frank Miller. The irony of this is that Snyder has already had a chance to do this. When Batman v Superman: Dawn of Justice was first announced at Comic-Con, it was by reading to attendees dialogue from TDKR. And many aspects of that film were inspired by the graphic novel.

As for Marvel, it would be for another Frank Miller classic. Elektra Lives Again is a spinoff from Miller’s Daredevil run, and it’s probably the most important story for the Greek ninja warrior, previously played on the big screen by Jennifer Garner. With Marvel Studios already moving forward with their Daredevil plans, it’s unlikely they’ll turn to Snyder to do an Elektra story, but then crazier things have happened. I would totally be down to see this happen, and it sounds a lot more interesting than him doing a Batman movie.

Snyder’s Rebel Moon Part 1: A Child of Fire hits Netflix on December 22nd!

‘Night Swim’ Trailer: Kerry Condon And Wyatt Russell Star In Underwater Horror From James Wan And Blumhouse

James Wan and Blumhouse are teaming up to ensure nobody goes back into the water ever again. Night Swim is based on the 2014 short film by writer/director Bryce McGuire, and stars Oscar nominee Kerry Condon, who was so great in The Banshees of Inisherin, and Wyatt Russell, hot off Apple’s Monarch: Legacy of Monsters, as a married couple who enjoy their nightly backyard swims in the pool, until they come under threat by a malevolent force.

Here’s the official synopsis: No running. No diving. No lifeguard on duty. No swimming after dark.

Atomic Monster and Blumhouse, the producers of M3GAN, high dive into the deep end of horror with the new supernatural thriller, Night Swim.

Based on the acclaimed 2014 short film by Rod Blackhurst and Bryce McGuire, the film stars Wyatt Russell (The Falcon and the Winter Soldier) as Ray Waller, a former major league baseball player forced into early retirement by a degenerative illness, who moves into a new home with his concerned wife Eve (Oscar® nominee Kerry Condon, The Banshees of Inisherin), teenage daughter Izzy (Amélie Hoeferle, this fall’s The Hunger Games: The Ballad of Songbirds and Snakes) and young son Elliot (Gavin Warren, Fear the Walking Dead).

Secretly hoping, against the odds, to return to pro ball, Ray persuades Eve that the new home’s shimmering backyard swimming pool will be fun for the kids and provide physical therapy for him. But a dark secret in the home’s past will unleash a malevolent force that will drag the family under, into the depths of inescapable terror.

Also in the cast are Amélie Hoeferle and Gavin Warren. James Wan, creator of Saw and The Conjuring Universe is aboard as a producer, alongside Blumhouse’s Jason Blum. Blumhouse’s horror rep speaks for itself, just as Wan’s does.

One of my deepest fears, one that I still have nightmares about, is drowning. I hate deep water in real life, video games, and especially in movies. This one’s going to be a tough sit for me!

Night Swim opens in theaters soon! Check out the trailer below followed by the synopsis.

‘The End We Start From’ Trailer: Jodie Comer Is A Mother Fleeing Disaster In New Post-Apocalyptic Drama

As the awards race begins to pick up steam, many have been awaiting the release of post-apocalyptic drama The End We Start From. And for good reason considering the cast is led by Jodie Comer, whose meteoric rise doesn’t appear to be stopping any time soon, and Benedict Cumberbatch, who also serves as an exec-producer. It was just two years ago that Comer came sweeping into the fall season with The Last Duel, and there’s a chance she could shake things up again.

Comer plays a new mother who flees her London home with her infant and heads north after a cataclysmic ecological disaster. The film also stars Joel Fry, Katherine Waterston, Mark Strong, Nina Sosanya, and Gina McKee.

Mahalia Belo directs from an Alice Birch screenplay adapted from Megan Hunter’s novel. Belo is a BAFTA Award-winning filmmaker, while Birch was a writer on HBO’s acclaimed series, Succession.

The End We Start From will open in theaters on December 8th.

Here’s the synopsis: When an environmental crisis sees London submerged by flood waters, a young family is torn apart in the chaos. As a woman and her newborn try and find their way home, the profound novelty of motherhood is brought into sharp focus in this intimate and poetic portrayal of family survival.

Review: ‘Silent Night’

John Woo's Dialogue-Free Holiday Thriller Is A Yuletide Diversion

After the disastrous 2003 Ben Affleck thriller Paycheck, John Woo took his paycheck and went home back to Hong Kong. For two decades, the master action director has continued to work when he feels like it, most notably on the audacious Red Cliff historical epics. But now he’s back stateside with the mostly dialogue-free holiday thriller Silent Night, a competently-made but generic flick that lacks the John Woo sizzle.

Perhaps it’s the John Wick-ization of the genre, but Silent Night feels a bit too old school at times. This certainly isn’t the gonzo Woo action we’ve been accustomed to. It shows a filmmaker who has definitely matured in style, but it makes for a less interesting movie than it would’ve been with more of a sense of humor. That said, Woo still knows what he’s doing, and makes the most out of a thin, preposterous holiday revenge plot.

A holiday sweater-wearing Joel Kinnaman gets a fun role as the ridiculously-named Brian Godluck, who in the opening moments finds his son murdered by Mexican gangsters in a drive-by shooting. It’s hard not to stifle a chuckle watching Kinnaman, dressed like he’s coming back from an Ugly Christmas Sweater party, goofy red nose on his face and everything, chasing after the killers, only to catch up with them and receive the gift of a bullet to the throat. The result is the loss of his vocal chords, which explains why the bulk of the movie is speech free. Considering Godluck is a real man’s man and can’t express his grief properly, including to his wife (Catalina Sandino Moreno, deserving much better than this), being unable to talk only makes matters worse. A quick montage later, a year has gone by and Godluck is a fully-armed and operational battle machine looking for vengeance. No Rudolph red nose from here on out. The only red Godluck wants is blood!

Is the lack of dialogue thing a gimmick? Absolutely. But writer Robert Archer Lynn knows he’s working with a director who has never needed mountains and mountains jibber-jabber. Woo’s wildly over-the-top, stylish action sequences have always spoken for themselves. What’s disappointing is that, once you get past the opening act, Woo unleashes pretty basic shoot ’em up violence. To his credit, he doesn’t just try to ape the John Wick style of gun-fu. The approach is similar to what Liam Neeson has brought to the Taken films and the bulk of the slower-paced action movies he’s done since. Kinnaman is capable of more and he’s genuinely pretty good here, but it would be nice to see him able to cut loose fully.

Godluck’s silence is given the absurd explanation it deserves, but at least it’s something. In a digital age, it’s easier to make a premise like this work. The gangbangers mostly communicate over text, because who wants to chat about the angry alcoholic daddy with a Charles Bronson Complex who is coming to kill them all? The cop on Godluck’s case (Scott Mescudi) is always a step behind, which is fine because he doesn’t have anything to offer, anyway.

It’s ballsy to even try to make a holiday action flick with Die Hard out there still part of the world, but every few years some ambitious filmmaker gives it a go. Woo is more skilled than most who have made the effort, and Silent Night is worth seeking out as a yuletide diversion. But I don’t see Silent Night becoming an annual holiday tradition for anybody, and certainly there won’t be any conversations about whether it’s a Christmas movie or an action movie.

Silent Night opens in theaters on December 1st.

‘Memory’ Trailer: Jessica Chastain And Peter Sarsgaard Are Damaged People In Search Of A Connection

Chastain, Sarsgaard, Memory

Every year there’s at least one movie that seemingly comes out of nowhere to make an impact on the awards season. Could this year’s dark horse be Memory, Michel Franco’s new film that stars Jessica Chastain and Peter Sarsgaard? With the film hitting theaters next month, a new trailer has arrived that should help put it on a lot of people’s radars.

And no, this isn’t the forgettable Liam Neeson film Memory from last year. This looks much better than that.

Chastain stars as Sylvia, whose simple, structured life is blown wide open when she is followed home from a high school reunion by Saul. The doors to the past are revealed as the two are profoundly impacted by their surprise encounter.

The film debuted at Venice where it competed for the Golden Lion. Ultimately, Sarsgaard took home the Volpi Award for Best Actor based on his performance.

Also in the cast are Merritt Wever, Brooke Timber, Jessica Harpe, Josh Charles, and Elsie Fisher.

Franco last directed the 2021 drama Sundown with Tim Roth and Charlotte Gainsbourg, as well as the amazing, unflinching class warfare thriller New Order which is a must watch in my opinion.

Memory opens in theaters on December 22nd.

‘Alien: Romulus’: Cailee Spaeny Reveals When Fede Alvarez’s Film Takes Place

Cailee Spaeny, Alien

This is turning out to be quite a day for Alien news. Following the new casting on Noah Hawley’s FX prequel series, we now have some details on Fede Alvarez’s movie, Alien: Romulus. And the info comes straight from the film’s star, Cailee Spaeny, who reveals when the story actually takes place.

Spaeny, who was at last night’s Gotham Awards for her role in Priscilla, spoke with Variety about Alien: Romulus, and revealed the show takes place between the events of Ridley Scott’s Alien and James Cameron’s sequel, Aliens.

“It’s supposed to slot in between the first movie and the second movie,” Spaeny said. “They brought the same team from ‘Aliens,’ the James Cameron film. The same people who built those xenomorphs actually came on and built ours. So getting to see the original design with the original people who have been working on these films for 45-plus years and has been so much of their life has been really incredible.”

There had been rumors Spaeny was playing a grown-up Newt, the human girl discovered by Sigourney Weaver’s Ellen Ripley aboard the Nostromo spaceship. Clearly that won’t be the case.

However, there are 57 years of time that passes between the two movies. Ripley is in cryo-sleep, and we don’t have a ton of info about what happens during this time period. That leaves Alvarez with wide latitude as to the stories he can tell with Alien: Romulus.