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Monster

Review: ‘Monster’Hirokazu Kore-eda's Intriguing Mother-Son Mystery And Sweet Coming-Of-Age Tale Demands You Keep An...

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If there's a universal truth about the films of Japanese director Hirokazu Kore-eda, it's that nothing is ever quite as it seems. The complicated...

Review: ‘American Fiction’Jeffrey Wright Leaves Them Bamboozled In Funny, Insightful Satire About Plight Of...

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*NOTE: This review was originally part of our Middleburg Film Festival coverage.* In 1985, Robert Townsend offered one of the most insightful, and funniest looks...
The Color Purple

Review: ‘The Color Purple’Fantasia Berrino And Danielle Brooks Ignite Blitz Bazawule’s Joyous Musical Remake

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You don't mess with The Color Purple in my family. It's one of those films (alongside The Bodyguard) that would play constantly in my...

Review: ‘Saltburn’Emerald Fennell's Stylish, Kinky Aristocratic Thriller Ensares You In Its Web

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If Cruel Intentions and Brideshead Revisited were burned to ashes then laced with acid and smoked, you’d get the sensation of Emerald Fennell’s Promising Young Woman follow-up, Saltburn. A constantly-shocking look...
In the Land of Saints and Sinners

Review: ‘In The Land Of Saints And Sinners’Liam Neeson And Kerry Condon Go To...

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I give it up to Liam Neeson for yet another career pivot. Gone are the blockbuster geriatric action flicks that he rode into the...
Alisha Weir in ABIGAIL

Review: ‘Abigail’Bite-Sized Vampire Ballerina Makes For A Bloody Good, B-Movie Horror Comedy

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Horror can be extremely limiting, but the best filmmakers in the genre know how to explore cinematic violence in a multitude of ways. The...

Review: ‘Onward’Pixar's Elven Adventure Has Heart But Lacks The Usual Magic

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Such is the price of Pixar's incredible success that we basically grade their movies one of two ways: either they're instant classics, or they're...

Review: ‘Bloodshot’Vin Diesel Slugs His Way Through A Brawny, Surprisingly Enjoyable Comic Book Movie

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If trying to launch a brand new superhero cinematic universe, Sony could've done worse than Bloodshot, a character whose origin story is basically a...

Review: ‘Big Time Adolescence’Pete Davidson Gets The Headlines But Griffin Gluck Truly Wins In...

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Debuting at Sundance in 2019,  Big Time Adolescence was the kind of familiar, plucky coming-of-age story the festival trafficks in pretty regularly. What made...

Review: ‘The Banker’Anthony Mackie And Samuel L. Jackson Invest In A Superheroic True Story...

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Wealth. When institutional racism is discussed, it is the creation of wealth that has long been denied to black people even after the end...