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‘Red Notice’: Dwayne Johnson And Ryan Reynolds Are No Match For Gal Gadot In Netflix’s Globetrotting Action-Comedy

Netflix has plenty of movies with star power, but none come packing more wattage than Red Notice. The globetrotting heist movie stars Dwayne Johnson, Ryan Reynolds, and Gal Gadot, all somehow Fast & Furious vets who’ve never shared the screen together. Well, that changes now in what looks like a cross between The Thomas Crown Affair and The Hitman’s Bodyguard.

Written and directed by Rawson Marshall Thurber, the film gets its title from Interpol’s highest global alert, and finds Johnson as an FBI agent who teams with the world’s greatest art thief, played by Reynolds. Together, this mismatched duo are made to look like fools at the hands of Gadot, who plays the world’s most wanted art thief.

While this may look like a sure thing that any studio would want, there were a couple of swerves along the way. Johnson and Thurber, having worked together on blockbusters Central Intelligence and Skyscraper, developed Red Notice to be a studio movie that would launch a bidding war. They were right. Universal spent big to acquire it, but backed out when they saw the $150M budget. Netflix, on the other hand, was like “Give us that shit!!!” And so here we are.

Red Notice opens in select theaters on November 5th, followed by Netflix a week later.

When an Interpol-issued Red Notice — the highest level warrant to hunt and capture the world’s most wanted— goes out, the FBI’s top profiler John Hartley is on the case. His global pursuit finds him smack dab in the middle of a daring heist where he’s forced to partner with the world’s greatest art thief Nolan Booth in order to catch the world’s most wanted art thief, “The Bishop.” The high-flying adventure that ensues takes the trio around the world, across the dance floor, trapped in a secluded prison, into the jungle, and, worst of all for them, constantly into each other’s company.

 

‘Uncharted’ Trailer: Tom Holland And Mark Wahlberg Are Fortune Hunters In The Long-Awaited Video Game Adaptation

An adaptation of Naughty Dog’s adventure video game Uncharted has been in the works for so long. How long, you ask? Well, co-star Mark Wahlberg, who plays Victor Sullivan, mentor to Tom Holland’s young fortune hunter Nathan Drake, was once in line to play Nathan himself. Yeah, we’re talking more than a decade of development with so many names passing through it would take too long to list. All you need to know is that Ruben Fleischer, coming off the success of Venom, is the director who finally stuck around.

But now, finally, the movie is done and we have a trailer that looks damn faithful to the hit games. The film is inspired by the fourth game, Uncharted 4: A Thief’s End, but as this is an origin story for Nathan it’s also clearly changing a lot of the details.

Also in the cast are Antonio Banderas, Sophia Taylor Ali, and Tati Gabrielle.

The question is whether audiences will be more open to this than they are to the similar Tomb Raider franchise.

Uncharted opens in theaters on February 18th 2022 from the folks at Sony Pictures, who obviously want to keep their Spider-Man happy.

 

 

‘King Richard’ Trailer: Will Smith Raises Tennis Champions In Awards Drama Featuring New Beyonce Track

You know those overbearing parents who get angry and push their kids too hard at Little League games? While other parents may resent them, they have Richard Williams to look up to as an example of how intense pressure can create champions. It might also make you the subject of a movie. King Richard stars Will Smith as Richard Williams, father to future tennis legends Venus and Serena Williams.

The film has been earning rave reviews since debuting at Telluride. I saw it recently at Middleburg and also really enjoyed it, and can see it putting Smith back in the Best Actor race for the first time since Concussion. The role is tough, because Smith had to make us like someone who many still see as a major distraction who was out to make himself famous.  It could also be the breakout role for co-star Saniyya Sidney who plays Venus and carries a lot of emotional weight on her shoulders. Aunjanue Ellis, Demi Singleton, Tony Goldwyn, and Jon Bernthal co-star. Behind the camera is Reinaldo Marcus Green, who most recently directed Mark Wahlberg in Joe Bell.

This latest trailer features a new track from Beyonce, “Be Alive”, which features in a critical moment of the movie.

King Richard opens in theaters and HBO Max on November 19th.

Armed with a clear vision and a brazen 78-page plan, Richard Williams is determined to write his daughters, Venus and Serena, into history. Training on Compton, California’s neglected tennis courts—rain or shine—the girls are shaped by their father’s unyielding commitment and their mother’s balanced perspective and keen intuition, defying the seemingly insurmountable odds and prevailing expectations laid before them. Based on the true story that will inspire the world, “King Richard” follows the uplifting journey of a family whose unwavering resolve and unconditional belief ultimately delivers two of the world’s greatest sports legends.

 

‘Ambulance’ Trailer: Jake Gyllenhaal And Yahya Abdul-Mateen II Star In Michael Bay’s Return To The Big Screen

Michael Bay’s previous film, 2019’s 6 Underground, sorta came and went on Netflix. I’m sorry, but Michael Bay is not a filmmaker whose stuff should be on TV. It’s just not. Ambulance is more like it, though, and in 2022 he returns to the large format action we’ve come to expect, and he’s bringing Jake Gyllenhaal and Yahya Abdul-Mateen II with him.

The new trailer for Ambulance is exactly what you’d expect from Bay: fast, loud, and dramatic as Hell. Abdul-Mateen plays a military vet and family man who desperately needs money for his wife’s surgery, and turns to a criminal friend played by Gyllenhaal who pulls him into a heist worth millions of dollars. Things to to shit from there, and the duo find themselves fleeing in an ambulance with a driver played by Eiza Gonzalez, and a wounded officer inside.

Believe it or not, Ambulance is a remake of a 2005 Danish film. The English version had been in the works for a while, with Philip Noyce (Salt) attached at one point, followed by Navot Papushado and Aharon Keshales (Big Bad Wolves). It’s undergone a lot of revisions, too. The earliest version was closer to the original, and had Dylan O’Brien starring with Gyllenhaal as brothers.

Also starring Garret Dillahunt, Keir O’Donnell, Moses Ingram, and Wale, Ambulance hits theaters on February 18th 2022.

Set during one day in Los Angeles, a working-class guy who desperately needs $231,000 for his wife’s surgery reaches out to a criminal friend, who talks him into taking part in a $32 million bank heist. The robbery goes wrong when the two shoot an LAPD officer, and they are soon on the run in an ambulance with an EMT and the dying officer as their prisoners.

 

Middleburg Review: ‘Huda’s Salon’

Women Are At The Center Of The Palestinian Conflict In Director Hany Abu-Assad's Jarring Thriller

Within its first five minutes, Huda’s Salon takes a left turn. New mother Reem (Masa Abd Elhadi) thinks she is at her friend’s salon for a quick haircut and style in the West Bank of Palestine. She sits and chats with the shop’s owner Huda (Manal Awad) who washes her hair, makes small talk and then offers Reem a coffee. What starts out as a much-needed break from her duties as a loyal wife to a slacker husband, turns into a woman’s worst nightmare and biggest betrayal.

Like Reem, Huda lulls us into a false sense of security within the film’s first five minutes. The women chat about neighborhood gossip, issues on Facebook, and Reem falling out of love with her distrusting husband. Their rapport is sisterly, motherly, almost familial – which makes Huda drugging Reem’s drink more jarring. 

Huda sets to work after that, taking her client to a back room where she takes her through a routine she has clearly done before. The tone has changed on a dime and director Hany Abu-Assad (The Mountain Between Us, Paradise Now) wastes no time pushing this twist until the film’s end. 

Palestinian-born director Abu-Assad has spent his career unpacking the complexities of the country’s political conflict on the West Bank. Huda’s Salon is no different as the film’s two opposing forces are the Palestinian resistance and the Israeli Secret Service, which controls who can and can’t enter the West Bank.

Huda’s plan soon becomes clear. She is recruiting women with unstable home lives into becoming spies for the secret service. However, her plan is thwarted by resistance soldiers that soon catch on to her plan. It’s too late for Reem though, who must navigate her next move amid dealing with her trauma and unsupportive husband.

Abu-Assad makes his most interesting points while focusing on Huda’s capture with interrogator Hasan (Ali Suliman). Here the writer/director explores a woman’s own culpability and guilt in war-torn situations. Does your victimhood negate your own wrong-doings? Does doing something out of survival make you culpable? 

While the film’s first 10 minutes capture Huda’s horrific actions, Abu-Assad spends the rest of Huda’s storyline humanizing her. Hasan is supposed to be the ideal Muslim, who literally holds judgment against all of Huda’s victims. It is the salon owner herself who takes full responsibility and begs her victims to not be punished. 

These two opposing forces don’t work as effectively as the director thinks it does, eventually fizzling out. Reem’s story on the other hand seems to be running on all cylinders at all times with little empathy fueling it. The story drifts into melodrama with the young mother’s homelife and even tries its hand at comedy to try to relieve some of the tension. Any merit Huda’s Salon has lies with the titular character and her captor and it is not enough to save the entire film from feeling like a procedural drama on CBS.

IFC Films has yet to announce a release date for Huda’s Salon. A trailer has not been released. However, you can watch a clip below.

Another ‘World War Hulk’ Movie Rumor Is Going Around, Should We Believe This One?

Is a WORLD WAR HULK movie finally going to happen?

Take this with a healthy dose of gamma-radiated salt, but a new rumor from GWW says that Marvel Studios has a World War Hulk movie in active development. Honestly these Hulk movie rumors pop up so often that it’s hard to put stock in any of them, and that includes this one.

The site speculates that production could begin as early as next year. World War Hulk was the followup storyline to Planet Hulk, which saw the big green guy blasted off to the gladiatorial world of Sakaar. Sound familiar? Yeah, aspects of it were used in Thor: Ragnarok, including some of the characters like Miek and Korg.  In World War Hulk, he returns to Earth and seeks revenge on his friends who exiled him in the first place.

It’s clear that Marvel has plans for Hulk going forward, but nothing suggests World War Hulk is what they’re aiming for. Mark Ruffalo’s Bruce Banner was seen at the end of Shang-Chi and the Legend of the Ten Rings, and he will play a part in the upcoming She-Hulk series.

My best guess is that someday these rumors will come true, even in a small way, and the folks who have been spreading them for YEARS will feel vindicated.

Middleburg Review: ‘Parallel Mothers’

Penélope Cruz Leads Pedro Almodóvar's Disjointed 23rd Film

Renowned Spanish filmmaker Pedro Almodóva is deconstructing legacy and motherhood in his latest stylized melodrama Parallel Mothers. His seven-time collaborator Penélope Cruz and relative newcomer Milena Smit star in this female-led film focusing on the bond two women form at the birth of their babies.

While trying to get her recent ancestors’ grave excavated to give her forgotten family members a proper burial, Janis (Cruz) starts an affair with the married Arturo (. As these things go, she falls pregnant and decides to keep the baby as she is nearing the end of her child-bearing years. On her delivery day, she meets the teenage Ana (Smit), also pregnant and at the hospital alone without her father and actress mother. The two become suitemates and bond over being first-time single mothers

Janis comforts Ana and as the day goes on and babies are born, the two women seem to be destined to be friends. However, as Janis starts to rear her child, she discovers that her friendship with Ana is really a collision course with destiny. With Parallel Mothers, the twists are better left unsaid. 

Almodóvar’s biggest missed opportunity is that he fails to weave the two storylines together. The burial plot comes in at the beginning and the end with the middle consumed by the melodrama of the actions of the two mothers. It feels like an entire storyline, one that details the horrific history of the colorism experienced during the Spanish Civil War, is completely muted by Janis and Ana’s rocky journey into motherhood. The two-time Oscar winning director fails to tie the plots together effectively.

Almodóvar’s films are marked by melodrama. However, because he doesn’t seem to fully commit to it here in Parallel Mothers, the full effect feels half baked. Choices seem to come out of nowhere with very little repercussions. Instead of the bang Almodóva usually leaves us with in films like 2019’s Pain and Glory, the script’s ending fizzles out.

That being said, Penélope Cruz is mesmorizing. Janis’ poor decisions and slow realizations can be read all over her face. Like her previous collaborations with Almodóva, Cruz makes melodrama likeable and compelling, adding a dash of humor and charm. You might not know where her character is going, but you like where Cruz takes you. She did win the Volpi Cup at this year’s Venice Film Festival for her performance after all. 

Could Parallel Mother bring Almodóva his third Oscar win? It’s unlikely. Spain has chosen to submit the Javier Bardem vehicle The Good Patron as its contender for Best International Feature Film. However, don’t count out Cruz who may surprise us all with a best actress nomination.

Parallel Mothers hits theaters Dec. 24. Watch the trailer below.

‘Night Raiders’ Trailer: Taika Waititi Produces A Female-Driven Sci-Fi Cautionary Tale

Taika Waititi is finding as much success wearing the producer’s hat as he does wearing his actor or director ones. After much success producing TV shows such as Wellington Paranormal, What We Do In The Shadows, and the critically acclaimed Reservation Dogs, the Thor: Ragnarok director is now lending his name to Canadian-Cree/Métis filmmaker Danis Goulet’s first feature Night Raiders.

The sci-fi drama takes place in a world where children are property of the government after a global war has destroyed the country. Elle-Máijá Tailfeathers plays a young mother who will do anything to get her child back who was taken from her. Brooklyn Letexier-Hart, Gail Maurice, Amanda Plummer, Alex Tarrant, Violet Nelson, Shaun Sipos, and Suzanne Cyr also star.

Night Raiders premiered at the 2021 Berlin International Film Festival. Goulet receives the 2021 Toronto International Film Festival’s Emerging Talent Award.

The official synopsis is as follows:

The year is 2043. A military occupation controls disenfranchised cities in post-war North America. Children are property of the State. A desperate Cree woman joins an underground band of vigilantes to infiltrate a State children’s academy and get her daughter back. Night Raiders is a female-driven dystopian drama about resilience, courage and love

Night Raiders will be in theaters, digital and On Demand Nov. 12. Watch the official trailer below.

 

‘Foe’: Amazon Acquires Garth Davis’ Sci-Fi Thriller Starring Saoirse Ronan

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The career of director Garth Davis has taken some interesting turns, beginning with his Best Picture-nominated breakout, Lion. He followed that up a few years later with Mary Magdalene, a film he struggled to get made despite a cast of Rooney Mara and Joaquin Phoenix. After helping Jane Campion on episodes of Top of the Lake, he then landed the Tron 3 gig, although that film has been quiet ever since. And now Davis’ latest, a sci-fi thriller titled Foe, has found a home at Amazon Studios.

It was earlier this year that we learned Oscar-nominated actress Saoirse Ronan would be joined by Lakeith Stanfield in Foe. Davis would direct, based on a story by author Iain Reid about a near-future couple living on a remote farm. The husband is shocked to learn that he has been selected to participate in a study at a space station orbiting Earth. He learns that whle he is gone, his wife will be kept company by his duplicate, which understandably causes a rift and forces her to make some tough decisions.

With the news of Foe’s acquistion by Amazon also comes the news that Stanfield has dropped out of the project due to his busy schedule on Disney’s Haunted Mansion remake. He has been replaced by Rebel Ridge actor Aaron Pierre. Also in the cast playing Ronan’s husband is Normal People actor Paul Mescal.

 

Kristen Stewart On Fans Wanting Her To Play Joker Opposite Robert Pattinson’s Batman

Image via camila vieira (http://completelydrugged.tumblr.com)

It’s inevitable that Kristen Stewart and Robert Pattinson will be reunited someday. You just can’t keep that kind of chemistry on the shelf forever! The Twilight duo have long since moved on from their romantic past, and of course, the vampire franchise that built their careers. And actually, they’re both having a moment right now with him starring in The Batman and her playing Princess Diana in Spencer. So…maybe the two will get back together with K-Stew as Batman’s greatest rival, the Joker?

I don’t know if you can call them rumors or just people wishing the shit would happen, but social media has been buzzing with the idea of Stewart playing Joker in a future sequel to The Batman. It’s a fucking sick idea, and as a Stewart devotee, I would personally love to see it. She would absolutely kill it.

But is Stewart interested in playing the Crown Princess of Crime? Well…not so much. She told Variety

“Let’s do something new. I love the energy behind that. It’s really been done so well. I feel like, maybe, we don’t traipse over, but I love that gusto. Let’s figure something else out. I’m totally down to play a freaky, scary person.”

She’s not writing off the idea entirely, however. When asked if that was a hard “no”, Stewart replied…

“Not ‘no,’ but not the most stoked I’ve ever been.”

Honestly, casting Stewart as Joker might be too much of a distraction. It would make for some cool headlines but ultimately it would probably cause more harm than good. Besides, there are so many Bat-villains out there, and Joker has been DONE TO DEATH over the last few years. They really don’t need to use him at all.

The Batman opens March 4th 2022.