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Review: ‘All I Wish’ Starring Sharon Stone, Tony Goldwyn, And Ellen Burstyn




All I Wish is a romantic comedy about a 46 year old woman named Senna, played by Sharon Stone, whose life didn’t really turn out the way she had expected. Her love life seems to be more defined by casual hookups rather than having that someone to spend the rest of her life with and her career as a fashion designer has relegated her to retail work. This movie follows her journey every year on her birthday as we get a one-day peak into her life, career, and relationships with friends, her mother, played by Ellen Burstyn, and her love interest, played by Tony Goldwyn.

One would think that with a cast like that that we would get more than a lukewarm romantic comedy, with bad pacing, generic background restaurant music, unfunny gags, and obvious potholes, but no. I see what it is that the filmmaker was trying to do by showcasing universal themes like a non-thriving love life, not being where you want to be in your career, and relationships with parents in a middle-aged woman, someone, who by society’s standards should have it figured out by now, but the entire effort honestly just falls flat.

I think that the plot structure of dropping us into her life everyday on her birthday works against the movie more than helps it. Though, the acting itself isn’t the problem; I think that everyone does a decent job of bringing their respective characters, their quirks, and flaws to life, where the disconnect happens is in our relationship with these characters. Nothing is really ever built up to where we would even think to feel for them when things aren’t going their way or root for them when they are. It is kind of difficult to care for these characters when we’re not really shown why it is that we should care in the first place; we’re kind of just thrown into their story after the important moments happen that would help to put things into perspective for us.

This movie also decided to go for a documentary/interview feel with the characters being in front of a black backdrop and answering questions where by the end of it made entirely no sense. As you’re watching these scenes play out in the movie, initially you might infer that at some point the story will take a turn to reveal that perhaps, Senna, was creating some kind of project that was geared toward women or people like her that are in the same kind of slump; like maybe it could be some kind of empowerment mechanism. Though, the story itself never unfolds to where this idea is even plausible, it was the most that I could come up with seeing as though I was never able to understand the point of  including it in the movie in the first place, outside of maybe as a way to lessen the impact of the various potholes that the movie had.

This is one those romantic comedies where going into without any kind of expectation, helps for your overall experience, but really does nothing to mask that this movie just isn’t that good. I get that the genre of romantic comedies isn’t the most prestigious of genres, but at the same time I don’t see that as being an excuse for making a movie, especially with that kind of cast, turn out to be as flat as it was. I did expect a little better.

Rating: 1.5 out of 5

Chaos Reigns In The New Trailer For ‘Westworld’ Season 2

Chaos reigns in the first official trailer for HBO’s second season of Westworld, and that’s no surprise considering how things left off at the start of the host rebellion.  Set to a creepy rendition of Nirvana’s “Heart Shaped Box”, this teaser leaves little to the imagination. There’s bloodshed and death literally everywhere, as the robotic hosts destroy anything in their path to survival.

Most of the story beats are touched up; we get a small glimpse of Shogun World, Dolores (Evan Rachel Wood) warns about a “reckoning” that has finally arrived, Bernard (Jeffrey Wright) is struggling with what he truly is, Maeve (Thandie Newton) is on a quest of her own outside of Westworld, and the Man in Black (Ed Harris) just wants to burn it all to the ground. This season’s major secret is about a mysterious door, which I guess will be the equivalent to last season’s maze.

I didn’t get into Westworld until late, but now it’s one of the shows I’m anticipating most. Fortunately it arrives soon on Sunday, April 22nd.

Anthony Mackie And Sebastian Stan Talk ‘Infinity War’, Say Thanos Is The Real Star

Possible title for Avengers 4:  War for the Shield.  If Chris Evans’ Captain America were to somehow not make it through Avengers: Infinity War alive, then we may see a debate/battle break out over his replacement. Smart money is on Sebastian Stan’s Bucky or Anthony Mackie’s Falcon, since both characters carried the shield in the comics.

Unfortunately, you can’t get either Stan or Mackie to talk about that subject in an interview, but they do talk to Collider about where their characters are when Infinity War begins…

Mackie: We all kind of went on our separate ways after Civil War. We all kind of went on our separate ways and we were in hiding because of everything that happened in Civil War. So now, we get the call to rally, and here we are: Avengers 3.

Stan: Winter Soldier is just enjoying his new arm. And that’s really where he’s at.

The last time we saw Bucky was in Black Panther, having undergone a process to eliminate the extensive brainwashing that turned him into the Winter Soldier.  He’ll now get to reunite with his former pal Captain America, and Stan says the reunion went smoothly…

Stan: It went by fast. It felt pretty natural. We weren’t milking the moment or anything. It is what it is. I think the urgency of the circumstance that we find ourselves in kind of makes things go a little bit quicker.


They went on to talk about the huge number of characters and how that makes this experience different from the other Marvel movies they’ve been part of…

Stan: I don’t know. It’s going to be challenging for sure because there’s so many different tones to these films and that all of these characters carry. So I think it’ll be interesting to see how tonally everybody fits into the same world. You’ve shot some already, right?

Mackie: Yeah. The great thing is that tonally, how the movie’s working now everyone—it’s not like you see one person who is the lead of the movie. It’s truly an ensemble movie. I would say if anybody is the lead of the movie it’s Thanos. And it’s all of us working around, orbiting Thanos because he’s such a big bad guy. He’s the uber bad guy.  He’s the worst bad guy of all bad guys of all time. So you can’t like put them in three scenes down, then a fight scene at the end. You really have to give them just due. So, our relationship and our scenes are more ensemble-based.


Avengers: Infinity War opens April 27th.

‘First Reformed’ Trailer: Ethan Hawke Clings To His Faith In Paul Schrader’s Latest

Paul Schraders recent output, The Dying of the Light and The Canyons, are so bad you would be okay to forget the seminal works he has been a part of. Taxi Driver, The Last Temptation of Christ, American Gigolo….these films are important works in the history of cinema and none of them would have happened without Schrader. In short, he could use something to remind us how good he really is, and it just might be First Reformed.

A film about despair through the prism of spirituality, it stars Ethan Hawke as a clergyman dealing with a loss of hope and possibly his own sanity. The film co-stars Amanda Seyfried, Philip Ettinger, Cedric the Entertainer, and Michael Gaston. Here’s a synopsis:

Reverend Ernst Toller (Ethan Hawke) is a solitary, middle-aged parish pastor at a small Dutch Reform church in upstate New York on the cusp of celebrating its 250th anniversary. Once a stop on the Underground Railroad, the church is now a tourist attraction catering to a dwindling congregation, eclipsed by its nearby parent church, Abundant Life, with its state-of-the-art facilities and 5,000-strong flock. When a pregnant parishioner (Amanda Seyfried) asks Reverend Toller to counsel her husband, a radical environmentalist, the clergyman finds himself plunged into his own tormented past, and equally despairing future, until he finds redemption in an act of grandiose violence. From writer-director Paul Schrader (Taxi Driver; American Gigolo; Affliction) comes a gripping thriller about a crisis of faith that is at once personal, political, and planetary.


First Reformed opens May 18th.

Review: ‘A Suitable Girl’ Takes A Look At Conflict Between Traditional And Contemporary Indian Values

The documentary, A Suitable Girl, follows the lives of three Indian women Ritu, Dipti, and Amrita who are faced with the conflict of their own identity vs. the identity that their culture has imposed on them. In the Indian culture a girl is born with the understanding that “she has to get married one day, leave her parents, and live with her in-laws.” Though, this is a tradition that has and continues to sustain Indian culture, with new contemporary values that have permeated every single culture, India’s is no exception, where simple access to things is even more at their disposal than generations before them, there meets in the middle this contention between the new and the old. Living a life strictly for themselves and career aspirations become silence as the pressures to find a husband become ever more audible. As we follow these three women we watch how they attempt to navigate these pressures and their own wishes.

I thoroughly enjoyed this documentary. I love coming across something that teaches me more about something that I may be aware of but don’t necessarily have a lot of knowledge on. Many of us, in the Western world, grow up learning that marriage is built on the foundation of love. So, to hear of a place, like India, where the concept of marriage seems more like a business where it’s all about the union first and something like love can follow later, is hard for us to wrap our heads around – though, I do think that I should insert the fact that the Western world has done a good job of masking the fact that their concept marriage is rooted in it being a business as well. However, one of the things that I lived about this documentary is that it attempts to deconstruct that notion especially when it comes to the women’s say in all of it.

Though, the idea stems from something outside of themselves at the end of the day it’s a choice that these women still made that cannot come to fruition without their say so. I understand that this may not be case for everyone, but that’s why I think it’s important to hear different stories from different voices because not everyone’s experience is the same. Therefore, I cannot fault them because it is something that they and their culture believe in, much in the same way that we have certain things that we believe in and uphold even if it goes against who we are as individuals. I like that this documentary created kind of internal dialogue and self-checkin on my part.

Besides that I also had to do a kind of self-check on my part because underneath all of the stipulations, rules, and guidelines, that go into marriage within the Indian culture there exists a lot of similar, underlying themes between that culture and many others, ours included. I think one of the most pervasive themes as I have already touched on is the theme of identity.

There is a point in the documentary where one of the women becomes depressed because she has not been able to live up to the identity that her Indian culture says that she should have at the point in her life, that being a wife; she was in her late 20s and still single. As I’m watching this scene unfold I really felt for her, not because she was still single and not because I knew that a part of the reason as to why she was still single was rooted in male shallowness, but instead because societal and culture pressures brought her to a point where felt like her life was worthless because she wasn’t a man’s wife or because she hasn’t lived up to a certain standard.

I, as I know a lot of other people, have had those moments where it feels as though because we are not living up to some kind of standard we feel like failures, completely ignoring that we all are individuals with our own lives and timelines. Speaking more specifically, the pressure of marriage and settling down is a universal theme women (and men in their own way) face everywhere. This inadvertently reinforces the idea that our worth is tied up in our relationships with others instead of the inherent value that we have as unique individuals.

I believe that more than anything else this says a lot about the overall institution and system that governs our behaviors. Therefore, instead of condemning or coming down on the individual for being unsuccessful in holding up certain standards or for even trying to uphold those standards in the first place, I believe that this documentary instead attempts to bring to the forefront the question of why it is that we do it.

This documentary does a great job of shedding light on a common misconception from the most misunderstood and misrepresented religion that exists today. It is an incredibly eye opening story about what it means to fulfill a responsibility and not wanting to let down one’s parents and the faith that they put into their children. Though, coming out of it you may still have your own thoughts and judgements about marriage within the Indian culture, if you’re looking to expand your worldview and hear stories about the “other” lives, please give this documentary a watch.

You can find A Suitable Girl on Amazon and iTunes

Rating: 4 out of 5 

‘Terminal’ Trailer: Margot Robbie Makes Revenge Look So Good

Whether it’s in The Wolf of Wall Street, Suicide Squad, Focus, or I Tonya, Margot Robbie is always the woman that should absolutely not be trifled with. And certainly that appears to be the case in the upcoming film noir, Terminal, which finds Robbie as the sexy femme fatale to two unsuspecting assassins.

After a hypnotic teaser just days ago we now have much fuller trailer, still putting its focus on Robbie as the enigmatic Annie. She’s just one of the many colorful characters encountered by a pair of hitmen (Dexter Fletcher and Max Irons) as they attempt to complete a mysterious mission.  And this footage is just as hyper-stylized as its predecessor, with Robbie appearing to put on a performance just as crazed as her Harley Quinn.  We also see quite a bit of Simon Pegg and a brief glimpse at Mike Myers in a rare acting role. 

Here’s the synopsis: In the dark heart of a sprawling, anonymous city, Terminal follows the twisting tales of two assassins carrying out a sinister mission, a teacher battling a fatal illness, an enigmatic janitor and a curious waitress leading a dangerous double life. Murderous consequences unravel in the dead of night as their lives all intertwine at the hands of a mysterious criminal mastermind hell-bent on revenge.

Directed by Vaughn Stein, Terminal opens May 11th.

Hugh Jackman Joins With ‘Thoroughbreds’ Director For ‘Bad Education’

After playing ringleader to the biggest musical of all-time in The Greatest Showman, Hugh Jackman has decided on his next act. He’ll join with Thoroughbreds director Cory Finley for Bad Education, which boasts a script by I Think We’re Alone Now writer Mike Makowsky.

Wow that’s a lot of talent already.

Details on the plot are slim but it’s said to have an Election feel to it and is based on Makowsky’s high school days. Makowsky’s I Think We’re Alone Now was one of the best films I saw at Sundance, a sci-fi drama led by Peter Dinklage and Elle Fanning.  Finley’s Thoroughbreds is in theaters now and it’s a film I compared favorably to Heathers for its biting wit and unlikable teen cast. And Jackman can pretty much do everything, right?

Next up for Jackman is a run for President in The Front Runner, about scandalized presidential candidate Gary Hart. [Variety]

Scarlett Johansson Joins Taika Waititi’s WWII Film ‘Jojo Rabbit’

Taika Waititi’s excursion into the Marvel Universe with Thor: Ragnarok was a huge success, and so he’s bringing a small piece of the MCU to his next project, the bizarre-sounding Jojo Rabbit. Avengers: Infinity War‘s Scarlett Johansson is in final talks to join Waititi’s film which has no other confirmed casting at this point.

Jojo Rabbit is set in WWII and follows a Hitler youth who learns his mother (Johansson) is hiding a Jewish child in the house.  The boy has an imaginary friend who appears in the form of Adolf Hitler, but it’s not the version of the dictator we know as he’s merely a child’s idea of who Hitler is. Waititi will write, direct, produce, and star as Hitler.

Johansson can be heard in theaters now in Wes Anderson’s Isle of Dogs, and of course will return as Black Widow in Avengers: Infinity War next month. [Variety]

‘Wonder Woman 2’ Casts Pedro Pascal In A Mystery Role

Pedro Pascal, the Red Viper himself who got smushed by the Mountain on Game of Thrones, has just signed up for the Wonder Woman sequel. As for who he’ll be playing? That’s anybody’s guess right now.

The cast for Patty Jenkins’ sequel is shaping up nicely with Pascal and Kristen Wiig on board to join Gal Gadot and Chris Pine. Wiig will be playing Wonder Woman’s chief nemesis, Cheetah. My gut tells me Pascal plays an entirely new character, but we shall see. Chances are we won’t find out for a while. Details on the sequel have been kept quiet, but we do know it will be set in the 1980s.

Pascal was recently seen opposite Channing Tatum in Kingsman: The Golden Circle, and will work alongside Denzel Washington in this summer’s The Equalizer 2. He had been starring in Netflix’s excellent Narcos series but left after season 3.

Wonder Woman 2 opens November 1st 2019. [Variety]

Damon Lindelof And Craig Zobel Team With Blumhouse For ‘The Hunt’

Three years have passed since Craig Zobel gave us his underrated post-apocalyptic drama, Z for Zachariah, a followup to his excellent debut feature, Compliance, still one of the most chilling movies I’ve ever seen. Since then he’s done a couple of episodes of American Gods and The Leftovers, but remained under the radar for the most part. But now he’s come roaring back on a new project that will pair him up with Lost writer Damon Lindelof and the tastemakers at Blumhouse.

Zobel will direct action-thriller The Hunt, which Lindelof will co-write with Nick Cuse. Blumhouse will produce, coming off a Hell of a 2017 that included Get Out, Happy Death Day, and Split.  Lindelof and Cuse collaborated on HBO’s The Leftovers, making this a sortof reunion with Zobel.

Universal, who scored the rights from some fierce competition, have decided to keep the plot under wraps for now. Probably a good idea as Blumhouse will want to do what they do best, which is tease the audience and make their film an event to attend.