AD
Home Blog Page 468

‘Ahsoka’ Episode 3 Recap & Review: A Slight Misstep But A Clear Path Forward

This week’s episode of Ahsoka, titled “Time to Fly”, will be a treat for Star Wars Rebels fans. Overall, there’s not much to this much-shorter episode as the plot is extremely thin, but the character connections and high-flying action are such a treat that you can almost forgive this bit of filler. While it’s worrying the series seems to be coasting so early, let’s just hope it’s a momentary blip and not the start of a trend.

Things kick off shortly after the events of episode two, the story largely focuses on the continued development of Sabine Wren (Natasha Liu Bordizzo) in her Jedi training. She had once been the padewan of Ahsoka Tano (Rosario Dawson) after the war, but the two had a falling out. But with the two reunited in the search for Grand Admiral Thrawn and their friend Ezra Bridger, Sabine has decided to resume her learning in the Force.

While Sabine’s skills with a weapon come from her Mandalorian upbringing, it’s clear from her lightsaber training with the old droid Huyang (David Tennant), who assumes a multi-pronged attack style similar to General Grievous, that it won’t be enough. He’s also pretty blunt about her prospects as a Jedi, calling her basically the least qualified student he’s ever seen. “Not bad, but not good.” Ouch! However, Ahsoka doesn’t buy that. Nor does she need Sabine to be a Jedi as they don’t exist anymore. She decides to go old school, and has Sabine put on a blinder helmet similar to the one Luke Skywalker wore early in his training with Kenobi.  Now Sabine must open herself up to the Force, to sense Ahsoka’s movements without using her eyes. She starts off slow, but eventually Sabine starts to pick things up. She’s improving, in baby steps.

Meanwhile, another Star Wars Rebels favorite, Hera Syndulla (Mary Elizabeth Winstead), is facing beaurocratic red tape when she meets Chancellor Mon Mothma (Genevieve O’Reilly) and the Republic council to get resources in the search for Thrawn. Hera, who knows how dangerous Thrawn can be, is trying to get them to take this seriously and prevent a war. But all she hears from the senators, who have never been to war at all, is complacency. While Mon Mothma seems to disagree with them, it’s clear that Hera, Ahsoka, and Sabine are on their own.

Then a really cool moment setting up a major character for the future. Hera leaves her meeting and is met by a kid, Jacen, who turns out to be her son with the late Kanan Jarrus. He’s excited that “Aunt Sabine” is training to be a Jedi. Chopper is right by his side, and you can already see them being a duo in future stories.

At this point, there’s been a lot of talking and politics stuff, which slows this episode to a crawl. A lot of it is still interesting, but Star Wars sometimes gets bogged down in this stuff for too long. Director Steph Green, who was at the helm of one of the best episodes of Watchmen, keeps things visually arresting, though. During the training sequence, she beautifully captures Ahsoka’s subtle movements and Sabine’s changes in perception. Later, when the action picks up, she shows a knack for delivering intense aerial warfare that we love from this universe.

Speaking of which, the journey to Seatos to investigate a shipyard owned by Morgan Elsbeth (Diana Lee Inosanto) finds the duo attacked by a legion of starfighters, led by Shin Hati (Ivanna Sakhno) and Marrok, the mysterious warrior who fought Ahsoka to a standstill last episode. The actual fight plays out in a familiar fashion. Ahsoka pilots, Sabine mans the manual cannons, while Huyang investigates what appears to be a huge hyperspace ring, capable of zipping Imperial ships anywhere in the galaxy. If that thing gets completed, it could be disaster for the Republic.

Ahsok almost gets shot down in the melee, even venturing outside of the ship to fend off the attack personally (!!!!), but they manage to survive…barely. They manage to escape under cover of the Purrgill, giant space whales that suddenly arrive on the scene. In Star Wars Rebels lore, Ezra was always able to communicate and control them. Is this some kind of a sign from him that everything is okay? Is it his way of telling them that he is near?

A nice glimmer of hope to end a so-so episode of Ahsoka. A friend of mine told me that he’s already tired of the teasing, and he wishes they would just get on with finding Thrawn and Ezra. I’m not quite fed up with it yet. The journey is what will make their arrival so satisfying. However, I do want episodes that are more substantial than this. Perhaps we were spoiled by the first two episodes which were pretty long and when grouped together felt like you were watching a movie.

This very slight misstep aside, Ahsoka has one thing going for it that can’t always be said about Star Wars shows on Disney+. Just three episodes in and it has a very clear destination in mind, whether every episode focused on getting there. Ahsoka Tano still feels like the center of Star Wars universe, and everything surrounding her is where the entire franchise should remain.

‘Killers Of The Flower Moon’: Apple Sets Worldwide Rollout This October, Reveals New Posters

Martin Scorsese’s Killers of the Flower Moon is one of the most anticipated movies of the year. It certainly is for me, anyway. Apple obviously has very high awards season hopes for it, as they should, but the cost wasn’t cheap. We knew there would be a theatrical release, at least a limited one, before heading to Apple TV+. But now Apple has decided to jump in with both feet and give the film a worldwide theatrical rollout.

Apple will team up with Paramount for a global theatrical release of Killers of the Flower Moon on October 20th. It’s unclear how long they’ll keep the film out there, but with a budget somewhere in the $200M range, making some of that money back is definitely on the agenda. Suffice it to say, I don’t think this will be a one-week window like Netflix often does.

To coincide with the news, Apple has also dropped a pair of new posters featuring stars Leonardo DiCaprio, Robert De Niro, and Lily Gladstone who is having one Hell of a 2023.

Here’s the synopsis: At the turn of the 20th century, oil brought a fortune to the Osage Nation, who became some of the richest people in the world overnight. The wealth of these Native Americans immediately attracted white interlopers, who manipulated, extorted, and stole as much Osage money as they could before resorting to murder. Based on a true story and told through the improbable romance of Ernest Burkhart (Leonardo DiCaprio) and Mollie Kyle (Lily Gladstone), “Killers of the Flower Moon” is an epic western crime saga, where real love crosses paths with unspeakable betrayal

Justice Bites Back In The Trailer For ‘Muzzle’ With Aaron Eckhart

I gotta be honest with you guys, I wasn’t sure this wasn’t a parody trailer. Honestly, I’m still not…if I didn’t know better I would fully believe this was a trailer made for a time that Aaron Eckhart was guest hosting on SNL. Right from the opening line “They killed my dog” cue hardcore action music, I was thinking “This can’t be real”.

Here’s the thing, it’s definitely real and I would bet money that it’s going to make me eat my words and end up delivering a hard hitting action flick that makes me tear up. How could it not? A rough edged policeman on a quest for revenge with a outcast pupper as his partner? It’s like a not yet neutered Turner & Hooch. The real test will be if it takes itself seriously…it feels like it does, and if that’s the case the action better hit really hard.

Look for Muzzle on September 29th, 2023

 

‘Jules’ Interview: Director Marc Turtletaub Talks Robert Altman’s Influence On His New Alien Comedy

In Marc Turtletaub’s latest directorial effort, an elderly man takes in an alien after it crashes into his garden. From this concept alone, one wouldn’t necessarily think a story about aliens and aging would go hand in hand, but the skilled director makes it work.

The resulting film, Jules, is one of 2023’s hidden gems. Starring Ben Kingsley (his best work in a decade), Jane Curtain, and Harriet Samson Harris, with brilliant creature work from stunt woman Jade Quon, the film seamlessly blends sci-fi, surrealism, and comedy to create a moving portrait of what lies beyond youth.

I sat down with Turtletaub to discuss his visual influences, how one creates a realistic alien design without being campy, and why there was no one else beside Ben Kingsley to lead this film.

Jules is open in theaters now. Check out the interview with Turtletaub below.

‘Ordinary Angels’ Trailer: Hilary Swank Is A Miracle To Alan Ritchson In New Faith-Based Drama

Hilary Swank is just full of miracles and she’s going to use them to help Alan Ritchson in the new trailer for Ordinary Angels. The latest faith-based film by director Jon Gunn follows a hairdresser who befriends a single father of two daughters in desperate need of help when one is in need of a liver transplant.

The screenplay is by Kelly Fremon Craig, who recently wrote Are You There God? It’s Me, Margaret. Gunn is known for directing The Case for Christ and for penning Jesus Revolution, which was a hit earlier this year.

Swank is a two-time Oscar winner for Boys Don’t Cry and Million Dollar Baby. Ritchson flexes his muscles in the Prime Video series Reacher.

Others in the cast are Nancy Travis, Tamala Jones, Amy Acker, Drew Powell, Skywalker Hughes, and Emily Mitchell.

Here’s the synopsis: “Based on a remarkable true story, “Ordinary Angels” centers on Sharon (Hilary Swank), a fierce but struggling hairdresser in small-town Kentucky who discovers a renewed sense of purpose when she meets Ed (Alan Ritchson), a widower working hard to make ends meet for his two daughters. With his youngest daughter waiting for a liver transplant, Sharon sets her mind to helping the family and will move mountains to do it. What unfolds is the inspiring tale of faith, everyday miracles, and ordinary angels.”

Ordinary Angels opens in theaters on October 13th.

‘The Book Of Clarence’ Trailer: LaKeith Stanfield Becomes A Messiah In Biblical Epic From ‘The Harder They Fall’ Director

While fans of Jeymes Samuel’s blistering feature debut The Harder They Fall await a possible sequel, the filmmaker is coming back with a Biblical story about an everyman who wishes to be part of Jesus’ flock.

Samuel reunites with LaKeith Stanfield who plays Clarence, a Jerusalemite man that finds himself intrigued by the influence of Jesus and ultimately becomes a Messiah for his own personal gain. But, ultimately, his journey leads him into an unexpected exploration of faith.

In the newly released trailer by Sony Pictures, we see Clarence as he attempts to become one of the Messiah’s 12 apostles. It’s also clear that Clarence is down on his luck and struggling to provide for his family. He also is saddled with debt, and will chart his own way to a better life.

Omar Sy, RJ Cyler, Benedict Cumberbatch, James McAvoy, Anna Diop, David Oyelowo, Alfre Woodard and Teyana Taylor join Stanfield in the cast. Jay-Z is aboard as one of the film’s producers, which means it will probably also have a killer soundtrack. Speaking of which, Samuel does the music along with writing and directing.

The Book of Clarence opens in theaters on January 12th 2024.

‘Crime 101’: Chris Hemsworth & Pedro Pascal Crime Thriller Launches Bidding War

There’s a streamer bidding war going on right now between Amazon and Netflix over the upcoming Heat-esque thriller, Crime 101. What’s such a big deal about this film? Well, it’s based on a novella by Don Winslow, but more importantly it has Chris Hemsworth and Pedro Pascal attached to headline. People like those dudes, right?

The story follows Lou Lubesnick, a detective tracking down a series of high level jewel heists along the Pacific Coast, which the police believe are linked to the Colombian cartels. But Lubesnick thinks differently and sets his sights on a single thief looking for one last big score.

Set to direct is Bart Layton, known for the 2018 heist movie American Animals. Shane Salerno (The Avatar sequels writer) is aboard to produce but it’s unclear if he’ll tackle the screenplay, too.

Deadline says the bidding could get as high as $100M, which is huge and all but guarantees it would get a theatrical release.

‘The Killer’ Trailer: Michael Fassbender Is On A Manhunt In David Fincher’s Latest Netflix Film

The arrival of a new David Fincher movie is always a big deal, and three years after Mank earned 10 Academy Award nominations, the director is back with something completely different, but still for Netflix. The Killer stars Michael Fassbender in a hitman psychological thriller based on the French graphic novel by Matz and artist Luc Jacamon.

The synopsis is brief and sums up a straight-forward film like this perfectly: After a fateful near-miss, an assassin battles his employers and himself on an international manhunt he insists isn’t personal.

Joining Fassbender in the cast are Tilda Swinton, Charles Parnell, Arliss Howard, Kerry O’Malley, Sophie Charlotte, Sala Baker, Emiliano Pernía, and Gabriel Polanco.

Fincher reunited with frequent collaborator, Seven writer Andrew Kevin Walker, as well as Mank and Mindhunter cinematographer Erik Messerschmidt.

The Killer will hit select theaters on October 27th, followed by Netflix on November 10th.

‘Rebel Moon’ Producers Happy Zack Snyder’s Film Didn’t Join ‘Star Wars’ Universe

Rebel Moon

Zack Snyder’s upcoming Netflix sci-fi epic Rebel Moon began life as a pitch for a Kurosawa-inspired Star Wars samurai movie. Everybody knows that, but what we didn’t know is that Snyder was apparently the only one who really wanted that pitch to Lucasfilm to work out. At least two of the film’s producers are quite pleased it fell through.

Producers Deborah Snyder (also Zack’s wife) and Eric Newman revealed at the Rebel Moon press conference why they were happy it never ended up in a galaxy far far away…

“Once, it was a Star Wars film, and I never wanted it to be,” Deborah Snyder said.

“I remember, I said to Zack, ‘I just feel like your hands are going to be tied so much in what that IP is,’ even though it kind of lived outside of it. So I was kind of happy when that fell apart, because I always felt like it was better. We learned so much with all our years working with the superheroes and creating those worlds, and to do something now that’s wholly original.”

Newman had even more to say about the film’s origin and another possible route it could’ve taken…

“I remember [Zack] calling me at some point, and this has got to be 15 years ago, saying, ‘I’m thinking of doing Seven Jedi, in the Star Wars universe.’ And I was like, ‘Oh, that’s a cool idea.’ Then, a few years later, he calls me and goes, ‘You know, I think it could be a television show.’ I’m like, ‘Yes, let’s do this! [frick] ‘Star Wars!’ Let’s do this as a TV show.’”

Obviously, the TV show didn’t materialize…yet. Along with the two-part movie coming in December 2023 and April 2024, Snyder has loads of plans to expand the franchise, including a possible TV series centered on the tyrannical Regent Balisarius played by Fra Fee. [via /Film]

David Ayer Says His ‘Suicide Squad’ Experience “Broke” Him

David Ayer and Will Smith in SUICIDE SQUAD

David Ayer has been consistent about his brief stint in the DCEU with 2016’s Suicide Squad. The version we saw in theaters was not his movie, and has insisted that Warner Bros suits meddled with the darker version he had in mind in order to give us something more comic ala Deadpool. And while Ayer has kept busy since then, the experience has definitely changed his outlook on making movies in Hollywood.

Speaking on the Real Ones podcast with Jon Bernthal, Ayer was quick to share that the hardest experience he’s ever had as a filmmaker was the time he spent on Suicide Squad

“Hollywood—I tell people—is like watching someone you love get fucked by someone you hate,” explained Ayer. “The big one is ‘Suicide Squad.’ That shit broke me. That handed me my ass.”

Ayer added, “Come right off ‘Fury,’ right? I had the town in my hand—could’ve done anything, and I did do anything. And go on this journey with [‘Suicide Squad’]. And the same thing—authentic, truthful, let’s do all the rehearsal, let’s really get in each other’s souls. Let’s create this amazing, collaborative thing, right? And then ‘Deadpool’ opened, right? And they never tested ‘Batman v. Superman,’ so they were expecting a different result and then they got hammered by all the critics. Then it’s like, ‘Okay, we’re going to turn David Ayer’s dark, soulful movie into a fucking comedy now.’”

The result was a box office smash, earning $747M worldwide and winning an Oscar. However, it was savaged critically and WB moved on from Ayer completely. He was supposed to do a spinoff titled Gotham City Sirens, but that instead morphed into Birds of Prey directed by Cathy Yan. James Gunn brought much of the original cast back for The Suicide Squad, but Ayer was not involved.

I loved that initial trailer for Suicide Squad, and still remember how pumped the fans at Comic-Con were for the version Ayer presented. Will any of us ever get to see it? Well, obviously there’s precedent for such a thing happening, but as of right now it looks unlikely.

Ayer’s next movie is the action-thriller The Beekeeper starring Jason Statham which opens in early 2024.