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‘Ahsoka’ Episode 7 Recap & Review: Ezra Fights Back As Thrawn’s Scheme Takes Shape In The Penultimate Chapter

Baylan Skoll’s description of the brutal planet Peridea from last week’s episode of Ahsoka gives us the title of this week’s, “Dreams and Madness”. The latter is an apt description of the idiot New Republic government, which continues to persecute Hera Syndulla (Mary Elizabeth Winstead) rather than, say, prepare for an attack by Grand Admiral Thrawn (Lars Mikkelsen) and Morgan Elsbeth (Diane Lee Inosanto). But that’s how the episode begins, with Hera defending her insubordinate actions and one particular New Republic stooge being a butthole about it in pushing for her court-martial, and Chancellor Mon Mothma (Genevieve O’Reilly) willing to let it go.

This has been, for me, one of the weaker subplots. Yes, we get it, the Republic sucks and they continue to turn a blind eye to an obvious threat (kinda feels like our own government right now, actually), but they’ve been hammering home that point for a while now. It feels like a way to give Hera something to do. On the plus side, there was a bit of fun fan service here, as Hera is saved at the 11th hour by C-3PO, who is treated with the reverence he deserves as a hero of the war against the Empire. He comes bearing a message from Senator Leia Organa, who says she authorized Hera’s mission to Seatos. This gets the council off of Hera’s back, and she quietly confesses to Mon Mothma that they need to “hope for the best, prepare for the worst” when it comes to Thrawn. Basically the same stuff she’s been saying. One thing I liked about this scene is that Moff Gideon (Giancarlo Esposito) gets called out being just another guy who failed to unite all of the Imperial remnants. My hope is that Thrawn doesn’t turn out to be an equally disappointing antagonist, but that depends on how this series ends.

Hey, and there’s that Ahsoka Tano (Rosario Dawson) person! Y’know, the one the show is named for? After being gone most of last week, Ahsoka is back and still flying Star Whale Airlines alongside the chronicler droid, Huyang (David Tennant). There’s a lot more banter between the two of them in this episode, and I like how it brings out Ahsoka’s mischievous side. She’s also seen training with a lightsaber of her former master, Anakin Skywalker (Hayden Christensen, grabbing another check), who made 20 such recordings for her before he decided to join the Dark Side and slaughter millions. It’s clear that Ahsoka will always have a blind spot when it comes to Anakin. When the Purgill drop out of hyperspace, the shuttle is immediately under attack by Thrawn’s forces. They navigate a minefield after being abandoned by the fleeing Purgill, and hide in a debris field.

We get a pretty cool reveal here, too. When Thrawn learns that Ahsoka’s mentor was Anakin Skywalker, he admits to remembering fondly the time they spent together. This is a reference to their time during the Clone Wars, captured in Timothy Zahn’s canon Star Wars: Thrawn books, the second of them if I remember correctly. The novels and film/TV side don’t always gel perfectly, but this was a nice way to give a nod to fans who do take in all of the available Star Wars media.

Elsewhere on Peridea, the reunited Sabine Wren (Natasha Liu Bordizzo) and Ezra Bridger (Eman Esfandi) are riding in a caravan of sorts alongside the turtle-esque Noti. It’s a happy reunion, but Ezra is focused on getting home,and Sabine is noticeably avoiding that conversation. She also isn’t saying a lot about Ahsoka, who she thinks is dead. It’s fortunate that moments later Ahsoka reaches out to her using the Force, so everything’s cool, right?

Well, not exactly. Because Sabine and Ezra spot Baylan and his apprentice, Shin Hati (Ivanna Sakhno) in the distance. It’s another cool Baylan scene, as the veteran warrior tells his ward that he is splitting off from her, as her path of ambition is much different than his. He’s clearly going off to chase whatever this higher power is that he’s been speaking of. He does leave her with some sage advice about impatience for victory leading to defeat. Shin leads an attack, joined by scavengers, that is very cartoonish in execution. But of course it is, because the Noti are cute little buggers traveling around in pods and they use slingshots for weapons. By all rights, they should’ve been slaughtered but the bad guys are conveniently incompetent beyond all measure.

Sabine and Ezra finally get their showdown with Shin, and the cool thing about this is being able to see the latter fight again. It’s been too long! Another cool aspect is that he refuses Sabine when she tries to return his lightsaber. Ezra has learned to fight without it, trusting in the Force. Sabine takes a lot of damage to her beskar metal armor, which again makes it seem like a crutch. When two battalions of Night Troopers arrive as reinforcements, all seems lost.

Eventually, they get the upper hand on Shin when Ahsoka arrives right on time. She had been battling Baylan in a mediocre fight that neither of them seem to be all that interested in. Seriously, it’s an extremely bland fight that finds both of them trying to get to more pressing business, and it ends with Huyang causing enough of a distraction for Ahsoka to flee early. Ahsoka confronts Shin, offering her guidance and support, but the villain decides to hightail it outta there to fight another day. I feel like this was an error in judgement by Ahsoka. It’s all hugs and smiles and ice cream as Sabine, Ahsoka, and Ezra are finally reunited. It only took seven episodes!

The penultimate chapter ends with Morgan concerned over the apparent defeat, but Thrawn doesn’t see it that way. Master strategist that he is, he sees the upside in that Ahsoka has lost the only thing she couldn’t afford to: time. The cargo is all but loaded now, and he is ready to get off of Peridea once and for all. The galaxy should be trembling.

It’s another Ahsoka episode where it doesn’t seem like a lot happens until you really break it all down. I was really happy at the reunion we had all been waiting for, and even more pleased at the advancements with Ezra who has learned to be a Jedi who doesn’t need a lightsaber. Perhaps he’ll stick with that for a while? Could be an interesting way to separate him from the others.

With one final episode to go, there’s a lot to ponder about what’s next. Will Thrawn actually make good on his escape? There’s a chance he actually gets stuck on Peridea if Ahsoka and Co. can stop him. There are much bigger, possibly trilogy-worthy stories to tell if he does escape, though. What is Baylan Skoll’s ultimate design, and will there be enough time for that major plot thread to be resolved? I hope it doesn’t get the short shrift because to me it’s the thing I’m most invested in learning about as Ahsoka draws to a close.

‘Fair Play’ Trailer: Phoebe Dynevor And Alden Ehrenreich Bring A Toxic Relationship Into The Workplace

FAIR PLAY- Power, passion, money, and ego drive Choe Domont’s provocative thriller that explores gender and workplace dynamics in a post #MeToo society. Alden Ehrenreich is imminently punchable as the struggling analyst who sees his fragile male ego shattered when his wife fiance, played by a fearless Phoebe Dynevor, excels in the cutthroat world of high-stakes finance, leaving him behind.

I don’t know if Fair Play has a shot at being an awards season contender, but more than any other film it could be the one that men and women discuss at parties and around the water cooler. Just call it a hunch, but I think this film, which I’ve likened to an updated Michael Douglas thriller from the ’80s, could cause quite a stir.

Starring Phoebe Dynevor in a breakout role, plus Alden Ehrenreich, the film centers on a newly-engaged New York couple who keep their relationship secret at their high-powered financial firm. When one starts climbing the corporate ladder and the other doesn’t, it leads to a power struggle that threatens to destroy their personal and professional lives.

Complicated gender dynamics in a cutthroat, male-dominated workplace? Check! Also, the second worst humiliation of a dude I’ve seen this year, behind Infinity Pool, of course.

The film is written and directed by Chloe Domont in her impressive debut. Also in the cast are Eddie Marsan, Rich Sommer, and Sebastian De Souza.

As you probably guessed by now, I loved it. You can check out my early Sundance review here.

Here’s the synopsis: When a coveted promotion at a cutthroat financial firm arises, once supportive exchanges between lovers Emily (Phoebe Dynevor) and Luke (Alden Ehrenreich) begin to sour into something more sinister. As the power dynamics irrevocably shift in their relationship, the couple must face the true price of success and the unnerving limits of ambition. In her feature debut, writer-director Chloe Domont weaves a taut relationship thriller, staring down the destructive gender dynamics that pit partners against each other in a world that is transforming faster than the rules can keep up.

Fair Play hits theaters on September 29th, followed by Netflix on October 6th.

‘Fingernails’ Trailer: Jessie Buckley, Riz Ahmed, And Jeremy Allen White Put Love To The Test

How do two people know if they’re truly in love? It’s never as simple as it appears to be in your average rom-com. In Christos Nikou sci-fi rom-com Fingernails, a couple knows they are truly in love when a machine tells them so…right after it rips off a fingernail.

Yes, removing a fingernail from each person is part of the process. Hey, there’s a little bit of pain in every loving relationship, right? The film stars Jessie Buckley and The Bear‘s Jeremy Allen White as a couple who undergo the process, only for her to be skeptical of the results. Oscar winner Riz Ahmed plays the third part of this love triangle as her instructor at a love institute.

Sound weird? It’s par for the course from Nikou, who previously directed Apples, another surreal look at human behavior. This is also the second film by Nikou to be exec-produced by Cate Blanchett, who is clearly a fan.

Here’s the synopsis: Anna and Ryan have found true love. It’s been proven by a controversial new technology. There’s just one problem: Anna still isn’t sure. Then, she takes a position at a love testing institute and meets Amir.

Fingernails hits LA and NY on October 27th, followed by Apple TV+ and additional theaters on November 3rd.

‘Argylle’ Teaser: Henry Cavill Is An Amnesiac Super Spy In Matthew Vaughn’s Latest

Dua Lipa and Henry Cavill in ARGYLLE

Who needs James Bond? When Matthew Vaughn failed to land the directing gig on the 007 franchise, he pivoted in the only way he knew how. Basically, he launched his own anti-Bond spy-comedy franchise with Kingsman, which has led to three total movies already and possibly more to come. But Vaughn isn’t done in the world of espionage, because next up is Argylle, with the titular super-spy played by the former Superman, Henry Cavill.

Cavill, whose got some experience in this genre following The Man from UNCLE and Mission: Impossible-Fallout, stars alongside Bryce Dallas Howard who plays Elly Conway, an introverted spy novelist who gets swept up into the world of espionage. Sam Rockwell is Aiden, a cat-allergic spy who comes to her rescue.

The film also stars Bryan Cranston, Catherine O’Hara, John Cena, Dua Lipa, Sofia Boutella, Ariana DeBose, Rob Delaney, and Samuel L. Jackson. Um, so yeah, it’s got a bit of star power. In this teaser all we see are Howard, Rockwell, and a most unfortunate kitty cat.

Argylle hits theaters on February 2nd 2024, followed by an Apple TV+ streaming date. Here’s the synopsis followed by the brief teaser.

The greater the spy, the bigger the lie.

From the twisted mind of Matthew Vaughn (Kingsman franchise, Kick-Ass) comes Argylle, a razor-witted, reality-bending, globe-encircling spy thriller.

Bryce Dallas Howard (Jurassic World franchise) is Elly Conway, the reclusive author of a series of best-selling espionage novels, whose idea of bliss is a night at home with her computer and her cat, Alfie. But when the plots of Elly’s fictional books—which center on secret agent Argylle and his mission to unravel a global spy syndicate—begin to mirror the covert actions of a real-life spy organization, quiet evenings at home become a thing of the past.

Accompanied by Aiden (Oscar® winner Sam Rockwell), a cat-allergic spy, Elly (carrying Alfie in her backpack) races across the world to stay one step ahead of the killers as the line between Elly’s fictional world and her real one begins to blur.

Review: ‘The Creator’

Gareth Edwards Delivers An Ambitious, Awe-Inspiring Sci-Fi Experience That Could Be A Game Changer

The Creator is an awesome experience. The best original sci-fi I’ve seen in years, with a rich, full world just dying to be explored, stunning cinematography, and a human vs AI storyline that is familiar but rewarding. Gareth Edwards just can’t miss in this genre. He’s given us the best recent Star Wars movie with Rogue One, and now this, too.

After a tumultuous Lucasfilm experience, Edwards took some time away from filmmaking. Getting away from the massive juggernaut of a galaxy far far away has done him good. Reteaming with Rogue One writer Chris Weitz, Edwards has created something unique yet eerily familiar. A gripping morality tale and heartfelt exploration of the connection between humanity and AI, at a time when AI is beginning to dominate our lives, The Creator staggers with the depth of its story and dynamic visuals.

The opening moments do feel a bit familiar, as the world we know begins to adopt artificial intelligence as part of everyday life. Of course, this leads to disaster; a nuclear detonation on the West Coast leads to America adopting a kill-or-be-killed stance against all AI. But we are practically alone in this as other countries, particularly New Asia see AI as sentient beings, and destroying them the equivalent to genocide.

John David Washington stars as Joshua, an ex-special forces agent haunted by the death of his wife Maya (Gemma Chan) while he was undercover investigating her ties to a mysterious AI rebel leader. It’s that same connection which is preyed upon by his former commander, Howell (Allison Janney), who enlists him for a dangerous mission to infiltrate enemy forces, terminate their leader, Nirmata, and destroy a new weapon with the power to win the war decisively by destroying all of mankind. But when Joshua discovers what this weapon truly is, it’s not just some simple machine. Instead, it’s an AI in the form of a little girl, nicknamed Alfie (Madeleine Yuna Voyles), and he just can’t bring himself to kill her.

Well, that and she is the only one who knows where to find Nirmata.

Of course, the heart and soul of The Creator is Joshua’s internal conflict. Does he save all of humanity by killing this child? Following the orders he’s been trained all of his life to follow? Or does he protect the very weapon he was sent to destroy, saving humanity but giving up all hope of ever finding happiness again? To the screenplay’s credit, this is no simple emotional journey for either Joshua or Alfie. There is hardly a moment for either to catch a breath and ponder the situation. In true Lone Wolf & Cub fashion (or The Mandalorian for some of you new sci-fi geeks out there), Joshua transports Alfie all across New Asia from one hot spot to another, from peasant villages populated with AI monks to bustling futuristic vistas straight out of Blade Runner. At each stop, there are fire fights, explosions, and the looming threat of an overhead space station that wipes out every AI stronghold it finds.

Edwards puts a lot of faith in his audience to pick up on the cues, showing the growing bond between Joshua and Alfie. We don’t need a long, drawn-out scene where he explains his attachment to the child. When the situation counts, Joshua does what is in his gut to do. And the same goes for Alfie, who is learning about this world she has been kept hidden from, and unknowingly designed to obliterate.  The Creator mixes blazing action and emotional connection, all of it keeping you on the edge of your seat.

Shot largely in Thailand, The Creator has a very naturalistic look blending mountains, waterways, and bustling cities that seem left behind by the advancement in technology. It makes for an interesting blend with the future tech. The closest example I can think of is District 9, in that visually it seems to have its foot in both the future and the past. Some of the technology doesn’t even appear to be all that advanced. In fact, the one droid that stunned me most, a suicide bomber shaped like a trash compactor, was surprisingly mundane in construction, but terrifying in the visceral way it was filmed hurtling towards characters we’re quite concerned about!

While the sci-fi action is impressive, none of it would matter without the key performances by John David Washington and newcomer Madeleine Yuna Voyles. Washington, who makes all of the same faces as his father Denzel when trying to be serious, convincingly portrays Joshua’s struggle and evolution, from a soldier to a protector. Voyles has the difficult task of capturing Voyles’ transformation from a lonely machine into someone with hopes, dreams, and love in her heart. Janney, whose role I thought was going to be little more than a cameo, turns out to be very intimidating as Joshua’s cruel foil. A recurring plot point throughout is that the AI see, speak, and feel just like humans. Some of them have built lives independent of the war; started families. When Howell starts tearing them to pieces it hits you right in the gut.

The Creator doesn’t get everything right. Veterans of this genre will see many of the plot twists coming a mile away, and there simply isn’t enough time to tackle all of the moral questions that are raised. Hopefully, this is just an introduction that Edwards plans to follow-up with. I was totally absorbed by this opening adventure, and couldn’t help pondering what other stories could be told; what mysteries are left to be answered. This was the feeling I had the first time I saw The Matrix. It feels like the start of a big, important piece of sci-fi that will be with us for years and years, growing in significance and etching its place among the best the genre has ever seen.

The Creator opens in theaters September 29th.

‘May December’ Trailer: Natalie Portman Researches Julianne Moore In Todd Haynes’ Acclaimed Drama

Todd Haynes new with Natalie Portman and Julianne Moore, May December, is expected to be huge this awards season. And Netflix is giving it the prestige treatment, with a world premiere at Cannes and its spot as the Opening Night film at New York Film Festival this weekend.

Based very loosely on the life of Mary Kay Letourneau and penned by Samy Burch, May December centers on an actress who travels to Georgia to study the marriage between a woman she is set to play in a movie, and the woman’s much-younger husband. Their relationship had been the subject of an intense media scandal two decades earlier.

And if you are old enough to remember Letourneau, you know how her relationship with a 12-year-old boy and eventual marriage to him was all over the headlines. There were also numerous TV movies about Letourneau, so this whole thing rings so true.

We shouldn’t overlook the buzz for the performance by Riverdale star Charles Melton. It would be easy to get lost in the shuffle opposite amazing actresses such as Portmand and Moore, but apparently he stands up quite well.

May December opens in select theaters on November 17th, followed by Netflix on December 8th.

‘Next Goal Wins’ Trailer: Taika Waititi’s Soccer Comedy Takes The Field In November

The 2014 documentary Next Goal Wins won hearts with its underdog story of a hapless American Samoa soccer team and its down ‘n out Dutch coach, Thomas Rongen, hired to make them respectable. Well, he did quite a bit more than that, and now that true story is being retold by none other than Taika Waititi. And as you probably guessed, it’s going to be quite a bit funnier in his retelling of it.

Starring Michael Fassbender as Thomas Rongen, the long-awaited film centers on the coach’s attempt to turn around the American Samoa football squad, which had just been handed the most embarrassing defeat in FIFA history.

It’s like Cool Runnings on grass rather than ice. People love a good crowd-pleasing underdog sports story, and Waititi may have a real winner here.

The film also stars Oscar Kightley, David Fane, Beulah Koale, Lehi Falepapalangi, Semu Filipo, Uli Latukefu, Rachel House, Kaimana, Will Arnett, and Elisabeth Moss.

Here’s the synopsis: NEXT GOAL WINS follows the infamously terrible American Samoa soccer team, known for a brutal 2001 FIFA match they lost 31-0. With the 2014 World Cup Qualifiers approaching, the team hires down-on-his-luck, maverick coach Thomas Rongen (Michael Fassbender), hoping he will turn the world’s worst soccer team around in this humorous and heartfelt underdog story.

Next Goal Wins hits theaters on November 17th.

Cinema Royale: Is ‘The Expendables’ The Most Disappointing Franchise Ever?

On this week’s Cinema Royale, it’s war on two vastly different fronts! First, Paul Dano gathers the people in a battle against the wealthy elite in the rousing Gamestop stock film, Dumb Money! Then, Sylvester Stallone, Jason Statham, and Megan Fox team up for one last mission in Expend4bles!

Joining me to lament the demise of The Expendables franchise is my homie Chris Bumbray of Joblo.com. Who else would I want to talk to about the most disappointing franchise…well, ever? Why do these movies suck so hard?

Anyway, all of this and more! You know how we do.

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‘The Office’ Reboot Reportedly In The Works Once Writers Strike Ends

In case you missed it, the writers strike appears to be coming to an end as a tentative deal has been worked out that must be passed by the WGA. We’ll see how that goes, but already reports of new projects are surfacing. And one will be very interesting to fans of The Office, because creator Greg Daniels is reportedly working on a reboot.

The news comes from Puck, who say that Daniels will begin development on a reboot of The Office once the WGA deal is finalized. This would mean a return of the workplace comedy after its final season concluded in 2013 after nine seasons.

It’s unclear what exactly this means, though. Would the original cast return? What about Steve Carell, who left the show after season seven? Some have said The Office never quite recovered after his departure, leading to a lackluster final two seasons and series finale. Would this be a way of rectifying that? Do fans even want it?

Personally, I’ve never seen an episode of The Office so I’m not one to comment. What I do know is that revivals like this rarely level up to what fans expect. I would point to Arrested Development as the best example. But what do you think? Do you want to see The Office return? And what would you like to see?

‘The Caine Mutiny Court-Martial’ Trailer: William Friedkin’s Final Film Stars Jason Clarke, Kiefer Sutherland, And Lance Reddick

Back in August, we lost one of our greatest filmmakers when William Friedkin passed away. His death came shortly before the Venice world premiere of what would turn out to be his final movie, The Caine Mutiny Court-Martial. Fortunately, Showtime quickly snagged the rights and they aren’t making us wait long for it, as it hits the network in October.

Starring Jason Clarke, Jake Lacy, Kiefer Sutherland, Monica Raymund, Lewis Pullman, Jay Duplass, Tom Riley, and the late Lance Reddick, the film is based on Herman Wouk‘s Pulitzer Prize-winning book. Humphrey Bogart starred in the 1954 adaptation that earned multiple Oscar nominations.

Here’s the synopsis: At the start of a naval court-martial, Barney Greenwald, a skeptical naval lawyer, reluctantly agrees to defend Lt. Steve Maryk, a first officer of the Navy who took control of the U.S.S. CAINE from its domineering captain Lt. Philip Francis Queeg during a violent sea storm in unfriendly waters. As the trial progresses, Greenwald becomes increasingly concerned and questions if the events aboard the Caine were a true mutiny or simply the courageous acts of a group of sailors who did not trust their unstable leader.

The Caine Mutiny Court-Marshal streams exclusively on Paramount+ with Showtime on October 6th, followed by Showtime on October 8th.