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31 Days Of Horror: Day 1 ‘Fade to Black’ (1980)

Written & Directed by Vernon Zimmerman

What’s that…It’s October 1st you say? Now you know what that means don’t you? It’s the start of my favorite season of the year and time for the annual return of 31 Days of Horror. To change things up a little, this year I will be selecting from films that I have yet to experience. It could be new, it could be decades old or it could lie somewhere in between but one way or another it will be a strange little scary fun time. Without further ado, let’s dive into the month’s first offering, Fade to Black!

Synopsis: Lonely film fanatic Eric Binford exists only to immerse himself in cinematic fantasies. Frequently bullied and betrayed, Eric is gripped by escalating homicidal rage, launching a series of grotesque murders, all inspired by his favorite movies.

What better way to start a months-long dive into genre films than a story that involves a gentleman on the fringes of society completely obsessed with film. So obsessed in fact, that when pushed to his limits he decides to dispatch several people who have wronged him in the past with stylized versions of on-screen deaths from his favorite flicks. I mean, which one of us hasn’t fantasized about that at one point or another, albeit not to a homicidal degree?

Dennis Christopher plays the eccentric yet meek Binford extremely well. At times causing the viewers to cringe on his behalf. The first 30 minutes are spent introducing us to his world. From the overbearing Aunt he lives with, to the bullies he works with you really begin to sympathize with a man who loves film and just wants to be left to his own devices. Once you venture beyond the first act though, things begin to take a turn into the fantastical. Kill scenes interspersed with clips from the homaged films pull you into a world where the lines between reality and fiction blur culminating in an epic final act…”I finally made it Ma, top of the world!” I really got American Psycho vibes at times even though this flick predates that by a couple decades. 

I’m really not sure why I never took the time to visit this one earlier. It’s been sitting in my Shudder queue for about a year and a half before I’m finally taking the time to get around to it but I sure am glad I did. There are some recognizable names for genre fans in this fun little flick. Along with Dennis Christopher you have Tim Thomerson playing the hippy psychiatrist and even an appearance from a young Mickey Rourke so keep an eye out for that. The cast is definitely full of pure 80’s over-acting but that’s what you come to expect from this era of film.

Being released in 1980, this flick takes elements from 1970’s horror and updates them to the semi-schlocky 1980’s slashers. It’s one that definitely will make its way into my regular rotation and deserves a watch from any genre fan. You can currently catch this one streaming on Shudder or on Blu-Ray from Vinegar Syndrome.

See you all tomorrow with another selection from the holes in my collection. 

 

 

Box Office: A Shocking Weekend as ‘PAW Patrol: The Mighty Movie’ Takes the Top Spot

  1. PAW Patrol: The Mighty Movie – $23M

Wow. I mean, I fully knew that the children’s movie genre was strong, after all there is no better way to keep your kid occupied for a few hours. Still, I would never have guessed that the Village People of animated dogs would beat not just The Creator but also what’s being touted as the best Saw film in years. To be fair, none of these movies were runaway hits this past weekend, which tells you how dour it’s looking for the rest of our new releases.

2. Saw X (review)- $18M

I would have banked on Saw X banking $50M this weekend. The positive buzz coupled with the fact that seeing a Saw film around Halloween has become a tradition for alot of people should have brought many more people to the box office. Apparently it’s been too long, and the series has let it’s audience down too many times to bring them back in droves. Not a flop, but also no where near a hit.

3. The Creator (review)- $14M

Honestly….I don’t want to hear anyone complaining about the lack of original IP in Hollywood anymore. Every time something not attached to DC/Marvel or some standard Disney property comes out….no one goes! Yes, The Creator wasn’t exactly a ground breaking premise and was pretty standard sci-fi faire, but it was standard done right! Gareth Edwards deserves better!

4. The Nun II – $4.6M/$76.7M

Finally falling from the top spot The Nun II is starting it’s long drop out of the top 10. If you’d like to know how the box office is looking lately, look no further then this film. Three weeks in the #1 spot and it won’t break $100M

5. The Blind – $4.1M

Proving once again that faith-based films always seem to make money regardless of quality or topic The Blind hits #5. In case you aren’t aware of the film, and I’m guessing you’re not, it’s about the Duck Dynasty guy and how he was a bad person but changed and yada yada.

6. A Haunting in Venice – $3.8M/$31.6M

7. Dumb Money – $3.5M/$7.3M

A new release for most this week, Dumb Money expanded wide adding roughly 2200 theaters to it’s booking list. “The Gamestop Movie” pulled in a cool $1M more in its second week of release then it did in its opening.

8. The Equalizer 3 – $2.7M/$85.9M

9. Expend4bles – $2.4M/$13.2M

Sooo, yeah. No Expendables 5 then….

10. Barbie – $1.4M/$633M

And finally, after a historic run Barbie clocks what is likely her last week in the top 10. Take a bow Blondie, you earned it!

 

‘The Toxic Avenger’ Red Band Teaser: Peter Dinklage Has A Jaw-Dropping Good Time In Macon Blair’s Remake

The mops were out in force over the weekend as Macon Blair’s remake of The Toxic Avenger had its world premiere at Fantastic Fest. Knowing that fans of the Troma classic are going to be frothing in their tutus to finally see footage, the first red band teaser has arrived!

Peter Dinklage stars as Winston Gooze aka The Toxic Avenger aka Toxie, a weakling janitor at a health club who has a terminal diagnosis he can’t afford. When a failed attempt to rob his place of employment ends with him falling into toxic waste, Winston is transformed into a deformed antihero seeking justice for the little guy.

Now, you don’t see much of this plot in the released footage, but you do get a sense of the offbeat, jaw-ripping tone that certainly matches its Troma roots.

One thing fans may not be aware of, but that’s not actually Dinklage under the prosthetics. Blair revealed at a post-screening Q&A [via CBM] that it’s Portuguese actress Luisa Guerreiro, who studied Dinklage’s speech patterns and movements.

Joining Dinklage in the cast are Taylour Paige, Jacob Tremblay, Kevin Bacon, Sarah Niles, and Elijah Wood. The film was written and directed by Blair, who last took the helm for 2017’s I Don’t Feel at Home in this World Anymore.

The Toxic Avenger doesn’t have a date yet, but we may here something after its Beyond Fest screening this week.

Giveaway: Win Free Tickets To ‘Saw X’ In Theaters!

We’re happy to offer our readers the chance to win a pair of free tickets to experience Saw X in theaters! The 10th film in the blockbuster horror franchise sees Tobin Bell return as John Kramer/Jigsaw in a story set between the events of Saw and Saw II.

SYNOPSIS: John Kramer [Tobin Bell] is back. The most chilling installment of the SAW franchise yet explores the untold chapter of Jigsaw’s most personal game. Set between the events of SAW I and II, a sick and desperate John travels to Mexico for a risky and experimental medical procedure in hopes of a miracle cure for his cancer – only to discover the entire operation is a scam to defraud the most vulnerable. Armed with a newfound purpose, John returns to his work, turning the tables on the con artists in his signature visceral way through a series of ingenious and terrifying traps.

The first 10 readers to send an email to punchdrunktrav@gmail.com with their name and favorite Saw movie will receive an Atom ticket code good for you and a guest. These will go quickly so don’t wait!

Saw X is in theaters now!

DC Readers: Attend A Special Screening Of The ‘Loki’ Season 2 Premiere Episode

We’re happy to offer our DC readers the chance to attend a very special early screening of the season premiere of Loki season two! Tom Hiddleston returns as Marvel’s god of mischief, joined by Sophie Di Martino, Owen Wilson, Gugu Mbatha-Raw, Tara Strong, Jonathan Majors, and Ke Huy Quan.

SYNOPSIS: “Loki” Season 2 picks up in the aftermath of the shocking season finale when Loki finds himself in a battle for the soul of the Time Variance Authority. Along with Mobius, Hunter B-15 and a team of new and returning characters, Loki navigates an ever-expanding and increasingly dangerous multiverse in search of Sylvie, Judge Renslayer, Miss Minutes and the truth of what it means to possess free will and glorious purpose.

This special screening of Loki takes place on Monday, October 2nd at 7:00pm at AMC Georgetown. If you’d like to attend, RSVP at the Gofobo site here. Please remember all screenings are first come first served and you’ll need to arrive early to ensure seating. Enjoy the show!

Loki season two streams exclusively on Disney+ on October 5th.

Review: ‘Muzzle’

Aaron Eckhart Will Stop At Nothing To Avenge His K-9 Partner

Muzzle

Thanks to the #1 movie rule that you can NEVER kill the dog and the popularity of the John Wick series (where our favorite headshot shooting, judo master kills scores of people to avenge his dead puppy for four friggin movies), it’s no surprise that eventually we would have movies about a jaded hero stopping a nothing to avenge his Best Friend. Unfortunately, RLJE’s latest film Muzzle pales in comparison to the more popular puppy revenge movie.

LAPD Cop and former Marine Jake Rosser (Aaron Eckhart) patrols through the streets with his K-9 partner Ace. They are a good team, to the point that he endlessly tells the dog about his experience in Iraq (from which he has PTSD but is still hired by the force) as he goes about his day. Everything changes when he his unit is called to go after a perp through Skid Row. In the aftermath of a shootout, Ace is shot. In a fit of rage that the paramedics are assisting other cops shot and bystanders, Jake attacks the paramedic. And since this is an age where everyone makes sure to pull their camera phones out (to record the police (and for good reason if you watch the headlines), which lands him in hot water.

In trouble with the LAPD brass, Jake is ordered to do some downtime, see a therapist, and interact with other human people (causing him to start dating his neighbor Mia (Penelope Mitchell)), and to get back in the swing of things by getting a new K-9 partner. His new partner is Socks, a dog with literal titanium teeth that needs to be better trained. After all, if a god has titanium teeth, they are either an anime character, or something is really wrong with them! He trains under his K-9 training boss Leland (Stephen Lang), and slowly but surely develops a bond with Socks.

Of course, he is still on a one-man mission to get vengeance for Ace. And of course, his bosses tell him to stop going rogue. Of course, the person he’s chasing is not some low-level gang member, which leads him to uncover a vast conspiracy involving dogs, drugs, and corruption within the city as well as internationally. And for Muzzle’s hour and thirty-nine-minute runtime, we are treated to… a lot!

Muzzle comes across like a Fox News viewer’s fever dream. First off, it seems like EVERY street in LA in Muzzle is overflowing with the homeless. Now I know Los Angeles has a homelessness problem, but for goodness sake, they had graffiti on the side of an LAPD building with homeless people hanging outside of it!! This film was clearly made by someone who reads the worst possible headlines and applies it to the whole city. Homelessness, check. Cartels, check. Fentanyl, check. The Chinese being involved, check. This movie won’t entertain as much as it tries to use propaganda to tell a certain type of narrative. Now do these things happen? Sure. Do they happen like this? Absolutely not!

Aaron Eckhart does a decent job to try and elevate Muzzle from its B-movie status. After all, he’s freakin Harvey Dent and has had countless other great roles, but he is saddled by the script of Muzzle to basically just be angry the entire movie. In addition, Muzzle wasn’t sure what type of movie it wanted to be. Was it about grief? Was it about getting back into the world? Was it a revenge thriller? Was it a conspiracy movie? Was it a Right Winger’s fever dream? Maybe all of the above! It needed to pick a theme and stick with it for the film to be coherent.

Now was Muzzle all that bad? There are some fun dog action as Socks’ titanium teeth do get some action, and Aaron Eckhart has one action scene that actually belonged in John Wick. But overall, Muzzle simply was plagued by narrative confusion and just abruptly ends when there should at least be five to ten more minutes in the film. Muzzle had potential, but overall it needed to cook a little more.

Muzzle is currently available in select theaters and available On Demand.

‘Ahsoka’: C-3PO Earns His Own Character Poster After Coming To Hera’s Rescue

There have been loads of memorable episodes in this first season of Ahsoka, and it’s all set to come to an end with next week’s finale. Fans of the original Star Wars trilogy got a special treat in the penultimate episode,  “Dreams and Madness“, when C-3PO arrived to come to Hera Syndulla’s rescue as she was getting grilled by a New Republic council over her unauthorized help getting Ahsoka and Sabine Wren to Seatos. C-3PO came with the expressed support of Senator Leia Organa, leader of the Defense Council, and it was her authorization that cleared Hera’s name.

So, for C-3PO’s act of heroism, the chatty droid (and original construction of Anakin Skywalker, connecting him to the series further) gets his own character poster. Not only that, but longtime C-3PO actor Anthony Daniels gave his thoughts on returning to the role when he least expected it.

Review: ‘Saw X’

Tobin Bell Finally Gets The Spotlight To Himself In Franchise's Brutal, Surprisingly Affecting Return To Form

Saw X has done something I didn’t think was possible, and certainly wasn’t accomplished by that terrible Spiral film with Chris Rock. It’s made the franchise feel relevant again, by going back to its roots with a simpler, less complicated story. Don’t get me wrong, the traps are just as diabolical and messy; gore fans will get their fill. But by slotting this film between Saw and Saw II as the soon-to-be-deceased John Kramer (Tobin Bell) confronts his cancer head-on, it allows for a tighter focus on the series’ most popular character without all of the narrative trickery latter films needed to keep him relevant storywise.

Something else that Saw X does is finally show Kramer coping with the reality of his terminal cancer diagnosis, while providing the grim motivation for his future activities.  We see him as he first learns that months are all he has left to live; we see him at a cancer support group, and we also see him months later when he encounters another member of that group, Henry Kessler, played by the reliable and always doomed-to-die actor Michael Beach. Just look up his films, he has a Sean Bean-like track record for dying in movies. Anyway, Kramer learns from Kessler of a miracle cure by Dr. Cecilia Pederson (Synnøve Macody Lund). She flies him out to the spot of their guerrila outfit with stories of being persecuted by Big Pharma, and of course a long list of satisfied customers. Pederson says all of the right things, and we see Kramer filled with hope for perhaps the only time in the entire franchise.

That glimmer of hope in his eye only makes the betrayal so much more devastating. The Saw films have done an expert job of turning Kramer/Jigsaw from villain into a vigilante antihero, but we’re actually given reason to feel something for him as a man, not just an instrument of justice. We know his ultimate fate; Kramer dies pretty early into his murderous exploits, but he leaves behind a lasting legacy of forcing people to make the ultimate choice: live or die. One of those people who carries on Kramer’s plans is Amanda (Shawnee Smith), and she is right here at his side, sporting her pig mask and kidnapping the culprits no matter where they try to hide. This film sets up Amanda’s future conflict, as well. As a former addict who turned her life around after surviving one of Kramer’s traps, she has a soft spot for others in the same situation.  Kramer’s fatherly guidance of Amanda makes for some of the film’s best moments. Longtime fans of the franchise will appreciate how future events are teased without having to get bogged down by continuity.

While the first half of the film is considerably more dramatic than expected, the second half is all torture devices, double-crosses, and bloodshed. The less one thinks about Kramer’s remarkable ability to find every complicated mechanical  device needed to create his elaborate traps, in unknown territory with limited resources, the better. Peter Goldfinger and Josh Stolberg’s screenplay deals with this by keeping the same formula for each trap; three minutes to hack or gouge into your own body to free yourself. Each trap is specifically designed for the most ironic effect, and given that each victim posed as a medical professional, the methods Kramer employs involve extreme radiation, self-afflicted brain surgery, and worse. This is not for the easily squeamish, but then you already know to expect that from Saw.

Clocking in at just under two hours, the film is definitely too long. A plot twist in the final act adds about twenty minutes of pointless jibber-jabber because we already know how things will turn out. We know the bad guys will get their comeuppance. That’s never in question. And sadly, the denoument is a bit of a letdown. Come on, Jigsaw. Get it together and act like you’ve done this before! Still, Saw X gives Kramer the spotlight for the first time in his own franchise. It only took twenty years! The wait was worth it. Bell has a firm grip on this character and it’s good to see this veteran character actor shine. Is Saw back? For now, absolutely, but continuing on with more sequels will just lead to the same problems that killed the franchise the first time. If you love Jigsaw’s brutal games of survival, enjoy this moment while it lasts.

Saw X is in theaters now.

‘Killers Of The Flower Moon’ Clip: Leonardo DiCaprio Courts Lily Gladstone In Martin Scorsese’s Latest

If you’ve read David Grann’s book, Killers of the Flower Moonthen you know it unfolds as a murder mystery, a procedural, and a historical text. Those things don’t always go together well as a feature film, so Martin Scorsese and writer Eric Roth have put the bulk of the focus on the married couple at the center of the murders, played by Leonardo DiCaprio and Lily Gladstone.

In the new clip, we see DiCaprio as Ernest Burkhart and Gladstone as his eventual wife, Mollie, a Native American woman whose family is hit hard by the killings of wealthy Osage members on oil-rich land in 1920s Oklahoma. But in this scene, Ernest is still trying to impress Mollie in hopes of winning her heart. She isn’t easy to impress, though.

Also starring Robert DeNiro, Jesse Plemons, Tantoo Cardinal, John Lithgow, Brendan Fraser, and Cara Jade Myers. JaNae Collins, Jillian Dion, Jason Isbell, and William Belleau, Killers of the Flower Moon hits theaters on October 20th, followed by Apple TV+ at an unspecified date.

‘Tomb Raider: The Legend Of Lara Croft’ Teaser: Hayley Atwell Voices The Iconic Adventurer In Netflix’s Animated Series

While the live-action Tomb Raider franchise has moved to Amazon in a surprise deal, there still remains Netflix’s animated series, which was just announced today as Tomb Raider: The Legend of Lara Croft. Voicing the iconic video game character is Hayley Atwell, aka Agent Carter in the MCU and recent star of Mission: Impossible-Dead Reckoning.

As far as continuity goes, The Legend of Lara Croft is based on the Tomb Raider video game reboot trilogy and picks up after the events of 2018’s Shadow of the Tomb Raider, bridging the gap to the original games.

Acting as showrunner is Tasha Huo, best known for Netflix’s The Witcher: Blood Origin. Legendary Entertainment and Crystal Dynamics are co-producing, with Powerhouse Animation Studios providing the animation. If the animation style looks familiar, it’s become something of a standard at Netflix, as Legendary and Powerhouse also did the recent Skull Island animated series that debuted last summer.

Tomb Raider: The Legend of Lara Croft hits Netflix in 2024 but doesn’t have a firm date.