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‘Supergirl’ S3E14 Recap: “Schott Through the Heart”

After a LOOOOONNNNNGGGGG hiatus, Supergirl returns!

While the Worldkiller threat still looms, this week, we instead focus Winn as he has his own threat to deal with that not only will require the DEO’s help, but there’s also flying monkeys!  It opens up with Kara giving everyone a pep talk.  Are they about to go into battle with the Worldkillers?  Is there a new alien threat looming?  No, it’s karaoke night!  After all, when you’re not saving National City, you can still get your drank on!  Kara starts off doing Beastie Boys’ “Intergalactic” as the rest of the team get’s their share of singing, even J’onn’s father M’yrnn gets in on the fun.  James and Mon-El discuss happiness, and you can tell that whatever Saturn Girl told him, it’s bothering him.  Winn is about to sing again, when out of the corner of his eye he notices a news report that his father Winslow Schott Sr., AKA “Toyman” was killed in prison.  Talk about a damper for the night!

The next day, everyone is at Toyman’s funeral.  Winn just wants to get it over with, as evidenced by him nonchalantly throwing dirt on the casket as his father is being lowered.  Also at the funeral is his mother, and Winn isn’t happy to see her either as we’ll find out later on what his problem is with her as well.  Meanwhile, as his body is being lowered, Kara hears a jack in the box theme and realizes that there’s a bomb in the casket.  After rushing Winn and his mother to safety, they realize that Toyman’s legacy may live on.

Back at the DEO, Kara asks Win if his father is really dead.  Win, being the bookworm that he is, has already triple and quadruple checked by multiple medical examiners to verify that his father is in fact dead.  An angry and hurt Winn chalks it up that his father wanted one last hurrah of spectacle at his last funeral.  This leads them to believe that Toyman has an accomplice.  Meanwhile, Mon-El, still distraught over his wife’s reveal to him, tries to confide in with Kara.  It’s clear that he still has love for her, as evidenced by his big smile when seeing her at the karaoke bar.  He apologizes to her for lying about him being the prince of the Daxamites as he’s not on the end of a lie by his wife and Brainiac 5.  Kara promises that the two of them will discuss, but they are later interrupted before they can talk.

Winn’s mother somehow finds her way into the DEO, they will tackle pizza delivery people, but not sweet old ladies I guess.  Winn still isn’t interested in talking to her.  Turns out, she left him twenty years ago, forcing him into foster care.  With a supervillain for a father, and abandoned by his mother, it’s clear he has some unresolved issues.  Wanting nothing to do with his mother, she still presses on to try to get involved in his life, warning that his father’s revenge isn’t done, despite the fact that he’s dead.  Just when that happens, a bunch of flying monkey toys appear at the DEO and spell “Surrender Mary” in the sky before they attack everyone in the DEO.  Everyone at the DEO crunches down and fights off the toy monkeys, even James (who also has access to the DEO) as they all fight the monkeys off.

Alex and J’onn, however, weren’t there during all this.  Alex hasn’t gone to his house since he and his father got their own place to live in and pretty much peer pressured him into having a housewarming dinner.  While M’yrnn wanted to have pizza as he loves “tomato pie”, J’onn cooked for them.  They have a very interesting discussion about being black in America, which was refreshing for Supergirl.  The show has always been progressive as Alex’s sexuality has been at the forefront of the storyline of the show.  It’s good that they are also addressing the hard issues of being a black man in America.  J’onn tells Alex that while he took over Hank Henshaw and didn’t have a choice to appear as a black man, he easily could have shape-shifted into a white man if he chose to.  He feels that he should not have to change his color for society to accept him.  Bravo Supergirl, bravo!  Another problem that arises is that while Alex is talking with M’yrnn, she realizes that he’s being forgetful.  It’s not just forgetting that he and his son were supposed to cook instead of order pizza, he’s forgotten the fact that he previously had grandchildren.  He reveals to Alex that he is suffering from the Martian equivalent of dementia or Alzheimer’s.  He doesn’t want J’onn to know because they just got connected, and if he finds out that he’ll lose his father all over again, it would hurt him deeply.  Alex protests that he needs to tell his son and she will not lie to him, causing M’yrnn to yell at her and kick her out of the house, surprising J’onn.

In the aftermath of the flying monkey toy attack, Winn is examining one of the toys.  His mother tries to offer some assistance, much to his annoyance.  He finds out that his mother does have some experience with toys and mechanical things, much like he and his father did.  This causes him to warm up a little to her.  When she tells him about their “Disneyland” vacation, which he remembers and not going to the theme park because his mother got in a car accident.  She reveals that his abusive father tried to kill the both of them as they were trying to escape to a domestic shelter.  This makes Winn realize that he may have been too hard on his mother.  Winn’s mother recognizes something from one of the monkeys and lets herself out.  There, she goes to one of her ex-husband’s warehouses as she remembers the toy design.  There, she finds the real culprit, but is taken hostage.

Winn and everyone at the DEO receives a hostage video of his mother in one of the woman’s toys, threatening her life unless Winn shows up at the warehouse.  Kara offers to go and save her, as does Mon-El and James, but Winn insists that he goes as well as he now realizes that he cares for his mother.  At the warehouse, there are legions of deadly toys.  Everything from toy airplanes, toy bombs, even a life-size toy T-Rex attack the group.  Kara gets encased in a life-size Toy case, but is freed by Mon-El before she can suffocate.  Winn finds his mother, who is being held hostage by his father’s protégé.  Just as the woman is about to shoot Winn, he uses a reprogrammed toy flying monkey to knock her down, saving his mother.

With his mother saved, the group heads back to the karaoke bar for some drinking and singing.  There, Winn insists that he and his mother do a duet, which she agrees to do despite her hesitance.  At the bar, Mon-El finally gets his chance to talk with Kara about what his wife did that bothered him.  Kara interjects telling him that she doesn’t want to be in the middle of their drama.  Mon-El reassures her that he was not going to tell her about his wife, but about the plans as they directly affect her and the DEO.  Turns out, the third Worldkiller was the reason that the Legion came to National City thousands of years ago as it is responsible for their horrible future.  They will need to team up together to stop the Worldkillers.  Kara and Mon-El even offer to help each other train to be better to take them on.  Sparks still seem to be going for those two.  J’onn comes to the bar, but is distraught.  Turns out, his father finally told him the truth about his mental condition.  Alex immediately goes and gives her father-figure a much-needed hug.  James finally gets a hold of Lena Luthor, who he has been trying to call all episode.  She tells him that her “startup” has kept her busy, but she found out that Sam was the Worldkiller and has her in a prison.

Next week, Mon-El helps the DEO take the fight to the Worldkillers.  He even has his old school costume form the comics.

Danny Boyle’s Musical Comedy Sets Fall 2019 Date, Conflicts With Next 007 Film

A few weeks ago while other sites furiously claimed Danny Boyle was directing the next James Bond movie, we decided to play it safe. Why? Because he didn’t actually say that he was, just that he really was aiming to. As he is currently prepping a musical comedy with Richard Curtis it was a question whether Boyle could fit both movies in, and now it’s looking like the answer is no. Universal has set a September 13th 2019 release date for Boyle’s comedy, just two months before Bond 25 is due to open.

The timing is significant because there’s zero chance he can do both if those dates stick. MGM expects Bond to open on November 8th 2019 and that date has been in place for a while. We’ve heard rumors they could be willing to delay it but only if Boyle is definitely going to direct. So far he is simply overseeing a script but nothing has been made official about him doing more than that. The only other option is that Boyle simply isn’t doing the movie, and Bond producers will need to look elsewhere.

I expect we’ll hear more on this soon.

‘Dear White People’ Season 2 Arrives In May, New Teaser Breaks It Down

Salty grits, cultural appropriation, and cocoa butter, it doesn’t get more controversial than that for us black people.  Obviously I’m kidding, but Justin Simien’s Dear White People, both the movie and the first season of Netflix’s series, know that issues of all sizes are important to African-Americans, and carry with them considerable cultural weights. And now we see that shying away from controversial topics still isn’t in the playbook in the new trailer for season two, which is arriving sooner than expected.

Dear White People Vol. 2 (Can everything not use Vol. now?) hits Netflix on May 4th, bringing more racially-charged hilarity.  Logan Browning, Brandon P. Bell, Antoinette Robertson, DeRon Horton, John Patrick Amedori, Ashley Blaine Featherson and Marque Richardson are back to star. Here’s the season synopsis followed by the new trailer:

Set against the backdrop of a predominantly white Ivy League university where racial tensions bubble just below the surface, Dear White People is a send-up of the now post “post-racial” America that weaves together a universal story of finding one’s own identity and forging a wholly unique path. The satirical series — based on the acclaimed 2014 film by the same name – continues to follow a group of Winchester University students of color as they navigate a diverse landscape of social injustice, cultural bias, political correctness (or lack thereof) and activism in the millennial age. Through an absurdist lens, Dear White People utilizes biting irony, self-deprecation and sometimes brutal honesty to hold up a mirror to the issues plaguing society today, all the while leading with laughter.



John Ridley And Blumhouse Team For Superhero Film ‘The American Way’

Okay, now this is some big news, especially if you’ve read DC’s incredible comic book series, The American Way. Think Watchmen with politics that ring more contemporary and you’ll get the idea.  Anyway, it’s being reported that John Ridley, Oscar winning writer of 12 Years A Slave, will pen and direct a movie version of the comics sequel The American Way: Those Above And Those Below for Blumhouse. That’s right, Blumhouse is getting into the superhero business, and the project does for the genre what The Purge does for horror.

Ridley created and wrote the 6-issue series with artist Georges Jeanty, taking place in a parallel version of the United States. In the 1940s the U.S. government created the Civil Defense Corps, a team of public superheroes who would fight manufactured supervillains, alien invasions, communism, all of the country’s biggest battles in front of an adoring public through the use of television. When African-American hero Jason Fisher is discreetly inserted into the group as the New American, problems begin to arise within the team. 

The story will be set in 1972, picking up the story a decade later when racial tensions and being exposed as a propaganda sham have split the team apart, sending them off in different directions. Fisher is still living the life of a crimefighter, although he is conflicted about helping a system rigged against the African-American people.

A few years ago Ridley was supposed to be developing a Marvel TV series that would reinvent a popular character. Obviously that never panned out but it may have been for the better. And it’ll be interesting to see if Blumhouse can find the same magic with superheroes that they have with horror.

‘Avengers: Infinity War’: The Voices Of Thanos’ Black Order Revealed

We have a pretty good idea of the dozens of heroes that will be vying for space in Avengers: InfinityWar, but one thing Marvel has done a good job of keeping secret is Thanos’ “children”, the Black Order. Up until now we’ve only had rumor to go by as to who would be playing the powerful team of villains, but now directors the Russo Brothers have pulled back the veil on one of them, while confirming two more. I have a pretty good guess about the fourth member.

The Russos tell Radio Times that The Leftovers and Gone Girl‘s Carrie Coon will voice Proxima Midnight. They also confirm that legendary motion capture actor Terry Notary (War for the Planet of the Apes) will suit up and voice the bruising Cull Obsidian, while Tom Vaughan-Lawlor (Fargo) will do the same as Ebony Maw.  
There still remains the role of Proxima Midnight’s husband Corvus Glaive, the cruelest and most loyal member of the team. I’m guessing that’s where Peter Dinklage, who has been part of the cast since early last year, will fit in. Marvel has been keeping his part secret and this makes the most sense, at least to me. 
Avengers: Infinity War opens April 27th. 

Ed Sheeran May Join Danny Boyle’s Untitled Beatles Musical Comedy

Hit recording artist Ed Sheeran has been making tiny steps into acting, appearing on FX’s short-lived series The Bastard Executioner, Bridget Jones’s Baby, and a much-publicized cameo on Game of Thrones that fans largely ripped. Now he may be making a much larger move by joining Danny Boyle and Richard Curtis’s untitled musical comedy.

First reported by the Daily Mail and confirmed by Deadline, Sheeran is in talks to join the film about a man who wakes up to discover he’s the only one  in the world who can remember The Beatles’ songs.  That’s the most detailed plot description we’ve heard thus far.  There’s some dispute whether Sheeran would also be contributing music but he will definitely have an on-screen role. I have to imagine he’ll provide new music to the soundtrack, as well. 
If all goes well he will be joining Baby Driver’s Lily James, Himesh Patel, and Kate McKinnon who is still in talks. 

Legal Issues Have Put ‘Mad Max: Fury Road’ Sequels In Jeopardy

Legal mumbo jumbo can be tedious but this involves the future of the Mad Max franchise, and the possibility of Fury Road sequels. So let’s dive in and try to keep it simple. The basic point is this: we may not be seeing anymore movies. At least not for a long time.

Per the Sydney Morning Herald, director George Miller and his production company Kennedy Miller Mitchell filed a lawsuit against Warner Bros. alleging they owe him a $7M bonus for keeping Mad Max: Fury Road under the $157M budget. Just that alone seems crazy based on the vast amount of visual effects and the well-documented production troubles. But he says it came in at around $154M, while Warner Bros. say it was more than $30M over budget.

Miller claims Warner Bros. forbid him to shoot certain scenes while imposing new ones on him, including a new ending, that added significantly to the cost and production schedule. However, these costs , estimated to be around $31M, were supposed to be left off the final accounting since they weren’t of his choosing. And that, it seems, is where the big conflict is. Warner Bros. has countersued claiming Miller went way over budget of his own accord, and that they merely suggested he shoot an alternative ending. Furthermore, any additional costs were to be partly funded by Miller’s company.

So who is right? None of us know, of course, and I suspect both sides are playing loose with the facts to bolster their argument. As fans, we just want to see Miller, Charlize Theron, and Tom Hardy together again in that mad dystopia. They’ve all expressed some desire to reprise their roles, and Miller has reportedly written two sequel scripts just waiting to be filmed. This is the rare case of genuine enthusiasm for a sequel and I can’t believe Warner Bros. will let it slip by over what sounds like a relatively small amount of money.

NOVA Film Festival 2018 Wrap-Up

The biggest takeaway from the NOVA Fest this year is a
welcoming sense of community. At least, that’s what I was told by at least a
dozen artists there, all of whom enthusiastically praised the festival for its
hospitality and legitimate friendliness. One artist even went so far as to
describe it as the “friendliest” film festival he’d ever attended. And I agree.
I’m not an especially sociable person, but it was nearly
impossible not to make friends while in attendance. This is one of the only
festivals I can think of where they host an after party every night. The
Angelika Film Center has successfully made a name for itself as a DC hub for
filmmakers.
The festival itself, which closed last night, ended with a
big red carpet gala and awards ceremony highlighting the best they had to
offer, and I gotta say, they kinda nailed it. I don’t typically tend to agree
with the general awards season consensus, so it felt nice to finally be at a
ceremony where I did.
Beautiful features (three of which we covered, and you can
read about each here, here, and here) left with well-deserved awards in hand,
particularly Daddy Issues, which just about swept the categories it was up
for including best feature, but also incredible short films and music videos
were given the attention and respect they so rarely receive.
The inspiring I am…, the hilarious anti-romantic
comedy Sac de Merde, the heat-breaking Pickup, the thought
provoking Othello-San, musicals, screenplays, film noir throwbacks, and
laugh out loud comedies all received various awards throughout the night, with
a lifetime achievement award being handed to legendary Batman executive producer
Michael Uslan.
The hottest spot of the festival, however, was hands-down
the inclusion of the Capital Film Market. For the first time in the area, a
market for distributing independent films was made easily accessible to local
artists. It was an element of this year’s festival that was loved by both the
NOVA film community and the producers running the market, some of whom had
never even been to the DC area before. In this way and many others, the NOVA
Fest keeps growing. It was bigger than last year’s, which was bigger than the
year before. It keeps growing and gaining power and clout without losing its
sense of community.

‘Hotel Artemis’ Trailer: Jodie Foster Runs A Hospital Just For Villains

Ever since his work on the Brit superhero sitcom No Heroics to penning the script for Iron Man 3, directing Marvel one-shot All Hail the King, and writing Mission: Impossible-Rogue Nation, Drew Pearce has been a fan favorite among the pop culture set. That should bode well for attracting an audience for his directorial debut, Hotel Artemis, which looks like it could be a spinoff of John Wick.

Jodie Foster, Sterling K. Brown, Jeff Goldblum, Jenny Slate, Zachary Quinto, Charlie Day, Sofia Boutella, Brian Tyree Henry, and Dave Bautista lead a tremendous ensemble, the kind most first-time directors could never hope to get. The story takes place in a future version of Los Angeles at a special members-only hospital just for criminals. Foster plays The Nurse, and her establishment has a strict set of rules which are put to the test when someone possesses an object of great value.

I’m a fan of giving the bad guys more shine, and with this cast it’s like Pearce is making a movie just for me. This is quite the ambitious directorial debut and I can’t wait to finally see it.

Hotel Artemis opens June 8th.

Review: ‘An Ordinary Man’, Ben Kingsley Commands As A Runaway War Criminal

Ben Kingsley’s chameleonic ability, his skill at transforming into wildly different characters of varying ethnicities from film to film, will always be worthy of praise. But I think we shouldn’t overlook his talent for hamming it up like a champion, a skill he seems to be making greater use of during the later stages of his stages. He puts it to good use in a domineering performance in An Ordinary Man, chewing the edges off as a Serbian war criminal who befriends a young maid whose motives are a bit cloudy.

Written and directed by Brad Silberling, An Ordinary Man is Kingsley at his most entertaining. He’s never better than when he’s going over the top to carry the dramatic load, and that tends to be in the plethora of mentor/mentee films he takes part. But where Kinglsey is often mismatched with underwhelming co-stars, Hera Hilmar more than measures up. Kingsley towers as a man simply known as the General, who  is shuffled around from safehouse to safehouse by Serbian loyalists in an effort to keep him from being arrested for war crimes. The General may be getting older but he’s still a tough cookie, as we see in the opening scene when he saves the owner of a local grocer from a robbery, simply by being bold and swift. A man of some principle, the rescue came moments after he had been belly-aching over the quality of produce.

Like Henry Hill growing bored of living in Witness Protection, the General has grown tired of a life of hiding in plain sight. He’s fed up with being shuttled from one shabby apartment to another by his handler (The Tick‘s Peter Serafinowicz) and wants a change of scenery. He gets that when his latest bland hideout is suddenly visited upon by the former occupant’s maid, Tanja (Kingsley’s The Ottoman Lieutenant co-star Hera Hilmar), who he greets by forcing her to strip down while holding a gun to her head. Convinced she’s not secretly there to kill him, the General invites her to be his maid instead, with a pay raise. Hopefully it’s for hazard pay.

A low budget two-hander, the film mostly takes place in drab apartment buildings while the General and Tanja warm up to one another. It quickly becomes clear (as if the whole stripping down thing wasn’t a clue) that he still fancies himself a commander  of others. He enjoys the power and influence he has over Tanja right from the start, although as they become closer she begins to exert some control over him. The General enjoys the odd prank, like going out into the city and making fools of those who are tracking him. Tanja is mostly dragged along and forced to do whatever the General wants, regardless of the danger it puts them both in. It’s only after a sudden mid-movie reveal, that isn’t so surprising really, that we see their relationship truly deepen.

Silberling wants us to see the man behind the monster, and let’s make it clear that the General is a monster. He practically brags about the genocidal acts he committed on behalf of his country, frequently bringing it up as a means of provoking a reaction from Tanja. She rarely indulges, and the General usually ends up musing with himself about his past actions, and if there are any regrets. But this isn’t a story that wants to dive too deep into what makes a man like the General tick, and it becomes unseemly that we’re basically being asked to sympathize with him. Or at the very least to overlook what he’s done and just enjoy the witty repartee between him and Tanja. We never see the impact of what the General has done, so he automatically comes out smelling like a rose. It’s not the most interesting angle this story could have taken, which may be why it doesn’t seem as if anything of consequence is happening.

Actually filmed in Serbia, An Ordinary Man is anything but ordinary on a visual level. Clearly shot on a tight budget, it benefits greatly from the authentic locations and population. But this is Kingsley’s show, he launches from rant to rant like a cannon’s fusillade, only allowing himself one or two scant moments of subtlety. Hilmar isn’t asked to be a firebrand, but she stands tall in her reserved yet defiant reactions to the General’s brazenness.

One wishes An Ordinary Man  had more narrative momentum and that it was more of a character study but it’s got Kingsley proving again why he’s one of the most watchable actors working today, and that’s enough.

Rating: 3 out of 5