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Daisy Ridley To Star In Thriller ‘The Ice Beneath Her’ From ‘Ready Or Not’ Directors

Daisy Ridley never let Star Wars stand in the way of other films she really wanted to do, but clearly there must be a lot more free time now that it’s over. She’s quickly jumped into her next major film, and it’s going to team her up for the first time with Radio Silence, the filmmaking trio behind hit thriller, Ready or Not.

Deadline reports Ridley will star in an adaptation of Swedish author Camila Grebe’s bestselling book, The Ice Beneath Her. The story, described as in the vein of Gone Girl and The Girl On the Train, follows a detective and a profiler as they track down a murderer who left a woman’s severed head in the home of a prominent businessman.

Caitlin Parrish, a writer on Arrowverse series Supergirl, has adapted the novel for the screen.

Radio Silence is comprised of directors Matt Bettinelli-Olpin and Tyler Gillett, along with producer Chad Villella. After the modest $60M success of Ready or Not, the trio have been keeping busy. They’re teaming up with Phil Lord and Chris Miller for a horror-comedy, and have also signed on for a new film in the Scream franchise.

Sony Possibly Considering A Streaming Series For Spider-Man Spinoff ‘Silver & Black’

Sony’s hopes of creating an expansive Spider-Man cinematic universe stretch much further back than the success of Venom. Even before then, when Andrew Garfield was still wearing the webbing, they had a huge number of films in the works. One of those was a female-led spinoff movie, which was later revealed to be Silver & Black, following antiheroes Silver Sable and Black Cat. Gina Prince-Bythewood was attached to direct, but the film stalled, was split into two solo movies, then shelved altogether.

Prince-Bythewood doesn’t seem convinced any version of Silver & Black will happen, but she does tell THR that Sony is exploring a different option: streaming.

“Things are the status quo on my side,” said Prince-Bythwood. “I really love that project, and I do hope it can still happen in some way. It keeps going through different thoughts. First, it was going to be the two of them, and then the decision was made to separate the two. Now, there’s a thought of ‘Hey, maybe we put it on Disney+ as a limited series,’ but I loved it more as a film with the two of them. So, my hope is that one day it can still happen.”

So this is interesting because it’s going to have a lot of people assuming Sony and Marvel have struck a deal to bring a Spider-Man spinoff to Disney+. While Sony and Marvel have made their peace when it comes to Tom Holland’s version of Spidey, there’s no such deal that would bring other Sony projects to the house of Disney. This would be like if Venom suddenly showed up on Disney+ right next to Avengers: Endgame. Not likely, or at least it isn’t likely yet.

Perhaps, and this is a big “if”, Sony could and Disney could work something out for it to be on Hulu? To the best of my knowledge there is nothing that stops Sony from shopping this wherever they want, be it Apple TV+, Amazon Prime, or even Quibi?

‘The Rise Of Skywalker’ Is Hitting Disney+ On Star Wars Day, Two Months Early

The annual Star Wars Day is always a time of celebration for fans of George Lucas’ legendary franchise. Since under the control of Disney, it’s also been the time for special announcements and reveals, and this year is no different as Star Wars: The Rise of Skywalker is set to hit Disney+ on that day.

Two months earlier than expected, Star Wars: The Rise of Skywalker will be available on Disney+ beginning May 4th. That makes all 9 movies in the Skywalker Saga available on the streaming service. The announcement was made with a new trailer touting the entire 9-part epic, and not The Rise of Skywalker itself.

The reason for that should be pretty obvious. While some may like to claim The Rise of Skywalker as polarizing as The Last Jedi, the numbers don’t support that. Fans actually didn’t like the finale much, and recent reporting shows it to have been the least profitable Star Wars film with the exception of Solo: A Star Wars Story. Let that sink in. So its arrival on Disney+ doesn’t really feel like much of an event, just something that needed to happen.

 

 

 

 

 

 

‘Love, Victor’ Teaser: Hulu’s ‘Love, Simon’ Spinoff Series Gets Steamy In A Hurry

The 2018 film Love, Simon etched its place into many hearts by presenting a traditional, mainstream romance for an LGBTQ teen, still somehow a rarity for major Hollywood studios.  It turned out to be one of the final successful films for Fox before they were acquired by Disney, who originally planned to debut the upcoming spinoff series Love, Victor, on Disney+. That plan changed, for reasons that remain in question, but today we’re getting the first teaser before it arrives this summer on Hulu.

Love, Victor stars Michael Cimino as Victor, who is on a similar journey of sexual discovery as Simon, and even attends the same high school. When being the new kid at school, dealing with his family, and figuring out his sexual orientation proves too difficult, Victor reaches out to Simon who knows a thing or two about this very thing.

Nick Robinson reprises his role as Simon,  mainly as the series’ narrator. The rest of the cast includes Ana Ortiz, James Martinez, Isabella Ferreira, Rachel Naomi Hilson, Sophia Bush, and Mateo Fernandez.

Speculation is Disney decided to move the series to Hulu because it wasn’t family-friendly enough and dealt with some adult situations. This first clip, I think, was chosen specifically to address this issue. Victor’s attraction to a hot male barista turns into quite the fantasy, with music (and even dialogue) that sounds like it came from a porno flick. Of course, the hypocrisy is  Disney wouldn’t have batted an eye if this were a heterosexual scene, or featured someone being gutted by a lightsaber.

The 10-episode Love, Victor hits Hulu on June 19th.

Ryan Reynolds Is Still Warning Fans Away From 2011’s ‘Green Lantern’

Before there was Justice League, the other DC Comics film to be an embarrassing flop was 2011’s Green Lantern. >sigh<  Sometimes I still think what might’ve been if that movie hadn’t bombed so hard. It’d be a completely different DCEU, that’s for sure. Anyway, even after all of this time Ryan Reynolds’ awful performance as Hal Jordan is still worth a laugh, and that includes by Reynolds himself.

Green Lantern recently went on sale for $0.99 on ITunes, and a fan asked Reynolds if it was worth checking out, even at that price. Reynolds’ answer is short, to the point, and classic…

We had a lot of fun with the shit show Reynolds’ once-hot career became after Green Lantern, but we’re legit glad to have seen him bounce back. That he can make fun of himself and the choices he made (as he still frequently does with X-Men Origins: Wolverine) is what makes him one of the most likable celebs on social media.

Next up for Reynolds if the video game comedy Free Guy which opens on December 11th.

‘Train To Busan’ Director Teams With Netflix For ‘Hellbound’ Series

Korean filmmakers have been making moves in Hollywood for years, but with the Oscar-winning success of Parasite director Bong Joon-ho, that’s looking to grow. Perhaps Train to Busan director Yeon Sang-ho will be the next to blow up? Not only is a “sequel” to that film, titled Peninsula, coming this summer, but he’s now joined with Netflix for original series, Hellbound.

ScreenDaily reports Yeon Sang-ho will direct Hellbound, which is based on a popular webcomic by illustrator Choi Gyu-seok. The two of them will collaborate on the script, which tells the “story of surviving under social chaos, when a group of supernatural beings appear and condemn people to hell. A new religious group interprets them as the will of the divine.”

Train to Busan was not only an international hit, the zombie outbreak film became a cult favorite here in the U.S., as well. The followup, Peninsula, isn’t a true sequel but is set in the same universe. With the buzz surrounding that film, Netflix may look to put Sang-ho’s Hellbound on the fast track.

Podcast: Talking EXTRACTION, ROBERT THE BRUCE, BACK TO THE FUTURE Plotholes, CLONE WARS

On this week’s Cinema Royale we’re talking Chris Hemsworth’s Netflix action flick EXTRACTION! Plus we go on a weird quarantine stream rant about a little bit of everything, before finally talking ROBERT THE BRUCE, BACK TO THE FUTURE plot holes, Tom Hardy trolling his fans, and more!

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‘Back To The Future’ Writer Settles Plot Hole Debate That Has Been Ongoing For Decades

Guardians of the Galaxy director Jame Gunn has been the impetus for many a social media barn fire, but he really stirred one up when discussing Back to the Future. Gunn took part in Twitter’s #FivePerfectMovies, and opened up a conversation about the differences between a “perfect” movie and his favorites.  Ultimately, Gunn decides that Back to the Future is indeed perfection, because there are possible excuses for the movie’s one glaring plothole: “Why don’t Mom and Dad remember Marty?”

For those who don’t know the Back to the Future plot, the ’85 movie goes a little bit like this. Michael J. Fox’s Marty McFly travels back in time and meets his parents in their high school years. Under the name “Calvin Klein”, Marty accidentally messes up their courtship and then spends the rest of the movie trying to get them back together to ensure his own birth. When he succeeds and travels back to the present, they don’t recognize him as that Calvin kid who was so much a part of their life for a few days.

Chris Pratt couldn’t help but to jump in and challenge his Guardians director, though. He replied to Gunn that this isn’t really a plothole, because “it could have been years since his parents would have perhaps originally noted the uncanny resemblance between their son and that kid from high school.”

Anyway, enter Back to the Future writer Bob Gale, who puts a final nail in the long-standing question once and for all, siding with Pratt’s opinion. He told THR recently…

“Bear in mind that George and Lorraine only knew Marty/Calvin for eight days when they were 17, and they did not even see him every one of those eight days,” Gale said. “So, many years later, they still might remember that interesting kid who got them together on their first date.”

“So Lorraine and George might think it funny that they once actually met someone named Calvin Klein, and even if they thought their son at age 16 or 17 had some resemblance to him, it wouldn’t be a big deal. I’d bet most of us could look thru our high school yearbooks and find photos of our teen-aged classmates that bear some resemblance to our children.”

Speaking just for me, if somebody I knew in high school showed up at my door right now, and I hadn’t seen them in 20 years, they wouldn’t be recognized.

Gale’s assertion makes a lot of sense. For us and for Marty, their reunion is a touching moment that very nearly was made impossible. But for his parents, who have been watching their boy grow up incrementally for so long, it’s just another day, and it might take a photo of Calvin to remind them of the uncanny resemblance to their boy.

 

 

 

Ryan Reynolds And Shawn Levy Reteaming For Long-Developing Time Travel Movie

Formerly Circled By Tom Cruise

The power of ZOOM meetings is that Ryan Reynolds continues to rack up work during quarantine. Not only does he have a Dragon’s Lair movie coming up, but now we know he’ll reteam with Free Guy director Shawn Levy on an upcoming sci-fi film.

This one is interesting because the untitled movie is hardly new. Formerly titled Our Name is Adam, it’s been making the rounds in Hollywood for years and had Tom Cruise eyeing the lead at one point.

Now with Reynolds attached, THR says the story follows “a man who must travel back in time to get help from his 13-year-old self. Together, they encounter their late father, who is now the same age as Reynolds.” T.S. Nowlin wrote the original script which is now being rewritten by Jonathan Tropper, who previously penned This is Where I Leave You for Levy to direct.

Assuming the world returns to some state of normalcy, the plan is to shoot later this year.

Review: ‘True History Of The Kelly Gang’

George MacKay Shines As The Infamous Ned Kelly In Justin Kurzel's Clunky Outlaw Drama

True History Of The Kelly Gang tells the tale of Ned Kelly (George MacKay) and his band of outlaws in Australia in the late 1800s. From an early age Ned (Orlando Schwerdt) had the deck stacked against him. The Kelly’s are a poor family that don’t have the best reputation. Ned’s mother Ellen (Essie Davis) resorts to prostitution to get food on the table for Ned and his handful of siblings. Ned’s father John is in and out of the picture, leaving at times and in jail at others.

One of the local officers, Sergeant O’Neil (Charlie Hunnam), takes a particular interest in Ellen. O’Neill ends up arresting John, who winds up dead in his prison cell. This is a huge blow to a family already teetering on the edge. Ellen ends up selling Ned to Harry Power (Russell Crowe), an infamous bushranger. Ellen wants Ned to learn from Harry and become a “big man” and to “go out there and show the world.”

Harry would go on to plant the seed of criminality in Ned. A seed that would grow to shape the rest of Ned’s life. Almost immediately Harry murders men in front of Ned and then brings Ned to exact his revenge on O’Neil. The inner turmoil in Ned is apparent, but eventually Henry’s teachings take over and Ned becomes a full-fledged outlaw.

As an adult, Ned seems to not have any fear. From bare knuckle boxing to brazenly running into the open to shoot enemies during a gunfight, nothing phases Ned. Eventually, Ned learns that his father was a member of the Sons of Sieve. This group is known for striking fear into their enemies all while crossdressing. Ned embraces his lineage and recruits men into his gang to try and make their mark against British oppression. As Ned begins losing his grip on his sanity, a massive attack on the British goes from a plan to an obsession.

True History Of The Kelly Gang is based off Peter Carey’s novel and directed by Justin Kurzel with Shaun Grant writing the screenplay. Kurzel does a great job highlighting the barren and desolate badlands of Ned’s childhood. The entire film is cast in dreary grays and drab colors, nothing bright or happy. Ned lived a cold and miserable life and the settings throughout the film aptly reflect that.

One of Kurzel’s main focuses is on the disorientation of battle. From employing numerous uses of shaky cam, to deafening noises and blinding lights, Kurzel really transports the audience into the middle of the fight scenes. While effective, it may be a little too much – at times even nauseating. It does give a unique feel to the film and leaves an impression.

However, the film truly struggles in providing a cohesive narrative. There are moments where it seems disjointed and clunky. Scenes will start with confusion on how the characters went from the last scene to the next. The acting is strong by most of the cast, with George MacKay shining as Ned. MacKay perfectly captures Ned’s instabilities and, at times, insanity.

True History Of The Kelly Gang is far from perfect, but it does have interesting moments and artistic elements. There is a punk rock feel to certain parts of the film – especially the scenes around Ned’s transition. The budget is clearly thin at points, with certain battles really needing more production value. Some of the deaths looking as fake as they did were hard on the eyes and took away from the atmosphere the film was trying to create.

The lasting appeal of the film will be through the visuals. From the badlands of Australia to the rhythmic cult like rituals, and finally the battles – the film is chock-full of images that are burned into my memory. True History Of The Kelly Gang will not be for everyone, but a select few will really enjoy what Kurzel created. For the vast majority, there are probably better options out there and True History Of The Kelly Gang is one to pass on.