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Review: ‘Unfriended: Dark Web’ Reveals A Semi-Realistic Dark Side Of The Internet

The marketing geniuses at Blumhouse are back at it again!  Being that the first Unfriended film was made for $1 million and managed to gross more than $64 million in the theaters (thanks to a new and inventive filmmaking style, showing the entire film from as if we were just looking at a laptop’s screen, spinning off from “found footage”), it’s a no-brainer that they would keep the trend going and release a sequel to the 2014 film.

Unfriended: Dark Web, decides not to continue from the previous film, as it dumps the supernatural angle and instead goes in a semi-real-world realm, the realm of the mysterious “Dark Web.”  For those without an IT degree (or those who don’t have a Tor browser), the dark web is a part of the known Internet that is not indexable by search engines, which allows those who use it to do more than vent about politics, go on World Star, and whatever else we waste more than half of our lives doing from our phones/computers.  Instead, the Dark Web (which most people really don’t know about) allows for some pretty seedier stuff to go on.  Don’t worry, the film does it’s best to educate you through one of the characters giving all the necessary computer exposition needed to catch you up to speed.

Still using the laptop-based filmmaking style but ditching the teenagers from the first film, Unfriended: Dark Web centers on a group of twenty-somethings, who are all college friends, and they participate in their ritual “Game Night” online via Skype amongst each other.  The Main character Matias (Colin Woodell) has just snagged a new laptop from a nearby café, which leads them to all sorts of difficulties on that unfortunate night.  After managing to get into the password-protected Mac computer (we’ll get to that in a second), all seems well and the group of friends can carry out their evening of playing virtual Cards Against Humanity.  Things start going awry when the owner of the laptop wants his merchandise back and will go to extreme lengths to collect.

The film starts off with the logging in on the newfound computer by Matias, complete with him trying endlessly to guess the user’s password with some very funny guessing until he finally guesses the password correctly after more than 14 times (don’t Macs lockout after so many tries?) and sets up the groups game night.  We get introduced to Matias as we learn that he stole the computer as he needed a machine with processing power so he can develop an ASL app to better communicate with his deaf girlfriend Amaya (Stephanie Nogueras).  Then we get to meet his group of college friends: newly engaged couple Nari (Get Out’s Betty Gabriel) and Serena (Rebecca Rittenhouse) who are dealing with not only a cancerous mother, but the difficulty of parents accepting their sexuality, conspiracy theorist AJ (Connor Del Rio) who has his own Youtube channel where he can scream into the void for his theories, Damon (Andrew Lees) is the resident computer expert Matias pulls up side chats with when he needs to figure out how to solve one of their technical problems and he also serves as the guy who explains technical jargon for the audience, and Lexx (Savira Windyani).  All seems to be well until Matias starts exploring hidden folders on his newfound computer and discovers that the owner “Charon IV” (Douglas Tait) is into some dark stuff…. Dark like stalking, kidnapping, and killing young women.  Oh, and Charon IV knows his computer’s been stolen and wants it back.

After a slow buildup, the film kicks it into high gear where the group of friends discover just how screwed they are.  At first, it’s only Charon IV to deal with, but after a few bone-headed heroic moves, they have members of Charon IV’s Dark Web group also working to cyberstalk and kill them through some genius ways.  He’s not called Charon IV for no reason as there are countless other Charons lurking on the Internet and they also want some vengeance for the missing laptop.

The film does a great job at building tension.  First time director Stephen Susco who has written horror films like The Grudge, The Grudge 2, and Texas Chainsaw 3D, manages to build tension using just the sounds of popups, Facebook notifications, and extremely loud jump scare noises that come out of nowhere throughout the film.  He manages to pull some pretty good performances out of the actors and you have to remember, they spend the entire film just staring at a camera and don’t really interact with each other.  Unfriended: Dark Web also works because it has absolutely nothing to do with the original and gives it a chance to stand on its own.  Perhaps if there is a third film, it will also be a completely different story and this series can operate as an anthology.

However, you REALLY have to take your suspension of disbelief pills when you see this movie.  Some things like a dark web operative having such an easily crackable laptop, Facebook notifications popping up repeatedly after logging off multiple times, people just taking strolls on rooftops, the bad hackers being “blurred out” whenever they appear on the screen (and the things they do defy current technology), and countless other eye-rolling things happen during this film which hurt it overall.  You can say, “sure, this is a thriller/horror film, it has to have some level of campiness,” but there are scenes in this film which max out your patience while watching it.

That said, the film is entertaining as the suspense racks up.  Depending on your technical sophistication, this film either works well and is very entertaining, or you will get aggressively angry at the technical fallacies presented during the film.  Fun fact: there will be two different endings for the movie depending on what theater you see it at.  As a result, the ending may surprise you…. or it may not.

Rating: 3 out of 5

Zazie Beetz May Join Joaquin Phoenix’s ‘Joker’ Movie

From one absurd antihero to the ultimate Clown Prince of Crime. Zazie Beetz, who kicked ass as Domino in Deadpool 2, is now in talks to join Todd Phillips’ and Joaquin Phoenix’s Joker film, making her one of the rare actors to work with both Marvel and DC.

Domino’s stroke of good luck is carrying over to the DCEU, or at least a darker, standalone offshoot of the superhero franchise. Beetz will play a “single mother who catches the interest of the man” who will eventually become the Joker. Chances are Beetz will be playing a new character based on that description, so if you were thinking Harley Quinn that’s probably not happening.

Joker begins shooting in September, with Phillips directing and co-writing the script with Scott Silver. The film then opens next year on October 4th. [THR]

Comic-Con: New ‘Stargirl’ Live-Action Series In The Works From Geoff Johns And Greg Berlanti

So far this Comic-Con has been owned by Warner Bros. and DC Entertainment. After dropping a big ol’ F-bomb in their Titans trailer, now comes word that a Stargirl series is in the works for the DC Universe streaming network.

Deadline and honestly everybody here at Comic-Con have been talking about this the last few hours, so I’m guessing Geoff Johns mentioned it during his panel. The 13-episode series is slated to launch in 2019 and tells the story of Courtney Whitmore, an average high school girl who taps into a superhero’s legacy and joins the Justice Society of America. She has appeared on the small screen before in episodes of Smallville and DC’s Legends of Tomorrow. Here are Johns’s comments about the series and why this character is so important to him…
“Obviously, Stargirl was first character I created for DC. Most important, Courtney Whitmore was inspired by my sister who passed away. To have an opportunity to tell a story celebrating this superhero was literally the first thing I wanted to do because it is so personal to me. Also, a character that speaks to being young, to a legacy and to pushing forward seems so important to me nowadays.”

Here is the synopsis:  STARGIRL follows High School sophomore Courtney Whitmore who inspires an unlikely group of young heroes to stop the villains of the past. This new DC Universe series reimagines Stargirl and the very first superhero team, the Justice Society of America, in a fun, exciting and unpredictable series premiering in 2019, produced by Warner Bros. Television, Mad Ghost Productions and Berlanti Productions.

Johns will write the series and exec-produce with Greg Berlanti and Sarah Schechter.  So make that six confirmed series for DC Universe including Titans, Doom Patrol, Swamp Thing, Harley Quinn, and Young Justice: Outsiders. 

Comic-Con: ‘Star Wars: The Clone Wars’ Is Coming Back To Finish What Was Started

I think we were all unsure what, if anything, to expect out of Star Wars here at Comic-Con, but it definitely wasn’t this. Star Wars: The Clone Wars, the animated series which ended in 2014 after six(ish) seasons, is coming back. And look, there’s already a trailer for it…

Star Wars: The Clone Wars is exactly what its title suggests. It takes place between Attack of the Clones and Revenge of the Sith, and details Anakin Skywalker’s downward path to the Dark Side; Obi-Wan Kenobi’s ascension to leadership, and the Clone Army’s various battles alongside the Jedi until Emperor Palpatine issues Order 66.  After five seasons the final one was released on Netflix, and left some pretty big cliffhangers. One is immediately picked up on in this trailer and it’s the return of Ahsoka Tano, Anakin’s padewan who left the Jedo Order after being framed for a crime she didn’t commit. I’m not sure who that Mandalorian is with her, but their presence is probably going to be a big deal. We’ve seen Tano since, but that was in Star Wars Rebels which takes place years later.

No word on when this will be released, but it’s to be part of Disney’s streaming service whice means 2019 is likely.  Here is the official statement from Lucasfilm followed by some comments by overseen Dave Filoni…

The Clone Wars ended after five broadcast seasons — just as Ahsoka left the Jedi Order. A few post-Season Five episodes were later released as “The Lost Missions,” but the story wasn’t over. Fans have clamored for Disney and Lucasfilm to finish what was started ever since. And now it’s actually happening.

“Personally, it’s very rewarding,” Filoni told StarWars.com. “Any opportunity to put the final pieces of the story in place is meaningful as a storyteller. I’m happy for the opportunity to define these things and the end of this part of the Clone War. It also makes me reflect on all the people that I got to work with over the years. It reinforces the things I learned from George. It reminds me of the important elements that go into making Star Wars. So, it’s nice on several levels, and I think for the crew that’s still here that worked on Clone Wars, they feel that, as well.”

Comcast Drops Out Of Fox Deal, Clearing Way For Disney

I don’t know if this kind of news generally makes waves at Comic-Con, but its impact could be felt here for years to come. It’s official now that Comcast has pulled out of the running to acquire 21st Century Fox’s assets, leaving the path clear for them to head to Disney.

So what does that mean? Of course, it means the X-Men, Fantastic Four, Deadpool, and other franchise properties could be making their way to the Mouse House. The crown jewel is being able to bring those Marvel assets over into the MCU alongside the Avengers.

“Comcast does not intend to pursue further the acquisition of the Twenty-First Century Fox assets and, instead, will focus on our recommended offer for Sky,” the company said in a statement today. Brian L. Roberts, Comcast CEO, added: “I’d like to congratulate Bob Iger and the team at Disney and commend the Murdoch family and Fox for creating such a desirable and respected company.”




The deal with Disney still has kinks to be ironed out, but it has just passed a major hurdle.

Review: ‘Mamma Mia! Here We Go Again,’ With Meryl Streep, Amanda Seyfried, Pierce Brosnan, and Cher

If you aren’t already an ABBA or “Mamma Mia!” fan, I can’t convince you to see the sequel “Here We Go Again” — this is a movie made purely for its already captured demo. You want more handsome men? They’ve doubled the amount from the first film! You want more songs? There are so many damn songs! You want more shots of how beautiful and idyllic the Greek islands are? There are a bunch of those!

“Mamma Mia! Here We Go Again” is being released 10 years after the original, and sure, that was an already-decided-upon scheduling choice. But “Here We Go Again” also feels like a movie that most people will need right now: it’s fun, charming, light, gleeful, giddy, energetic. It’s basically a picnic on a sunny day with no humidity and no threat of thunderstorms and all your favorite snacks. It’s like an exuberant high-five followed by a meaningful hug. It’s not attempting to be anything different from what it is, which is a romantic comedy musical, and that’s just fine.

Picking up a decade after the events of the first film, “Here We Go Again” balances two storylines. In present day, Sophie (Amanda Seyfried) is consumed with reopening the villa after the damage it sustained at the end of the first film. She’s in Greece while her partner Sky (Dominic Cooper) is in New York City studying the hospitality business, and the six weeks they’ve spent apart has put a strain on their relationship. That leads Sophie to turn to her stepfather and potential biological father Sam (Pierce Brosnan), and it’s through his memories of how he and Sophie’s mother Donna (Meryl Streep) met that the narrative jumps back to 1979.

In the late ’70s, Donna (now played by Lily James) had just graduated and was ready to see the world. With a few suitcases, an array of fantastic hats, and a winning smile at her disposal, Donna travels through Europe, crossing paths with the men who years later Sophie would call her three dads: Brit Harry (in the past played by Hugh Skinner; in the present day played by Colin Firth), who is on holiday before beginning a career in banking; Swede sailor Bill (in the past played by Josh Dylan and in the present day played by Stellan Skarsgård), who has a playboy reputation; and Irish architect and artist Sam (played by the past by Jeremy Irvine), who is flirting with the idea of never going back home.

How Donna becomes entangled with these three men, each of whom grow to care for her deeply, is explored in that 1979 storyline, as well as her friendships with life-long confidantes Tanya (played in the past by Jessica Keenan Wynn and in the present day by Christine Baranski) and Rosie (played in the past by Alexa Davies and in the present day by Julie Walters).

Donna sings, dances, and expresses her desire to live simply but joyously; decades later, Sophie wonders if she can do the same. And while nothing about “Here We Go Again” is particularly surprising — this movie is primarily and almost exclusively about love and friendship, and to assume otherwise would be foolish — it at least has a script that is funny and self-aware. Baranski is again the MVP, delivering lines like “Be still, my beating vagina” with great gusto, but Wynn and Walters are fantastic as well as younger versions of Tanya and Rosie. Andy Garcia is a welcome addition, even though you can clearly tell why both he and Cher have been incorporated into the film. And James is lovely; she’s not an exact match for Streep’s mannerisms, but she goes all-in, especially during a duet between her and Harry in a French bistro.

By the time of the final “Dancing Queen” performance, which brings together practically every character on the island of Kalokairi, you’ll think the film is almost over — but no, you still have three more endings to go! “Mamma Mia! Here We Go Again” is a little too long and a little too concentrated on itself, but why would you expect anything else? It’s goofy and it’s buoyant, and right now, that feels like just enough.

Review: 4 out of 5

DC Universe’s ‘Titans’ Trailer: Robin Saying “F*ck Batman” Is All Anyone Will Remember About It

Damn, Boy Wonder! What’s with all the Batman hate? In the first trailer for the DC Universe series Titans, we see Robin (Brenton Thwaites) give a hearty “Fuck Batman” when the Dark Knight’s name comes up. Um, if you thought the DCEU wasn’t dark and gritty enough, this show will apparently be for you.

And that is my big problem with the trailer, overall. It’s trying so hard to be edgy that it comes across kinda ridiculous. The adult language is one thing but the violence has also been pumped up to the max. Aren’t these the same characters Warner Bros. wants families to check out in Teen Titans Go! To The Movies? Make up your minds, people!

The footage also gives us a look at Anna Diop as Starfire, Ryan Potter as Beast Boy, and is mostly led by Teagan Croft as Raven, whose dark powers are getting the best of her. Meanwhile, Robin is all up in his feelings because he’ll never truly get out from under Batman’s shadow. Well, this isn’t going to help.

The series has Arrowverse mastermind Greg Berlanti as co-creator, working alongside Akiva Goldsman and Geoff Johns. Pretty solid trio there.

Here’s the series synopsis: TITANS follows young heroes from across the DC Universe as they come of age and find belonging in a gritty take on the classic Teen Titans franchise.


Titans hits the DC Universe streaming service this fall.

‘Shazam!’ May Play Big Role In DCEU, Zachary Levi Would “Lose All Of The Sh*ts” To Join Justice League

What the future holds for the DCEU is going to depend a lot on what happens over the next few days. One of the films Warner Bros. is relying on heavily is Shazam!, which will be part of the big Hall H presentation this weekend along with Wonder Woman 1984, Aquaman, and hopefully Birds of Prey.

Shazam producer Peter Safran was asked if there was a chance of seeing the superhero alongside other DCEU heroes, perhaps even in a Justice League sequel, and his response to EW leaves that door open…

“I wouldn’t be surprised to see Shazam play a role in the DCU,” Safran said. “He exists in that world.”


Keep in mind just how badly Justice League did last year, okay? The chances of a sequel are small, but I think Warner Bros. would be foolish to not give it another shot, especially with a new wave of heroes making up the team.  And if that happens, star Zachary Levi is already pumped at the idea of Shazam mingling with the Justice Leaguers…

“I would lose my shit if that happened, I would lose all of the shits,” Levi said. “I remember thinking, ‘If I get this and if this movie does well enough and if ‘Justice League’ does well enough and they make another ‘Justice League’…maybe I’ll be on that next poster with all those guys.”

Shazam! opens April 5th 2019.

Review: ‘The Equalizer 2’ Proves That Denzel Can’t Save Them All


The Equalizer 2
picks up where we left off, with Robert McCall (Denzel Washington) continuing
on his path of helping those less fortunate who cannot fend for themselves.

This time his escapades even take him international as he heads to Turkey to
rescue a child that has been kidnapped. During the day McCall is a Lyft driver
in Boston, observing the different types of people that he crosses paths with –
all of them who don’t think twice about the mostly quiet and caring person
behind the wheel. Any of the people that enter McCall’s life, no matter how
quickly or inconsequentially, may be someone he ends up helping if he feels
they need it. It is interesting to see the effects that McCall has on so many
people and him wanting no credit for his good deeds – except for the occasional
5 star Lyft rating.

McCall has spent a lot of time and energy trying to bury his
past. So much so that Susan (Melissa Leo) and her husband Brian (Bill Pullman)
are really his only friends and the only link to the past that he is trying to
outrun. When an agent from McCall’s old company ends up killed in a
murder-suicide, Susan and McCall’s old partner Dave (Pedro Pascal) go to
Belgium to investigate. Unfortunately things go south and Susan ends up killed
herself. McCall puts everything else to the side to try and track down her
killers and reaches out to Dave for help – unearthing the past that he has
tried so hard to distance himself from. As the film progresses we hear constant
updates from television and radio about the impending storm that is gaining
ferocity. McCall mirrors that storm as he takes out all the stops to find out
who murdered Susan.
The action in The Equalizer
2
is pretty spread out – but when we do get some it is mostly top notch. It
is great to see the same hard hitting McCall back on the big screen and righting
wrongs with ruthless precision. Denzel is fantastic as usual, delivering quick
lines both to inspire those around him as well as strike fear in his
adversaries. After The Equalizer I
was very excited for the second and even more so when I found out that Antoine Fuqua was returning to direct the sequel. Even though I thought The Equalizer would have been perfectly fine standing on its own, I
admit I was looking forward to seeing McCall back on the big screen. However,
as great of a character as he is and as solid of a performance Denzel puts in, neither
are enough to truly save The Equalizer 2 from numerous pitfalls and
plotholes. The film takes too long to really get going and it never really
finds its footing – a stark contrast from the first film in the franchise. I
really do wish The Equalizer 2 was
able to replicate the magic from The
Equalizer
, but instead we get to see a great performance by Denzel wasted
on a mediocre movie. The Equalizer 2
isn’t the worst choice for a matinee or waiting until Redbox, or instead just
rewatch the first film a few more times and bask in its glory.

Rating: 2.5 out of 5

This ‘Welcome To Marwen’ Trailer Looks Nothing Like The First

If you’re wondering why a second trailer for Welcome to Marwen is here so soon after the first, then you must have missed the bad buzz that came after it. Something about it was just wrong; the tone was too light, the stuff with the toys felt like it was meant as a knock-off of Michel Gondry’s work, and it just missed the target if you knew the true story of artist Mark Hogancamp. After a brutal attack left him suffering from PTSD and traumatic brain injury, Hogancamp built a fantasy world out of action figures representing him and the important people in his life.

Sadly, the first trailer made his recovery look like a fun romp through his life. The latest is completely different, an altogether sobering look at Hogancamp’s struggle and Steve Carell’s performance which looks to be awards worthy. That was hard to notice underneath the cheery musical score, the Army Men-style action cues, and more. In short, it’s crazy how a good trailer can change your mindset about a movie.

Directed by Robert Zemeckis with Leslie Mann, Merritt Wever, Janelle Monae, Eiza Gonzalez, and Gwendoline Christie co-starring, Welcome to Marwen opens December 21st.