Perception is the latest film to take a stab at examining
the afterlife and our interactions with it. Daniel (Wes Ramsey) is a hotshot
real estate developer who is flying through the ranks of his company –
everything is just coming up roses for him professionally. On a personal level he
is grieving the loss of his wife, but he is putting all his focus on work to
try and avoid dealing with the pain. A new development project leads him into a
local psychic shop. The whole block is going to be torn down and Daniel is the
bearer of bad news. Nina (Meera Rohit Kumbhani), a psychic herself, senses the
spirit of Maggie (Caitlin Mehner) – Daniel’s deceased wife who was an up-and-coming
local artist. Nina offers Daniel a free reading where she is able to feel Maggie’s
presence and lets David know that Maggie’s spirit is following him. David
immediately pushes Nina for more and to engage with Maggie, but Nina resists. Nina warns David that these connections take time to develop so more sessions
were needed – with these extra sessions not being on the house of course.
For as successful and well-off as Daniel is, Nina is the
opposite. She is having trouble making ends meet – behind on rent and bills and
just trying to get by. What better way to help turn her situation around than a
repeat customer with a lot of money, who is willing to pay whatever it takes to
get what he wants… As Nina and Daniel’s sessions continue, she begins to see
that Maggie is a dark and angry presence. Nina is reluctant to continue, but
Daniel convinces her and the amount of money she is making is life changing.
Daniel insists that she channel Maggie, a difficult feat that will cost him
thousands of dollars – but money is no object for a chance to reconnect with
his wife. Nina and Daniel’s dangerous game is affecting everyone, as Nina’s son
Hugo begins to exhibit stranger and stranger behaviors, including drawings that
are eerily similar to ones that Maggie had in her own studio. Nina and Daniel
are selfishly continuing to engage in these sessions, each with their own
agendas, no matter how disastrous the consequences are becoming.
opposite. She is having trouble making ends meet – behind on rent and bills and
just trying to get by. What better way to help turn her situation around than a
repeat customer with a lot of money, who is willing to pay whatever it takes to
get what he wants… As Nina and Daniel’s sessions continue, she begins to see
that Maggie is a dark and angry presence. Nina is reluctant to continue, but
Daniel convinces her and the amount of money she is making is life changing.
Daniel insists that she channel Maggie, a difficult feat that will cost him
thousands of dollars – but money is no object for a chance to reconnect with
his wife. Nina and Daniel’s dangerous game is affecting everyone, as Nina’s son
Hugo begins to exhibit stranger and stranger behaviors, including drawings that
are eerily similar to ones that Maggie had in her own studio. Nina and Daniel
are selfishly continuing to engage in these sessions, each with their own
agendas, no matter how disastrous the consequences are becoming.
Perception has an interesting premise, but it never
really delivers to it’s full potential. Writer/director Ilana Rein and writer
Brian Smith weave Daniel and Maggie’s backstory through flashbacks Nina sees
during their sessions, an interesting stylistic choice that helps move the film
along. The acting is not terrible, it is far from top notch, but for a lower
budget film it is more than serviceable. The film is predictable, but even with
knowing what is going to happen, it still manages to be relatively
entertaining. Thrillers do not need to be full of blood and gore, or cheap
scares, to be successful and Perception
fully embraces this belief – however it may embrace it a little too much, not
delivering any memorable scares or truly tense moments. When the dust settles, Perception
is a middle of the road thriller that had a chance to be much more than it was.
This is one you can wait to watch on Netflix and not think twice about.
really delivers to it’s full potential. Writer/director Ilana Rein and writer
Brian Smith weave Daniel and Maggie’s backstory through flashbacks Nina sees
during their sessions, an interesting stylistic choice that helps move the film
along. The acting is not terrible, it is far from top notch, but for a lower
budget film it is more than serviceable. The film is predictable, but even with
knowing what is going to happen, it still manages to be relatively
entertaining. Thrillers do not need to be full of blood and gore, or cheap
scares, to be successful and Perception
fully embraces this belief – however it may embrace it a little too much, not
delivering any memorable scares or truly tense moments. When the dust settles, Perception
is a middle of the road thriller that had a chance to be much more than it was.
This is one you can wait to watch on Netflix and not think twice about.
Rating: 2 out of 5
