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Review: ‘Next Goal Wins’

Taika Waititi's Silly, Good-Hearted Soccer Comedy Scores When It Counts

NEXT GOAL WINS-Taika Waititi proved that Thor: Love & Thunder was no fluke, it was the start of a mediocre trend.

Taika Waititi’s unique brand of humor has elevated him from relative obscurity to directing a pair of hit Marvel films, becoming a popular favorite in the process, and winning an Oscar for his hilarious and poignant WWII film, Jojo Rabbit. It’s still fair to say that Waititi…well, he ain’t for everybody. But his skills at finding humor in the underdog story are unquestionable, and put to pretty good use with soccer comedy Next Goal Wins. The long-delayed film is Waititi’s Cool Runnings set on grass, and is sure to be a crowd-pleaser that scores with the director’s legion of fans, despite the yellow flags it also earns.

Based on the 2014 documentary of the same name, Next Goal Wins is led by comedy giant, Michael Fassbender, as real-life soccer coach Thomas Rongen. The film chronicles Rongen’s fall from grace to being hired to coach the dreadful American Samoa squad, which suffered the worst World Cup loss of all-time. The 31-0 drubbing at the speedy feet of the Australia team in 2001 was just the tip of the iceberg. The Samoans had NEVER scored a goal ever, and it didn’t look like they ever would. Enter Rongen, whose life is a total misery but takes this job to turn the Samoan team around. Not necessarily to win and enter the World Cup or anything, just to score “one goal” as Rongen is frequently told by Tavita (an excellent Oscar Kightley), head of the soccer team and island cheerleader.

You get a sense of the tone immediately, with the first face you see being that of Waititi himself as a priest discussing the story’s authenticity. I admit that normally this would be worrying, as Waititi occasionally overestimates his comic worth as an actor (see also Thor: Love & Thunder), but he’s used sparingly here. And fortunately, Fassbender’s shoulders aren’t relied upon to carry the comedic weight. As good of a dramatic actor as he is, Fassbender isn’t particularly funny and one could even say he’s miscast here. Someone like Gerard Butler would probably have fit better. Or perhaps co-star Will Arnett, who plays Alex, a smarmy soccer official in a role originally written for Armie Hammer. There’s a subplot involving Thomas and his soon-to-be ex-wife Gail, played by an underutilized Elisabeth Moss, who seems to want to move on but make sure Thomas gets his life back on track.

Next Goal Wins is an unexpectedly complicated movie. The story is pretty basic on a fundamental level. You know where the beats are long before they actually arrive. Thomas is a fish out of water who struggles to connect with the Samoan heritage and thus the players he’s meant to coach. They make fun of him being the White outsider, he has a troubled past and anger management issues. Eventually, he learns to get over himself and the team responds with a rousing moment of togetherness, which leads to immediate success. Boom. Waititi does all of this with a winking eye towards loads of other projects with a similar theme; from The Karate Kid to Any Given Sunday to the obvious Cool Runnings and even Ted Lasso. Waititi, along with co-writer Iain Morris, lean hard on the laughs and the jokes practically write themselves. Frequent displays of hard work and heart help endear us to the team as a whole, since the individual members are barely sketched out at all. We still laugh hard when their shots go wildly awry as if there’s a forcefield surrounding the goal.

The problem is the comedy also undermines the emotional heft of Rongen’s accomplishment and that of American Samoa. This is especially true in the storyline involving Jaiyah Saelua (Kaimana), the team’s fa’afafine/non-binary player who was struggling with her identity throughout. Jaiyah, who is beloved by her teammates but faces prejudice from others, grapples with a transition that will prevent her from playing the sport she loves, while also dealing with Thomas’ explosive anger. Of course, the two will eventually find themselves on equal footing, and while this entire thread could’ve done with more fleshing out, Kaimana is excellent in the role and it also affords Fassbender something with a bit of dramatic weight to it. It’s no surprise that he’s most comfortable in these scenes, and later when it’s revealed a tragedy in Thomas’ past that has been holding him back for so long.

What’s funny about the finale is how invested it gets us to be in a game with such low stakes. Going from awful to just merely bad is all that is expected out of American Samoa, but still we can’t help but cheer them on in their efforts to score. Waititi makes some curious but successful editing choices here, including a total change of perspective that adds a fairy tale quality to this real-life fairy tale story.  Next Goal Wins doesn’t always hit its shots but knows how to win when it counts.

Next Goal Wins opens in theaters on November 17th.

‘Role Play’ Trailer: Kaley Cuoco Is A Suburban Mom Keeping A Deadly Secret From David Oyelowo

Kaley Cuoco and David Oyelowo in ROLE PLAY

Married couple engage in role play all of the time. It’s a perfectly natural way to try and spice things up romantically. In the movies, however, it always ends in disaster. ALWAYS. In the upcoming Prime Video action-comedy Role Play, Kaley Cuoco and David Oyelowo find themselves in a Mr. & Mrs. Smith situation when they try to energize their love life.

Cuoco and Oyelowo play a happily married suburban couple who try to ramp up the kink factor with some role play at a nearby hotel. But what ends up happening is the husband learns his wife is secretly an elite assassin for hire, and he ends up tagging along on her dangerous “one last job”, which as we know never turns out to be the case. Who wants to bet money they end up as an assassin team for hire?

The film is directed by Thomas Vincent, who is familiar to Amazon as he’s directed episodes of their Reacher series. Also in the cast are Connie Nielsen and Bill Nighy.

SYNOPSIS: Emma has a wonderful husband and two kids in the suburbs of New Jersey – she also has a secret life as an assassin for hire – a secret that her husband David discovers when the couple decide to spice up their marriage with a little role play.

Role Play hits Prime Video on January 12th 2024.

‘What If…?’ Season 2 Trailer: Marvel’s Animated Multiverse Anthology Returns Next Month For Nine Episodes

What If...? Returns on December 22nd.

With reports that Marvel Studios could be scrapping the entire Multiverse Saga storyline, it makes for odd timing the release of a trailer for What If? season two. The series is all about the Multiverse, spinning off stories about alternate universes with unique twists on Marvel lore. Will this translate into a severe dip in audience for the Disney+ series? Probably not, because much like the first season, this one looks awesome, too.

Continuing to take an anthology-style approach, the nine-episode season of What If? tells self-contained stories set in different universes. A slight change in events leads to some drastic changes to established Marvel heroes, which is part of the fun of this series. And it looks as if this time we’ll see Black Panther, Ant-Man, and other Avengers battling a dangerous telekinetic kid, plus we’ll see the return of Hela, a Death Race-style battle in Grandmaster’s arena, Scarlet Witch unleashing her powers, an Asgardian battle, and older version of Hulk, and Uatu the Watcher (Jeffrey Wright) doing what he does best…watching.

Here’s the synopsis: Season two of “What If…?” continues the journey as The Watcher guides viewers through the vast multiverse, introducing brand new and familiar faces throughout the MCU. The series questions, revisits and twists classic Marvel Cinematic moments with an incredible voice cast that includes a host of stars who reprise their iconic roles. Featuring fan-favorite characters this season like Nebula, Hela and Happy Hogan, episodes are directed by executive producer Bryan Andrews with executive producer AC Bradley as head writer.

What If? season two hits Disney+ on December 22nd with a new episode each day. Pretty sweet way to end the year!

‘Chicken Run: Dawn Of The Nugget’ Trailer: Aardman’s Long-Awaited Sequel Hits Netflix Next Month

Hard to believe it’s been 23 years since Aardman Animation was put on the map with their stop-motion hit, Chicken Run. Even harder to believe is that it’s taken this long for a sequel, Chicken Run: Dawn of the Nugget, which aims to equal its predecessor as Aardman’s most successful movie ever.

As the first film was about chickens breaking out of the chicken farm they were being kept in, the sequel finds the feathered fowl friends doing exactly the opposite. They’re attempting to break into an impenetrable bird sanctuary using Mission: Impossible-style tactics.

The impressive voice cast includes Thandiwe Newton, Zachary Levi, Bella Ramsey, Imelda Staunton, Lynn Ferguson, David Bradley, Jane Horrocks, Romesh Ranganathan, Daniel Mays, Josie Sedgwick-Davies, Peter Serafinowicz, Nick Mohammed, and Miranda Richardson.

Making his solo directorial debut is Sam Fell, who co-directed ParaNorman as well as Flushed Away.

Here’s the synopsis: From the multi Academy and BAFTA award-winning Aardman (Creature Comforts, Wallace & Gromit, and Shaun the Sheep), and Academy Award® and BAFTA-nominated director Sam Fell (ParaNorman and Flushed Away, respectively), comes Chicken Run: Dawn of the Nugget, the eagerly anticipated sequel to the beloved and highest-grossing stop-motion animated film of all time, Chicken Run. Having pulled off a death-defying escape from Tweedy’s farm, Ginger has finally found her dream – a peaceful island sanctuary for the whole flock, far from the dangers of the human world. When she and Rocky hatch a little girl called Molly, Ginger’s happy ending seems complete. But back on the mainland the whole of chicken-kind faces a new and terrible threat. For Ginger and her team, even if it means putting their own hard-won freedom at risk – this time, they’re breaking in!

Chicken Run: Dawn of the Nugget hits Netflix on December 15th.

Marvel Reportedly Dropping Jonathan Majors’ Kang Storyline For New Direction

SPOILERS Below!

In the recent season two finale of Loki, the multiversal disaster that threatened to end all of reality was fixed when the newly-minted God of Stories took his place at the heart of the multiverse. The cause of all of this madness was Jonathan Majors’ Kang the Conqueror/He Who Remains, but when all was said and done, the villain was essentially sidelined and played little part in the resolution. In the epilogue, members of the TVA dismiss Kang and his remaining variants, making a passing mention of events in Ant-Man and the Wasp: Quantumania. In short, Kang does not feel like a villain meant to be a Thanos-like threat worthy of two whole Avengers movies.

Did Marvel just write off Kang as a major threat? That seems to be the case, as author Joanna Robinson ( of the new book “MCU: The Reign of Marvel Studios”) revealed in a House of R podcast episode that Marvel is moving on from Kang, and scrapping the Kang Dynasty film entirely.

“I heard from someone recently…the screenwriter Jeff Loveness, who wrote ‘Quantumania,’ was supposed to write ‘The Kang Dynasty’…anyway, it’s confirmed. I had it confirmed to me he’s no longer working for Marvel. I asked the person why, and they said the reason why is he was all wrapped up in this Kang storyline and they are likely going to be moving away from that.”

If true, it’d be hard to blame Marvel for any of this. For one thing, Majors is in the middle of a very high-profile domestic abuse allegation that doesn’t seem to be going away. Fans have been waiting for Marvel to drop the hammer on him for a while, anyway. His role in Loki season two was clearly diminished.

But the bigger reason might be that fans haven’t taken to this multiverse storyline at all. Marvel is in the middle of the worst slump in the franchise’s history with Kang all over the place in TV and movies. Audiences aren’t buying it, so why keep trying to force something to work that simply isn’t?

At the same time, this can’t be taken as gospel. Robinson has a lot of insider info but Marvel doesn’t leak info the way a lot of other studios do. And their plans shift all of the time, so who knows if Robinson’s info is still fresh and accurate?

‘Madame Web’ Trailer: Dakota Johnson And Sydney Sweeney Are Spider-Women In Sony’s Next Marvel Superhero Film

Sydney Sweeney wouldn't really come back for another Spider-Man movie, would she?

Is 2024 the year Sony’s Marvel movies overtake Marvel Studios? As it stands right now, there will be more Sony films in theaters, as Marvel only has Deadpool 3, while Sony has Kraven the Hunter in the summer and Madame Web arriving first in February. The question is whether a big star like Dakota Johnson can drive interest in such an obscure superhero character, without more popular heroes like Spider-Man or Venom?

As seen in the new trailer, Johnson plays Cassandra Webb, a paramedic who, after an accident, begins experiencing visions of the future. Johnson is joined by an exciting cast playing characters crucial to the Marvel comics. Sydney Sweeney is Julia Carpenter aka Spider-Woman, with Celeste O’Connor as the Mattie Franklin version of Spider-Woman, and Isabela Merced as Anya Corazon aka Araña. Tahar Rahim plays the apparent villain, Ezekiel, who is hunting the women in order to prevent some kind of terrible future from happening. Also in the cast are Adam Scott, Emma Roberts, Zosia Mamet, and Mike Epps.

This sorta looks like the Spider-Woman version of Terminator or Final Destination, which could be interesting under the guidance of director SJ Clarkson. It still seems to be trafficking in the multiverse/alternate future stuff that has bogged down Marvel movies for too long now, but at least it’s being done with more of a horror vibe.

Here’s the synopsis: “Meanwhile, in another universe…” In a switch from the typical genre, Madame Web tells the standalone origin story of one of Marvel publishing’s most enigmatic heroines. The suspense-driven thriller stars Dakota Johnson as Cassandra Webb, a paramedic in Manhattan who may have clairvoyant abilities. Forced to confront revelations about her past, she forges a relationship with three young women destined for powerful futures…if they can all survive a deadly present.

Madame Web opens in theaters on February 16th 2024.

Review: ‘The Hunger Games: The Ballad Of Songbirds And Snakes’

Villain Who Doesn't Need An Origin Story Gets One Anyway

Rachel Zegler and Tom Blyth in The Ballad of Songbirds and Snakes

Of all the cheap, lazy ways to keep a franchise going, the most aggravating is the villain origin story. For one thing, a good villain, properly introduced, doesn’t need such a thing. And to flesh out their backstory threatens to diminish what made them compelling to begin with. The Hunger Games certainly didn’t need it because the best creation of author Suzanne Collins was heroine Katniss Everdeen, who helped establish Jennifer Lawrence as a superstar actress. Was anyone sitting around salivating at the idea of a President Snow origin story? Probably not, but with The Ballad of Songbirds and Snakes we’re getting it anyway, and the result is predictably passionless and derivative, but at least it’s not harmful to the series as a whole.

This thing is pretty ridiculous, and it’s a wonder anybody wanted to adapt Collins’ 2020 novel other than to continue milking a cash cow that ran dry in 2015. The central character is a young Coriolanus Snow, played with grim authority by Donald Sutherland previously, but now by a statuesque Tom Blyth. Decades before the events of the first movie, Snow is an ambitious student from a once-powerful family, and the son of a deceased high-ranking official in Panem. The Hunger Games are still being used to punish the rebellious districts, only they’re tanking in the ratings and the head gamemaker, Dr. Volumnia Gaul, played by a scene-chewing Viola Davis in fizzy gray hair and multi-colored eyes, needs this one to be a hit. So she switches things up, forcing the Academy hopefuls to mentor the Games’ tributes. Snow is less than excited to get District 12’s utterly absurd guitar-strumming songbird, Lucy Gray Baird, played by Rachel Zegler.

Lucy Gray Barid is no Katniss Everdeen, and you realize just how uninteresting The Hunger Games is without Jennifer Lawrence’s performance. Putting on something that resembles what an extraterrestrial thinks a southern accent would sound like, Zegler is meant to carry this film in the same way Lawrence did the others but doesn’t have the natural presence or command to do it. Lucy sings her little heart out as a show of protest against the Capitol, which endears her to the viewers. It also endears her to Snow who, through a serious of lousy plot contrivances, like his beef with the Academy’s Dean Cas Highbottom (Peter Dinklage), also finds that he has enemies in powerful places.

This being the 10th annual Hunger Games, the carnival-level spectacle of latter games are gone, replaced with doomed Tributes fighting it out in a single arena with common weapons. It’s not at all compelling because the end is never in doubt, and there’s no core relationship to follow like we had with Katniss and Peeta. Worse, Lucy is barely even an active participant in her own survival. There’s not much to latch on to when it comes to Lucy. She’s boring and absurd at the same time, with it utterly unconvincing that her nomadic background, iffy use of country music, and bad outfits (one student rightfully questions if she’s some kind of a clown) would be so endearing to millions of hardened Panem citizens. It’s not Zegler’s fault, but a poor script that gives Lucy very little personality to speak of other than her ability to sing. She is a passenger in Snow’s story, which is sad given how inspiring Katniss was to so many young women. Lucy only gets an interesting aspect to her personality in the film’s final moments, when she makes a choice that makes us question everything we had seen up to that point.

Again, this is Snow’s tale, and that is part of the problem. We know where it ends up, with him a heartless, power-mad bastard ruling the Capitol and hating anyone from District 12. That journey is a violent one, full of double-crosses from the people he cares about most, shaping the ruthlessness that drives him into adulthood. But there’s very little that is surprising or informative about Snow. When the chips are down, we know the choices he will make. Once again, Blyth isn’t the problem here. There’s just an overall lack of energy and the fearlessness of the original movies is nonexistent. Other than Davis’ wickedly evil performance and Jason Schwartzman as smiley Hunger Games host, Panem weatherman, and part-time magician Lucky Flickerman (ancestor of Stanley Tucci’s Caesar Flickerman), you’ll be hard-pressed to remember any of these characters. Sorely missed is the drunken humor of Woody Harrelson’s Haymitch, because laughs are more scarce than food in this impoverished Hellhole.

The previous Hunger Games movies arrived at a time when reality TV was getting more extreme, and questions were being raised about violence as a unifying televised event. The Ballad of Songbirds and Snakes tries to revive those old warnings but can barely muster up the fight to do so. Even the analogy of songbirds and snakes as beauty that hides a certain danger, is beaten tired before you’ve finished saying the overlong title. At least this feels like it’s properly setting up the future authoritarian landscape that will give us Katniss Everdeen, with people (like Hunter Schafer as Tigris) and places (the Meadow) that we know to be integral. And unlike other villain-based prequels, this version of Snow isn’t being humanized to make him more relatable or sympathetic. His demise is already written in ink, and he’s just as deserving of it as ever.

The Hunger Games: The Ballad of Songbirds and Snakes opens on November 17th.

Damian Wayne Dons The Mantle to Save Christmas in Prime Video’s ‘Merry Little Batman’

I’m all about the alternative animation movement we have going on right now, Spider-Man: Into the Spiderverse showed the world what non-traditional animation could do from a narrative standpoint and films like Teenage Mutant Ninja Turtles: Mutant Mayhem has furthered that argument. BUT….I’m not sold on this new Prime Video Christmas special, Merry Little Batman, which looks like it went through the Bob’s Burger’s school of drawing. All respect to the double B, it works for them, I’m just not sure if it will work here.

Wow, what an optimistic opening, right! In all seriousness the trailer below proved one thing for sure, this special is not for me. Besides the animation, Luke Wilson voicing Batman just seems…uninspired. All of this being said, I disliked Teen Titans which follows a similar animation style, until I actually sat down and watched a few episodes. Still not my favorite but totally enjoyable. I think it’s safe to say this won’t be one for Dark Knight purists, but for those looking for a fun holiday distraction to watch with the kids it may fit the bill.

Merry Little Batman hits Prime Video on December 8th

 

Official Synopsis:
This Christmas, Damian Wayne wants to be a Super Hero like his dad—the one and only Batman. When Damian is left home alone while Batman takes on Gotham’s worst Super-Villains on Christmas Eve, he stumbles upon a villainous plot to steal Christmas and leaps at the chance to save the day.

Review: ‘Trolls Band Together’

Trolls Go Boy Band Crazy In Another Joyous, Kooky Pop Music-Charged Sequel

I’ve been asked a lot in recent weeks why I love the Trolls franchise so much. The reasons are pretty simple, actually. Beyond the fact that each rainbow-colored jukebox spectacle looks like it sprang forth fully formed from a sparkle pony’s fever dream, it’s that they remain delightfully light on message. Don’t get me wrong; each film has something to teach the kiddies about family, loyalty, and being true to oneself so you can dance like nobody’s watchin’. But they don’t beat you over the head with it. They’d much rather assault you with a mix of earworm-worthy tracks that’ll have you boppin’ along for days on end.

Trolls Band Together fits right in with its two predecessors in that it puts the spotlight on a particular style of music. And I’ll just say right now, if you ain’t into ’90s boy bands, this shit ain’t for you! It’s appropriate that this final (???) chapter of the story spotlights the frosted tips and male harmonizing of the era, as it gives star Justin Timberlake a bit more of the spotlight. He returns as Branch, who continues to be a bit of a wet blanket, especially when compared to his friend-turned-girlfriend, the infinitely upbeat and perky queen of the trolls, Poppy, voiced by Anna Kendrick. So, remember when I said these movies were about family? Well, this is the first Trolls movie that takes a Dominic Toretto view of the idea, because there are long-lost kin popping up everywhere.

It turns out that Branch was once part of a mega-popular boy band, BroZone, along with his four brothers. A disastrous stage performance, in which the eldest bro, John Dory (Eric Andre) pushed them too hard to hit the perfect note. The bros went their separate ways after that humiliating show, but now one of them, Floyd (Troye Sivan) has been kidnapped by Velvet and Veneer (Amy Schumer and Andrew Rannells), a talentless brother/sister act who have become overnight sensations by stealing the troll’s innate musical abilities. The only way to save him? For the bros to get back together and, you guessed it, hit the perfect note to free Floyd from his diamond prison.

So yeah, this is probably the most insane Trolls movie yet and its fans will appreciate everything about that. In the midst of this weird rescue mission, there’s also time for a detour at a haunted amusement park, where Poppy learns of her own extended family tree. And we can’t forget the goblin-like Bergens, Poppy’s best friend Bridget (Zooey Deschanel) and Gristle Jr. (Christopher Mintz-Plasse), who are trying to plan their nuptials and honeymoon with all of this chaos surrounding them. Just wait until you see Bridget’s helium balloon wedding dress, or the loopy Yellow Submarine-inspired animation sequences that are like you stumbled into an acid trip.

Trolls Band Together unabashedly exists just to unleash a steady diet of boy band tracks and jokes about that dubious musical era. What I’ve also appreciated about these films is that they rarely stick to any single thing, and often delve into more eclectic jams. KC and the Sunshine Band’s “Keep It Comin’ Love” drives an upbeat party scene (of which there are many, this is Trolls after all!), while Zosia Mamet, playing V & V’s beleaguered moppy-haired assistant Crimp, has a funny rendition of Dolly Parton’s “9 to 5”.  While the opening mix is a bit clunky, Timberlake, who also serves the film’s music producer, settles in and even reunites his old band N’SYNC for what feels like his farewell to the franchise. If that’s true, I have no doubt that Trolls will continue on in some form, because these movies can’t possibly end until we see Branch and Poppy dancing the night away at their own wedding reception. Imagine how kooky those closing credits will be.

Trolls Band Together opens in theaters on November 17th.

Taika Waititi “Won’t Be Involved” If There’s A ‘Thor 5’

Taika Waititi did such a good job reinvigorating the god of thunder with Thor: Ragnarok that he was asked to do something no other Marvel solo franchise has done, which is have a fourth movie. That said, the reception to Thor: Love and Thunder was mixed, even though it still made nearly $800M at the box office. However, if Marvel wants there to be another Thor film, Waititi says he won’t be a part of it.

Waititi is out making the rounds to promote his soccer comedy, Next Goal Wins, and while speaking with Business Insider he shot down the idea of doing more Marvel stuff…for now.

“I know that I won’t be involved,” said Waititi. “I’m going to concentrate on these other films that I’ve signed on for. But I love Marvel, I love working with them. I love Chris [Hemsworth]…I would never feel like they are cheating on me. We’re in an open relationship, and it’s like if they want to see other people, I’m happy for that. I’d still get back into bed with them one day.”

The biggest film that may or may not actually be happening is Waititi’s long-developing Star Wars movie. No matter when asked about it, the project always seems to be in the idea phase, and that continues to be the case now…

“It’s still marinating. I’ve been writing it,” Waititi said when asked.

So that’s still nowhere, and Waititi says he thinks his adaptation of Kazuo Ishiguro’s sci-fi novel Klara and the Sun is next on his list.

As for Next Goal Wins, it opens this weekend on November 17th so Waititi’s many fans won’t have to wait long for something new from him.