Review: ‘The Kill Room’Uma Thurman And Samuel L. Jackson Paint With Broad Strokes In...
A few years ago, Velvet Buzzsaw attempted to satirize the art world on a canvas of dark comedy and murder, but even with that title its...
Cinema Royale: Talking ‘Freelance’, A John Cena/Alison Brie Debacle
People keep asking me "Where is your Freelance review"? You seriously thought I was going to sit down and write a review of this?...
Review: ‘Five Nights At Freddy’s’One Night Is Too Many For This Dull, Scare-Free Adaptation...
The Five Nights at Freddy's franchise is a media sensation, with video games, books, and more to support its millions of fans. And those fans...
Review: ‘The Killer’David Fincher's Hitman Thriller With Michael Fassbender Takes Aim And Misses The...
It’s not always true that a great filmmaker can then make any movie he works on great. David Fincher is one of the best...
Review: ‘Fingernails’Jessie Buckley, Riz Ahmed, And Jeremy Allen White Put Love To The Test...
If you could take a test that proves you and your partner are in love, would you do it? The more important question in...
Review: ‘The Holdovers’Alexander Payne And Paul Giamatti Bring Grumpy Charm To The Holidays
The 1970s aesthetic deployed by Alexander Payne in his charming new dramedy, The Holdovers, isn’t a mere gimmick. From the technicolor palette to the pops...
Review: ‘If You Were The Last’Anthony Mackie And Zoe Chao Have Out Of This...
For all of his blockbuster bonafides, Anthony Mackie's magnetism has always been best deployed in smaller films, particularly of the rom-com genre. For Zoe...
Middleburg Review: ‘The Killer’David Fincher's Hitman Thriller With Michael Fassbender Takes Aim And Misses...
It's not always true that a great filmmaker can then make any movie he works on great. David Fincher is one of the best...
Middleburg Review: ‘Saltburn’Emerald Fennell's Stylish, Kinky Aristocratic Thriller Ensares You In Its Web
If Cruel Intentions and Brideshead Revisited were burned to ashes then laced with acid and smoked, you'd get the sensation of Emerald Fennell's Promising Young Woman follow-up, Saltburn. A constantly-shocking...
Middleburg Review: ‘The Holdovers’Alexander Payne And Paul Giamatti Bring Grumpy Charm To The Holidays
The 1970s aesthetic deployed by Alexander Payne in his charming new dramedy, The Holdovers, isn't a mere gimmick. From the technicolor palette to the pops...