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Review: ‘The Wind’, Frontier Horror Howls With Unfulfilled Potential

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The Western genre leans heavily to the masculine side but in recent years we've seen an increased focus on the plight of frontierswomen in...

Sundance Review: ‘Fighting With My Family’, A Crowd-Pleasing Piledriver Of A WWE Drama

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When WWE superstar Paige had to announce her retirement from professional wrestling due to injury, I was heartbroken. Always one of my favorite women...

Review: ‘Alita: Battle Angel’, James Cameron’s Manga Adaptation Kicks Robo-Butt

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Finally, a live-action manga adaptation we can all get excited over. Alita: Battle Angel has been in the works for a long time, once...

Sundance Review: ‘Little Monsters’, Lupita Nyong’o Shines As A Zombie-Fighting Schoolteacher

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The Sundance promo image for horror-comedy Little Monsters features a blood-stained Lupita Nyong'o protecting a small group of children from what we know is...

Sundance Review: ‘The Report’, Adam Driver Investigates CIA Torture In Riveting Political Drama

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There's a great scene in Scott Z. Burns' The Report when a TV news item airs proclaiming to tell the full story about the capture...

Sundance Review: ‘The Sunlit Night’, Jenny Slate Sinks At The Top Of The World

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I'll say this for director David Wnendt; he knows how to make an impression. He both repulsed and charmed Sundance audiences in 2014 with...

Sundance Review: ‘I Am Mother’Hilary Swank Battles A Robot With Killer Maternal Instincts

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Fear of a robot takeover has been the driving force of many  dystopian sci-fi classic, so how about  film where the robot actually just...

Sundance Review: ‘Honey Boy’, Shia LaBeouf Gets Serious In Exploring His Troubled Past

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Trust me, I understand if the idea of Shia LaBeouf making a movie about his own troubled childhood reeks of some woe-is-me bullshit, an...

Review: ‘The Favourite’, Emma Stone And Rachel Weisz Engage In Bawdy Palace Intrigue

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*NOTE: This is an edited reprint of my review from the Middleburg Film Festival. The Favourite is open now in limited release, expanding next...

Review: Alfonso Cuarón’s ‘Roma’ Is A Stunningly Personal, Dazzling Love Letter To The Past

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*NOTE: This is a reprint of my review from the Middleburg Film Festival* If Alfonso Cuaron was looking for a film as far away from...