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‘The Grinch’ Trailer: Benedict Cumberbatch Will Do Anything To Ruin Christmas

At the Coming Attractions event I hosted last night I played a trailer for Illumination’s The Grinch. Of course it’s a retelling of the classic Dr. Seuss story How the Grinch Stole Christmas, and one of the questions we got was “Why?”  Why is it necessary to tell this particular story again when it’s been told so many times already, and not that long ago? The answer is obvious: $$$. But also because it gives Illumination the chance to put a Minion-esque spin on it.

Benedict Cumberbatch voices the famous Christmas-hating Grinch, who again is setting in motion plans to ruin the holiday for the residents of Who-ville. Of course by his side is his canine companion, Max, who I think will be the slapsticky Minions surrogate in this film and the character audiences come away loving. We do get a look at a younger, kiddie version of the Grinch, probably to set up his eventual turn to the merry side.

Directed by Scott Mosier and Yarrow Cheney, The Grinch opens November 9th.  Check out the trailer below followed by the unnecessarily lengthy synopsis.

For their eighth fully animated feature, Illumination and Universal Pictures present The Grinch, based on Dr. Seuss’ beloved holiday classic.  The Grinch tells the story of a cynical grump who goes on a mission to steal Christmas, only to have his heart changed by a young girl’s generous holiday spirit.  Funny, heartwarming and visually stunning, it’s a universal story about the spirit of Christmas and the indomitable power of optimism.


Academy Award® nominee Benedict Cumberbatch lends his voice to the infamous Grinch, who lives a solitary life inside a cave on Mt. Crumpet with only his loyal dog, Max, for company.  With a cave rigged with inventions and contraptions for his day-to-day needs, the Grinch only sees his neighbors in Who-ville when he runs out of food.


Each year at Christmas they disrupt his tranquil solitude with their increasingly bigger, brighter and louder celebrations.  When the Whos declare they are going to make Christmas three times bigger this year, the Grinch realizes there is only one way for him to gain some peace and quiet: he must steal Christmas.  To do so, he decides he will pose as Santa Claus on Christmas Eve, even going so far as to trap a lackadaisical misfit reindeer to pull his sleigh.


Meanwhile, down in Who-ville, Cindy-Lou Who—a young girl overflowing with holiday cheer—plots with her gang of friends to trap Santa Claus as he makes his Christmas Eve rounds so that she can thank him for help for her overworked single mother.  As Christmas approaches, however, her good-natured scheme threatens to collide with the Grinch’s more nefarious one.  Will Cindy-Lou achieve her goal of finally meeting Santa Claus?  Will the Grinch succeed in silencing the Whos’ holiday cheer once and for all?

Review: ‘Tag’, Jeremy Renner Makes Jon Hamm Look Foolish In One Of The Year’s Best Comedies

If there can be professional kickball leagues out there keeping us adults from growing up too much, surely there can be a movement for the game of tag. At least I hope that’s what is inspired by the falling-down hilarious comedy Tag, a too-goofy-to-be-believed gem about a bunch of friends who have been playing the same game of tag for thirty years. Nowhere is safe; funerals, wedding, hospital rooms, all are fair game. While based on a true story, the movie is little more than an excuse to watch Jon Hamm, Ed Helms, Hannibal Buress, and Jake Johnson crash and burn repeatedly in an attempt to lay a hand on Jeremy Renner. And you know what? If all you get out of it is laughing at their many pratfalls, that will be enough to make this a game worth playing.

As if that cast isn’t good enough, there is at least one more who hasn’t gotten much due in the trailers: Isla Fisher. The crimson-haired actress steals nearly every scene from her male counterparts, and she isn’t even technically part of the game, just the all-too-aggressive wife of Hoagie (Ed Helms) who kicks things off by leaving his successful veterinarian practice so to apply for a menial custodian job. Why? Because it gets him closer to Bob (Hamm), CEO of a “Fortune 800” insurance company, so he can tag him. Hoagie disrupts Bob’s interview with Wall Street Journal reporter Rebecca (Annabelle Wallis), who decides to chuck her boring corporate puff piece for the real story of these grown men still engaged in a kid’s game.

Hoagie and Bob recruit their far-out stoner pal Chilli (Johnson), or should we say they hunt him down while he scrambles like a spooked deer, afraid of being tagged “It”. After he suffers an epic tumble they bust in on the therapy session of their paranoid pal Kevin (Buress), and together the foursome make this the year they vow to tag Jerry (Renner), a sort-of tag zen master who has never been “it” in all of their years of playing. With Jerry on the verge of getting married to bridezilla Susan (Leslie Bibb), who is no fan of their eternal game of tag, they figure now is the best and last shot they may have to finally beat him.

The problem is that Jerry is on some whole other shit. If they’re playing checkers, Jerry is playing 3-D chess. Their attempts to tag him are futile, like Neo when he first tried to punch Morpheus. He bobs, weaves, zigs, zags, and occasionally lays elaborate traps to avoid them. Director Jeff Tomsic, best known for being at the helm of various comedy specials, uses slow motion and other camera tricks to exaggerate their embarrassing efforts. The best is a chest cam to fully capture Chilli’s drug-induced mania while flailing miserably to tag Jerry.

Most obsessed to win is poor, awkward Hoagie who has an extra incentive this year and the competitive rage of his wife (Fisher) to fuel him. Helms is playing the character he’s been reliably counted on to play for years, while Hamm’s macho cool only makes it funnier as Renner makes him look foolish. Meanwhile, the best lines are reserved for the screaming Fisher and Buress as her polar opposite. While she pops a ginger gasket at Jerry’s constant escapes, it’s Buress who calmly observes how absurd the whole thing is.

Renner stays passively above the fray compared to the wild antics of his co-stars, which is interesting because he famously busted up both arms while shooting. He managed to stay injury free during those Avengers movies but in Tag he comes up lame, but you’ll never be able to tell that his arms are actually CGI in some places. A love triangle romance that includes Rashida Jones as a former flame to Hamm and Johnson’s characters doesn’t amount to much and feels tacked on, so does a hospital bed revelation that delivers a somber gut punch to the comic antics. The film works best when it avoids too much sentimentality, but the camaraderie among the guys is so tight you won’t mind their frequently-recited message,  “We don’t stop playing because we grow old, we grow old because we stop playing.”

Tag is a movie about best friends doing whatever it takes to stay in one another’s lives. Of course it’s incredibly silly but also has a surprising amount of heart, and you’ll think of your own friends and how important they are, as long as they’re “it” and not you.

Rating: 3.5 out of 5



John Cena Is Back Playing Marine In An Action Flick With Jackie Chan

This news is a mixed bag but at least it ends on a high note. Last year we learned Sylvester Stallone and Jackie Chan would finally team up for their first movie together, an action flick (of course!!) titled Ex-Baghdad. It sounded terrible, but so what? It’s two screen legends finally going fist-to-fist. Well…no. Stallone is out, which sucks, but he’s been replaced by former WWE champion and surprisingly good actor John Cena, which is pretty awesome.

The film is now apparently untitled (anything is better than Ex-Baghdad) but going by the working title of Project X, which has nothing to do with this epic party movie. Scott Waugh (Need for Speed) is behind the camera working from a script by Arash Amel (Grace of Monaco) that follows  “a Chinese private security contractor (Chan) who is called in to extract the oil workers when a China-run oil refinery in the Middle East is attacked. When he learns that the attackers’ real plan is to steal a fortune in oil, he teams up with an American — a former Marine played by John Cena — to stop them.”

Any chance Cena is playing the same character from The Marine? Because that would be amazing.

This is cool because Cena is the modern day ideal of what an action movie star is; tough, funny, and disarming. Stallone is still stuck in the old ways of playing hero, and there’s nothing wrong with that. It works for him in The Expendables and Escape Plan, which are both successful enough to spawn sequels. But the chance to see Chan and Cena pair up should be a lot of fun.  The chances of Chan appearing on an episode of Monday Night Raw just shot up 1000%.

And who knows? Maybe one day we’ll get to see Stallone, Chan, and Cena team up in a movie someday? Maybe The Expendables 4? [THR]

“This Is America” Director Hiro Murai To Helm Sci-Fi Thriller ‘Man Alive’

The only thing surprising about “This is America” and Atlanta director Hiro Murai landing his first big feature film gig is how long it took to happen. Deadline reports Murai will be at the helm for Man Alive, a sci-fi thriller with a recent rewrite from It Follows and Under the Silver Lake director David Robert Mitchell. You may recall this was a project originally set for Fargo director Noah Hawley, but he’s a little bit busy with Pale Blue Dot.

Murai has been around for a while directing episodes of Legion, Barry, and others but it was his work on Atlanta and Donald Glover’s groundbreaking “This is America” video that has one of the most sought-after talents in Hollywood.  Man Alive “covers the events following the invasion of earth by an alien species, when a man faced with isolation and loneliness in order to survive realizes he might not be alone after all.” Joe Greenberg’s original spec script was recently given a rewrite by Mitchell.

No word on when this could move into production, but one has to wonder if Murai and Glover will find a way to team up on this, too.

‘The Shining’ Sequel ‘Doctor Sleep’ Casts Ewan McGregor As Adult Danny Torrance

If you ever wanted to know what happened to the kid Danny Torrance from Stanley Kubrick’s The Shining, you’re about to find out. Doctor Sleep, an adaptation of Stephen King’s sequel novel, will star Ewan McGregor as the “redrum” shouting child, Variety reports.

Doctor Sleep picks up years later with an adult Danny still suffering from the traumatic experiences he had at the Overlook Hotel. Now a rage-filled alcoholic, his “shining” abilities begin to return once he goes sober and encounters Abra, a young girl with the most powerful shining gift he’s ever seen.

The book was published in 2013 and the reviews have been mixed at best, but there’s reason to be interested in this adaptation. Mike Flanagan is at the helm and he’s been building an impressive resume of horror flicks with Oculus, Hush, Ouija: Origin of Evil, and Gerald’s Game, the latter an example of a King adaptation that is superior to the book. 

Doctor Sleep opens January 24th 2020.

DC Readers: Attend A Free Early Screening Of ‘Sorry To Bother You’

We’re happy to offer our DC readers the chance to attend a free early screening of Boots Riley’s wild new comedy, Sorry to Bother You. The film was a hit at Sundance and stars Lakeith Stanfield, Tessa Thompson, Armie Hammer, and more.

SYNOPSIS: In an alternate present-day version of Oakland, telemarketer Cassius Green discovers a magical key to professional success, propelling him into a macabre universe.


The screening takes place on Thursday, June 28th at 7:00pm at Landmark E Street. If you’d like to attend, simply go to the Annapurna ticketing site here and download one Admit-Two pass. Please remember that having passes does not guarantee entry as all screenings are first come first served. You’ll need to arrive early to ensure receiving a seat. Enjoy the show!

Sorry to Bother You opens July 6th.

George Lucas Thinks Fans Would Have Hated His ‘Star Wars’ Sequel Plans, And He’s Right

When George Lucas sold Lucasfilm to Disney, and Star Wars along with it, all of his sequel trilogy plans were tossed aside. Disney decided to start from scratch with their own series of movies, which have proven to be pretty divisive. That’s led some to seek out more information on what Lucas originally intended, and while we’ve heard bits and pieces occasionally we’re learning more now thanks to James Cameron’s Story of Science Fiction series. Turns out if you really loved all that midichlorian shit you would have been pretty happy.

“[The next three ‘Star Wars’ films] were going to get into a microbiotic world. But there’s this world of creatures that operate differently than we do. I call them the Whills. And the Whills are the ones who actually control the universe. They feed off the Force,” Lucas said.

“Back in the day, I used to say ultimately what this means is we were just cars, vehicles, for the Whills to travel around in…We’re vessels for them. And the conduit is the midi-chlorians. The midi-chlorians are the ones that communicate with the Whills. The Whills, in a general sense, they are the Force.”


Lucas has talked about the Whills before, and honestly it’s such a bad idea that I can’t bother going into it. Look here if you want more, but basically what you’d have gotten was such a detailed explanation of the Force that it no longer would have been mysterious or remotely cool.

And Lucas clearly knew the kind of reaction this story would have gotten. The stories were that he was so beaten down by the negative reaction to his prequels that he no longer had the will to keep on making Star Wars movies, hence the sale to Disney. And in these comments he pretty much confirms those feelings…

“All the way back to – with the Force and the Jedi and everything – the whole concept of how things happen was laid out completely from [the beginning] to the end. But I never got to finish. I never got to tell people about it. If I held onto the company, I could have done it, and then it would have been done. Of course, a lot of the fans would have hated it, just like they did Phantom Menace and everything, but at least the whole story from beginning to end would be told.”


I’ve grown to liken George Lucas to legendary X-Men writer Chris Claremont. They both created something tremendous that we loved when we were kids, and as we grew older we kept wanting them to come back and tell those stories again. But every time they did it turned out to be a disaster. Lucas gave us the crappy prequels nobody likes, and Claremont has repeatedly returned to the X-Men and when he does the stories feel like they were dreamed up decades ago, which they probably were. In short, maybe it’s a good idea to let the past stay in the past. Oh hey, that was the entire point of Star Wars: The Last Jedi, wasn’t it? That Rian Johnson…such a prophet.

New Details On Todd Phillips’ Joker Prequel, The Flash’s Solo Film, And The DCEU’s Future

After being burned by the DCEU repeatedly, some may be skeptical about this new direction that’s being taken. That’s fair, but there’s also plenty of reason to be optimistic. Wonder Woman was a step in the right direction, and while Justice League took a giant step backwards, creative shakeups in its aftermath promise a more fan-friendly approach rather than Zack Snyder’s dark and gloomy. We’re already hearing good things about James Wan’s Aquaman; Wonder Woman 1984 has a fun retro vibe goin’ on; and Matt Reeves’ The Batman is moving on from Bat-fleck. And yet there’s still a lot more to come.

Part of THR’s report on Reeves’ film includes some small but important updates on Todd Phillips’ Joker movie, and a solo film featuring the Flash. So let’s start with the Joker film, which is proceeding ahead even though another one starring Jared Leto is in the works. Warner Bros. is launching a parallel brand of standalone movies, possibly branded “DC Dark” or “DC Black”, that Phillips’ film will be part of. Joaquin Phoenix appears to be confirmed to play the infamous Bat-villain, with shooting set to begin this fall at a budget of only $55M. That’s on the low end of superhero movies and I’m assuming most of the films in this banner will be modestly-priced.

As for the Flash, Ezra Miller is still ready to suit up as the scarlet speedster, but gone is somber tone that surrounded it when announced as Flashpoint nearly a year ago. With Game Night directors John Francis Daley and Jonathan Goldstein on board, the film is taking a Back to the Future-style approach that will play with time travel in a way that’s more crowd-pleasing. Production will kick off early next year.

With Shazam!, Birds of Prey, Suicide Squad 2, and more, new DC Films chief Walter Hamada has a lot on his plate.  “He walked into a sh**show, and he’s trying to clean it up”, one insider noted about the heavy workload facing Hamada. Part of his “specific plan” to fix things is to stop announcing and dating movies so far in advance, an irritating practice DC Films had that I’ve bitched about a lot on this site. It never led to anything good, only frustration by fans who want information on movies that were going nowhere. We also won’t be seeing Warner Bros. establishing any writers rooms, which became popular a few years ago but have produced mixed results at best. Ask Paramount what their writers room did for Transformers: The Last Knight. 

‘Brain On Fire’ Trailer: Chloe Moretz Battles A Mystery Illness In The Long-Delayed Adaptation

Chances are you forgot about Brain on Fire, the Chloe Moretz drama that was announced about four years ago. It’s okay, I forgot about it too and had assumed it had quietly released some time back. But nope, the film has been sitting on the shelf since it debuted at TIFF in 2016, which makes it perfect fodder for Netflix who are always looking for inexpensive content with big names that attract attention. And so mere days before it’s made available for streaming Netflix is releasing the first trailer.

Based on a true story adapted from Susannah Callahan’s memoir, Brain on Fire stars Moretz as a young writer who seemingly has everything going for her. That is until she’s suddenly stricken with an unknown illness that her doctors can’t identify, making her subject to numerous psychological tests before one makes a startling a discovery.

The film is directed by Gerard Barrett, who helmed the underrated Glassland, and features an impressive supporting cast of Jenny Slate, Thomas Mann, Richard Armitage, Carrie-Anne Moss, and Tyler Perry. Here’s the synopsis:

Susannah Cahalan, an up-and-coming journalist at the New York Post becomes plagued by voices in her head and seizures. As weeks progress and Susannah quickly moves deeper into insanity, her behaviors shift from violence to catatonia. After a series of tantrums, misdiagnoses, and a lengthy hospital stay, a doctor’s last-minute intervention enables him to give her a diagnosis and a chance to rebuild her life.

Brain on Fire hits Netflix on June 22nd.

‘The Batman’ Will Focus On A Young Caped Crusader, Won’t Star Ben Affleck

Will he or won’t he? That’s been the question in regards to Ben Affleck’s return as Batman. The writing has been on the wall that he was out since last summer, but Warner Bros. hasn’t made anything official. We’ve seen rumors on both sides of the issue, but in virtually every scenario Matt Reeves’ The Batman would cast someone new as the Caped Crusader. In the latest update that appears to have been confirmed finally, once and for all.

THR has the news, stating that Reeves turned in a fresh script for The Batman over the Memorial Day weekend. It features a younger Batman, not the old, grizzled veteran Affleck played in Batman v Superman: Dawn of Justice, Suicide Squad, and Justice League.

There are still a lot of questions surrounding this film and Affleck’s future in the DCEU. Just because Reeves’ movie has a younger Batman doesn’t mean it’s separate from the main continuity, although that is likely to be the case. And recasting the role for The Batman wouldn’t necessarily stop Affleck from suiting up for a Justice League sequel, Suicide Squad 2, or perhaps the recently-announced Joker movie with Jared Leto. If Reeves’ film is truly a standalone in a totally separate universe then Affleck sticking around elsewhere would make sense.

Ultimately, this news takes us right back to where we started, doesn’t it? So I guess the thing to look out for now are casting rumors for The Batman? Perhaps we can expect some kind of announcement next month at Comic-Con? One thing we know for sure is that it won’t be Jake Gyllenhaal.