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‘The Dreadful’: Sophie Turner And Kit Harington Reunite For Medieval Gothic Horror

Sophie Turner and Kit Harington

The Starks have been reunited…sorta. Two of Game of Thrones’ most prominent actors, Kit Harington and Sophie Turner, are teaming up, not on one of the many HBO spinoffs of that hit show, but on something entirely different. Deadline reports Harington and Turner will star in The Dreadful, a gothic horror film directed by Lucky and V/H/S/85 segment director Natasha Kermani.

Written and directed by Kermani, The Dreadful is set in medieval England during the War of the Roses, and “follows Anne (Turner) and her mother-in-law Morwen, who live a solitary, harsh life on the outskirts of society. But when a man (Harington) from their past returns, he will set off a sequence of events that become a turning point for Anne.”

Turner is also a producer on the film, which is out to buyers now. She most recently starred in the miniseries The Staircase, and the Netflix dark comedy Do Revenge. Her role as Jean Grey in X-Men: Apocalypse and Dark Phoenix has largely been forgotten at this point, for good reason, mostly. Harington also has a Marvel connection, having appeared as Dane Whitman/Black Knight in Eternals. He recently had a role on the Apple TV+ series, Extrapolations.

 

‘A Quiet Place: Day One’ Big Game Teaser Arrives Before The Super Bowl

Joseph Quinn in A QUIET PLACE: DAY ONE

The first trailer for spinoff A Quiet Place: Day One is only a few days old, but Paramount has plans for the film to be teased in front of millions at the Super Bowl. And we know that because the Big Game TV spot has already dropped for it.

While John Krasinski still has a true A Quiet Place sequel on the way, the first stop takes us all the way back to the first arrival of the extraterrestrial creatures that hunt by sound. Michael Sarnoski (Pig) directs the film, which is led by Oscar winner Lupita Nyong’o. Alex Wolff, also of Pig, is in the cast along with Stranger Things actor Joseph Quinn and Djimon Hounsou who returns as “Man On Island” from A Quiet Place Part II.

Sarnoski and Krasinski, which sounds like a musical act from the ’80s, developed the story with the former writing the script. Michael Bay is aboard as a producer through his Platinum Dunes banner.

A Quiet Place: Day One hits theaters on June 28th.

Review: ‘Marmalade’

Joe Keery, Camila Morrone, And Aldis Hodge Lead Keir O'Donnell's Sweet And Twisty Crime Thriller

Joe Keery, Camilla Morrone in MARMALADE

To be perfectly up front, I went into Marmalade with extremely low expectations. The directorial debut of Paul Blart actor Keir O’Donnell has all of the trappings of the kind of festival darling I typically hate: quirky, frivolous rainbow-colored vibe, “cool” cast of up ‘n comers doing a stylized version of a story you’ve seen dozens of times before. To my surprise, O’Donnell has a bit more up his sleeve. And while the film is far from perfect, and indeed has many of the aforementioned traits I despise, performances with surprising gravitas and a deft mix of heist and film noir sensibilities make Marmalade an unexpected charmer.

Stranger Things star Joe Keery leads the film as Baron, a simple Southern boy who we first meet after he’s been hauled away to prison. He doesn’t rest on his laurels for long; Baron needs to get out and reunite with his enigmatic sweetie, Marmalade (Camila Morrone), and to do it he’ll need the help of his cellmate, Otis, played by the actor I really tuned into this movie for, Aldis Hodge. Otis, a breakout king of some renown, agrees but only after he’s told a long-winded tale of love and bank heists, sick moms, and Moon Pies.

The film largely centers around the mysterious Marmalade, with Morrone playing her like a Manic Pixie Dream Femme Fatale. It’s a fun role for Morrone, who has shown her comedic chops on the brilliant Never Goin’ Back and her dramatic range on Mickey and the Bear. The way Baron tells the story, she’s got his innocent ass all twisted around her little finger, and he’ll do anything that she says, and that includes robbing banks to pay for his ailing mom’s drugs. And why shouldn’t he listen to her? She’s gorgeous, more worldly than he is, and has a sob story that could break the hardest of hearts. But don’t let the wild, colorful hair and crazy fashion sense fool you; this Marmalade is anything but sweet when she wants to be.

O’Donnell has a lot of influences at play here. I’ve mentioned the femme fatale role for Morrone, but Keery’s Baron also resembles some of the duped patsies from that genre. But he’s also clearly inspired by the likes of the Coen Brothers and Quentin Tarantino. Marmalade resembles a mix of Raising Arizona and True Romance, although the screenplay isn’t nearly as clever, the characters never as interesting.

I have to confess that my opinion of Marmalade shifted three or four times during the movie’s brisk 100-minute runtime. I went from hating it for all of the reasons I entered into it; to appreciating the performance by Morrone; to disliking it for the seeming misuse of Hodge; and then finally it won me over with twists that genuinely caught me off-guard. In class film noir style, almost nobody in the film is exactly who they say they are, and the film has to reorient itself with each reveal. In one case it adds considerable weight to a significant, tragic moment for Baron, and ultimately adds to our understanding of Marmalade. As for Hodge, his role as Otis expands into something that an actor of his skill can chew into, and he makes the most of it with a commanding presence that nearly steals the film from everyone.

But Marmalade is still a bit too cute for its own good, and O’Donnell can’t help throwing in a dash of whimsy to please the Gen Z arthouse crowd who expect that sort of thing. A surreal dance break emerges out of nowhere and disrupts the flow of the entire movie just as it’s really starting to cook. By the time it comes around, though, you’re probably already on the hook for whatever O’Donnell is going to throw at you. Appropriately, Marmalade concludes on a sticky sweet note, but also a surprisingly heartfelt one that will leave audiences feeling all warm inside.

Marmalade is available in theaters and VOD now.

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Add some movie-related elements or lines to the custom keychain. Custom Keychains Bulk can attract the audience’s attention whether they are collected by fans or given as gifts in movie promotion activities. Through these small and exquisite peripherals, the influence of the movie can be further expanded, allowing more people to remember this movie full of surprises and charm. 

‘Badlands’: The ‘Prey’ Team Has A New Standalone ‘Predator’ Film On The Way

Predator

The Predator franchise is alive and well, folks. You have no idea how happy that makes me, and millions of others who love it. Prey revitalized it like nobody could’ve predicted, and while a sequel to that film is still in the works, the same creative team as another Predator movie on the way, so start getting excited now.

Deadline reports that Prey director Dan Trachtenberg and writer Patrick Aison are teaming up for Badlands, another standalone Predator movie for 20th Century Studios. The duo are coming up with the story together, but there are currently no plot details available.

The title is suggestive, though. It sounds like it could be a Western, which is something Predator has never tackled before. You could also see Badlands referring to another indigenous story, but I think they’ll save that for the Prey sequel, which could bring back Amber Midthunder in the lead role. Badlands is expected to arrive first, though.

Prey was a gigantic hit for Hulu back in 2022, breaking viewership records and earning six Emmy nominations. Here’s where my head is at, though. While it was definitely a streaming success story, Predator is typically a theatrical franchise. Will Disney, which owns 20th Century Studios, see big money in a move back to theaters?

David Leitch Exits Next ‘Jurassic World’ Film As Universal Seeks New Director

David Leitch won't join new Jurassic World trilogy

Well, that didn’t take long. It was just days ago that Universal had David Leitch in mind to direct their next Jurassic World film, the start of a brand new trilogy. Well, scratch that, because Deadline reports that talks have fallen through and it’s back to the drawing board.

So much for that. Leitch and the studio simply couldn’t agree on the right creative direction for the dinosaur film, and so there’s been an amicable split. It’ll be interesting to see who Universal turns to next. Leitch is a popular filmmaker with a string of blockbuster hits to his credit, including Bullet Train and Deadpool 2. He’s a director who brings a big, bold vision to every project. Next for him is The Fall Guy with Ryan Gosling and Emily Blunt.

And a big vision is what’s going to be needed for this new Jurassic World movie, which will be a reboot with no returning characters. Only original Jurassic Park writer David Koepp, and producers Steven Spielberg and Frank Marshall are franchise veterans.

For now, Universal is keeping the July 2nd 2025 release date, but if the search runs long don’t be surprised if Jurassic moves to a new spot.

‘Famous’: Zac Efron Will Play A Celebrity And His Overzealous Fan In Jody Hill’s Upcoming Thriller

Zac Efron to play dual roles in FAMOUS

The question I have following Zac Efron’s impressive turn in The Iron Claw is whether he maintains that massive bulk, or if he tries to revert to a more normal size. We’ll get the answer to that admittedly worthless question when he stars in Ricky Stanicky and A Family Affair later this year. But Efron has another gig lined up, and if he does decide to maintain that muscle, he might take up the entire screen because it’ll be a dual performance.

Deadline reports Efron will play two roles in Famous, a celebrity thriller about an overzealous fan and the Hollywood actor he’s the spitting of. The fan will do whatever it takes to be famous, and heads to Hollywood to make the most of the one asset he’s got.

The film is based on the New York Times bestselling by author Blake Crouch and is adapted by screenwriter Chad Hodge. It was Hoge who previously adapted Crouch’s Wayward Pines trilogy into a series.

Sam Esmail is a producer on the film, following up his buzzy Netflix thriller Leave the World Behind. He’s also the creator of Mr. Robot.

Jody Hill is the director on Famous, which means there will probably be a role for Danny McBride in there somewhere. Hill previously directed films such as Observe & Report, The Foot Fist Way, and most recently The Legacy Of A Whitetail Deer Hunter in 2018. He’s probably best known for his TV work on Eastbound & Down and Vice Principals.

Review: ‘Halo’ Season 2

Season 2 Is Darker, Grittier…And Master Chief Still Takes His Helmet Off

Halo

As a PlayStation user during the Xbox/PlayStation Console Wars, I never got into Halo nor got to chance to play the game. So when the first season of Halo came out, I wasn’t one of those fans who were pissed that John-117/Master Chief took his helmet off. The first season of Halo managed to introduce the uninitiated to the world of Halo and the war against The Covenant, and (for the most part) was entertaining for its freshman season. So how would the second season of Halo go? Would the show as Master Chief himself Pablo Schreiber said, the second season would be “better and darker?”

I gotta be honest, a resounding “Hell Yeah” is in order. At least for the first four episodes given to critics, the second season of Halo has found its footing and now that it got most of the world-building and character introductions out of the way, it gives itself time to breathe and continue each of the journeys for many of the characters we met last season.

After having the emotion suppressor and the “Cortona” AI removed from his mind, Master Chief is having some challenges. He knows that The Covenant is continuing their crusade for the artifacts, finding the “halo” artifact, and wiping out humanity. Because his superiors are unsure about the ramifications of having an AI embedded in the universe’s most beloved soldier, the powers that be at the United Nations Space Command are sidelining John’s Silver Team from participating in dangerous missions and have them relegated to escort and support missions.

That all changes when during one of those support missions to remove people from a colony that The Covenant is primed to attack and “glass the planet” and The Covenant pulls a sneak attack. Unfortunately, the only two people who even know that The Covenant was on the planet before bombing it are Master Chief and ambush survivor Talia Perez (Cristina Rodlo), and John isn’t believed and Talia is too afraid to publicly say what happened. As a result, John’s new (and incredibly ambitious) new boss James Ackerson ((Joseph Morgan) who is replacing Halsey (Natascha McElhone) after her nefarious plans were revealed and she disappeared) swept it under the run for the sake of “stability.” This leads Master Chief to have to go outside the chain of command to investigate, drawing the irk of his new boss Ackserson.

At the same time, John’s former buddy who escaped the Spartan Program, Soren-066 (Bokeem Woodbine), and has been living a life on the outer reaches of the galaxy as a pirate. In the first season of Halo, he helped John in his time of need. This time, however, it’s he who will need help. He’s losing the support of his crew (who want more of their fair share of their bounties), and is also obsessed with trying to track down Halsey for what she did to him as a child. Unfortunately, a life of piracy isn’t all it’s cracked up to be, and his chickens have come home to roost as he is betrayed. Soren and John’s story doesn’t connect until later on, but when it does the boys are back together like they never left.

This season of Halo also gives the audience time to hang out with the other members of John’s Spartan Silver Team. Last season Kai-125 (Kate Kennedy) removed her emotion-inhibiting chip and explored her humanity. Now, the whole team has removed their chips and is exploring their humanity in different ways. Vannak-134 (Bentley Kalu) was always more rigid than even John was, but now he likes watching nature documentaries and befriending birds near his apartment. But the most interesting character development was with Riz-028 (Natasha Culzac) who is coming to terms with her injury and aging out of combat. As a genetically engineered Spartan soldier, they are all bread for combat and pretty much nothing else. So what can Riz do when she sees her injuries are preventing her from being her best and the psychological damage that comes with, she seeks counsel with former Spartan Louis-036 (Marvin “Krondon” Jones III) who after going blind from the Spartan Programs genetic engineering had to get adjusted to civilian life and helps coach her through the process.

Unfortunately, Halo Season 1 big baddie Makee (Charlie Murphy), the human member of The Covenant (who also hates humans) and had a connection to both John and the artifacts is mostly MIA for the first 4 episodes of the second season of the show with maybe 2-3 scenes. So, for the Covenant side of things, we are treated to just the reptilian foot soldiers for the good guys to fight. Instead, the true foil of the second season of the show is the new guy Ackerson, who is determined to be a thorn in John’s side. Ackerson is more concerned with advancing his career and maintaining the status quo. His belief in institutions blinds him and the higher-ups to the dangerousness of The Covenant. While he tries to present himself as not as psychopathic as Halsey was last season, he’s just as bad.

As stated, the second season of Halo is darker and grittier than the first season. While we got to see The Covenant slaughter humans last season, this time they up the ante a thousand times over with their master plan. If what happened in the first 4 episodes was just a teaser, I’d hate to see what their endgame is!

Now, the second season of Halo isn’t perfect. The biggest grips would probably be the inconsistent CGI. There are certain scenes where the reptilian shock troops of The Covenant look great, it’s usually a night or fog shoot. When Master Chief has his “hero moment shots” while fighting them, it’s not the most believable special effects and often looks “rubbery” and reminiscent of the CGI chaos of the Transformers movies. The show also tries to use the “one shot” take for a few key battle scenes, but with so many of the reptilians not looking believable, it looks even worse when tried as a tracking shot.

That said, Halo Season 2 is a step in the right direction. Not only does the show continue the world-building established in the first season, but it allows all the primary characters to continue to evolve and grow, not just Master Chief. And yes, he takes his helmet off a lot. Sorry purists, but that’s what’s gonna happen going forward, and honestly, it makes the show better!

Halo Season 2 is currently available on Paramount Plus.

Review: ‘Fitting In’

Maddie Ziegler Leads A Coming-Of-Age Traumedy That Is Full Of Laughs And Heart

High school is a time for growth. A time of personal reflection. It’s a chance for teens to try and figure out who they are. It can be difficult for the average kid and Lindy (Maddie Ziegler, soon to be seen in Sundance comedy My Old Ass) is about to find out how difficult things can get in Fitting In. Lindy is just your average sixteen-year-old girl. She’s trying out for the track team with her best friend Vivian (Djouliet Amara). She is also finally spending some quality time with her longtime crush Adam (D’Pharaoh Woon-A-Tai). Of course, her mom Rita (Emily Hampshire) is constantly embarrassing her, but she means well. Rita is a single parent who is going through a lot herself. Her mother recently passed, she is recovering from breast cancer and lost one of her breasts, and is active on the dating app scene.

Despite all that, Rita is still there for Lindy and worries about her. She worries even more as time goes on and Lindy isn’t getting her period. When Lindy is ready to take that next step with Adam, she goes to an OB-GYN for birth control. That’s when she is diagnosed with MRKH syndrome. This diagnosis brought with it the news that Lindy may never be able to carry a child. On top of that she will never have a period and sex will very likely be difficult. Many of the experiences she was looking forward to, possibly ripped away in an instant. Chances to connect with her friends over common experiences just gone. With her entire reality turned on its head, it is time for Lindy to look inside and really figure out who she is.

Molly McGlynn both wrote and directed Fitting In. The movie is only her second feature length film that she has written or directed. She has primarily worked in television. Directing her own screenplays is nothing new with McGlynn having directed all but one of her scripts. However, Fitting In stands apart from the rest. The film is semi-autobiographical, being based on McGlynn’s own story. She was diagnosed with MRKH halfway through high school. McGlynn experienced many of the trials and tribulations that Lindy navigates throughout the movie. Her personal connection to the material translates wonderfully to the film. Fitting In seems so real and authentic because it is and that can’t be understated.

McGlynn manages to broach a very difficult subject in the perfect way. She strikes the right balance between humor and heart, and there is plenty of both. Lindy’s journey of self-discovery is moving, and Ziegler excels in the role. The script itself is top notch – fast paced, believable, touching, and both subtly and blatantly hilarious. McGlynn mixes in just a touch of personal narration, letting us in to Lindy’s mind. It adds a different, and effective, element to Fitting In – allowing the audience further opportunity to connect with Lindy. Throw in solid music choices, sprinkle interesting scene transitions, and great acting all around and you have quite the package. Fitting In may not be for everyone, and it does center around some sensitive topics. However, it is a refreshing coming of age story that is absolutely worth a watch.

Fitting In is in theaters now.

Review: ‘Upgraded’

Camila Mendes And Marisa Tomei Star In Amazon's Economical Romantic Comedy

Camila Mendes has exited I KNOW WHAT YOU DID LAST SUMMER

Part Cinderella story and all romcom, Upgraded is the newest selection from Amazon Prime Video. Starring Riverdale alum Camila Mendes and Shadow and Bone star Archie Renaux, this modern-day fairytale doesn’t do any dazzling except for a few standout character actors. 

Mendez plays Ana, an art-obsessed intern with a Master’s degree, no formal living situation, and mountains of debt. She works at Erwin’s auction house under a Miranda Priestly wanna-be boss played by Marissa Tomei. After someone’s slip-up costs them their career, Ana rank in her office improves granting her a place on a work trip to London. After a ticket agent (a delightful Juliet Agnes) sees the abuse inflicted on her by her two superior assistants, Suzette (Rachel Matthews) and Renee (Fola Evans-Akingbola), Ana gets upgraded to first class. 

After a mishap in the airport lounge involving William (Renaux), she gets stuck in the airplane seat next to him where they chat, flirt, and Ana gives the impression that she is the director of the New York branch of her company. After they land, they keep running into each other as Ana continues the charade at the eventual determent to their budding relationship and her career. 

The love story between Ana and William is the most uninteresting part of this rom-com. It’s not entirely Mendes and Renaux’s fault when you have Lena Olin playing an eccentric and rich mother role and the great Anthony Head taking time away from playing a villain to portray a scene-stealing artist who fakes his death to make more money. Easily the best part of Upgraded, the two veteran actors are a joy to watch, whether apart or together. 

Marisa Tomei is too good for the role Christine Lenig, Luke Spencer Roberts, and Justin Matthews have written for her. The firing sequence at the beginning comes off as cruel and abusive rather than fun and bitchy as we’ve seen in other romcoms. When Claire softens up, Tomei brings dimension to the role but is otherwise trying to elevate one-note lines.

Another stand-out is the underused Saoirse-Monica Jackson, who you may know from Derry Girls. Playing up the Irish sex-crazed artist, she executes the best-friend role well, despite her little screentime. I would have preferred to watch her over Ana and William who both feel like your stereotypical hetero romcom couple with forced chemistry. 

Upgraded is a standard romantic comedy in every sense of the word. At a time when writers and directors are doing interesting things with classic genres, I expected more from a mundane love story about pretty people.

Prime Video is streaming Upgraded exclusively now.

Review: ‘Drift’

Cynthia Erivo Tries To Heal From Past Trauma In Anthony Chen's Measured, Powerful Drama

Cynthia Erivo in DRIFT

There’s barely a scene in Anthony Chen’s unhurried drama Drift that doesn’t feature star Cynthia Erivo. As Jacqueline, a Liberian refugee seemingly stranded on the beautiful Greek Isles, she wanders the pearly white beaches, dotted by vacationers who look nothing like her. They barely register her existence, but those who do can’t help but look at her with skepticism and barely-contained disdain. Jacqueling sometimes looks very weak, like she’s about to topple over at any moment. Only part of it has to do with the hunger rumbling in her gut, as the weight of past trauma threatens to send her spiraling downward.

Drift is not a movie for the impatient. Much of it is simply making her way through the city streets, encountering other west African migrants and keeping her wary distance from them. Occasionally, she’ll stop to give those lounging on the beaches a massage; a bit of menial work so she can have something to eat. Occasionally, flashbacks begin to fill Jacqueline’s story, but information on what she has survived rolls out slowly, deliberately, and even then it’s modest at best. We see her and her family in Liberia, a time when Jacqueline had longer hair and smiled broadly. We also see her time living with a white family in England was she received her education. But then there’s also dark memories, flashes of war parties of men and child soldiers carrying guns and blades.

Chen, the acclaimed Singaporean director behind Ilo Ilo, working from a script by Susanne Farrell and Alexander Maksik, the latter having also penned the source novel, is happy to luxuriate in the natural beauty of the locale and that of his star. It’s tough to blame him. It’s also easy to become hypnotized by the glorious visuals and relaxed pacing. The story picks up a little bit as Jacqueline befriends Callie, an American tour guide played by the always-welcome Alia Shawkat. The relationship is thinly-sketched, but it gives us a bit more narrative meat to chew on. Callie begins her association with Jacqueline initially out of concern, and that never really goes away. She sort of feels like a caretaker more than a friend, and maybe that’s what Jacqueline needs in the moment.

Drift acts as a character study of Jacqueline’s growth from past trauma, and it’s at least interesting the way Chen ponders what she truly needs to heal. But it’s also true that the film remains slight, even for a 90-minute runtime, and the lack of specificity can be frustrating. Erivo keeps you invested, though, capturing the difficulty of living in the moment when the past has become part of who you are.

Drift is open in theaters now.