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Sundance Review: ‘blood’Carla Juri Muddles Through Japan In Bradley Rust Gray's Meandering Drama About...

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One of my favorite jokes from the first Deadpool comic book series is "The melodic sound of gunfire, the international language." It doesn't matter...

Sundance Review: ‘God’s Country’Thandiwe Newton Battles Racism And Red State Politics In A Tense,...

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Reace and class collide with a tension as bitter as the Montana chill in Julian Higgins’ neo-Western, God's Country. The film is a reimagining...

Sundance Review: ‘You Won’t Be Alone’Noomi Rapace, Alice Englert, And Others Play A Shapeshifting...

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The use of witches in indie horrors has grown steadily since the breakout success of Robert Eggers' The Witch, so much so that it's...

Sundance Review: ‘Am I OK?’Dakota Johnson Finds Humor And Heart In Tig Notaro And...

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The "coming out" film is a tried-and-true staple, typically focused on teens who are just beginning to explore their sexual identity. That might be...

Sundance Review: ‘Emily The Criminal’Aubrey Plaza Scams The System In Tense, Riveting Working Class...

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Aubrey Plaza isn't who I would think of as a dangerous, working class Scarface, but after John Patton Ford's effectively tense Emily the Criminal,...

Sundance Review: ‘Resurrection’Rebecca Hall And Tim Roth Play Head Games In Andrew Semans' Grotesquely...

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There's something about the way Margaret (Rebecca Hall) offers advice to a naive co-worker about her abusive boyfriend. It sounds authoritative, too much so,...

Sundance Review: ‘Alice’Blaxploitation Misfire Sets Keke Palmer On A Path For Vengeance

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Long after slavery was abolished, Black people remained in a near-permanent state of servitude because of the laws, and culture, stacked against them. But...

Sundance Review: ‘Cha Cha Real Smooth’Cooper Raiff And Dakota Johnson Get The Party Jumpin'...

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There's a good chance people will be turned off by the gentle, nakedly earnest comedies by Cooper Raiff. A breakout award-winner at SXSW for...

Sundance Review: ‘Master’Regina Hall Deals With Racism In Academia In Mariama Diallo's Debut Horror

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Being Black in America can be its own kind of horror story. That's why the genre is so perfectly suited to examinations of race,...

Sundance Review: ‘Sharp Stick’Lena Dunham's Return Film Is Orchestrated To Be Provocative, But Nothing...

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Count me as one of those who hate-watched Girls. I have a fascination with Lena Dunham and the shallower-than-bathwater cast of white characters she...