Review: ‘First Cow’Kelly Reichardt Paints A Beautiful, Dangerous Portrait Of Male Friendship, Capitalism, And...

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Chances are if you're not already a fan of the deliberately-paced dramas of Kelly Reichardt, First Cow isn't on your radar. But it should...

Review: ‘The Way Back’Ben Affleck Scores A Slam Dunk In Sobering Redemption Story

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As if answering critics of his sleepy-eyed performance in The Last Thing He Wanted, Ben Affleck makes one Hell of a rebound with The...

Review: ‘Onward’Pixar's Elven Adventure Has Heart But Lacks The Usual Magic

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Such is the price of Pixar's incredible success that we basically grade their movies one of two ways: either they're instant classics, or they're...

Review: ‘Escape From Pretoria’Daniel Radcliffe Can't Break Free From A Promising But Underwhelming Prison...

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Prison escape movies are only as interesting as the escapees themselves, and the cleverness of their escape route. So it's not surprising that Escape...

Review: ‘Swallow’Haley Bennett Shines As A Desperate Housewife With A Stomach-Turning Secret

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If you've never heard of Pica, the disorder which causes someone to ingest things that aren't meant to be eaten, prepare to get a...

Sundance 2020 Review: Benh Zeitlin’s ‘Wendy’ Is A Bold, Wondrous New Take On The...

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Few filmmakers have made a splash quite like Benh Zeitlin did with his fantastical 2012 debut, Beasts of the Southern Wild. As someone who...

Review: ‘Guns Akimbo’ Misfires Despite Daniel Radcliffe And Samara Weaving Earning Top Scores

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If you found the energetic video game energy of Hardcore Henry palatable, there's a chance Jason Lei Howden's similarly riffed Guns Akimbo will be...

Sundance 2020 Review: ‘Possessor’ Is A Savage Sophomore Effort From Brandon Cronenberg

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Tasya Vos. The name sounds like someone from a Bond movie. That's not too far off. Vos (Andrea Riseborough) is a corporate mercenary, but...

Sundance 2020 Review: ‘Downhill’, An Enjoyable Bunny Slopes Version Of ‘Force Majeure’

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A snapshot is just a single moment in time. Anybody can stop to grin like a fool for a photograph; it's what happens outside...

Sundance 2020 Review: ‘The Glorias’, Julie Taymor’s Gloria Steinem Biopic Is Uneven But Engaging

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Life's road is jagged, never a straight line. That's especially true for renowned feminist activist Gloria Steinem, whose life has always been colored outside...