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Review: ‘The Bricklayer’

Aaron Eckhart And Nina Dobrev Butt Heads In Renny Harlin's Enjoyable, Globe-Trotting Spy Flick

The Bricklayer. The title is an apt one for several reasons, but let’s start with director Renny Harlin. A journeyman nowadays, his skills as a filmmaker have largely been overlooked despite some classics to his name, including Die Hard 2 and the extraordinary The Long Kiss Goodnight. While his recent output hasn’t been great, it’s not always a function of his talents, just the material. And that is clear with The Bricklayer, an enjoyable, globe-trotting spy flick that might’ve been a perfect vehicle for someone like Bruce Willis back in the day.

In fact, the lead role was initially set for Gerard Butler back in 2011, the same year that author Paul Lindsay, working under the pseudonym Noah Boyd, died just two books into his Steve Vail series of novels. The Bricklayer is based on the first of those (which you can get here), and it’s with Aaron Eckhart in the role of Vail, a literal bricklayer and ex-CIA dude with a past riddled with violence and old grudges. The film begins with a journalist (Veronica Ferres) murdered in Greece before she can expose information critical of U.S. intelligence activities. She’s just the latest in a series of murders by a mysterious killer, whose aim is to make it look as if the CIA is rubbing out its most vocal critics, leading to literal riots in the streets.

Vail enters the picture when ambitious, stick-in-the-mud analyst Kate Bannon (Nina Dobrev) figures out the killer is Victor Radek (Clifton Collins Jr.), former CIA operative and close friend of Vail’s believed to have been killed months earlier. Tim Blake Nelson, chewing his way through a role as a CIA bigwig, recruits Vail to return and bring Radek to justice…especially since Vail was the guy who supposedly killed him. But it isn’t until Vail is attacked himself that he actually agrees. Old grudges die hard, no pun intended. Unfortunately, Vail will have to be stuck with Bannon as a chaperone of sorts, in hopes that her by-the-book attitude will help keep him in line.

The Bricklayer uses a pretty standard formula for buddy crime flicks. Vail is abrasive and a loner; a guy who listens to Miles Davis on long flights, and naturally ignores any orders that come his way. Bannon is the opposite; she “doesn’t listen to music”, hates pets, is single, and is basically a drag for someone so young. The oil and water mix is predictable but it works, with Eckhart and Dobrev finding some pretty decent chemistry. He’s the guy who likes to mix it up, she’s the desk jockey eager to prove she can be a field agent.

In actuality, this is the first time in ages that I’ve liked an Eckhart performance. He seems to have settled into a groove of playing grumpy characters in suspense movies, but here he’s able to have a little bit of fun, croaking out Dirty Harry-esque dialogue that sounds like an old man complaining. He throws himself into the many fight scenes, and while the violence is weirdly over-the-top, Eckhart handles them like a pro. I like that Vail, despite some surface-level similarity to Jack Reacher, isn’t an indestructible beast. Vail takes a lot of punishment and dishes just as much out. Harlin has never been the most exciting director in the world but he can shoot fisticuffs really well, and he knows how to highlight his actors’ best attributes. That’s one thing the directors of those great action movies of the ’80s and early ’90s learned to do better than anyone, and Harlin still has it.

While the performances all around are solid, the plot is still something of a mess. Double-crosses and convoluted backstories abound, but little of it means anything because the characters lack introspection. At least the production values are surprisingly robust, with Harlin getting more to play around with than he’s had in ages. The Greek locale offers some lush views and an exotic atmosphere, a plus even if they clash with the author’s original vision. The Bricklayer doesn’t break the mold, but like the titular occupation, it sets a sturdy foundation for an Eckhart-led franchise. With only one Vail book remaining, Agent X, it remains to be seen if that will happen.

The Bricklayer is in theaters and VOD now.

Review: ‘Race For Glory: Audi vs. Lancia’

Thrill-Free Racing Drama Never Puts Pedal To The Metal

Race for Glory

What to make of a movie, ostensibly a biopic, that tells its audience the extent of the creative license they’ve taken? One might think it would make for a more exciting movie, free from the standard biopic tropes we’ve all become bored by. But not so with Race for Glory: Audi vs. Lancia, a racing drama that captures none of the thrill of the track, the visceral sense of speed, or the passion for victory.

At best, the film is an incomplete Wikipedia entry covering the 1983 World Rally Championship and the ongoing feud between the titular car manufacturers’ racing teams. The focus is squarely on Lancia’s struggling manager, Cesare Fiorio, played by the film’s co-writer and producer Riccardo Scamarcio. Clearly a passion project for Scamarcio, he eats up most of the screen time to such a degree that there probably should’ve been a title change. Maybe nothing as bland as the recently released Ferrari, but something that more accurately reflects that this is a movie about Fiorio and Lancia.

And what do we learn about Fiorio? Well, he’s obsessed with winning. Unfortunately, business sucks and Fiorio has to employ some underhanded, occasionally comical tricks to maintain appearances. These moments punch up the humor a little bit, but the overall dry tone can’t be ignored. That’s especially true with the racing sequences, which director/co-writer Stefano Mordini fails to inject with any urgency at all. Much of the film follows Fiorio as he tries to come up with a way to boost sales while repeating incessantly that he just really wants to win. He lets anyone who’ll listen know that victory is the only thing on his mind. Scamarcio’s performance as the single-minded, obsessive Fiorio is the film’s most propulsive component.

Race for Glory is especially disappointing because of the presence of Daniel Brühl as Roland Gumpert, manager of Germany’s Audi brand and Fiorio’s nemesis. It’s inescapable that Brühl featured in the far-superior racing thriller Rush, and he seems at a loss as to why he’s here in this movie doing things that are much less exciting. The same goes for a bizarre appearance from Haley Bennett in an uncredited role as a reporter forced to listen to Fiorio’s boasts.

Clocking in at just 108 minutes, it’s not nearly enough time to capture the full scope of the people and relationships in this rivalry. We barely get a hint of Fiorio’s personal life, although we’re expected to believe it matters a great deal. The one intriguing subplot involves Lancia driver Walter Röhrl (Volker Bruch), a legend who Fiorio pulls out of retirement to drive his new, lightweight car to victory. Röhrl is interesting because he waivers in his commitment, happy as he was being out of the limelight. But the film never fully commits to Röhrl’s story, either, and we’re just left to ponder about the true depth of his complexity.

Race for Glory: Audi vs. Lancia fails to get off the blocks. It’s confusing to me that so many racing dramas seem to be more concerned with the men who aren’t behind the wheel rather than those who are out there risking fate at every turn and chasing victory at any cost.

Race for Glory: Audi vs. Lancia is available today in theaters, on demand and digital.

DC Readers: Attend A Free Early Screening Of ‘Mean Girls’

Mean Girls poster

We’re happy to offer our DC readers the chance to make fetch happen at a free early screening of Mean Girls. This new musical take on the comedy classic is once again brought to you by Tina Fey, and features a new cast led by Angourie Rice, Reneé Rapp, Auli’i Cravalho, Jaquel Spivey, Avantika, Bebe Wood, Christopher Briney, Jenna Fischer, Busy Philipps, Ashley Park, Tina Fey, and Tim Meadows.

SYNOPSIS: From the comedic mind of Tina Fey comes a new twist on the modern classic, MEAN GIRLS. New student Cady Heron (Angourie Rice) is welcomed into the top of the social food chain by the elite group of popular girls called “The Plastics,” ruled by the conniving queen bee Regina George (Reneé Rapp) and her minions Gretchen (Bebe Wood) and Karen (Avantika). However, when Cady makes the major misstep of falling for Regina’s ex-boyfriend Aaron Samuels (Christopher Briney), she finds herself prey in Regina’s crosshairs. As Cady sets to take down the group’s apex predator with the help of her outcast friends Janis (Auli’i Cravalho) and Damian (Jaquel Spivey), she must learn how to stay true to herself while navigating the most cutthroat jungle of all: high school.

The screening takes place on Tuesday, January 9th at 7:00pm at Landmark Bethesda Row. If you’d like to attend, RSVP at the Gofobo site here. Please remember all screenings are first come first served and you’ll need to arrive early to ensure seating. Enjoy the show!

MEAN GIRLS IS ONLY IN THEATRES PREMIUM LARGE FORMAT SCREENS, AND DOLBY CINEMA JANUARY 12TH, 2024!

‘The Shrouds’: First Look At David Cronenberg’s New Film With Vincent Cassel And Diane Kruger

The Shrouds

After eight years away, David Cronenberg returned in 2022 with Crimes of the Future, a sci-fi film that sorta came and went. But Cronenberg was already prepping what would be his next movie, and that same year we learned about The Shrouds, which is ready to hit the festival circuit. So much so that today brings our first look at the film led by Vincent Cassel, Diane Kruger, Guy Pearce, and one of my lifelong favorites, Sandrine Holt. Kruger has described it as Cronenberg’s “most personal” film.

The news comes from BloodyDisgusting, who reported on the images first appearing in the pages of Cahiers du Cinéma. It certainly sounds like Cronenberg could be plotting another Cannes debut.

The Shrouds stars Cassel as Karsh, an innovative businessman and widower who fashions a unique device that allows grieving family members to watch their deceased loved ones decompose in real-time. When someone breaks into Karsh’s cemetery and begins desecrating graves, including that of his wife, he must discover who and why.

Also in the cast are Elizabeth Saunders, Jennifer Dale, Eric Weinthal, and Steve Switzman. Kruger actually stepped in to replace Lea Seydoux, who had to drop out shortly after working with Cronenberg on Crimes of the Future.

Filming is already completed on The Shrouds, so expect more info to drop soon.

The Shrouds

‘Marmalade’ Trailer: Joe Keery Plots A Prison Break To Be Reunited With Camila Morrone In New Crime Film

Joe Keery, Camilla Morrone in MARMALADE

Stranger Things heartthrob Joe Keery and Camila Morrone steal money and kisses in the new Bonnie & Clyde-style crime film, Marmalade. Marking the directorial debut of actor Keir O’Donnell, the film also stars the always-great Aldis Hodge (Black Adam) in a supporting role.

As seen in the new trailer, Keery stars as Baron, who reminisces to his cellmate about the intense relationship he had with Marmalade (Morrone). The passion they had for one another eventually led to crime, as they plot a bank robbery so Baron could pay for his mom’s medicine.

“Once upon a time, I was just a wee boy. I worked at the post office. Then [I met] the girl of my dreams,” Baron says.

But when things go sideways, Baron’s future is threatened and he begins to question Marmalade’s true motives. Now Baron and his cellmate are plotting a prison break so he can be reunited with the woman he loves.

Here’s the synopsis: Keir O’Donnell’s directorial debut, MARMALADE, is an edge-of-the-seat crime-tinged romance tale that follows recently incarcerated Baron (Keery) who strikes up a friendship with cellmate Otis (Hodge), a man with a well-versed history of prison breaks. As the pair hatch an escape plan together, Baron recalls the story of how he met Marmalade (Morrone), the love of his life, and their “Bonnie and Clyde” style scheme to rob a bank in order to care for his sick mother and give the couple the life they’ve always dreamed of.

Marmalade opens in theaters and VOD on February 9th.

‘Robot Dreams’ Trailer: Neon To Release Acclaimed Dialogue-Free Animated Film Later This Year

Robot Dreams

Looking for a different kind of friendship story? In Robot Dreams, a lonely dog in Manhattan constructs a robot companion, and the two become fast friends, inseparable against the backdrop of 1980s New York City. This weird, unexpected relationship is the core of Spanish filmmaker Pablo Berger’s directorial debut, a dialogue-free adaptation of Sara Varon’s popular graphic novel.

Robot Dreams was a hit at Cannes last year when it premiered in the Special Screenings section. Already it has been showered with accolades from various festivals and regional critic groups. At the 36th European Film Awards it won Best Animated Feature.

Here’s the official synopsis: DOG is a lonely dog who lives in Manhattan. One day he decides to build himself a pal robot. Their friendship grows, until they become inseparable, to the rhythm of New York in the 80s. One late summer night, Dog with great sorrow, is forced to abandon ROBOT on the beach. Will they ever meet again?

NEON will release Robot Dreams into theaters later this year.

‘Lisa Frankenstein’ Trailer: Kathryn Newton And Cole Sprouse Star In Diablo Cody’s Coming Of Rage Love Story

Lisa Frankenstein

Suddenly, female-led riffs on Frankenstein are all the rage, and it’s Diablo Cody’s turn to get in on the fun. Lisa Frankenstein, Cody’s latest offbeat take on horror-romance (after Jennifer’s Body) teams her with Kappa Kappa Die director Zelda Williams and actress Kathryn Newton, known for Freaky and Ant-Man 3.

Newton stars with Riverdale‘s Cole Sprouse as the unusual couple at the heart of this story about a high school misfit and her crush…who happens to be a corpse.

Here’s the synopsis: A coming of RAGE love story from acclaimed writer Diablo Cody (Jennifer’s Body) about a misunderstood teenager and her high school crush, who happens to be a handsome corpse. After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness… and a few missing body parts along the way.

Also in the cast are Liza Soberano, Henry Eikenberry, Joe Chrest, and Carla Gugino.

Making her feature-directing debut is Zelda Williams, who is probably best known for being the daughter of the late Robin Williams. She’s also known for her acting, including a voice role as Kuvira in the popular Legend of Korra animated series.  Williams caught a slot of attention in 2018 for her short film, Shrimp, which she directed and also starred in.

Focus Features will release Lisa Frankenstein into theaters on February 9th. For more on the film, check out the official site here.

‘Thunderbolts’: Steven Yeun Reveals Reason For His Exit From Marvel Film

Steven Yeun

Just a couple of days ago, news broke that Steven Yeun had exited his role in Marvel’s upcoming Thunderbolts movie. The move was sudden, but not completely out of left field. Yeun, a recent Oscar nominee for Minari and Emmy nominee for Beef, is hotter than ever right now. And with delays caused by the SAG-AFTRA and WGA strikes, Yeun’s schedule was undoubtedly getting tight.

Well, now Yeun has confirmed to Variety his reason for leaving Thunderbolts. Sure enough, it has to do with timing.

“I think for me, time passing and things shifting kind of pulled me out of it,” Yeun explained.

He had good things to say about director Jake Schreier, who he previously worked with on episodes of Beef.

“But Jake [Schreier], I know, is going to do an incredible job. I wanna do a Marvel movie It took a lot of drafts on email to make sure that I conveyed the sincerity of how sorry I was to have to back out.”

Yeun still has hopes of playing a Marvel character someday. However, he’s reluctant to reveal who that is for fear of it not coming true…

“I think it’s too early to say that. I probably pissed off too many people leaving, so I’m just gonna say, ‘Thank you for having me.’ I have some ideas. But I heard if you put it out there, you’ll never get it, so I’ll keep it close to my chest.”

This does all seem to have happened fairly quickly, but that’s how things go sometimes. Yeun will have one of the most anticipated films at Sundance later this month, starring opposite Kristen Stewart in Love Me.

As for Thunderbolts, it’s still set to open on July 25th 2025, but delays continue to be an issue. We’ll see if it can hit the target date or not.

Margot Robbie Says Harley Quinn Was Meant To Be “Passed On To Other Actress To Play”

Margot Robbie as Harley Quinn

Until we actually see what James Gunn does with DC Studios and the new DCU, questions will continue to swirl. For instance, we know that certain actors are carrying over into their current roles, such as Viola Davis as Amanda Waller and John Cena as Peacemaker, along with Xolo Maridueña as Blue Beetle. But we’ve also seen a lot of popular actors replaced, including Henry Cavill’s Superman, Gal Gadot’s Wonder Woman, and even Jason Momoa’s Aquaman.

But where does that leave Margot Robbie as Harley Quinn? Arguably the most popular portrayal of the entire DCEU, Robbie’s Harley Quinn was the breakout character of Suicide Squad, Birds of Prey, and Gunn’s own The Suicide Squad. Robbie, who has grown into a super-producer and obviously the star of Barbie, has a lot of options on the table. But would she come back as Harley Quinn if asked?

In a recent Variety interview, Robbie was asked straight-up if she would return as Harley Quinn, and while she doesn’t reject the idea, she also seems eager to pass the torch…

“I always wanted Harley to be a character that would get passed on to other actresses to play, the way there are so many iconic male characters. That was always the dream for her.”

When asked if she was passing the torch to Lady Gaga, who plays an Elseworlds version of Harley Quinn in Joker: Folie à Deux, Robbie refuses to give a straight answer.

“Harley’s so fun and can go in so many different directions. You put her in someone else’s hands, and it’s like, “What are they going to do with her?” The options are endless,” she said.

Robbie has been such a champion for Harley Quinn that it says a lot that she doesn’t express any enthusiasm here. She seems resigned to moving on, and that’s going to disappoint a lot of fans. It’s also surprising if Gunn, who loves working with actors he knows very well, doesn’t ask Robbie to return. We’ll just have to wait and see what happens, but I have to believe Harley Quinn will be a key part of the DCU at some point.

 

Review: ‘Night Swim’

Blumhouse's Sinister Pool Horror Offers Only Shallow Scares

Night Swim

For those with a fear of deep water, a film such as Night Swim, from the combined talents of Blumhouse and James Wan’s Atomic Monster, should have them trembling. Count me as one of those people, as there are few things that shake me up quite like the thought of being stuck in the deep end of the pool, or caught in the ocean tide, or unable to resurface from underwater. While there’s a ton of talent on both sides of the camera, including the acclaimed short film it’s based on, Night Swim‘s scares are modest at best, causing only minor ripples for those looking for a shocking horror fix.

Night Swim begins by preying upon two of our most primal fears: drowning, and the unknown. A curious young child is lured to her backyard pool in a way that would make Pennywise jealous. When the kid meets a sinister fate and is lost, it becomes clear that this swimming pool harbors a lot more than just chlorine, bugs, and fallen leaves.

Wyatt Russell, son of Kurt, and recent Oscar nominee Kerry Condon star as Ray and Eve Waller. Their situation is anything but typical, making them a family that’s a bit more interesting to follow than the genre usually offers. Ray is a former Major League Baseball player with a gifted swing, but forced to quit the game due to a medical diagnosis. Eve, along with their teen daughter Izzy (Amelie Hoeferle) and young son Elliot (Gavin Warren), are supportive of Ray, but also happy to find a new home and set down roots. And what could be better for Ray’s recovery than a therapeutic swim in their own backyard pool? Good thing they’ve found the perfect home that has one! And the realtor, a chatty local with a habit of oversharing, can sell it to them for a steal! It’s not like any kids have gone missing there or anything!

Director and co-writer Bryce McGuire grounds Night Swim with a rich central premise, one built on the idea that nothing good happens for free. The idea of sacrifice is at its core, and when the pool’s waters have a miraculous effect on Ray…well, something terrible must happen in its stead. There’s a lot more with this idea that McGuire could’ve done, however what we get are a lot of really weak jump scares and poorly staged underwater frights. There are few things more viscerally terrifying than being trapped under the water with no hope of finding air, but when it happens here it’s surprisingly ineffective. A haunting game of Marco Polo shows that Night Swim might’ve been better playing more into the psychological frights of the unknown watery depths, but instead it offers just a toe in the water.

Night Swim opens in theaters on January 5th.