Review: ‘Jolt’

Kate Beckinsale Returns To Kick-Ass Form In An Action Flick That Needs A Higher Voltage

Long past the skin-tight leather and icy skin of a vampire in the long-running Underworld franchise, Kate Beckinsale finally returns to action with Jolt, and it’s good to have her back. the character she plays, Lindy, might as well be a comic book superhero. She even has the perfectly silly origin story, having been born with a neurological problem, intermittent explosive disorder, that gives her incredible strength…oh, and an uncontrollable rage that she uses against everybody, especially those who get on her nerves. It makes building lasting relationships with men virtually impossible, but when she finally finds the right one and he ends up dead, look out.

Jolt is the latest film from director Tanya Wexler, whose previous films Hysteria (about the invention of the vibrator) and Buffaloed (about an unscrupulous debt collector) tell snarky stories about women kicking ass in a man’s world. It’s only now that she has a woman kicking actual ass, and brings an energetic, unchained style like a wannabe Crank: High Voltage. The two films are quite similar in premise, too. The only way Lindy can keep her urges in check is to literally shock herself with a buggy contraption developed by her friend/psychiatrist Dr. Munchin (Stanley Tucci). The connections between the vibrator and Lindy’s electric calming device are obvious and will be funny to fans of Wexler’s work.

The difference between Jolt and Crank: High Voltage is willingness to push the limits, and the screenplay by Scott Wascha never goes far enough. There’s some much-needed lunacy as Lindy images doing the absolute worst to the people who piss her off, but the best is saved for those she actually hurts. In most cases these are toxic dudes in awe of her beauty and unaware she’s a killing machine; sometimes it’s a particularly snooty waitress who makes the mistake of getting cornered in the women’s restroom.

Jai Courtney plays Justin, the man of Lindy’s dreams mainly because he’s charming and doesn’t run away from her violent urges. When he turns up dead after a night of carnal bliss, Lindy gets very angry. You wouldn’t like her when she’s angry. Bobby Cannavale and Laverne Cox play the cops hot on Lindy’s trail, wondering who this woman is leaving so much death and destruction in her wake. Cannavale’s character is sweet on her; Cox’s is considerably less so.

Jolt holds a lot of promise of balls-out insanity, but the screenplay never goes far enough. If you’re going to make a film as wildly over-the-top as this you have to raise the bar constantly, and too long it settles into a familiar groove. Beckinsale is still as credible as ever at beating people up, and she makes the whole thing far better than it has any right to be. Susan Sarandon shows up and basically has a cup of coffee in a role designed to set up a Marvel-esque franchise, but if Jolt doesn’t electrify as much as it could why should we expect the prospect of a sequel to get us charged up?

Jolt hits Amazon Prime Video on July 23rd.

Travis Hopson
Travis Hopson has been reviewing movies before he even knew there was such a thing. Having grown up on a combination of bad '80s movies, pro wrestling, comic books, and hip-hop, Travis is uniquely positioned to geek out on just about everything under the sun. A vampire who walks during the day and refuses to sleep, Travis is the co-creator and lead writer for Punch Drunk Critics. He is also a contributor to Good Morning Washington, WBAL Morning News, and WETA Around Town. In the five minutes a day he's not working, Travis is also a voice actor, podcaster, and Twitch gamer. Travis is a voting member of the Critics Choice Association (CCA), Washington DC Area Film Critics Association (WAFCA), and Late Night programmer for the Lakefront Film Festival.
review-joltJolt holds a lot of promise of balls-out insanity, but the screenplay never goes far enough.