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Review: ‘How To Train Your Dragon’

Dreamworks' Live-Action Remake Bucks The Odds And Soars As High As Its Predecessor

HOW TO TRAIN YOUR DRAGON opens June 13th

Disney’s plethora of live-action remakes has made it so that we all kinda look at them sideways. They’ve had two of them already this year alone, and we’re only at the halfway point.  We all question whether or not they actually need to happen, because so many of them change so little from the source material that they probably didn’t. The sad fact is Disney has soured our attitude towards these films and perhaps we need to have our attitude adjusted a little bit. That’s where Dreamworks’ How to Train Your Dragon comes in.

A live-action take on Dreamworks Animation’s 2010 classic, and adapted from Cressida Cowell’s beloved novel, How to Train Your Dragon should NOT be as good as it is. Once again directed by franchise creator Dean DeBlois, who co-directed the original with Chris Sanders (y’know, that Lilo & Stitch guy), the film is essentially a shot-for-remake remake with all of the key scenes and characters exactly how you remember them. Based on that alone, this movie should be tossed aside as a pointless waste of time and money. Who needs this version if it’s exactly the same as what we already loved? Ummmm…::sheepishly holds up hand::  I needed it. Hey, I’m as surprised as you are. But damned if all of the soaring highs and emotional interactions didn’t hit me exactly as they once did. That’s a credit not only to DeBlois, who understands the power of this story to transcend mediums, but to the phenomenal cast who had the difficult job of embodying characters we already have a distinct impression of.

The story is exactly the same. The fictional island of Berk is where Hiccup (played by The Black Phone‘s Mason Thames), a skinny, awkward Viking, longs to be a warrior like his father, Stoick the Vast (Gerard Butler, reprising his earlier role), the chieftan and the most badass dragon-killer around. Berk is a place that is overrun by dragon attacks, and the film kicks off with a doozy. The dragons, big and small, some more dangerous than others, are trying to snatch their sheep, which Berk needs to survive the winter. Dragon attacks are frequent, and the Vikings, comprised of many different warrior tribes, are hoping to find their nest and destroy it. As for Hiccup…he’s kind of an embarrassment, prone to causing more problems than solving them, so he stays inside acting as apprentice to the town blacksmith, Gobber the Belch (Nick Frost).

Hiccup isn’t content with letting others fight without him, and when one of his inventions actually works in taking down a dragon, he finds that it’s the most deadly dragon of all, the Night Fury. But rather than being able to kill the beast, Hiccup and the dragon, which he names Toothless, become friends. And that is not going to go over well back home, especially with Hiccup being thrust into the trials to see if he’s got the mettle to be a true warrior of Berk.

Admittedly, it took me a while to fall in love with How to Train Your Dragon all over again. And I think it’s because the opening sequence, so exhilarating with its dragons, fires, and Hiccup’s clumsy antics, looks like its covered in dense fog when done in live-action. I don’t know if that was to hide some visuals that may not have looked so hot or what, but it does not leave the best first impression. Fortunately, it doesn’t stay that way. Once Hiccup sets off on his own to find Toothless, and the color palette brightens up considerably so that we can see the lush forests and rolling hills, it’s an astonishingly different movie.

The friendship between Hiccup and Toothless, born enemies who stand against their respective tribes, is key to How to Train Your Dragon. But it’s not the only relationship that matters. Fundamentally, this is a father/son story, with Hiccup trying to prove himself and Stoick too stuck in his warrior ways to listen.  It’s about a son wanting the love and respect of his father, regardless of the path he’s chosen. Both of these relationships are beautiful, easily understandable, and well-told. They stand the test of time and it doesn’t matter whether it’s on the page, in animation, or in live-action. DeBlois, who also adapted the script solo this time, wisely doesn’t deviate from what works.

That said, sticking to the formula still had me worried that How to Train Your Dragon wouldn’t have the same power to awe me as the original had. I needn’t have worried. Soaring through the sky with Hiccup and Toothless is just as jaw-dropping as ever, feeling like I was in the clouds right next to them. There’s even more of a feeling of danger this time around, the roller coaster drops and loops causing my stomach to clench up. It’s amazing stuff that benefits from being seen on the biggest screen possible. Even Toothless looks exactly as you remember him.

The film wouldn’t be so good without the cast, however. As I said, everyone has a tough task with big shoes to fill. Thames is so good that he almost makes you forget that Hiccup was voiced so distinctly by Jay Baruchel. He’s particularly strong opposite Butler, the only actor to play the character he previously voiced. I’m not one of those who slams Butler for his over-the-top action flicks. He’s a solid actor when given the right material, and he’s never been so subtle, funny, and at times heartbreaking. It’s critical that we not look at Stoick as a bad father, just as a father struggling to communicate with his son.  Given the uproar over her casting, Nico Parker was a revelation as Astrid, Hiccup’s love interest and the toughest of all the recruits. Parker, the daughter of Thandiwe Newton and filmmaker Ol Parker, has been making waves with her roles on The Last of Us and Suncoast, but it’s her performance here that’ll catch the most eyeballs and lead her to bigger things.

How to Train Your Dragon changes our expectations for live-action remakes. It doesn’t cut outside the lines much at all, and yet it still manages to have the same emotional impact as it did before. Disney’s The Lion King couldn’t do that. Ultimately, we are just as in love with Hiccup, Toothless, Stoick, Astrid and the rest of the Vikings of Berk as ever, and will want to revisit them again and again.

 

Box Office: ‘Lilo & Stitch’ Beats Back ‘Ballerina’ To Hold Top Spot

LILO & Stitch held strong opposite BALLERINA, THE PHOENICIAN SCHEME, and more
  1. Lilo & Stitch– $32.5M/$335.7M

It’s three weeks at the top for Disney’s live-action Lilo & Stitch, taking in another $32.5M for $335M domestic. That makes it the second movie this year to pass $300M stateside, joining A Minecraft Movie which is well over $400M at this point. Worldwide, the film has $772M and could pass $1B at this rate.

2. From the World of John Wick: Ballerina (review)- $25M

Lionsgate’s John Wick spinoff Ballerina, starring Ana de Armas, opened below expectations with just $25M. That’s a disappointing number, the lowest of the franchise since the original John Wick‘s $14M debut. I would point out that film blew up due to strong word of mouth, and the same could happen here. Critics rated the action flick 76% on RT while audiences rated it at 94%. Sadly, I think this movie would’ve done better if released in January rather than now, when blockbuster expectations are so much higher.

3. Mission: Impossible-The Final Reckoning– $15M/$149.2M

4. Karate Kid: Legends– $8.7M/$35.4M

5. Final Destination Bloodlines– $6.5M/$123.5M

6. The Phoenician Scheme– $6.2M/$6.9M

Following last week’s lucrative platform release, Wes Anderson’s The Phoenician Scheme fell back down to Earth in wide release. Opening in 1,678 theaters, the Benicio Del Toro-led adventure scored $6.2M. which is nearly $3M less than what Asteroid City did two years in comparable locations.

7. Bring Her Back– $3.5M/$14.1M

8. Dan Da Dan: Evil Eye– $3M

9. Sinners– $2.9M/$272.6M

10. Thunderbolts*– $2.5M/$186.4M

Also…Dangerous Animals (review), which stars Jai Courtney as a serial killer who uses sharks on his victims, opened with $1.5M.

[BoxOfficeMojo]

Podcast: Re-Entering The Universe Of John Wick With ‘Ballerina’

Talking BALLERINA on the latest episode of Cinema Royale!

On the latest episode of Cinema Royale, we’re re-entering the universe of John Wick with Ana de Armas in Ballerina! Chris Bumbray of Joblo.com joins me to talk about the first John Wick spinoff flick on the big screen, how de Armas handles her first lead role as an action star, and which action scenes were directed by Len Wiseman and which were by Chad Stahelski. Of course, we also talked about Keanu Reeves and his part to play in the film, as well as some of the other kick-ass fighters who are becoming familiar faces across this franchise.

All of this and more can be found at www.punchdrunkcritics.com!

Subscribe to Punch Drunk Critics on YouTube: / @punchdrunkcritics1

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You can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!

‘Tether’ Exclusive Trailer: School Shooting Drama World Premieres At Dances With Films This Month

TETHER premieres at Dances with Films Festival on June 22nd

Ahead of its world premiere at LA’s Dances with Films Festival on June 22nd, Punch Drunk Critics is happy to debut an exclusive trailer for Hariharasudhen Nagarajan’s new movie, Tether. The film stars Nick Giedris, Ben Burton, Laura Faye Smith, Joanna Cretella, Sophia Dawson, and Arielle James. The screenplay was penned by Anghus Houvouras.

Here’s a synopsis: When Leonard, a grieving father haunted by his daughter’s death in a school shooting, seeks solace in reconciliation with his wife, he crosses paths with Gerald, the clinically depressed ex-school resource officer who froze during the incident and is blamed for not helping avert the disaster. As their paths collide and their downward spirals converge, what darkness will their encounter unleash?

The topic of school shootings and what to do about them has been weighed heavily over the years, including on the big screen. Still, it seems too many people don’t want to actually confront the issue. It was the Parkland High School shooting that inspired Nagarajan and Houvourasto embark on making Tether a reality.

Nagarajan said in a statement: “The Parkland High School shooting felt like a gut punch. News reports turned the faces of teenagers into ghosts, their laughter and dreams silenced by gunfire. Then came the Pulse Nightclub shooting and the weight of these tragedies pressed even heavier. It was a horrifying cascade of violence, and a sickening sense of numbness began to creep in. Had mass shootings become a grim reality we’d just grown accustomed to? Was this the new normal? What happens to the survivors when the news media moves on to the immediate aftermath of another shooting?”

“That’s what sparked ‘Tether’. My writer, Anghus Houvouras, and I couldn’t accept this new normal. These weren’t just headlines; they were stories of shattered lives. We wanted to explore the aftermath, the ripple effects that spread far beyond the immediate victims. ‘Tether’ isn’t about the acts themselves but the trauma they leave behind. It’s about families grappling with the absence of a loved one, survivors carrying physical and emotional scars, and the communities left wrestling with the unthinkable.”

Tether will have its World Premiere at Dances with Films Festival on June 22nd!

‘Freakier Friday’ Trailer: Jamie Lee Curtis And Lindsay Lohan Get Freaky Again This Summer

FREAKIER FRIDAY opens on August 8th

Disney isn’t just obsessed with remaking their animated classics as live-action features, they also can’t help giving long-suffering fans sequels to their favorite childhood comedies. So you get Hocus Pocus 2 a couple of years ago, and now there’s Freakier Friday. Jamie Lee Curtis and Lindsay Lohan are back and reprising their roles from the hit 2003 body-swapping comedy, Freaky Friday.

Directed by Nisha Ganatra (Chutney PopcornThe High Note), Freakier Friday finds Curtis and Lohan returning as Tess and Anna Coleman. Same as last time, they’re going to experience a body swapping identity crisis, but two decades later with very different responsibilities it’s going to make the situation a lot more complicated.

A lot has changed in 22 years. Curtis is now an Oscar winner, Lohan has been a Hollywood cautionary tale and seemingly made a positive turnaround and career comeback.

Chad Michael Murray returns as Jake, Anna’s former boyfriend from the original film. Manny Jacinto (The Good PlaceThe Acolyte) plays Anna’s current guy. Also in the cast are Julia Butters, Sophia Hammons, Mark Harmon, Christina Vidal Mitchell, Haley Hudson, Ryan Malgarini, Lucille Soong, Rosalind Chao, Jordan E. Cooper, Maitreyi Ramakrishnan, Vanessa Bayer, and Dakota Lohan.

SYNOPSIS: In the film, Curtis and Lohan reprise their roles as Tess and Anna Coleman. The story picks up years after Tess (Curtis) and Anna (Lohan) endured an identity crisis. Anna now has a daughter of her own and a soon-to-be stepdaughter. As they navigate the myriad challenges that come when two families merge, Tess and Anna discover that lightning might indeed strike twice.

Freakier Friday opens in theaters on August 8th when it’ll face off against Zach Cregger’s anticipated horror, Weapons. Talk about counterprogramming.

Mia Goth Lands Villain Role In ‘Star Wars: Starfighter’ Opposite Ryan Gosling

Mia Goth has joined Ryan Gosling in STAR WARS: STARFIGHTER

Every director wants to work with Mia Goth. The Pearl and MaXXXine actress seems to get listed for just about every studio franchise, such as Marvel’s Blade, without jumping into blockbuster fare with both feet. Well, that’s about to change. THR confirms an earlier report from Jeff Sneider that Goth is joining Ryan Gosling in Shawn Levy’s Star Wars: Starfighter.

Plot details on Starfighter remain under wraps, but we know that it’s a standalone film set five years after the events in The Rise of Skywalker. Gosling plays a starfighter pilot who must protect his nephew from dangerous pursuers. Goth will play one of those pursuers on their trail.

If Goth brings some of that crazy Infinity Pool energy, this performance could be incredible. This is the same role that Oscar winner Mikey Madison was briefly attached to before the deal imploded.

Coming up for Goth is Guillermo Del Toro’s Frankenstein over at Netflix. She also has a mystery role in Christopher Nolan’s summer blockbuster, The Odyssey.

Star Wars: Starfighter opens May 28th 2027.

‘Hallow Road’ Trailer: Rosamund Pike And Matthew Rhys Star In Babak Anvari’s Psychological Thriller

HALLOW ROAD opens this Fall

Babak Anvari broke out with his amazing debut feature, Under the Shadow, a horror film set during the Iraq-Iran War. He’s worked steadily ever since on such films as Wounds, I Came By, and a fourth Cloverfield film that promises to be the biggest of his career. But before that, Anvari has the psychological thriller Hallow Road, starring Rosamund Pike and Matthew Rhys.

Here’s the official synopsis: Two parents receive a distressing late-night call from their teenage daughter, who has just accidentally hit a pedestrian. They jump in their car, racing to get there before anyone else stumbles across the scene. As they head deeper into the night, disturbing revelations threaten to tear the family apart as they soon realize they might not be the only ones driving down Hallow Road.

William Gillies wrote the screenplay.  Megan McDonnell plays Pike and Rhys’ daughter in the film.

Hallow Road premiered at SXSW earlier this year, and has already been released in the UK where the reviews have been very good. XYZ Films plans to release it in the US this Fall.

Channing Tatum And Brad Pitt Team Up For Isle Of Man Racing Film At Amazon MGM

Two Isle of Man projects in the works from Tatum and Pitt

The Isle of Man TT, or Tourist Trophy, is an annual motorcycle race held on the Isle of Man nearly every year since 1907. And I bet you’ve never heard of it. Well, neither had I. Channing Tatum and Brad Pitt have heard of it, and they’re keen on making a couple of movies about it with Amazon MGM.

Deadline reports Amazon MGM Studios has landed a feature film and docuseries about the Isle of Man Tourist Trophy motorcycle race, with Tatum set to star and produce. Pitt will also be a producer through his Plan B banner. The feature will be directed by Tatum’s creative partner Reid Carolin, who he has worked with multiple times on such films as 10 Year, Logan Lucky, Dog, and the Magic Mike franchise. Carolin also co-writes the screenplay with Jason Keller and Bryan Johnson.

The docuseries will be four 45-minute episodes and will center on last year’s race, with the filmmakers given exclusive access to the competitors. Pitt, Tatum, and Carolin will be among the producers.

The Isle of Man TT is a unique race with a storied history that has never been captured in a feature film before. As I said in the beginning, most people had never even heard of it before. It’s become a lot more popular lately due to livestreaming and even promotion. A movie could send its popularity into the stratosphere. It also keeps Pitt in the high-speed world of racing, following his upcoming film F1 that opens this month.

 

Trailer For Luc Besson’s ‘Dracula: A Love Tale’ With Caleb Landry Jones And Christoph Waltz

Caleb Landry Jones in DRACULA: A LOVE TALE

How interested are you in yet another Dracula movie? Well, Luc Besson hopes you’re really into the lord of vampires, because he’s got a new one on the way, Dracula: A Love Tale, and a trailer for it has just dropped. If you recall when it began shooting last year, then you know that it stars Caleb Landry Jones, and that might be the most intriguing aspect of this idea. And this comes from someone who is an unabashed Luc Besson fan.

The film reunites Besson and Jones, who recently worked together on the batshit canine action flick Dogman. Jones becomes the latest actor to play Count Dracula, and based on this footage it’s going to be an extremely odd performance. Odd is pretty much Jones’ specialty, at this point. This could be REALLY bad, but I dig that Besson is still willing to take risks and this movie is nothing but risk. It’s dripping with an abundance of style, and you can tell Jones is totally going for broke, as he does with every role.

Also in the cast are Christoph Waltz and Italian singer/actress Matilda De Angelis. Besson directed the film and wrote the screenplay.

Coming so soon after Robert Eggers’ Nosferatu, I have a hard time believing this will ever find U.S. distribution. Besson films haven’t been commercially successful here in ages. Movies like The Professional, The Fifth Element, Taken, and Lucy were ages ago. Since then, he’s had a couple of high-profile flops such as Valerian and the City of a Thousand Planets and the little-seen hitwoman flick, Anna. I still dig him as a filmmaker, but Dracula: A Love Tale might be something we will have to track down after its July release in France.

The Philippou’s Next Film Is A Doc About Extreme Deathmatch Wrestling

The Philippou Bros. are making a deathmatch wrestling doc

The filmmaking duo RackaRacka aka Danny & Michael Philippou, are striking while the iron is hot. Fresh off the success of their latest horror, Bring Her Back, and their debut Talk to Me, they’re embarking on something that is completely different and yet personal to them. Actually, given the material, maybe it’s not that far from horror, because what they’re directing is a documentary on extreme deathmatch wrestling.

In an interview with Discussing Film, they revealed that they’ve been quietly shooting a documentary on the blood-soaked, barbed wire, explosive world of deathmatch wrestling. If you’ve never seen this stuff, especially some of the matches in Japan, go and check them out but only if you’ve got a strong stomach.

Michael said in the interview, “The next thing we’re doing, as soon as we wrap press on this, is a documentary on deathmatch wrestling. It’s like professional wrestling, but an extreme version of it. It’s extreme performance art with glass, barbed wire, thumbtacks.”

“It’s extreme performance art with glass, barbed wire, thumbtacks,” he added. “We had been shooting it between “Talk to Me” and “Bring Her Back,” hopefully, that’ll premiere early next year.”

This won’t be like other documentaries about wrestling, either. They will be bringing cameras into the ring to capture the brutality, the injuries, the carnage, like never before. Not only that, but Michael and Danny were also involved in the action.

The duo are still on track to deliver a Talk to Me sequel to A24 at some point, but this documentary is their priority right now and has been occupying their time.

This sounds wild, and I’m curious to see which current pro wrestlers who have performed in deathmatches, like maybe Nick Gage, are involved with the film.