Review: ‘Swallow’Haley Bennett Shines As A Desperate Housewife With A Stomach-Turning Secret
If you've never heard of Pica, the disorder which causes someone to ingest things that aren't meant to be eaten, prepare to get a...
Review: ‘Escape From Pretoria’Daniel Radcliffe Can't Break Free From A Promising But Underwhelming Prison...
Prison escape movies are only as interesting as the escapees themselves, and the cleverness of their escape route. So it's not surprising that Escape...
Review: ‘The Way Back’Ben Affleck Scores A Slam Dunk In Sobering Redemption Story
As if answering critics of his sleepy-eyed performance in The Last Thing He Wanted, Ben Affleck makes one Hell of a rebound with The...
Review: ‘First Cow’Kelly Reichardt Paints A Beautiful, Dangerous Portrait Of Male Friendship, Capitalism, And...
Chances are if you're not already a fan of the deliberately-paced dramas of Kelly Reichardt, First Cow isn't on your radar. But it should...
Review: ‘The Hunt’Blumhouse's Controversial Political Satire Destroys Deplorables And Snowflakes Alike
“Liberal Hollywood is Racist at the highest level, and with great Anger and Hate! They like to call themselves ‘Elite,’ but they are not...
Review: ‘Bloodshot’Vin Diesel Slugs His Way Through A Brawny, Surprisingly Enjoyable Comic Book Movie
If trying to launch a brand new superhero cinematic universe, Sony could've done worse than Bloodshot, a character whose origin story is basically a...
Review: ‘Never Rarely Sometimes Always’Eliza Hittman Returns With Another Sobering, Intimate Look At Sexual...
When we first meet Autumn (Sidney Flanigan) in Eliza Hittman's stirring, intimate, and infuriating Never Rarely Sometimes Always, she's singing a melancholy tune at...
Review: ‘The Roads Not Taken’Javier Bardem & Elle Fanning Travel A Tedious Path In...
When the most compelling thing about Sally Potter's stagnant melodrama The Roads Not Taken is figuring out how Elle Fanning could possibly be Javier...
Review: ‘Big Time Adolescence’Pete Davidson Gets The Headlines But Griffin Gluck Truly Wins In...
Debuting at Sundance in 2019, Big Time Adolescence was the kind of familiar, plucky coming-of-age story the festival trafficks in pretty regularly. What made...
Review: ‘The Banker’Anthony Mackie And Samuel L. Jackson Invest In A Superheroic True Story...
Wealth. When institutional racism is discussed, it is the creation of wealth that has long been denied to black people even after the end...